digital transformation Europeana: enabling · Europeana copyright community SUPPORTING THREE GOALS...
Transcript of digital transformation Europeana: enabling · Europeana copyright community SUPPORTING THREE GOALS...
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Dit tableau is dubbel gesigneerd,Léon V. Solon,Mintons China Works, 1905,Nederlands Tegelmuseum, Netherlands, CC BY
Europeana: enabling digital transformationBOURNEMOUTH, UK | 19th September 2019
Julia Fallon, Senior Policy Advisor
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10 perspectives on the future of digital cultureCC BY-SA
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Who are we
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EUROPEANA.EU
● Art, photographs, maps, history, news, fashion, film & more
● Images/Text/Sound/Video/3D
● Content in 35+ languages
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Things we like to hear“I need to thank Europeana for accelerating the discussion and the decision making concerning our licensing policy here at the Finnish National Gallery”. Dr. Riitta Ojanperä, Director, Collections Management, Finnish National Gallery”
Idrottstävlingar på Eyravallen. "Benke". 27 september 1955.,Örebro Kuriren, Örebro läns museum, Sweden, Public domain
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EUROPEANA MOOCEN/ES/PT
3,012 registrations (33%+ than 2018)
627 certificates(52%+ than 2018)
Minimum 50 learning scenarios
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MOOC IMPACT
Feel confident and able to use cultural
data for their lessons
Understand copyright & how to use digital cultural data online
Aware how to use Europeana to teach different subjects
92% 93% 93%
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Europeana migration campaign CC BY
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The impact ofThe Migration Campaign
66% 71% 56% 71%
More positive view of their
identity
Easier to express themselves
Higher levels of self esteem
Higher levels of self confidence
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So what’s next?
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Digitization in Europe
Source: Enumerate report 2017
Europeana: 23% of 58 million records are available for reuse
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10 perspectives on the future of digital cultureCC BY-SA
We want to help solve this problem...
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10 perspectives on the future of digital cultureCC BY-SA
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The Europeana Licensing
Framework Standardising & harmonising rights related information and practice
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"isprinsessor" Karin Åslund, Inga-Maj Säflund och Ingrid Skarström vid Eyravallen., Klingberg, Gösta, Örebro läns museum, Sweden, Public domain
New EU Copyright RulesTHE DSM DIRECTIVE BENEFITS CULTURAL HERITAGE INSTITUTIONS (CHI)
● Allows digital reproduction by CHI for preservation
purposes (Article 6)
● CHI & research organisations have an exception to
allow text and data mining (Article 3)
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"isprinsessor" Karin Åslund, Inga-Maj Säflund och Ingrid Skarström vid Eyravallen., Klingberg, Gösta, Örebro läns museum, Sweden, Public domain
New EU Copyright RulesTHE DSM DIRECTIVE BENEFITS CULTURAL HERITAGE INSTITUTIONS (CHI)
● Allows the digitisation and making available online
of works that are in-copyright but
out-of-commerce (articles 8-11)
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"isprinsessor" Karin Åslund, Inga-Maj Säflund och Ingrid Skarström vid Eyravallen., Klingberg, Gösta, Örebro läns museum, Sweden, Public domain
New EU Copyright RulesTHE DSM DIRECTIVE BENEFITS CULTURAL HERITAGE INSTITUTIONS (CHI)
● Member States can introduce Extended Collective
Licensing to go beyond the Out-Of-Commerce
provisions (Article 12)
● The Public Domain is protected (Article 14)
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10 perspectives on the future of digital cultureCC BY-SA
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10 perspectives on the future of digital cultureCC BY-SA
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Tableau afkomstig uit de gevel van Huize Kareol,Laeuger, Max, 1908, Nederlands Tegelmuseum, Netherlands, CC BY
Copyright Community
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"isprinsessor" Karin Åslund, Inga-Maj Säflund och Ingrid Skarström vid Eyravallen., Klingberg, Gösta, Örebro läns museum, Sweden, Public domain
our goalFOR THE EUROPEANA COPYRIGHT COMMUNITY
Together, we can help each other meet the copyright challenges
that we all experience in the process of making our digital
collections available online for reuse
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Tableau afkomstig uit de gevel van Huize Kareol,Laeuger, Max, 1908, Nederlands Tegelmuseum, Netherlands, CC BY
our working environmentWE SHARE THE SAME PAINS
● An unfit (but changing) legal environment
● Evolving policies
● Gaps in knowledge & skills
● Fragmented or missing resources
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our work...
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our work...
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our work... The (new) process for making out-of-commerce in-copyright works available
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10 perspectives on the future of digital cultureCC BY-SA
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It’s not just us ...
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10 perspectives on the future of digital cultureCC BY-SA
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www.timsherratt.org CC BY
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The Missing 20th Century: How Copyright Protection Makes Books Vanish
Paul Heald
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Credit: John Boyd / Library and Archives Canada / RD-000056
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We make it easier for cultural heritage organisations across the globe to share their valuable content online by providing a range of standardized rights statements that communicate the copyright and reuse possibilities.
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Opening up GLAM data
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The Problem: Creative Commons licenses are not an option for the most common copyright
situations faced by GLAMs
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Three categories: twelve rights statements
4 Statements for works that are not
in copyright
3 Statements for works where the copyright status
is unclear
5 Statements for works that are in
copyright
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5 Statements for in copyright objects
This Rights Statement indicates that the Item labeled with this Rights Statement is in copyright
This Rights Statement indicates that the underlying work of the Item labeled with this Rights Statement has been identified as an ‘Orphan Work’ under the terms of the EU Orphan Works Directive.
This Rights Statement indicates that the Item labeled with this Rights Statement has been identified as in copyright, but its rights-holder(s) either cannot be identified or cannot be located.
This Rights Statement indicates that the Item labeled with this Rights Statement is in copyright but that educational use is allowed without the need to obtain additional permission.
This Rights Statement indicates that the Item labeled with this Rights Statement is in copyright but that non-commercial use is allowed without the need to obtain additional permission.
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4 Statements for objects that are not in copyright
This Rights Statement indicates that the Work is in the Public Domain, but the organization that has published the Work is contractually required to allow only non-commercial use by third parties.
This Rights Statement indicates that the underlying Work is in the Public Domain, but that there are known restrictions imposed by laws other than copyright and/or related rights on the use of the Item by third parties.
This Rights Statement indicates that the underlying Work is in the Public Domain, but the organization that has published the Item is contractually required to restrict certain forms of use by third parties.
This Rights Statement indicates that the Item is in the Public Domain under the laws of the United States, but that a determination was not made as to its copyright status under the copyright laws of other countries.
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3 “Other” statements
This Rights Statement indicates that the data provider has not evaluated the copyright and related rights status of the Item.
This Rights Statement indicates that the organization that has made the Item available has reviewed the copyright and related rights status of the Item, but was unable to determine the copyright status of the Item.
This Rights Statement indicates that the data provider believes that no copyright or related rights are known to exist for the Item, but that a conclusive determination could not be made.
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Under Development (italics = tbc)
Final stages
Published (English +)
Dutch (NL/BE) Bangla English
Finland-Swedish Lithuanian Estonian
Japanese Hindi Finnish
Portuguese French *NEW*
Swedish German
Spanish
Polish
7 OFFICIAL EUROPEAN LANGUAGES, 5 UNDER DEVELOPMENT
Multilingual rights information
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The RightsStatements.org Consortium in 2019
Steering Committee
StatementsWorking Group
Technical Working Group
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Working towards adoption of rights standards
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10 perspectives on the future of digital cultureCC BY-SA
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Dit tableau is dubbel gesigneerd,Léon V. Solon,Mintons China Works, 1905,Nederlands Tegelmuseum, Netherlands, CC BY
Using pan-european networks to build capacity to support implementation of CDSMBOURNEMOUTH, UK | 20th September 2019
Julia Fallon, Senior Policy Advisor
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10 perspectives on the future of digital cultureCC BY-SA
Problem #1
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10 perspectives on the future of digital cultureCC BY-SA
Problem #2
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"isprinsessor" Karin Åslund, Inga-Maj Säflund och Ingrid Skarström vid Eyravallen., Klingberg, Gösta, Örebro läns museum, Sweden, Public domain
FOR THE EUROPEANA COPYRIGHT COMMUNITY
Together, we can help each other meet the copyright challenges that we all experience in the process of making our digital collections available online for reuse
Europeana copyright communitySUPPORTING THREE GOALS TOWARDS BETTER COPYRIGHT PRACTICE
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Europeana copyright communitySUPPORTING THREE GOALS
"isprinsessor" Karin Åslund, Inga-Maj Säflund och Ingrid Skarström vid Eyravallen., Klingberg, Gösta, Örebro läns museum, Sweden, Public domain
FOR THE EUROPEANA COPYRIGHT COMMUNITY
● Supporting implementation of DSM Directive
● Improving skills & training
● Advocating for better copyright practice
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Europeana copyright communitySUPPORTING THREE GOALS
"isprinsessor" Karin Åslund, Inga-Maj Säflund och Ingrid Skarström vid Eyravallen., Klingberg, Gösta, Örebro läns museum, Sweden, Public domain
FOR THE EUROPEANA COPYRIGHT COMMUNITY
● Supporting implementation of DSM Directive
● Improving skills & training
● Advocating for better copyright practice
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Europeana copyright communitySUPPORTING THREE GOALS
"isprinsessor" Karin Åslund, Inga-Maj Säflund och Ingrid Skarström vid Eyravallen., Klingberg, Gösta, Örebro läns museum, Sweden, Public domain
FOR THE EUROPEANA COPYRIGHT COMMUNITY
● Supporting implementation of DSM Directive
● Improving skills & training
● Advocating for better copyright practice
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Working towards adoption of rights standards
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Under Development (italics = tbc)
Final stages
Published (English +)
Dutch (NL/BE) Bangla English
Finland-Swedish Lithuanian Estonian
Japanese Hindi Finnish
Portuguese French *NEW*
Swedish German
Spanish
Polish
Multilingual rights information7 OFFICIAL EUROPEAN LANGUAGES, 5 UNDER DEVELOPMENT
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10 perspectives on the future of digital cultureCC BY-SA
Problem #1