Deir el Medina architecture
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Transcript of Deir el Medina architecture
Deir el-Medina
Map of Thebes
Deir el-Medineh:Focal point of the village = cutting & decorating the King’s tomb.
Village of Deir el-Medina
DEIR EL-MEDINEH:Thutmose I (stamped bricks): village walled & guarded for protection.
Village
Cemetery
Deir el-Medina workmen’s
temporary camp
8 days of 10-day weekspent camped near worksite
2 work gangs in Valley of the Kings:
Gang of the left side of tomb.
Gang of the right side of tomb.
Vizier appointed a scribeWho kept a tally of attendance By workers at work site.
Illness permitted
Absence for special holidays
Special permission for absence for family problems
Workers:-Gang leader & assistant (R & L)-Quarrymen-Plasterers-Outline draftsmen-Painters
-Each worker responsible for hisstate-issued tools
Workmen’s attendance roster:
DYN. 18:Thutmose III
Ramesside (Dyn.19-20):(Reocc. Yr. 7 Horemheb)-Ramesside kings enlarged the village
-Ramesses IV doubled size of village to complete his tomb.
-R.IV state turned administration of the village over to High Priest of Amun in Thebes
-Ramesses XI village closed down after it = found to be robbing tombs during
a rebellion ( Medinet Habu).
THE ROYAL WORKFORCE:
WAGES ANDLABOUR RELATIONS:
New Kingdom salaries for the work force:
• The payment data for the tomb workers at Deir el-Medineh is more detailed:
• The workers in this privileged community received:- Housing- Various living requirements- 150 kg of wheat per month- 56 kg of barley per month- Fish- Vegetables- Pottery- Firewood- Finished products such as linen
(usuallypaid annually, or on special visits)
• However, as Dyn.20 drew to a close, the workers faced ration & supply delays and shortages.
• They went on strike several times, going to Medinet Habu to demand payment (Vizier)
Founded by Amenhotep I?Thutmose I stamped bricks in wall
Early Dynasty 18
Tell el-Amarna:
Meat and bread supplied as Salaries to workmen’s village
Workmen’s village ink labels (5 = meat labels)
Large quantities of unlabelled“meat” jars(Village supplemented its diet with its own raising of pigs, etc.)
Ostrakon Berlin 11238
The Mayor of West Thebes Ramose informs the two chief workmen and their crews that he has received a message from the Vizier Paser, saying
Please let the wages be delivered to the crew of the necropolis, consisting of:vegetables, fish, firewood, beer in small vessels, small cattle and milk.Let nothing of it be postponed, so that I would be in arrears with their wages. Be at it and pay heed!
The chief workman
2 sacks (barley)
5 ½ sacks (emmer)
The scribe 2 5 ½
17 men, each 1 ½ 4 that is 25 ½ + 68
2 young men, each
½ 1 ½ that is 1 + 3
The guardian 1 ½ 3 ¼
The slave women /
1 ½ 1 ¼
The doorkeeper ½ 1
The doctor / ¼ 1
Total / 32 ½ 84 ¾
Ostracon Cairo 25608Giving rations for the second month of summer /:
Ramesses III.
Troubles at end of R-III's reign:- Removes disloyal & corrupt vizierfrom office; exiles him to Athribis.
- Year 29: previously regular rations and payments made to royal tomb workers become sporadic.
- Worker’s go on strike!- Vizier had to intervene directly, but could only provide half the required rations and supplies.
= extreme economic hardships
THE ROYAL WORKFORCE:
LIVING CONDITIONS:
Village: - Wealthier, larger houses near entrances to village- had a doctor & carpenter- had a local court (knbt) dealing with local crimes
Village Court: - village elders, foremen, senior workmen.e.g. property disputes, complaints, etc.
Theban court: - Vizier dealt with serious crimese.g., theft from tomb, shrine, state property.Cultic court: - appeal to oracle (statues of village patron deities; processions)
- verdict could not be contested normally(second opinions could be sought)
Room 1
Ritual fixtures
Cultic objects
Female imagery
Birthing imagery
Lit clos
Female spaceHREET OUTER HALL Mt..lH HALL KITCHEN
@
o;,_-==--==-.;;sc:======2-tom
General Patterns of Domestic Space at Deir el-Medina Room 2:Ritual fixtures Cultic objects Male imagery Ancestor busts (Bierbrier: rm.1) DivanMale space
HOUSEHOLD CULTS
Deir el- Medineh: General patterns of domestic space• Ovens, cooking area• No cultic objects• No imagery• Undecorated• Processing tools• Working space
Modern village ovennear Deir el-Medina
Tf\EET
OUTER H L l MA.IN
HALL
CELLAR
0---==---===--s===============:2"0m
KITCHEti CfllARHT E
Bes guardianDriving away demons Tall
oil lamp
Deir el-Medineh:Bedroomfurnishings
Deir el-Medineh:Using rooftops: storage, household and related chores, communal activity, etc.
Clothing recovered by IFAO team
Deir el-Medineh: Villagers went to river-side market.
Sketch from Life Ostracon.
Relief from Queen Hatshepsut Temple.
Animal Ostraca.
Sex Ostraca.
Ostraca showing funerary practices
Women on Ostraca.
Tombs plans and sketches
King
Deir el-Medineh: Papyrus ‘library’Papyrus Chester Beatty 1, sole copy of the Tale of Horus and Seth, and of a group of love songs (preserved in Dublin)Papyrus Chester Beatty 2, sole copy of the Tale of Truth and Falsehood (British Museum ESA 10682)Papyrus Chester Beatty 3, sole copy of a Dream Book, on other side a copy of the Battle of Qadesh (British Museum ESA 10682)
Papyrus Chester Beatty 4, hymns and didactic excerpts (British Museum ESA 10684)Papyrus Chester Beatty 5, copy of the Hymn to the Nile flood, and didactic excerpts (British Museum ESA 10685)Papyrus Chester Beatty 6, prescriptions and incantations for good health (British Museum ESA 10686)Papyrus Chester Beatty 7, incantations for good health (British Museum ESA 10687)
Papyrus Chester Beatty 8, incantations for good health (British Museum ESA 10688)Papyrus Chester Beatty 9, copy of the Offering Ritual for king Amenhotep I, and on other side incantations for good health (British Museum ESA 10689)Papyrus Chester Beatty 10, aphrodisiacs (British Museum ESA 10690)Papyrus Chester Beatty 11, incantations for good health including the Tale of Isis and Ra, and a hymn to Amun (British Museum ESA 10691)Papyrus Chester Beatty 12, incantations for good health (British Museum ESA 10692)
Papyrus Chester Beatty 13, incantations for good health (British Museum ESA 10693)
Papyrus Chester Beatty 14, incantations for good health (British Museum ESA 10694)
Papyrus Chester Beatty 15, incantations for good health (British Museum ESA 10695)Papyrus Chester Beatty 16, incantation for purity (British Museum ESA 10696)
Papyrus Chester Beatty 17, excerpts from the 'Satirical Letter' (British Museum ESA 10697)
Papyrus Chester Beatty 18, didactic excerpts and incantations for good health (British Museum ESA 10698)Papyrus Chester Beatty 19, copy of the Teaching of Khety (British Museum ESA 10699)Papyrus Ashmolean, Will of Niutnakht (completed by Papyrus IFAO Deir el-Medina 2, part of the Will of Niutnakht)
Deir el-Medineh: Personal letters
BUILDING MATERIAL
S&
TECHNIQUES:
Ancient Egypt• Materials and resources
Buildings:• Mud brick Silt & straw (floodplain)• Reeds• Timber
Local (e.g., huts, roofing) Local palm & acacia Imported cedar, etc.• Mud & gypsum wash (local-regional)
• Stone Igneous stones(e.g., granite)
Sedimentary stones (e.g., limestone)
Conglomerate stone (e.g., breccia)
Furnishing & decoration (“art”):• Statuary• Fittings
• Surfaces
Wood, stone, metal, etc.Various materials & items
(e.g., False door stelae)
Relief decoration Painted decoration• Furnishings (e.g., mobile
items)
BUILDING MATERIALS & TECHNIQUES:
MUD BRICK:
Ancient Egyptian• Materials and resources
Buildings:• Mud brick Silt & straw (floodplain)• Reeds• Timber
Local (e.g., huts, roofing) Local palm & acacia Imported cedar, etc.• Mud & gypsum wash (local-regional)
• Stone Igneous stones(e.g., granite)
Sedimentary stones (e.g., limestone)
Conglomerate stone (e.g., breccia)
Furnishing & decoration (“art”):• Statuary• Fittings
• Surfaces
Wood, stone, metal, etc.Various materials & items
(e.g., False door stelae)
Relief decoration Painted decoration• Furnishings (e.g., mobile
items)
Nile Floodplain:Source of clay mudbrick
reeds roofing; huts … palm roofing; posts …
Ancient Egyptian• Materials and resources
Buildings:• Mud brick Silt & straw (floodplain)• Reeds• Timber
Local (e.g., huts, roofing) Local palm & acacia Imported cedar, etc.• Mud & gypsum wash (local-regional)
• Stone Igneous stones(e.g., granite)
Sedimentary stones (e.g., limestone)
Conglomerate stone (e.g., breccia)
Furnishing & decoration (“art”):• Statuary• Fittings
• Surfaces
Wood, stone, metal, etc.Various materials & items
(e.g., False door stelae)
Relief decoration Painted decoration• Furnishings (e.g., mobile
items)
BUILDING MATERIALS & TECHNIQUES:
WOOD ANDWOODEN PILLARS:
Ancient Egyptian• Materials and resources
Buildings:• Mud brick Silt & straw (floodplain)• Reeds• Timber
Local (e.g., huts, roofing) Local palm & acacia Imported cedar, etc.• Mud & gypsum wash (local-regional)
• Stone Igneous stones(e.g., granite)
Sedimentary stones (e.g., limestone)
Conglomerate stone (e.g., breccia)
Furnishing & decoration (“art”):• Statuary• Fittings
• Surfaces
Wood, stone, metal, etc.Various materials & items
(e.g., False door stelae)
Relief decoration Painted decoration• Furnishings (e.g., mobile
items)
MK fort at Buhen
Tell el-Amarna: Workmen’s Village --Stairway to upper floor
- Lower part built in mudbrick- Upper part have support beam
underbrickwork steps.
- Cupboard placed beneath stairs
BUILDING MATERIALS & TECHNIQUES:
STONE:
NILE VALLEY BUILDING STONES from adjacent deserts:
-Limestone (common)
(common)
(Aswan)(Aswan)
(Aswan)
-Sandstone
-Granite
-Diorite
-Basalt
-Dolerite
-Quartzite sandstone
-Greywacke
-Alabaster/calcite
-Serpentine
-Steatite
(Aswan)
(E. Desert)
(E.
Desert)
(E.
Desert)
(E.
Desert)
(E. Desert)
STONEQUARRIES
Quarrying stone for the Pyramids
Limestone Granite Basalt Etc.
Sawing stone
Using quartz sand as an abrasive
Traces of sawing on basaltpaving of Khufu pyramid temple.
Hypothetical copper saw cutting stone
Quarrying talatat blocks:Building entirely new city & other temples in 5 years:using $$$, 1000s of workers, and “talatat” blocks
- Sandstone
- Smaller blocks
- Easy to cut and handle by 1 person.
- Allowed rapid constructionof new temples.
- Plastered and incised decoration.
- Another idea: the blocks replicate Djoser’s Dyn.3 Step Pyramid stones(i.e., with solar affiliations)
Quarry-2 called “Queen Tiye”
Rapid construction using talatat blocks
East tower of Horemheb’s Ninth Pylon,Karnak. The interior core is composed of muchsmaller talatat blocks from Akhenaten’smonuments at Karnak.
A late Eighteenth Dynasty relief reusedin the Twentieth Dynasty pylon of the Temple ofKhons, Karnak.
Widan el-Faras basalt quarry
Old Kingdom sandstone quarry road:
Sandstone-paved 10 km quarry roa
Basalt outcrops
Ancient Egyptian• Materials and resources
Buildings:• Mud brick Silt & straw (floodplain)• Reeds• Timber
Local (e.g., huts, roofing) Local palm & acacia Imported cedar, etc.• Mud & gypsum wash (local-regional)
• Stone Igneous stones(e.g., granite)
Sedimentary stones (e.g., limestone)
Conglomerate stone (e.g., breccia)
Furnishing & decoration (“art”):• Statuary• Fittings
• Surfaces
Wood, stone, metal, etc.Various materials & items
(e.g., False door stelae)
Relief decoration Painted decoration• Furnishings (e.g., mobile
items)
BUILDING MATERIALS & TECHNIQUES:
TOOLS:
Middle Kingdom Lahun:
Evidence for smelting copperand producing cast tools.
Workmen’s tools
Deir el-Medineh: Government-issued and controlled tools.Damaged & worn tools retrieved for replacement by foreman & scribe
Decorative techniques in tombs:
Colours/pigments:- The Egyptian colour palette was
relatively limited, but they achieved a broader range by increasingor decreasing water content.
Iron oxides produced red-brown &
yellowCopper frit produced blue & green
Whitewash produced white
Soot/charcoal produced black.
The % of water added created broad
changes in tone.
- The Egyptian artists could use tone variation/shading to indicate shadowing on the body, shading, giving some indication of depth.
Dyn.6: Seankhuiptah’s tomb: shading
TOMBS
Deir el-Medina Necropolis, Showing Pyramidion.
Deir el-Medina Villager's Tomb, Schematic.
Approach to Ipuy's Tomb Entrance.Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Plan and Section of Ipuy's Tomb (detail-left half).
Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Interior of Ipuy's Tomb, Southwest Corner of Chapel.
Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Plan and Section of Ipuy's Tomb (detail-right half).Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Workforce Division at Deir el-Medina.
Vizier & Overseer of the Treasury (from Central Government)
Two Foremen (Right & Left) = Village Captains Foremen's Deputies
Scribe
Tomb Guardian
Three Door-keepers
Two Police Chiefs
Tomb Builders Stonemasons, Carpenters & Chief Carpenters, Sculptors, Draftsmen
& Apprentices
Tomb Servants Woodcutters, Watercarriers, Fishermen, Gardeners, Washermen,
Potters
Female Slaves
Painting from Queen Nefertari's Tomb, Wife of Ramesses II.
Nineteenth Dynasty Royal Tomb Painting.
Ipuy & His Wife Adore Anubis &
Ptah-Sokar.Courtesy Digimom-Maison de
l’Orient et de la Méditerranée, Lyon–France.
Ipuy & His Wife Adore Osiris & Hathor.Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–
France.
Frieze of Relatives.Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–
France.
Presentation of Food to the Dead Pair by Their Children.
Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Ipuy Receives Award from King Ramesses II.
Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Burial of Ipuy. His House & Garden. His Functions as Priest of the Cult of a Dead
King.Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Ipuy's House & Garden (Drawing Water from the Pond).
Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Burial of Ipuy. His House & Garden. His Functions as Priest of the Cult of a Dead
King.Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Agricultural Operations with an Aquatic Scene.
Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Goats Led to Pasture.Courtesy Digimom-Maison de l’Orient et de la Méditerranée,
Lyon–France.
Agricultural Operations with an Aquatic Scene.
Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Vintage &
Fishing. Courtesy Digimom-Maison de
l’Orient et de la
Méditerranée, Lyon–France.
Agricultural Operations with an Aquatic Scene.
Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
A Catch of Fish.Courtesy Digimom-Maison de l’Orient et de la Méditerranée,
Lyon–France.
Preparation of Funeral Furnishings & Fishing.
Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Preparation of Funeral Furnishings.Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–
France.
Workers Crafting Caskets, Funeral Craft & Tomb Furnishings.
Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Workers Crafting Structures for a Tomb.Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–France.
Workers Crafting Structure for a Tomb.Courtesy Digimom-Maison de l’Orient et de la Méditerranée, Lyon–
France.