Curricular summary in pictures (abstrac)

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Curricular Summary in Pictures. With the team of cultural management and communica2on managers Cáceres 2016 . Candidacy: European Capital of Culture 2016.

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Curricular Summary in Pictures.

With  the  team  of  cultural  management  and  communica2on  managers  Cáceres  2016  .  Candidacy:  European  Capital  of  Culture  2016.  

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Interna2onal  Art  Centre.  Cidade  da  Cultura.  

 Curatorial  and  consultant  team.  

Team  work  and  curatorial  team.  Interna2onal  Art  Centre.  Cidade  da  Cultura.  (San2ago  de  Compostela,  Spain).  In  this  project  I  was  the  responsible  for  the  design  and  draJing  of  marke2ng  and  communica2on  programs,  publica2ons  and  research,  ins2tu2onal  and  interna2onal  rela2ons.      In  the  Picture:  Ivo  Mesquita,  Director  of  the  Pinacoteca  of  São  Paulo  -­‐  Museum  of  Contemporary  Art  and  at  that  2me  President  of  the  28th  Sao  Paulo  Biennial.  Estrella  de  Diego,  curator  and  professor  of  art  history.  José  Guirao,  director  of  the  burning  house  and  Cultural  Manager.  Marta  Rincón,  Commissioner  of  SEASEX  and  Curator.  José  Miguel  Ullán,  ar2st,  cri2c  and  writer.  José  Luis  Blondet,  Curator  for  Special  Ini2a2ves  at  Los  Angeles  County  Museum  of  Art  (LACMA).  Miguel  Lusarreta,  director  of  the  Magazine  Museomanía,  art  collector  and  art  manager.  Susana  Cid,  Museologist.  Beatriz  Garcia,  Consultant  and  cultural  manager,  Mariam  Nuñez,  curator,  consultant  and  cultural  manager  and  Rafael  de  Ramón,    founder  of  coworking  space  UTOPIC-­‐US.  

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Workshops  and  mee2ngs  with  creators    and  ar2sts.  Training  and  cultural  management.  

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Edificio  Embarcadero.  Aldelab  C3.  Caceres.  Spain  

Director  and  coordinator    

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Edificio  Embarcadero.  Aldelab  C3.  Caceres.  Spain  

Director  and  coordinator    

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Edificio  Embarcadero.  Aldelab  C3.  Caceres.  Spain  

Director  and  coordinator    

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Edificio  Embarcadero.  Aldelab  C3.  Caceres.  Spain  

Director  and  coordinator    

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Edificio  Embarcadero.  Aldelab  C3.  Caceres.  Spain  

Director  and  coordinator    

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Member  of  the  Delega2on  in  charge  of  defending  the  applica2on  of  the  City  of  Caceres  as  European  Capital  of  Culture  2016.  Spain,  Julio,  2010.  With  gallerist    and  collector  Helga  de  Alvear,  film  director  Irene  Cardona  and  others  representa2ves  of  cultural  and  poli2cal    ins2tu2ons.  

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Ar2st  Conference:  San2ago  Sierra  y  Omar  Jeréz.  Retrospec2vas  de  sus  obras.  Cabeza  de  Ratón.  Contemporary  Crea2ve  Space.  Cáceres.  Spain.    Owner  and  Director  (2012-­‐2013)  

hdp://vimeo.com/62570835  

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With  Ar;st  Carlos  Garaicoa  in  Cabeza  de  Ratón.    Contemporary  Art  Space.  

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Editor  an  writer:  Green  Paper:  Crea2ve  Caceres.  

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Examples  of  previous  work.  (Ac;ons  related  curatorial  work  that  I  suggest)  

Exhibi;on  Cose  Piu  Notabili.  Embarcadero  Art  Center    

Deco-­‐technological  space.  Embarcadero  Art  Center    

Memory    deposits.  Embarcadero  Cultural    

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Exhibi;on  “The  new  man  (el  hobre  nuevo).  Havana,  Cuba,  2012.  Coordinator  and  support.    Curatorial  process.  

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Name  of  research:    “Juan  Andrés  Milanés.  Sculpture  and  social  ac;vism”    

Party  at  the  funeral,  2011  Epoxy,  fiber  galass.  Installa2on  view:  Gallery  Riis.  Norway  

Don´t  save  yourself  Installa2on.  50  frozen  Lifejackets.  Isle  of  Youth,  Cuba  

This  piece  will  take  place  in  the  North  coast  of  Havana  where  the  Cuban  people  used  to  escape  to  United  States  of  America  back  in  2me.  I  put  50  frozen  lifejackets  in  this  coastline.  When  I  frozend  all  those  lifejackets,  I  remove  all  the  func2onality  of  the  objects.  Paradoxically  I  turn  the  image  into  monuments  of  the  ephemeral,  an  absurd  landscape  –  iceberg  in  the  tropics.  

“My  piece  is  a  ”readymade,  that  has  been  made”.  It  is  respect  and  disrespect,  construc2on  and  deconstruc2on  of  art  history.  When  the  art  piece  is  located  within  a  gallery  or  museum  the  concept  changes  because  the  possible  readings  are  affected  by  those  places,  which  impose  readings  through  the  power  of  the  ins2tu2on.  These  transferred  meanings  both  alter  and  legi2mized  the  work.”    Juan  Andrés  Milanés.  

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Obra en proceso Instal-acción estación Foro-sur Work in progress

Instal-acción Foro-sur station

…Photodossier  

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Curatorial  process    Sculpture  exhibi2on    Art  Texts.    In  the  image  ar2st  Nacho  Lobato  and  art  and  cultural  manager  Mariam  Núñez  Más.  Cáceres,  Spain.  2012  

 E-­‐mails:  [email protected]      

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Founder  and  editor  of    Museomanía  Magazine  

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