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KHMER SEMINARNovember 7, 2008

Where to buy the copyright in music?

Presenter: KORK Boren

o era or: e a

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- Subject Matters of Copyright

-

- Economic Rights: Right to exclude others

rom ma ng exp o a on o wor s.- Forms of Ex loitation of works:

Reproduction, Adaptation, Communication of

works to the ublic distribution, lease/rental,transmission, performance)

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Rights UsersRights Holders

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License

Royalty

Co ri ht User Copyright Holder

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Copyright Users

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Collective Mana ement

Organization

Repertoire

Copyright Users Copyright Holders

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Rights

Users

Royalty

RepertoireRepertoire

Rights

Members

Members

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Rights under the collective

management:

- Right of public performance

-

- Mechanical Reproduction right in musical

wor s- Performin ri ht in dramatic works

- Related rights

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Typical forms of collective

management:

-Organization

- g ts earance enter- One-Sto -Sho

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- ASCAP (American Society of Composers,

Authors and Publishers)- BMI (Broadcast Music, Inc.)

-

diteurs de musique)

-Authors, Composers and Publishers)

-of Authors and Composers)

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History:

- Pl - rm

- Law on Intermediary Business of Copyright (now

Neighboring Rights)

-

Profile:- Non-profit organization under Civil Law

- Lar est societ in Ja an administerin

copyrights of musical works

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.Objectives: to protect the rights of owners of

musical works and to facilitate the utilization ofmusical works.

Membership:

- Copyright Trust Contract (All rights arer n f rr A RA m m r nout certain rights).

-

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.Operations:

JASRAC

Rights Royalty

DistributionLicense

Right Holders:Composers

Author

Users:Concert, Karaoke, Bar

Broadcasters, WebcastersMusic Publishers Records Companies, etc.

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- Changes brought about by Internet

differences between the professionals and

.

- One-Stop-Shop needed

- Clash with the antitrust laws

-

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-different from the one of tangible goods?

2- Is it now ri ht time for Cambodia to set u

a JASRAC-like organization?

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- Daniel Gervais (Editor), Collective Management ofopyr g t an e ate g ts, uwer aw nternat ona

(2006).

Rights, WIPO (1990).

- Bennett M. Lincoff, A Plan for the Future of Music

Performance Rights Organizations in the Digital Age, inExpanding the Boundaries of Intellectual Property,.

- http://www.jasrac.or.jp

- .- http://www.sacem.fr

- htt ://bmi.com

- http://ascap.com

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THANK YOU!