Chicago, The Art of American Victorian Stained Glass
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Transcript of Chicago, The Art of American Victorian Stained Glass
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http://www.authorstream.com/Presentation/sandamichaela-2203106-chicago16/
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Chicago Cultural Center
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The Chicago Cultural Center, opened in 1897,
is a Chicago Landmark
building that houses the city's official reception venue where the
Mayor of Chicago has welcomed
Presidents and royalty,
diplomats and community leaders.
Initially opened to the public as Chicago’s first public library in
1897, this building boasts 2 beautiful domes
as its main attractions.
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Grand Army of the Republic Memorial - A large hall and rotunda in the north wing features a fine, stained-glass dome in Renaissance pattern by the firm of Healy and Millet
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The current Chicago Cultural Center was formerly the dual-purposed Chicago Public Library and GAR (Grand Army of the Republic) Meeting Hall. Completed in 1897, it occupies property on Michigan Avenue at Randolph Street donated by the GAR.The Chicago Cultural Center built on land donated by the GAR, maintains a memorial hall to the Grand Army
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Glass dome in the Grand Army of the Republic rotunda at the Chicago Cultural Center.
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The Healy and Millet stained glass dome in the Grand Army of the Republic Memorial rotunda in the Chicago Cultural Center—view from directly below
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Preston Bradley Hall
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Preston Bradley Hall - A large, ornately patterned room of curving white Carrara marble, capped with an austere 38-foot Tiffany glass dome designed by artist J. A. Holtzer. The Cultural Center states this to be the largest Tiffany dome in the world
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The magnificent translucent dome, 38 feet in diameter and made of Tiffany Favrile glass, is cut in the shape of fish scales. At the top of the dome are the signs of the zodiac. Now lighted electrically, it was originally illuminated by sunlight. At the base of the dome is a quotation from the British author Joseph Addison. The dome glass, lighting fixtures, wall sconces and chandeliers were made by the Tiffany Glass Company of New York.
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Approximately 38 feet (11,5meters )in diameter, the Tiffany dome spans more than 1,000 square feet. It contains some 30,000 pieces of glass in 243 sections held within an ornate cast iron frame.
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Since this building originally was the 1st Chicago Public Library, the Preston Bradley Hall has many references to literature and books
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The Grand Hall of Saint Louis' Union StationA most impressive feature of the Grand Hall is the "Allegorical Window," a hand-made stained glass window with hand-cut Tiffany glass strategically positioned above the Station's main entryway. The window features three women representing the main U.S. train stations during the 1890s -- New York, St. Louis and San Francisco.
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Tiffany glass ceiling, located in the Macy's on State Street
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Tiffany glass ceiling, located in the Macy's on State Street
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The Art of American Victorian Stained Glass WindowsMacy’s Pedway with Installation of American Victorian Stained Glass Windows.This pioneering Exhibit installed December, 2013 is presented by Macy’s in cooperation with the Smith Museum of Stained Glass Windows, The Chicago Cultural Mile Association and generous donors.
Macy’s Pedway with Installation of American Victorian Stained Glass Windows
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Hea
vily
Jew
eled
Win
dow
- by
Joh
n M
allo
n- m
acy'
s
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Abs
tract
Sym
met
rical
Com
posi
tion
– by
uni
dent
ified
de
sign
er
Ear
th A
ir Fi
re a
nd W
ater
- by
Bel
cher
Mos
aic
Gla
ss C
ompa
ny
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Chu
nk J
ewel
Win
dow
– b
y Jo
hn L
aFar
ge S
tudi
o
Macy’s , in cooperation with the Smith Museum of Stained Glass Windows, The Chicago Cultural Mile Association, and generous donors present this pioneering exhibit.The exhibit is pioneering because the profound originality of American Victorian non-religious stained glass windows [for residences and public buildings] has not been recognized by art scholars or the public. American Victorian secular glass was an important link to 20th century modernism.
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Twins Supporting a Knight’s Plumed Helmet – by unidentified designer
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Double Hung Beveled - by unidentified
designer
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Flowers & Urn, a triptych – by unidentified designer
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Garden of Jewels – by unidentified designerSty
lized
Flo
ral W
indo
w –
by
unid
entif
ied
desi
gner
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Garden of Jewels – by unidentified
designer
detail
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American Victorian secular stained glass windows [1880-1910] were completely different from most painted European stained glass. Innovators like Louis Comfort Tiffany and John Lafarge utilized opalescent glass [the glass itself is extravagantly colored] and focused on illuminating the glass, to let the light itself paint the desired image
Macy’s Pedway with Installation of American Victorian Stained Glass Windows
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Sta
ndin
g La
dy W
indo
w -
by L
eo P
. Fro
he
Pai
r of G
rain
Bou
quet
Win
dow
s - b
y un
iden
tifie
d de
sign
er
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Spi
der W
eb –
by
Tiffa
ny S
tudi
o
They also frequently imbedded glass chunks as well as actual pebbles and shells in their design. Other American innovations included faceted-glass and cut-glass jewels, beveled glass, pressed designs such as scrolls and stem of flowers, folded glass that looked like draped textile, ripple glass that looked like feathers and confetti glass
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Tiffany Motted Glass
Two Angels – by Tiffany Studio - The Smith Museum of Stained Glass Windows
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Two Angels – by Tiffany Studio - The Smith Museum of Stained Glass Windows Tiffany Drapery Glass
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Tiffany Confetti Glass
Driehaus Gallery - Girl with Cherry Blossoms - Tiffany Glass & Decorating Company, c. 1890 - The Smith Museum of Stained Glass Windows
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Guiding Angel – by Tiffany Studio - The Smith Museum of Stained Glass Windows
Tiffany Ripple Glass
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Louisville Combo – by unidentified designer
Hoping to add a bit of light to the walk along the Loop's sometimes-dreary pedway, Macy's, the Chicago Cultural Mile Association and the Smith Museum at Navy Pier have unveiled a permanent installation of 22 American Victorian stained-glass windows
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Ara
besq
ue [A
mer
ican
Moo
rish
Sty
le] –
by
unid
entif
ied
desi
gner
188
0-90
Aut
umn
Leav
es -
by u
nide
ntifi
ed d
esig
ner
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New England Victorian Jewel Window – by unidentified designer
Running along the pedestrian walkway beneath Randolph Street between State Street and Wabash Avenue, the exhibit serves as a way to not only inject some life into an otherwise dull area, but also to expose the overlooked art of non-religious stained glass
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Nig
ht O
wl i
n R
ound
ed W
indo
w –
by
unid
entif
ied
desi
gner
Larg
e S
quar
e W
indo
w o
f Lea
ves,
Bra
nche
s an
d V
ines
– b
y R
uby
Bro
ther
s A
rt G
lass
Com
pany
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Spade Window - by unidentified designer
“Originally created for residences and public buildings, these windows represent an art form that has not been recognized by art scholars or the public,” founder of the Smith Museum E.B. Smith said in a release.
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Standing Woman - by Belcher & Company
American stained glass studios were among the first to be socially progressive in advancement of women in a primarily male workforce. The importance of this inclusion is only now being understood
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Sta
irway
Trip
tych
- by
uni
dent
ified
des
igne
r
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Sta
irway
Trip
tych
- by
uni
dent
ified
des
igne
rTouted as the first-of-its-kind underground public art installation for Chicago, the back-lit windows range in size and color — some depicting human figures, others illustrating combinations of abstract shapes
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