Chiaroscuro

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Chiaroscuro Chiaroscuro LIGHT DARK

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Chiaroscuro. LIGHT. DARK. The use of light and shadow, showing the direction of the light source. The light emanating from the baby Jesus. What direction is the light coming from???. Is it used in today’s art?????. - PowerPoint PPT Presentation

Transcript of Chiaroscuro

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ChiaroscuroChiaroscuro

LIGHT DARK

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The use of light and The use of light and shadow, showing the shadow, showing the direction of the light source.direction of the light source.

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What direction is the light coming from???

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Is it used in today’s Is it used in today’s art?????art?????

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Using the paper given, draw a Using the paper given, draw a tree in each square. Using the tree in each square. Using the chiaroscuro idea of light and chiaroscuro idea of light and dark show four different angles dark show four different angles of the sun.of the sun.

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Baroque Baroque 1580-17001580-1700

It glorified the Church and religious sentiment and portrayed the magnificence of secular wealth, both noble and bourgeois.CARAVAGGIO, REMBRANDT RUBENS, BERNINI, VEMEER

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BERNINI RUBENSBERNINI RUBENS

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VEMEERVEMEER

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CaravaggioCaravaggioItalian Baroque painter, painted harsh realities, used chiaroscuro

Chiaroscuro – The arrangement of light and shadow

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The Martyrdom of St.Matthew

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The Supper at Emmaus The Supper at Emmaus 16011601

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The Cardsharps 1594The Cardsharps 1594

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Rembrandt Rembrandt Dutch Baroque painter, use of chiaroscuro a bold light

and dark

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The Night WatchThe Night Watch

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Descent from the Cross. 1634.

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The Blinding of Samson

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Compare and contrast the art from the Compare and contrast the art from the Renaissance and the Baroque period. Use Renaissance and the Baroque period. Use art terminology and find at least three art terminology and find at least three similarities and three differences.similarities and three differences.

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NeoclassicismNeoclassicismAn art style that borrowed features from the works of ancient Greek and Roman artists.

Jacques-Louis David – distinctive Neo-Classical style associated with the French Revolution

Jefferson – neo-classical architecture with Ancient Greek and Roman architectural influences,

reflect sides of newly independent United States

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Jacques-Louis David Death of Socrates

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The Oath of the Horatii

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Bonaparte Crossing the Alps at Grand-Saint-Bernard1801

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The Coronation of the Emperor Napoleon I

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JeffersonMonticello, Charlottesville, VA

Parthenon

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University of Virginia,  1819-26.

Pantheon

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On a sheet of paper draw the On a sheet of paper draw the façade of Monticello and façade of Monticello and describe the Greek and Roman describe the Greek and Roman influences.influences.

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RomanticismRomanticismTo counter-balance Neo-Classicism, To counter-balance Neo-Classicism, Romanticism, also called the “Age of Romanticism, also called the “Age of Sensibility” emerged. This art placed Sensibility” emerged. This art placed more importance on the imagination, more importance on the imagination, emotional, and individual expression emotional, and individual expression and less on intellectual and classic and less on intellectual and classic values. There is a return to nature, values. There is a return to nature,

interest in the exotic, patriotic, primitive interest in the exotic, patriotic, primitive and supernatural.and supernatural. Romantic artists disliked the cool Romantic artists disliked the cool

colors, stiffness, and subdued colors, stiffness, and subdued emotion in Neoclassicism.emotion in Neoclassicism.

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John Constable

Best known for English landscapes

Flatford Mill

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Wivenhoe Park 1816

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Parham Mill at Gillingham1826, Oil on canvas

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EugeneDelacroix

Arabs Skirmishing in the Mountains 1863

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Liberty Leading the People (28 July 1830). 1830. Oil on canvas. Louvre, Paris, France.

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Eugène Delacroix. The Sultan of

Morocco and His Entourage. 1845. Oil on canvas. Musée des Augustins, Toulouse,

France.

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Francisco Goya

Spanish court painter

examined violence, greed and

foolishness of society

The Family of King Carlos IV

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The Shootings of May Third 1808 1814 (110 kB); Oil on canvas,

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And There's Nothing to Be Done (Y no hai remedio), 1810–23Francisco de Goya y Lucientes (Spanish, 1746–1828)Etching, drypoint, burin, and burnisher The Metropolitan Museum of Art

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From the Goya painting and etching write a news story that includes the latest developments in the French invasion of Spain. Your story will be included in the latest issue of The Wall Street Journal.

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RealismRealismAn art style concerned with depicting the world as it is.

Edouard Manet: Gare St. Lazare, 1873. National Gallery, Washington.

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Edouard ManetEdouard Manet

Manet: Sketch for the Bar at the Folies Bergere, 1881. Courtauld Institute, London.

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Monet Painting in His Floating Studio 1874; Bayerische Staatsgemaldesammlungen, Munich

this artwork shows the painter's passion for open-air painting

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Bench

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IMPRESSIONISMIMPRESSIONISMCharacteristics of Impressionist paintings include relatively small, thin, yet visible brush strokes, open composition, emphasis on the accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, the inclusion of movement as a crucial element of human perception and experience, and unusual visual angles.

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Claude MonetClaude MonetAs you listen to the following piece of Impressionist music use color to create the picture that the composer is painting with music.