Chiaroscuro figure

33
VALUE •Value is an element of design. •defined as the lights and darks in an art work. •black, white and ranges of grays. •Value can be a color and the lights (tints) and darks (shades) of

description

Using value to create the human figure through additive reductive techniques in drawing. Chiaroscuro. ARTS 1317 Medina

Transcript of Chiaroscuro figure

Page 1: Chiaroscuro figure

VALUE

•Value is an element of design.•defined as the lights and darks in an art work. •black, white and ranges of grays.•Value can be a color and the lights (tints) and darks (shades) of that color.

Page 2: Chiaroscuro figure

LIGHT

• We see light through waves of energy traveling through the air that are recognized by light and color sensitive receptors in our eyes.

Page 3: Chiaroscuro figure

• Light moves in straight lines, a SHADOW results from something blocking the light.

Page 4: Chiaroscuro figure

Key

• The relative lightness or darkness of a picture or the colors employed in it; used in preference to value

• High Key• Low Key• Full Value Range

Page 5: Chiaroscuro figure

Sphere-6 Categories of Light

Page 6: Chiaroscuro figure

CHIAROSCURO

• In drawing and painting, the use of light and dark to create the effect of three-dimensional, modeled surfaces

Page 7: Chiaroscuro figure
Page 8: Chiaroscuro figure
Page 9: Chiaroscuro figure
Page 10: Chiaroscuro figure
Page 11: Chiaroscuro figure
Page 12: Chiaroscuro figure

Representing the Effects of Light

• Realistic

• Emphasis

• Expressive

Page 13: Chiaroscuro figure

Atmospheric Perspective

Page 14: Chiaroscuro figure

Expressive use of light

Page 15: Chiaroscuro figure

Emphasis

Page 16: Chiaroscuro figure

• Tenebrism--violent chiaroscuro, dark manner used to lend mood or emotional expression, typical of Rembrandt

Rembrandt Drawing at a Window

Page 17: Chiaroscuro figure
Page 18: Chiaroscuro figure

Dramatic use of light and dark

Page 19: Chiaroscuro figure
Page 20: Chiaroscuro figure
Page 21: Chiaroscuro figure

Drapery & Figure/Ground Relationship

• Elements are perceived as either figures (distinct elements of focus) or ground (the background or landscape on which the figures rest).

• Drawing III can experiment and investigate a melding of the drapery and figure

• What can be the similarities between drapery and the human form?

Page 22: Chiaroscuro figure
Page 23: Chiaroscuro figure
Page 24: Chiaroscuro figure
Page 25: Chiaroscuro figure
Page 26: Chiaroscuro figure
Page 27: Chiaroscuro figure
Page 28: Chiaroscuro figure

Artist Ferdinand Hodler

Themes: symbolism

Swiss painter, 19th century

Expressionist, realism

Page 29: Chiaroscuro figure
Page 30: Chiaroscuro figure
Page 31: Chiaroscuro figure

Materials Needed

• Vine and willow charcoal• Charcoal pencils, one soft, one medium• Kneaded eraser• White eraser• Higher quality paper• Spray fixative• Tape

Page 32: Chiaroscuro figure

Additive Reductive Process

• Tape paper evenly around edges to create a border

• Use vine or willow sticks and apply evenly to paper, covering the entire surface

• Aim for middle range value• Use vine or willow to draw preliminary

sketch

Page 33: Chiaroscuro figure

Additive Reductive Process

• Use soft charcoal pencil to shade in darkest values

• Medium charcoal pencil for medium values• Use kneaded eraser to create the light values• Use white eraser for highlights• Work from general to specific• Leave details until the end