Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for...

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Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed to the rise of Romanticism. Artists considered to be part of the Romantic movement challenged the traditional conventions of the conservative academy, taking a more emotional approach to art making.

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Transcript of Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for...

Page 1: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Chapter 12.1, 12.2, 12.3, 12.4

Neoclassicism and RomanticismNeoclassicism became the basis for academic art, while political and social revolutions contributed to the rise of

Romanticism. Artists considered to be part of the Romantic movement challenged the traditional conventions of the conservative

academy, taking a more emotional approach to art making.

Page 2: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jacques-Louis David (1748-1825) French, court painter of Napoleon, studied in Rome

Neoclassicism 12.1

Page 3: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jacques-Louis David (1748-

1825) Portrait of Napoleon

Oil on canvas

Page 4: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jacques-Louis David (1748-1825) Death of Marat, 1793, oil on canvas, 65”x50”

http://jeffscuisine.com/

http://jeffscuisine.com/
Page 5: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jacques-Louis David (1748-1825) Oath of Horatii, 1784, oil on canvas

Page 6: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jacques-Louis David (1748-1825) Death of Socrates, oil on canvas

Page 7: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jacques-Louis David (1748-1825) Apelles Painting Campaspe in the Presence of Alexander

the Great Oil on canvas

Page 8: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jacques-Louis David (1748-1825) Brutus Returning Home, 1789, oil on canvas

10’7”x13’10”

Page 9: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jacques-Louis David (1748-1825) Cupid and Psyche, oil on canvas 184.2cm. x 241.6cm.

Page 10: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jacques-Louis David (1748-1825) Patroclus, oil on canvas, 1780

Page 11: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jacques-Louis David

(1748-1825) Portrait

Oil on canvas

Page 12: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jean-Auguste-Dominique Ingres (1780-1867) French, student of David, studied in Rome

Influenced by Raphael and Greco-Roman sculpture, as well as Italian Mannerist painters

Page 13: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jean-Auguste-Dominique Ingres

(1780-1867)Napoleon on the Imperial Throne oil on canvas

Page 14: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jean-Auguste-Dominique Ingres (1780-1867)Achilles Receives the Messenger, oil on canvas

Page 15: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jean-Auguste-Dominique

Ingres (1780-1867)

Bather of Valpincon

Oil on canvas, 1808

Page 16: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jean-Auguste-Dominique Ingres (1780-1867)Apotheosis of Homer, oil on canvas, 1827, 12.5 x 17’

Page 17: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jean-Auguste-Dominique Ingres (1780-1867)Odalisque, oil on canvas, 1814

Page 18: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jean-Auguste-Dominique Ingres

(1780-1867)Pauline Eleanore Oil on canvas,

48” x 36”

Page 19: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jean-Auguste-Dominique

Ingres (1780-1867)

Louis-Francois Bertin

Oil on canvas, 1832

Page 20: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jean-Auguste-

Dominique Ingres

(1780-1867)Louis de Broglie Oil on

canvas, 1845

Page 21: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jean-Auguste-

Dominique Ingres

(1780-1867)Madame LeBlanc

Oil on canvas

Page 22: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jean-Auguste-Dominique

Ingres (1780-1867)

Mme. Moitessier

Oil on canvas, 1856

Page 23: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Jean-Auguste-

Dominique Ingres (1780-1867)

Portrait of PaganiniPencil on

paper

Page 24: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Elizabeth Vigee-Lebrun

(1755-1842)French

Mme. de Stael Oil on canvas

1789

Page 25: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Thomas Jefferson, Monticello, 1770-1784, Virginia, USA Jefferson was influenced by the Italian architect

Palladio, and the Roman structures he had seen in France.

Page 26: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

Thomas U. Walter, United States Capitol,

1851-1863,Washington, D.C.This building has a cast-iron dome

raised up on a high, columned

drum.

Page 27: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed.

J.F. Chalgrin, Arc de Triomphe,

1806-1836,Paris, France

This Neoclassic structure honors

France’s unknown fallen soldiers, and

commemorates Napoleon’s

military victories.


NeoClassicism and Romanticism

NeoClassicism and Romanticism

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Romanticism Artists who felt limited by Neoclassicism, began creating more emotional artwork giving rise to Romanticism. Named after the revival of interest.

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Romanticism By Steven Liu and Alex Rosen. Romanticism Late 1700s – Early 1800s Previous movement: Baroque, Rococo, Neoclassicism Coinciding movement:

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Criticism Third yearhissgiza.com/corse/loghat/l-3.5.pdf · 2020. 3. 31. · Neoclassicism vs. Romanticism Neoclassicism was the predominant movement in European art and architecture

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Romantic Period 1785-1830. Romanticism A movement that developed as a reaction against neoclassicism in the late 18 th century and dominated the 19 th.

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Chapter 16 The Battle of the isms: Neoclassicism, Romanticism, and Realism.

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Chapter 6: From Romanticism to Realism Attitudes toward Neoclassicism began changing toward the end of the 18 th century Writers of the Sturm and Drang.

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REVOLUTIONARY ART! Neoclassicism and …fairbanksonline.net/western-civilization/ewExternalFiles...REVOLUTIONARY ART! Neoclassicism and Romanticism The Neoclassical Movement Neoclassicism

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Romanticism. A movement in art and literature in the eighteenth and nineteenth centuries in revolt against the Neoclassicism of the previous centuries.

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