Brian Eno _ Karl Hyde_ High Life _ Album Reviews _ Pitchfork

8/12/2019 Brian Eno _ Karl Hyde_ High Life _ Album Reviews _ Pitchfork

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2/18

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FeaturedAfterword:Tommy Ramone The Out Door:Labeling the Future Update:Christopher Owens Show NoMercy:Pallbearer Overtones:Mozart Makes You Smarter... And Other Dubious Musical TheoriesStaffLists:Overlooked Records 2014 Interviews:United Nations Starter:Sun Ra: 10 Essential Tracks Update:Duke Dumont Electric Fling:Rattling Hum: Ambient Music's Alternate Realities Starter:Footwork: 10Essential Tracks Update:Mykki Blanco Interviews:Black Sun Rising: Ten Years of HyperdubPhotoGalleries:Before the Storm: Trash Talk Offstage Update:A Sunny Day in Glasgow Ordinary Machines:Pretty When You Cry Cover Story:How to Dress Well: Soul to Keep Festival Report:Bonnaroo 2014Update:Jessie Ware Rising:Total Control Photo Galleries:Governors Ball 2014 Rising:Quirke Texas

Never Whispers: Two Days on Tour With Parquet CourtsInterviews:White Lung Festival Report:NosPrimavera Sound 2014 Secondhands:Class Clowns Update:The Antlers Photo Galleries:RBMA FestivaNew York 2014 Electric Fling:Mister Saturday Night's Neverending Dance PartyFestival Report:Primavera Sound 2014

Afterword

Tommy Ramone
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3/18

Following last weekend's death of drummer Tommy Ramonethe towering punk band's last survivinoriginal memberEvan Minsker looks back on his personal history with the Ramones and details whTommy was so important to their entire ethos.

The Out Door

Labeling the FutureIn experimental music, record labels remain vital for supporting, curating, and even shaping the musicitself. Marc Masters and Grayson Haver Currin delve into four important imprints: Erstwhile, BatheticStudents of Decay, and Immune.

Update

Christopher Owens

On his second solo album, the former Girls leader revisits his past by reuniting with old band memberswhile expanding his sound to include bold elements of vintage country. He talks to Ryan Dombalabout quitting drugs and finding love.

Show No Mercy

Pallbearer

The doom metal quartet talk with Brandon Stosuy about finding hope in humanity's downfall, whytheir version of a pop song happens to be 10 minutes long, and their immense-sounding secondalbum, Foundations of Burden.

Overtones

Mozart Makes You Smarter... And Other Dubious Musical

Theories

Questions about music's effect on the brain have stumped scientists for years, and "commonknowledge" in this area can be riddled with rumors. Jayson Greene tries to separate fact from fiction.

Staff Lists

Overlooked Records 2014
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4/18

Some of the year's worthy records that you may have missed, including albums by Madlib and FreddiGibbs, eclectic pop upstart Shamir, infectious Swedish punks Makthaverskan, Japanese sample whizLee, and many more.

Interviews

United NationsFormer Thursday frontman Geoff Rickly talks to Ian Cohen about his shadowy conceptual hardcoreband United Nations, which aims to expose punk hypocrisy while providing plenty of blistering punkaggression at the same time.

Starter

Sun Ra: 10 Essential Tracks

This year marks the 100th anniversary of Sun Ra's birth, and his interstellar take on jazz and funkcontinues to live on and inspire to this day. Jason Heller chronicles the pioneering Afrofuturist's careerand offers a playlist of highlights.

Update

Duke Dumont

Part of the British wave of chart-topping dance acts that also includes Disclosure, this producer isenjoying worldwide success with his pop-friendly take on classic house. He talks with Jordan Sargentabout what he's got in store for his debut album.

Electric Fling

Rattling Hum: Ambient Music's Alternate Realities

Andy Beta breaks down the mysteries of ambient music by Aphex Twin, Jorge Velez, and otherswhile exploring the idea that these atmospheric sounds can act as a sonic gateway drug.

Starter

Footwork: 10 Essential Tracks

Wills Glasspiegel offers an introduction to the long-running Chicago footwork movementwhich ismarked by hyperspeed dancing and equally frenetic beatsalong with a playlist of tracks by
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5/18

innovators including DJ Rashad.

Update

Mykki Blanco

The genreand genderexploding rapper talks with Jayson Greene about what's in store for herforthcoming debut album, working with Tricky and Basement Jaxx, and why she looks up to DeathGrips and Marilyn Manson.

Interviews

Black Sun Rising: Ten Years of Hyperdub

Hyperdub has proven to be a bedrock at the center of a fast-moving electronic landscape. Label head

Kode9 talks to Gabriel Szatan about where the imprint has been and where it's going.

Photo Galleries

Before the Storm: Trash Talk Offstage

Photographer Brick Stowell captures the L.A. hardcore band during rare moments of calm around therelease of their new album,No Peace.

Update

A Sunny Day in Glasgow

This globe-spanning psych-pop act turn separationthere was not one moment during the recording otheir forever-morphing new album when the entire band was in the same place at the same timeinto virtue. By Ian Cohen.

Ordinary Machines

Pretty When You Cry

In a culture that expects women to be happy, shiny objects, sadness can become its own form ofdefiance. Lindsay Zoladz details the perfectly gloomy online teen-girl aesthetic, typified by the all-encompassing sorrow of Lana Del Rey.
http://pitchfork.com/features/ordinary-machines/9440-pretty-when-you-cry/http://pitchfork.com/features/ordinary-machines/http://pitchfork.com/features/update/9441-a-sunny-day-in-glasgow/http://pitchfork.com/features/update/http://pitchfork.com/features/photo-galleries/9433-trash-talk/http://pitchfork.com/features/photo-galleries/http://pitchfork.com/features/interviews/9442-black-sun-rising-ten-years-of-hyperdub/http://pitchfork.com/features/interviews/http://pitchfork.com/features/update/9443-mykki-blanco/http://pitchfork.com/features/update/


6/18

Cover Story

How to Dress Well: Soul to Keep

After spending years blurring his voice while testing the outermost limits of pop and R&B, How toDress Well's Tom Krell is channeling his hopes and hurt with a startling new clarity. By Ryan Domba

photos by Erik Sanchez.

Read in Dynamicor Standardformat.

Festival Report

Bonnaroo 2014

Paul Thompson reviews this year's fest, which featured a controversial set from Kanye West, Janelle

Mone in a straightjacket, Jack White's old-school rock, and a billion other things going on all at oncePhotos by Pooneh Ghana.

Update

Jessie Ware

The British singer talks with Ryan Dombal about her slow-motion new single, the star-studded team owriters and producers she worked with on her forthcoming second album, and what she's copying fro

KimYe for her upcoming wedding.

Rising

Total Control

Sounding like tightly-wound '80s post-punks and drawing influence from nihilist philosophies, thisAustralian band deals with dark matters of self-consumption that constantly put their own existence in

question. By Evan Minsker.

Photo Galleries

Governors Ball 2014

Photographer Pooneh Ghana captures portraits and backstage moments featuring Kurt Vile, El-P andKiller Mike, Phoenix, Chance the Rapper, Interpol, Sleigh Bells, and many more.
http://pitchfork.com/features/photo-galleries/9432-governors-ball-2014/http://pitchfork.com/features/photo-galleries/http://pitchfork.com/features/rising/9434-total-control/http://pitchfork.com/features/rising/http://pitchfork.com/features/update/9435-jessie-ware/http://pitchfork.com/features/update/http://pitchfork.com/features/festival-report/9438-bonaroo-2014/http://pitchfork.com/features/festival-report/http://pitchfork.com/features/cover-story/9439-how-to-dress-well-soul-to-keep/http://pitchfork.com/features/cover-story/reader/how-to-dress-well/http://pitchfork.com/features/cover-story/reader/how-to-dress-well/http://pitchfork.com/features/cover-story/


7/18

Rising

Quirke

Obsessive London electronic producer Josh Quirke recalls both the eerily calm and hugely freneticmoods of Aphex Twin while creating a bespoke sound that treats the complex latticework of human

emotion like a game of chess. By Ryan Dombal.

Articles

Texas Never Whispers: Two Days on Tour With Parquet

Courts

Mike Powell follows the self-proclaimed "anti-reverb" quartet in their native Texas across 48 hours anfinds a band working through their own principles of rebelliousness and romance.

Interviews

White Lung

Jenn Pelly talks with White Lung frontwoman Mish Way about leaving behind a normal life for thepunk-rock grind, finding power in loudness, and the fearless topicssexual politics, rape cultureshwrites about on new albumDeep Fantasy.

Festival Report

Nos Primavera Sound 2014

Mark Richardson runs down the 10 things he learned at this year's Nos Primavera Sound Festival inPorto, Portugalfeaturing insights on Neutral Milk Hotel, Courtney Barnett, and moreplus photosby Maria Louceiro.

Secondhands

Class Clowns

Musicians who aren't afraid of being goofballs can seem second-class by birth, but Mike Powell makea case for comedy in his latest column, asking: What if being serious was just the wall we had to breakthrough on the way to being funny?
http://pitchfork.com/features/secondhands/9426-class-clowns/http://pitchfork.com/features/secondhands/http://pitchfork.com/features/festival-report/9427-nos-primavera-sound/http://pitchfork.com/features/festival-report/http://pitchfork.com/features/interviews/9399-white-lung/http://pitchfork.com/features/interviews/http://pitchfork.com/features/articles/9429-texas-never-whispers-two-days-on-tour-with-parquet-courts/http://pitchfork.com/features/articles/http://pitchfork.com/features/rising/9431-quirke/http://pitchfork.com/features/rising/


8/18


9/18

Brian Eno/ Karl Hyde

High Life

Warp; 2014

ByMark Richardson

; July 2, 2014

8.5Best New Music

Find it at:

Insound VinylAmazon MP3 & CDTweet 166

+10

Music from this release

Eno Hyde: "DBF" (via SoundCloud)

In 2010, the announcement that Brian Eno had signed to Warp Records was an event. His decades-longhistory of groundbreaking electronic music had a lot to do with Warp even existing at all, so the fact he was

1.7kLike
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10/18

going to be working with the imprint known for taking the torch in the 1990s and 2000s brought dreams ofgreat things. Lost in the excitement was the memory that Eno had for a number of years been making low-key records that made little impact outside of his cult.Another Day on Earthfrom 2005, his first song-basedsolo album in many years, had some memorable songs,and his 2008 pairing with David Byrne,EverythingHappens Today, found an audience. But 90s and 00s instrumental releases likeDrawn From Life, TheDrop,Neroli, and The Shutov Assemblydidnt come close to entering his canon. The Warp signing obscuredthe fact that Eno always had more than his share of uneven records, in part because hes never been the sortof artist interested in perfection. So the fact that four of the records and collaborations released on Warp have

ranged from a lovely retread of familiar ground (2012sLux) to eminently forgettable collaborations (thetworecordswith poet Rick Holland, and the firstwith Underworlds Karl Hyde) should surprise nobody.

High Life, though, is a genuine surprise. As the second meeting between Eno and Hyde in the last fourmonths, it would have been reasonable to expect outtakes, another set of OK half-songs to accompany theones released earlier this year. ButHigh Liferecorded in just five days, with much of it played andprocessed liveis something else altogether. This is Enos best vocal album in 25 years, since his 1990collaboration with John Cale, Wrong Way Up. Its interesting to go back that far becauseHigh Lifehas a fewthings in common with that record, most prominently the elements inspired bypop musicfrom the Africancontinent. Yes, this is a recurring obsession of Enos, dating back at least to his first co-billed collaborationwith David Byrne, 1981sMy Life in the Bush of Ghosts. But onHigh Lifeits again made explicit, from the

title (Highlife is a broad genre of jazz-inflected West African pop music that emerged late in the last century)on down.

That said, many of the references are less musical and more textural, and guitars are the first thing you noticeThe opening Return is nine minutes of drone-guitar bliss, as Karl Hyde strums two chords furiously withthe sort of pinched, trebly, delay-heavy tone that evokes both West African styles and the Edge circaTheUnforgettable Fire. The tension of pivoting between those two chords without resolution is softened byEnos voice, which he layers into sturdy central melody softened by billowing harmonies. Its the kind ofblindingly simple thing that nobody does better than Eno, and it points to why this record towers over muchof his recent outputit soundsanalog, like people in a room playing who could make mistakes. Despite histechnological pedigree, Eno has always been most inspired by the place where abstract mathematics meet the

messiness of nature. His earlier collaborative efforts on Warp, as well asSmall Craft on a Milk Sea, felt likerecords where meaning was carved from endless possibility;High Lifeshows how much more he can wringout of just a handful of ideas.

If Im leaning heavily toward Enos contributions here, its because so many of his songwriting andproduction signatures are in the foreground. Hyde is the guitarist throughout the record, but Enos fingerprinare all over his approach. DBF is a relatively upbeat track with a chicken scratch-funk feel that makes methink of Talking Heads Born Under Punches, while the slow and dreamy line in Time to Waste It bringto mind an 80s interpretation of King Sunny Ade. But were talking about something more than just acollection of global music signifiers hereinfluences are stripped down, transformed, and often turned intosomething disorienting and strange through Enos processing. Time to Waste It has pinched, warped, and

ultimately very weird vocals of uncertain origin which seem to be singing lead from different songs with eacnew line. Lilacs overlapping guitar lines have the frenetic pulse of classical minimalism, with odd bleepsand squawks mixing in with the chords, and theyre contrasted with the richly harmonized vocals, whichremind us how in tune he is with thepure joy of singing.

That big-hearted spirit is embedded into the record as a whole. I count one dud among the six tracks, the justOK Moulded Life, which has some nice sounds but feels a bit like processing-for-processings-sake. Butthat is more than redeemed by the elegiac closer Cells & Bells, where grinding Fennesz-like electronics areset against a mass of voices singing a dark but faintly hopeful prayer. Its a moving end to a startling andinspiring record. Enos been involved with quite a few of those in the past, but its especially nice toexperience a new one that reaches us in the present moment.
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11/18

Motion Sickness of Time Travel

Godflesh

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12/18

Brian Eno / KarlHyde

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Ultraviolence

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13/18

Kyary Pamyu Pamyu

Pika Pika Fantajin

By Patrick St. Michel; July 8, 2014

Godflesh

Decline and Fall EP

By Zoe Camp; July 2, 2014

What Moon ThingsWhat Moon Things

By Ian Cohen; July 7, 2014

The Vacant Lots

By Larry Fitzmaurice; June 13,

2014

How to Dress Well

"What Is This Heart?"By Ian Cohen; June 23, 2014

White Lung

Deep Fantasy

By Ian Cohen; June 17, 2014


2014

Swans

To Be Kind

By Stuart Berman; May 12, 2014

Coldplay

Ghost Stories

By Larry Fitzmaurice; May 20,2014

News

Stream New Releases From Mark Kozelek,

Brian Eno and Karl Hyde, Mister Saturday

Night, Craig Leon, and Matthewdavid ViaPitchfork Advance

By Pitchfork on June 25, 2014 at 9:38 a.m. EDT

Brian Eno and Underworld's Karl Hyde to

ReleaseAnotherNew Album,High Life,

Share "DBF"

Coming out just two months after last album Someday

World

By Evan Minsker on May 28, 2014 at 9:00 a.m. EDT

Brian Eno and Underworld's Karl HydeRelease Interactive App

By Evan Minsker on May 21, 2014 at 9:54 a.m. EDT

Brian Eno and Underworld's Karl Hyde

Perform "Daddy's Car" on "Jools Holland"

By Evan Minsker on May 13, 2014 at 10:03 p.m. EDT

Reviews

Brian Eno / Karl Hyde
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14/18

Departure

By Evan Minsker; July 2, 2014

A Sunny Day in

Glasgow

Sea When Absent

By Lindsay Zoladz; June 24, 2014

Serpentine Path

Emanations

By Grayson Currin; July 2, 2014

A Sunny Day in

Glasgow

Sea When Absent

By Lindsay Zoladz; June 24, 2014

RiFF RAFF

NEON iCON

By David Drake; June 27, 2014

Brian Eno / Karl

Hyde

Jack White

Lazaretto

By Stephen M. Deusner; June 9,2014

Lykke Li

I Never Learn

By Ian Cohen; May 5, 2014

Parquet Courts

Sunbathing Animal

By Larry Fitzmaurice; June 4, 2014

Someday World

By Nick Neyland

Brian Eno is rarely idle. His latest, Someday World, is a collaboration with UnderworldsKarl Hyde, and ...

News

Brian Eno and Underworld's Karl Hyde

Stream Collaborative Album, Share

Rehearsal Footage

By Jenn Pelly on April 30, 2014 at 10:57 a.m. EDT

News

Mas Ysa Stars in New Pitchfork.tv

Documentary

By Pitchfork on July 9, 2014 at 4:06 p.m. EDT

Sharon Van Etten Plays "Shade or No

Shade" for "Funny or Die"

She likes Van Halen!

By Jeremy Gordon on July 9, 2014 at 3:44 p.m. EDT

The Breeders Announce Fall Tour

They're also working on new material

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15/18

NONONO

We Are Only What We Feel

By Sasha Geffen; July 7, 2014

High Life

By Mark Richardson; July 2, 2014

Led Zeppelin

Led Zeppelin / Led Zeppelin

II / Led Zeppelin III


2014

Mariah Carey

Me. I Am Mariah...the

Elusive Chanteuse

By Jordan Sargent; June 16, 2014

Michael Jackson

Xscape

By Douglas Wolk; May 15, 2014

Ben Frost

A U R O R A

By Brandon Stosuy; May 30, 2014

Ought

Hear Future's "Rock Star" Featuring Nicki

Minaj

Cut fromHonestdue to sample clearance issues


Bruce Springsteen Shares "Hunter of

Invisible Game" Short Film

From this year'sHigh Hopes


Interpol Share "All The Rage Back Home"

Video

FromEl Pintor


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16/18

More Than Any Other Day

By Stuart Berman; April 29, 2014

ToursAudioVideoWTFEcho Chamber

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17/18


18/18

Brian Eno _ Karl Hyde_ High Life _ Album Reviews _ Pitchfork

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