Brass Trumpet Cornet Flugel horn - Gwent Music · 2018. 5. 17. · Flugel Horn Tenor Horn French...
Transcript of Brass Trumpet Cornet Flugel horn - Gwent Music · 2018. 5. 17. · Flugel Horn Tenor Horn French...
Brass Trumpet
Cornet Flugel horn
Cornet
Trumpet
Flugel Horn
Tenor Horn
French Horn
Baritone
Euphonium
Trombone
Tuba
Congratulations on choosing a brass instrument
and welcome to the wonderful world of music
making.
This pack is designed to help you start playing a
brass instrument through Gwent Music Support
Service.
With the help of your teacher you will quickly
learn how to assemble and hold your instrument,
produce musical sounds, recognize notation and
the following pages will remind you how to do it
when you practice at home.
With enthusiasm and dedication you are starting
out on an exciting journey of enjoyment and self
fulfilment which will stay with you for the rest of
your life.
2 24
Find a quiet room to practice in, with no distractions.
Try to set aside a regular time for your practice.
Start your practice as soon as possible after your lesson, to
help you remember what you have learnt that day.
Always maintain good posture when you are practising.
Try to keep an accurate record of what you do and when you
do it. Diaries help to keep a record of your progress and
highlight problem areas to remind you to ask for help
from your teacher.
Begin your practice session by warming up with long notes.
If you don’t understand—ask your teacher to explain it to
you again.
If you get stuck - stop - come back again later and try again.
Try to do as much sight reading as possible—the more you
do, the easier it becomes!
Remember, what you can't play slowly you can't play fast!
Don’t practice when you are tired.
Practice the whole performance experience - play your piec-
es to friends and family so you experience a few nerves and
learn how to cope with them.
Listen to as many recordings of music as possible and enjoy
the whole music experience.
Gwent Music
Malpas Court Primary School Grounds
Whittle Drive, Newport. NP20 6 NS
Tel: 01633 210800 Fax: 01633 854060 E-mail: [email protected]
The Gwent Music is a Council Service providing music tuition and activities for children and young
people on behalf of Blaenau Gwent County Borough Council, Monmouthshire County Council,
Newport City Council and Torfaen County Borough Council.
FOR FURTHER INFORMATION ON GWENT MUSIC SUPPORT SERVICE AND OUR
RANGE OF SERVICES, ACTIVITIES AND EVENTS, PLEASE VISIT OUR WEB SITE:
www.gwentmusic.co.uk
Take each valve in turn and clean through the holes in each using
your flexible brush, rinse in clean water and dry.
Now reassemble your instrument: Take the bottom valve caps, put a few drops of valve oil around
the screw threads and gently screw each cap back in place finger
tight only.
Insert all the valves using the instructions on application of valve
oil and take care to replace each valve in the correct valve casing.
Insert all the tuning slides again using the methods and
procedure set out in lubricating tuning slides. Press each valve ful-
ly down as you are inserting the tuning slides as this will re-
lease any airlock.
Finally give your instrument a polish with a clean soft cloth. Finger
prints should be wiped off your instrument every time you return it
to its case after playing. The lacquer finish will stay like new and
silver- plated instruments will not tarnish as quickly. There are silver
polish cloths available for bright shiny silver finished instruments,
for older ones, use a cleaning cream such as Silvo and polish off to a
bright finish.
Lacquer and gold finishes should be only cleaned with a clean soft
cloth and a little furniture polish like Mr Sheen.
Final Cautions: Never insert a valve or tuning slide back into your instrument
without first lubricating it as corrosion could occur and cause
serious damage.
Never attempt to remove a mouthpiece with pliers or vice grips
or by using undue force. The use of pliers will ruin the appearance
of the mouthpiece by stripping the silver-plating and excessive
force could twist and possibly break, the mouthpiece receiving
tube or its bracing.
Never keep loose items in your instrument case that could dent
or mark your instrument whilst transporting it. Do not overload
your case with music books as this could damage your
instrument. Mouthpieces, valve oil bottles etc should be kept in
the proper apartments of your case at all times.
Never transport your instrument without putting it in its case.
Routinely check the handle and catches on your case to make
sure they are in good working order.
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1. Take in a really big slow breath through your mouth
and then let it out through your mouth and relax.
2. Repeat exercise 1 whilst clapping 4 regular beats
(count at a walking pace).
3. Keep relaxed. Focus yourself over counts 1 and 2,
breathe in over counts 3 and 4. Now, when
breathing out, keep the airflow steady by supporting it
with the abdominal (tummy) muscles. This is the
normal way of breathing when playing your brass
instrument.
4. Breathing must be natural—if you feel dizzy….STOP!
Breathe in Breathe out
Count 1 2 3 4 1 2 3 4
focus breathe in breathe out evenly and steadily
Count 1 2 3 4 1 2 3 4
Keep your shoulders down
when you breathe in
3
POSTURE
Good posture makes playing easy and
enjoyable.
Keep your arms out at 45° so that the
chest is free.
Stand or sit feeling tall but relaxed—
particularly your shoulders.
If you are standing, keep your knees
flexible and your feet hip-width apart.
If you are sitting, keep your back away
from the chair back and have your
feet flat on the floor.
HOLDING YOUR INSTRUMENT
Feeling at ease while holding your instrument is important.
Hold your instrument loosely in your left hand and
practise raising it and putting the mouthpiece to your lips.
Do this until you feel perfectly balanced and relaxed.
Right Hand
Keep fingers 1, 2 and 3 on the valve
caps at all times and slightly bent.
4
Disassemble your instrument as follows:
Remove the mouthpiece
Remove all the tuning slides, 10, 11, 12 and 16, wipe off all old
grease and set aside.
Remove all three valves and place them in a container of
warm, soapy water, having mixed in some dishwashing liquid
and set aside.
Remove all three bottom valve caps.
Place all the instrumental parts and the remaining body of the
instrument in the bottom of a basin or bathtub. Fill with
lukewarm soapy water and add a few drops of disinfectant such
as Dettol and allow to soak for at least 30 minutes. If the
instrument is old or has not been cleaned for a long time you
may leave it to soak for longer.
Caution: DO NOT use boiling water because if the water is
too hot it will cause permanent damage to the lacquered finish
of your instrument, even silver finishes should be treated with
caution.
If in any doubt, cool the water down rather than take a risk.
Whilst the other instrumental parts are soaking, take your
mouthpiece and thoroughly clean it using a mouthpiece
brush, when done rinse it through with clean water, dry and
polish to a bright shine with a soft cloth.
Return to your basin and using a flexible cleaning brush,
clean as much as you can of the insides of your tuning slides
Do be careful as even the flexible brush will not go round all
the tight bends of your tuning slides. Rinse each in clean
water, dry with a cloth and set aside.
Take each of the bottom valve caps and using a small brush,
an old toothbrush is ideal, clean out any dirt from the in-
sides, rinse with clean water, dry and set aside.
Take the main body of your instrument and using your flex-
ible brush, clean the receiving slides and also clean through
the valve casings thoroughly. Rinse through with clean water
and dry with a soft cloth after shaking out any excess water
from within the instrument.
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Press each valve down fully to release the airlock before
removing each of the tuning slides, 10, 11, 12 and 16 and
wipe off old grease with kitchen roll paper or an old cloth.
Smear a small amount of specialist tuning slide grease or
Vaseline, which is an excellent substitute, evenly onto each
leg of the tuning slide using your finger.
Insert only one leg of the slide into its proper receiving tube
and then remove.
Repeat the procedure exactly with the other leg and
remove.
Slowly and carefully insert both legs of the tuning slide into
their receiving tubes straight without twisting or bending.
NEVER FORCE a slide back in.
IF IN ANY DOUBT PLEASE TAKE YOUR
INSTRUMENT TO YOUR TEACHER.
Your instrument should have a thorough
clean every three months.
A clean instrument will:
Play better
Look better
Be healthier to play
Last longer
Hold its value better
Refer to the diagram if you are unsure of any of
the parts of your instrument.
20
Keep the mouthpiece above and
below the red of the lips. This is
very important!
When blowing, avoid puffing out
the cheeks.
The playing muscles are all
around the lower face.
Always hold the mouthpiece
with one finger and thumb. For
all brass instruments, except
the French Horn, the left hand is
best. It is important not to
press hard on the mouthpiece
with your lips.
When playing any brass instrument, it is the vibration of the lips that
creates the sound.
Without your mouthpiece, set your lips as if to say ‘poo’. Blowing
through the lips will create a small gap in the centre and with prac-
tice you will produce a raspberry-like buzzing sound.
Now try this with your mouthpiece and see if you can keep a steady
buzzing sound for five seconds.
{ 4 4
{ { {
Breathe in
Count 1 2 3 4 buzz/play
When you can do this, put the mouthpiece into your instrument and
listen to the sound you make. Is it high or low? Your teacher will tell
you which note you have produced.
5
The sound of the instrument is produced by
the vibration of your lips, which in turn is
produced by blowing air between your lips and
through the instrument.
The function of the tongue is to define starts
of notes.
When tonguing, just think of saying “TA”.
The action of the tongue gives clarity to the
release of the air from your lungs.
NOW YOU ARE READY TO MAKE MUSIC!
Your first sound will be either high or low and
depending which note is more natural for you,
you will learn to either go up or down from
your ‘natural’ starting note. Your teacher will
help and advise you.
We are going to begin with the first five notes
of our C scale. It is like going up and down a
ladder.
6
Unscrew the cap at the top of the valve
casing, carefully pull out the valve from its
casing without twisting or turning.
Apply a few drops of valve oil to the
smooth cylindrical sides of the valve and to
the inside of the casing itself and slowly
insert the valve about 90% of the way back
into its valve casing, rotating it clockwise
three or four times in order to spread the
valve oil evenly on the inside wall of the
valve casing.
When you have done this, press the valve
down further and turn the valve slowly
until you hear a small “click” sound, this is
the valve guide locating its alignment slot
on the inside wall of the valve casing.
Complete the procedure by screwing down
the top valve cap, finger tight only.
Now check that you can still blow air freely
through your instrument, if you cannot,
and this is a common problem, unscrew
the valve cap and rotate the valve ½ turn
until you hear the “click”, retighten the
valve cap and blow air through again.
You should oil each valve in turn as they
are not interchangeable and you can easily
check if you have them in the correct
position as each valve is stamped, either
under the felt at the top of the valve cap or
on the upper part of the valve body itself.
This number, either 1, 2 or 3, should corre-
spond with the number engraved on the
outside of each valve casing.
19
These instructions although given for the following instruments
in particular are very broadly the same and can be followed for all
other valve brass instruments.
Trumpet, Cornet
& Flugel Horn
1 Mouthpiece
2 Mouthpiece Receiver
3 Mouthpipe
4 Valve Casings
5 Bell Section
6 First Valve
7 Second Valve
8 Third Valve
9 Finger Hook
10 First Valve Slide
11 Second Valve Slide
12 Third Valve Slide
13 Tuning Slide Waterkey
14 First Valve Slide Waterkey
15 Third Valve Slide Waterkey
16 Tuning Slide
17 Mouthpipe Screw
18 Mouthpipe Outside Slide
1 2 3
4
5
6 7 8
9
10 11 12 13
14
15
16
17 18
1 2 3
6 7 8 9
5
10
16 11 4
13
12
15
1
6 7 8 9
11
12
10
4
13
5
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Play a note with no valves pressed—ask your teacher if it
is C or G.
Now see if you can move up or down the ladder to the
other end.
Keep each note steady and hold for ‘4’ counts—try to
relax.
7
8 17
16
9
10
15
14
11
12
13