Mailing Address: 147 Danforth AvenueToronto, OntarioM4K1N2

Main Number: 416-778-8163

General Manager: Michael Sherman, michael@thedanforth.com

Assistant Manager: Jay Canfrini, jay@thedanforth.com

Technical Team: techadvance@thedanforth.com

Website: www.thedanforth.com

Internet: Wireless throughout

Capacity: Seated: 1145 TOTAL >> 776 Main Floor, 90 Mezzanine, 279 Balcony

General Admission: 1427 TOTAL >> 1058 Main Floor (Standing = no seats), 90 Mezzanine,279 Balcony

F/B: 4 bars on Main Floor, Full bar on 2nd floor, Fully licensed venue

Ticketing: Sold through The Danforth Music Hall's account with Ticketmaster

Box Office: Street Level Box Office open 1.5 hours prior to show time

Accessibility: There are no steps at entrance. Accessible seating is available***there are no accessible washrooms

Rental Rates/Info: Please send event dates, questions, comments to:michael@thedanforth.com

Terms : Intermission: Mandatory or PenaltyMerchandise Rate: 20% House 80% artist on soft goods50% deposit on Signing Venue License AgreementDamage Deposit required$5,000,000 of Public Liability InsuranceAdvertising available through Social Media, Mailing List, and Venue Lightbox

Backstage: 2 Private Washrooms with 2 sinks

Dressing Rooms:

Upper 1 6 person, Fridge, Serving Area, 2 couches, 3 tables, 12'x12'Upper 2 1 person, Private Shower, 8' x 7'

Lower 1 4 person, couch, table, wardrobe mirror, 11' x 6'Lower 2 2 person, chairs , sink, mirror, 9' x 7'Lower 3 2 person, chairs , 9' x 5.5'

Tour Production: Backstage 9 ' x 6'

Tour Manager/ Backstage 8' x 5'Promoter

Load Area Straight 5/10 Ton Trucks can use Laneway off Bowden Ave for quick drop off/pick upTrailers load in/out on Danforth Avenue in front of Danforth Music Hall (arranged with Advancement of show)No parking south side of Danforth 4pm to 6pmNo parking north side of Danforth 7am to 9amAll load in and out is under strict supervision of DanforthMusic Hall and begins at 10am on Rental day unless otherwise arrangedThere is no on-site parking; Street parking and private lotparking are responsibility of Promoter

Stage Specs House Specs

Fire curtain line 11’ upstage of stage skirt Stage Skirt To F.O.H = 70’3”Wood Vaneer House Width at Stage 50’5”Stage Depth = 32’ 1” Mid House Width 72’Width @ Proscenium = 39’7” House Width at F.O.H 72’3”Proscenium Height = 24’4” @ Centre House Height @ C 27’8”Apron Width = 49’3” 1 x FOH 16" Box Truss on 2 xApron = 8’ 1/2 Ton MotorsStage skirt to center seat ( pit ) = 5’ Electrical - Stage RightStage skirt to seat shortest distance = 3’Stage Width Total Back Wall width = 49’4” Lighting = 200 amp service, 3 phasePipe # 3 to Back Wall for Vid Projector = 18’7” Audio = 100 amp service, 3 phaseGrid Height = 58' Additonal 100 3 phase available Rigging= Yes, 3 fly pipes Voltage = 120/2082 x 16" Box Truss on 1/2 Ton Motors Cycles = 60

Audio Specs: Shore Power Available (outside)

Power:– 100 Amp 3 Phase Stage Right **Multi-track recording is available

**inquire for ratesMain PA System:Console - Avid Profile– 24 L'Acoustic Dvdosc (12 per side)– 8 L'Acoustic SB218 (4 per side)– 2 JBL Marquis MS28 Front Fill Speakers– 4 Adamson CB-1 Balcony Fill– 12 Crown 5002VZ Amplifiers– 2 Crown CE4000*** No Side Fills In House

Sound Level Limits

The Danforth Music Hall has sound level limits which are measured at FOH:110dBc or 103 dBa, whichever is lesser.

Due to the ambiguity in the Toronto by-laws*, these limits are approximate, and the actual sound level limit on any given day will be at the sole discretionof The Danforth Music Hall's management and house sound engineer.

*The by-laws place restrictions on levels outside the venue not inside.

Management will monitor the levels outside.

Monitors:– 1 Avid SC48 Digital Mixing Console– 12 Jason J17 Bi-Amped Monitors (Double 12” with 2” Compression Driver)– 12 Mixes + Listen on QSC PL 1.6 Amplifiers– EV DX38 Speaker Processors– Yorkville Self-Powered Single 18” Drum Sub– 48 Ch Veam 3-way Isolated Split Snake System– 6 12 Channel CPC Sub-Snake Boxes (5 Cables)*** No Side Fills In House

Microphones:– 2 Shure SLX Wireless Handheld with Beta 87 Capsules or SM58 Capsules– 6 Shure SM57 Dynamic Microphones– 6 Shure SM58 Dynamic Microphones– 1 Sennheiser e602 Dynamic Microphones– 4 Sennheiser e904 Dynamic Microphones– 4 Sennheiser e914 Condenser Microphones– 3 Sennheiser e614 Condenser Microphones– 13Rapco DB1 Passive DI Box– 2 Shure PG48 Talk Back Switched Mic

– 1 Sennheiser MK4 Microphone w/clip– 2 Sennheiser MD421II Dynamic Cardioid Microphone– 6 Sennheiser e865 Condenser Vocal Microphone W/CLIP– 2 Sennheiser e906 Microphone W/CLIP

Gear: Staging:– 15 K&M Tall Boom Mic Stands 4 x 4' x 8' Risers– 15 K&M Short Boom Mic Stands (6", 12", 16" Legs)– 3 Round Base Straight Mic Stands– 5 x Clear Com headsets

Lx Specs:

Power: – 200 Amp 3 Phase Stage Right– 100 Amp 3 Phase Stage RightConsole:Grand MA LITE

FOH Truss:6 x 36 Degree Source Four Lekos4 x Martin 250 Wash12 x 1k Medium Parcan2 x Blinders1 SANYO PLC-XP100L 6.5K Projector

MS Truss:12 x 1k Narrow Parcan2 x Martin 700 Profile4 x 19 Degree Source Four Leko

US Floor:7 x Palco 3 LED

US Truss:12 x 1k Narrow Parcan4 x Martin 700 Profile12 x X Focus Blast LED wall washer 12”

Dimmers:2 x Leprechaun 2 x 2.4k

1 x Hazer*** No Spotlight In House

Video Specs:

1 x Sanyo PLC-XP100L LCD Projector XGA resolution1 x Sony DSC-1024HD scan converter1 x DVD player1 x Sony BDP-S590 Blue Ray player

RESERVED SEATING SETUP

RESERVED SEATING MAP

GENERAL ADMISSION SETUP

A.351

A. 35 2A

. 353

A.354

A. 35 5

A.356

A.3 62A

.361

A.3 60

A.359

A. 358

A.357

A.356

A 6

A.355

A.3 54

A.3 53

A.352

A.351

A.3 57

A.35 8A

.35 9

F 4

A.360

A.361

A.362

A.139

L 1

A.152

L 2

A.165

L 3

A.178

L 4

A.388

I 5

A.389

J 6

A.390

J 5

A.391

K 5A.3

93

I 6

A.3

94

K 6

A.375

I 4

A.376

I 3

A.377

I 2

A.378

I 1

A.379

J 4

A.380

J 3

A.381

J 2

A.382

J 1

A.383

K 4

A.384

K 3

A.385

K 2

A.386

K 1A

.215

D 3

A.191

D 1

A.207

D 2

A.223

D 3

A.199

D 2

A.231

D 4

A.387

M 1

A.392

M 2

A.363

G 1

A.364

G 2

A.366

G 4

A.365

G 3

A.1

Z 1 A.24

Z 2

A.47

Z 3

A.70

Z 4

A.116

Z 6

A.93

Z 5A

.301

C 2

A.3

04

C 2

A.3

07

C 2

A.3

10

C 2

A.3

13

C 2

A.3

16

C 2

A.3

19

C 3

A.3

22

C 3

A.3

25

C 3

A.3

28

C 3

A.3

31

C 3

A.3

34

C 3

General Manager: Micheal Sherman - micheal@thedanforth.comLighting Design: Louise Simpson - avidhands@gmail.com

Venue: 147 Danforth Ave, Toronto, ON, M4K1N2Type Patch Lens Circuit Circuit #Mac 700 A.1 Standard Z 1Mac 700 A.24 Standard Z 2Mac 700 A.47 Standard Z 3Mac 700 A.70 Standard Z 4Mac 700 A.93 Standard Z 5Mac 700 A.116 Standard Z 6Mac 250 Wash A.139 Standard L 1Mac 250 Wash A.152 Standard L 2Mac 250 Wash A.165 Standard L 3Mac 250 Wash A.178 Standard L 4Palco 3 A.191 Narrow D 1Palco 3 A.199 Narrow D 2Palco 3 A.207 Narrow D 2Palco 3 A.215 Narrow D 3Palco 3 A.223 Narrow D 3Palco 3 A.231 Narrow D 4XFocus A.301 C 2XFocus A.304 C 2XFocus A.307 C 2XFocus A.310 C 2XFocus A.313 C 2XFocus A.316 C 2XFocus A.319 C 3XFocus A.322 C 3XFocus A.325 C 3XFocus A.328 C 3XFocus A.331 C 3XFocus A.334 C 3PAR 64 A.351 A 1PAR 64 A.351 B 6PAR 64 A.352 A 2PAR 64 A.352 B 5PAR 64 A.353 A 3PAR 64 A.353 B 4PAR 64 A.354 A 4PAR 64 A.354 B 3PAR 64 A.355 A 5PAR 64 A.355 B 2PAR 64 A.356 A 6PAR 64 A.356 B 1PAR 64 A.357 E 1PAR 64 A.357 F 6PAR 64 A.358 E 2PAR 64 A.358 F 5PAR 64 A.359 E 3PAR 64 A.359 F 4PAR 64 A.360 E 4PAR 64 A.360 F 3PAR 64 A.361 E 5PAR 64 A.361 F 2PAR 64 A.362 E 6PAR 64 A.362 F 1CE Source 4 750 A.363 19 Degree G 1CE Source 4 750 A.364 19 Degree G 2CE Source 4 750 A.365 19 Degree G 3CE Source 4 750 A.366 19 Degree G 4PAR 64 A.375 I 4PAR 64 A.376 I 3PAR 64 A.377 I 2PAR 64 A.378 I 1PAR 64 A.379 J 4PAR 64 A.380 J 3PAR 64 A.381 J 2PAR 64 A.382 J 1PAR 64 A.383 K 4PAR 64 A.384 K 3PAR 64 A.385 K 2PAR 64 A.386 K 1CE Source 4 750 A.387 36 Degree M 1CE Source 4 750 A.388 36 Degree I 5CE Source 4 750 A.389 36 Degree J 6CE Source 4 750 A.390 36 Degree J 5CE Source 4 750 A.391 36 Degree K 5CE Source 4 750 A.392 36 Degree M 2MR16 Blinder A.393 I 6MR16 Blinder A.394 K 6

FOHGrand MA Lite4 X SPARE 5 PIN SNAKE LINES1 x Ethernet