Axel Hernandez Architecture

Axel Hernández, Architecture

[email protected]+52 (811) 3730510

A X

E L

H E R N A N D E Z A R C H I T E C T U R E

less is moreMies van der Rohe

axel hernandez rubio

EducationUniversidad de Monterrey - MexicoWoodbury University - USAUniversidad Ibero Americana - MexicoUniversidad de Barcelona - Spain


Axel´s architecture style reflects the zeitgeist and geniusloci. His work as an architect and designer portrays the simplicity of details; inspired by nature and the small things in life. His style is guided by the mantra less ismore. On his spare time he enjoys exploring the city, appreciating the culture, and experiencing the uniqueness of each society. His designs are alwaysenvisioned with the user experience in mind, specificallyfocusing on the senses. He believes urbanism and architecture are key influenc-esin guiding our day to day lives. His perspective as a designer has been influenced by his living and studyingabroad as well as world travels. Several of Axel´s role models that have influenced the industry and left their mark in history such as Mies vander Rohe, Le Corbusier, Barragan and Rem Koolhaas have influenced and inspired Axel´s unique and artistic architectural style.Axel´s vision aims to create a practical and harmoniousdesign that generates a visual environment and materialspace in which the user is encouraged to maximize theirpotential while maintaining an enjoyable experience.Axel´s desire is to create unique, unrepeatable, and unforgettable moments with his designs. Conceptualiz-ing projects from the broadest perspective, such as the project as a whole, down to the most personal and intimate space where every object and element of design must reflect the particular needs and visions of who owns it and enjoys it.

indexGlendale River WalkGuanajuato Center for Culture & Historical ResearchPlausible ScenariosCollin Luther House - TransformationWood ChairKinderpop Monterrey


glendale river walk

Glendale River WalkLocation: Glendale, CaliforniaYear: 2012


Glendale River Walk it’s part of a master plan for Ventura freeway area, specifically the mile from Pacific Avenue to Glendale Avenue. The existing site situation marks a division line between North and South Glendale created by the freeway, also within this mile the city of Glendale present 4 different kinds of urban zones, ranging from the large density to small density. Recalling the density size of the country side, mixed use, skyscrapers and suburbs.Based on the collected understanding of the site situa-tion and inspired by Parc de la Vilette by OMA. The strategy used was to apply 4 different elements on the site that provide identity and unify the site as a whole. Naming them:STRIPS: the strips are already defined by the urban layout. Country side, mixed use, skyscrapers and suburbs. Each one of them with an specific program and running north to south on the site (urban zones). LARGE OBJECTS: interventions to define site boundar-ies and also act as landmark and to create tension with the others (community center and museum).CIRCULATION: a perpendicular circulation that goes through the strips that contains a mall with north to south orientation to create tension and interaction with the strips (wash).CONFETTI: small elements that allow unity through fragmentation (vegetation).The River Walk is placed on the existing was acting as the circulation that goes through the different strips contained on the site. The community center/park and the museum/school are the large objects located at the limits on the site, the type of vegetation used for the project was picked to unify the project as a whole.Glendale river walk will have different programs along the walk each one of them specifically thought for their urban zone, meaning within the mixed use zone the program used it’s retail, within the skyscrapers zone will have more open spaces and recreational areas, within the suburbs zone will have area for local business. And the country side zone will have spaces for grow local products.

PACIFIC AVENUE

CENTRAL AVENUE

N LOUISE ST.

GLENDALE AVENUE

Glendale river walklocation: Glendale, CaliforniaYear: 2012

Site

Concept

COUNTRY SIDE

LARGE OBJECTS STRIPS CIRCULATION CONFETTI

COUNTRY SIDE

MIXED USE SKYSCRAPERS SUBURBS

Exagerated situation

Site strategy


Conceptual Master Plan

Intervention

FARMERS MARKET SKYSCRAPER

MUSEUM / SCHOOL ROUNDABOUTICONIC SCULPTURE

2 3 4

5

6

1 2

1

COMMUNITY CENTER

The community center as one of the two largest objects will createtension with the museum / school The river walk acts as the circulation and connection between the two.

The farmer’s market intertwines two urban zones on the site(mixed use & residential) ,and is also overlooking the skyscraper.

The skyscraper is the object with the most interaction on the site. It is located at the urban zone with the largest density and interrupts the existing circulation, creating a roundabout on the street. The skyscraper also overlooks the farmer’s market and the iconic sculpture.

The iconic sculpture is the link between Glendale Avenue and Lexington drive.Glendale being an avenue for retail and Lexington becoming another major circulation street.Also you can look from the distance the skyscraper and the roundabout.

The museum/school is strategically placed to use other objects to connect withthe park

The roundabout is located on the intersection of Glenoaks and Glendale avenue.It contains a fountain to glorify the access to the riverwalk and improve the traffic conditions on the intersection

3

4 5 6

BRIDGEBRIDGE

BRIDGE BRIDGE

PUBLIC GARDENSYOGA / RECRATION

PUBLIC GARDENS

BRIDGEBRIDGEOPEN AIR THEATRE WATERFALL STAIRS

RELAXING AREA ON A SLOPE

RESTAURANTS

FOUNTAIN

PICNIC AREASHOPS UNDER TOPOPGRAPHY SHOPS UNDER TOPOGRAPHY

TOPOGRAPHY WITH JOGGING AREA

BRIDGE TO SHOPS BRIDGE TO SHOPS

ACCESS TO RIVER WALK

COMMUNITY CENTER COMMUNITY CENTER

PARKING

SCHOOL

MUSEUM

ACCESS

BRIDGE

1

COUNTRY SIDE

MIXED USE SKYSCRAPERS

BRIDGEBRIDGE

BRIDGE BRIDGE


PUBLIC GARDENS



RESTAURANTS

FOUNTAIN






PARKING

SCHOOL

MUSEUM

ACCESS

BRIDGE

1


COUNTRY SIDE

SUBURBS

SKYSCRAPERS

Perspective Section


COUNTRY SIDE

Perspective Section

MIXED USE

Perspective Section

BRIDGEBRIDGE

BRIDGE BRIDGE


PUBLIC GARDENS



RESTAURANTS

FOUNTAIN






PARKING

SCHOOL

MUSEUM

ACCESS

BRIDGE

1


Guanajuato centre for culture & historial research

Guanajuato center for culture & historicalresearchlocation: Guanajuato, MexicoYear: 2011


The Guanajuato center for culture & historical research was designed to blend in within it’s urban, architectural & historical context.Being one of the cities in Mexico with the highest historical richness, Guanajuato is also famous for it´s urban layout and historical construction.The Guanajuato center for culture & historical research was inspired by the city´s alleys.The site is located amidst a threshold of building scales, ranging from large to small scaled developments. The building is formed together by 11 independently sized structures, mixing the small with the large scale structures to intertwine it’s immediate context.Designed to enhance the sensation that you are in the alleys of a city, there are different sized interior alleys. The interior stairs are designed for the user to remain oblivious to the actual size of the structure. Creating the Guanajuato center for culture & historical research and Guanajuato city infrastructure will be a landmark for the area.

site

concept

Guanajuato centre for culture & historicalresearchlocation: Guanajuato, MexicoYear: 2011

GROUND FLOOR1 library2 lecture hall3 cafeteria4 restrooms5 exposition hall6 lobby7 wardrobe8 cubiculos9 meeting room10 reception11 waiting room12 director’s office13 class rooms14 auditorium

FIRST FLOOR1 library4 restrooms13 class rooms14 auditorium15 study room16 computers room17 conference room18 terrace

architectural plans

architectural plans


SECOND FLOOR18 terrace19 group study room

sections

facades


A

B

SOUTH EAST

SOUTH WEST

plausible scenarios

Plausible Scenarioslocation: Burbank, CaliforniaYear: 2012


The PLAUSIBLE SCENARIOS installation was conceived as part of the ongoing laboratory of experimentation thattook place during the Tectonics 1, Material Logic class atWoodbury School of Architecture department of Interior.Twenty‐two students, organized in five teams, each fabricated five installations pieces by clustering modules that were developed, tested, evaluated and advanced during the first part of the Semester.The process deployed both rapid‐prototyping, as well ashand crafted and analog techniques in a back‐and‐forth between fabrication and testing.While experimenting with the assembly and clustering ofthe modules, students strategized about their installa-tion, taking advantage of the performative aspects of certain geometries and their optimal use within a larger system.The knowledge gained during the period of experimentation was instrumental to the students, effectively evolving their DESIGN INTENT through exploration of the following:- materials and fabrication tools, with consideration of budget constrains.- strategic geometry in development of the modules.- system type for clustering- site strategy The goal was to develop design sensibility and under-stand potentials inherent to the developed structures in affecting space. In part, the output is evaluated by the perceived relationship to human scale and an intuitive notion of aesthetic composition.Reacting to the linearity of the gallery, the installation pieces demonstrate one of many possible outcomes. Detectable in the product are moments of research on planer geometries, materials, and surfaces, without attachment to program or any pre‐determined formalexpectation. Intricacy was drawn‐out through connec-tions and material quality, and guided and refined by the interests of the collaborative design team. As deployed here, PLAUSIBLE SCENARIOS can be considered one instance on the continuum of process ‐ A product developed by the personal discovery of a designers’ mind.


site

concept

BLUE MORPHO THE FLIGHT EMERGING TOPOGRAPHY OPTICAL WEAVING MEDUSA ELECTRICA

blue morphoInspired by the analysis of the Morpho butterfly’s wing, the ambition of BLUE MORPHO was to create a continuous multifaceted surface able to modulate the light in the selected section of the gallery’s walls and ceiling.From the observation of the Morpho butterfly whose wings are colored in metallic, shimmerings shades of blue, came the idea of adopting a reflective surface as primary material for the installation. The morpho butterfly colors are not result of pigmentation; instead they are an example of iridescence.The design of Blue morpho began with the rapid prototyping of several generations of cardboard modules. The knowledge gained from the analysis of the modules’ geometry, trough a continuos process of design and testing, produced the final generation of the module, which was then engineered to be connected to other mod-ules, rotated and inverted, forming clusters.Early studies of parasitic systems provided the logic of proliferation of the clusters to create an organic system able to support itself on the site of the installation. One of the compelling forces behind the design, was to test the ability of a simple triangular shape to be arranged tridimensionally, into creating a continuous multifaceted surface that appears to change color as the angle of view or the light condition changes. The modules were almost entirely fabricated employing a laser cutter machine that provided the needed precisión and perfect fit of all the installations’ components. A number of strategically placed “special” modules were instead fabricated by hand using translucent mylar. LED blue lights are concealed inside the structure, letting a blue glow shipping through the mylar modules and igniting system of light and shadows reflections.


the flightThe Flight is an installation composed of over a thousand of hand- folded paper modules. Inspired by the geometry of a simple paper airplane, the modules are clustered together using solely staples andpaperclips as connections. The design of both supporting and supported structures was informed by an early diagrammatic research on organic systems and fractals.Challenging the ability of hand producing modules with a high level of precision, the system engages in fabrication investigation and is based on the assumption that the intelligence acquired at the scale of the module can be deployed at the scale of the installation.Modules are arranged and combined following 4 different logics in the attempt of exploring the ability for this application to be altered and adapted to other site conditions. In addition, The Flight aspires to act as an attractor for passersby placing emphasys on the use of color that fades from a deep red, at one of the entrances of the gallery, to off-white at the end of the piece. Feathering of the color intends to suggest trajectories and directions while the proximity of some modules to the light contributes to the creation of a meditative landscape of shadows, colors and forms.

The Flight

emerging topography

Passersby will experience a sense of movement when walking parallel to the installation.1/16” thick chipboard and 1/8” thick basswood sticks were utilized during the fabrication and installation process, in order to allow the piece to hold its own weight. Time and cost were issues that were present during the fabrication and installation process. Ultimately, these two issues resulted in the alteration of the original design of the module, and the implementation of a simpler, yet concise module.The color scheme chosen for the installation is a result of its loca-tion on the site. The existing walls on the site are a light shade of green, and the hallway has no access to natural light. Hence, a bright color had to be used in order to allow the installation to visually pop out of the wall.

Emerging topography is the result of a tectonic expression derived from a study of the topographical map of Vatican City, in Rome. Buildings within this typographical map were grouped and classified based on a visual system of density. A series of rectangles were overlayed to classify the proximities of one building in relationship to another. On the map of the Vatican City, a series of roads link one structure to another. The roads represent a system of interconnection, indicated in the preliminary diagrams as a series of lines. The typical module composing the installation reflects this system of interconnection.The design intent for the final installation is to create a spontaneous interdependent system of rectangles and linesthat, when interconnected, create a field networking system that grows from the wall, expanding outwards, both,vertically and horizontally, in a non-linear fashion, almost like ivy, contrasting with the defined linearity of the rectangular modules. The site, the entry of a long, yet narrow hallway, can be perfectly adapted to hold the installation, as it allows theinstallation to alter people’s first impressions of the hallway. Furthermore, the hallway is used exclusively for circulation purposes.

optical weavingOptical Weaving is the result of an extensive experimentation on interlocking primary solid geometries that, by shifting and rotating, have potentials to generate variations within a rigorous system.The sequencing of the converging truncated geometries (modules) has been organized in form of a stacking wall system, modulated by different apertures. As a result the vertical surface becomes more permeable.Introduction of color has been instrumental to emphasize the graphic quality of the installation, in which the system’s components work like 3D pixels, adding depth and resolution to the overall composition.During the process, different scenarios for the clustering of the modules were tested to study optical effects of the composition and to enhance visitor’s perception.Techniques of tension weaving were tested and developed to connect components and clusters, providing an additional level of complexity to the system. The woven web becomes in-fact a design element by itself creating continuity and directionality to the surface structure. Optical Weaving truly embraces the assumption of the course that knowledge is gained “by doing,” in a back andforth process of fabricating and testing.


medusa electricaConceived as the bridging element between the vertical surfaces of the gallery, MEDUSA ELECTRICA was developed as a field of connecting linear elements. Like an electronic circuiting board, the components generatingthe system were organized in layers and connected orthogonally to allow for the clusters to expand through the space below the ceiling.Like a jellyfish with its beautiful intricacy, MEDUSA ELECTRICA occupies the central bay of the gallery breaking the monotone depth of the space, by leading the eye of the visitor through a sequence of views, that progressively reveal grain and details of the clusters, beyond the rational orthogonal relationship between the parts.The fabrication process consisted in creating 2D templates of typical components that were then imported into Rhino 3D software to be assembled and tested. The patterns were then laid out in 2D to be laser cut out of plywood sheets. Steel bolts were used to connect the components, making the assembling process similar to theassembly of mechanical part.

medusa electrica

collin luther house - transformation

Collin Luther House - Transformation


location: ---Year: 2012

Collin Luther House - transformations are based on the Collin Luther House. A church located on the Czech Republic and built on the 1500.The transformations process began by the perfect understanding of the vault system that were used for the church, by doing the 2d analysis of the plan view of the church and getting the geometric information of the 3 different vaults system, moving forward to the 3d analysis and locating the height of the different points that forms each one of the systems.The knowledge obtained by doing the 2d and 3d analy-sis, led to experiment with different models. Their forms, interventions and transformations on the vaults systems.The structure of the vault system of a church built on the 1500 could be adapted, modernized and applied to different architectural programs on the 21st century. Such as the structure for a pavilion with a lot of light aper-tures, a structure for a conference center or an airport, etc.

1a

2a 2a

4b 4

b 4b

4b

2b

4b

4b

4b

4b

4b 2

b 2

b

2b

4b

1a

3a 3a 3a

2a2a

plans vaults

VAULTS TYPE A

VAULTS TYPE B

VAULTS TYPE C

2D ANALYSIS

1a

2a 2a

4b 4

b 4b

4b

2b

4b

4b

4b

4b

4b 2

b 2

b

2b

4b

1a

3a 3a 3a

2a2a

Collin Luther House - Transformationlocation: ---Year: 2012

TRACE BASIC MODULE

TRACE BASIC MODULE

TRACE BASIC MODULE

REPEAT THE MODULE

REPEAT THE MODULE

REPEAT THE MODULE

MIRROR THE BASIC MODULETO COMPLETE THE VAULT

MIRROR THE BASIC MODULE TO COMPLETE THE VAULT

MIRROR THE BASIC MODULE TO COMPLETE THE VAULT

COPY THE NEEDED VAULTS

geometric construction process

1

2

23 4

1

3

4

1

2

3

2

2

2

3

4

3.00 m

4.50 m

0.60 m

0.70 m

0.20 m

12

3

4

3.70 m

1.00 m

0.30 m0.20 m

5.20 m

2.40 m

3.70 m

0.40 m

0.40 m

0.30 m

0.20 m1

5

5

4

32

1

2

3

4

IDENTIFY THE HEIGHT OF THESURFACES THAT FORMS THE VAULT

TRACE THE SURFACESWITH THE SNAP POINTS

REPEAT SURFACE’S MODULE





DIMENSION FRONT VIEW

FRONT VIEW

FRONT VIEW

DIMENSION

DIMENSION



axons serial sectioning kit of parts

3D ANALYSIS

1

2

23 4

1

3

4

1

2

3

2

2

2

3

4

3.00 m

4.50 m

0.60 m

0.70 m

0.20 m

12

3

4

3.70 m

1.00 m

0.30 m0.20 m

5.20 m

2.40 m

3.70 m

0.40 m

0.40 m

0.30 m

0.20 m1

5

5

4

32

1

2

3

4

REPEAT SURFACE’S MODULE VAULT SYSTEM BASED ON TRIANGLES VAULTS TYPE A

VAULTS TYPE B

VAULTS TYPE C

VAULT SYSTEM BASED ON TRIANGLES

VAULT SYSTEM BASED ON TRIANGLES




kit of parts contours


vault system to model - B

transformation

Y DIRECTION PIECES TO ASAMBLE

X DIRECTION PIECES TO ASAMBLE

eggcrate model construction

transformation

TRANSFORMATION

eggcrate model

eggcrate model

transformation


3D print model

PERFORATIONS ON THE SURFACE

PROJECTED GRID ON THE SURFACE

GRID TO PROJECT

GRID SYSTEM BASED ON SQUARES

transformation

3D print model

Wood Chair Analysislocation: ---Year: 2012

wood chair


The analysis of the wood chair started from the really basic dimensions and design process construction to the very complex, how and what elements were used to build it.Aware of the geometric construction process, under-standing how the chair it’s changing it’s form and struc-ture by doing the serial sectioning. Led me to experiment with different contours that can be applied as textures on the chair.After that unrolling the different elements that forms it, and identifying each one of them, it’s length and the way they were assembled.

Wood Chair Analysislocation: ---Year: 2012

geometric construction process

BASIC MATRIX DETAILED MATRIX

CURVES TO LOFT LOFTED CURVES

EXTRUDED SURFACE CHAIR


sectioning

Wood Chair Analysis

VERTICALCONTOUR CURVES

OBLIQUECONTOUR CURVES

HORIZONTALCONTOUR CURVES


contouring kit of parts

CRAIR STRUCTURAL COMPONENTS

Wood Chair Analysis

KinderPOP MonterreyLocation: Monterrey, MéxicoYear: 2012

kinderPOP monterrey


The Kindergarten was inspired on the simplest geomet-ric forms, such as the square and the rectangle.Kinderpop Monterrey has 3 volumes that evolve a central patio that are very typical and traditional in old Mexican constructions.One volume it’s exclusive for administration areas and the 2 others are exclusive for educational purposes.The design it’s meant for 40 kids but it can be adaptable to have more classrooms. The architectural spaces at kinderpop Monterrey are flexible and were thought to maximize the potential of their users and avoid distrac-tions for the kids.The director office it’s located to have a 270 degrees view to the facilities and at the same time it’s isolated from the noise.kinderpop was solved from all architectural designs and solutions. Having all it’s construction documents.

INDICA EJES ARQUITECTONICOS

INDICA CORTE ARQUITECTONICO

ACCESO VEHICULAR

SALIDA VEHICULAR

ACCESO

INDICA PENDIENTE

INDICA NIVEL

INDICA RAMPA

INDICA CAMBIO DE NIVEL

LINEA DE EJES ARQUITECTONICOS

LINEA DE LIMITE DE PROPIEDAD

PROYECCIONES

CORTE DE ESCALERAS

MEMORIA DESCRIPTIVA

KINDERPOP MONTERREY, ES UN KINDER UBICADO EN LA CALLE GUADALGUIVR, COLONIA FUENTES DEL VALLE EL MUNICIPIO DE SAN PEDRO GARZA GARCÍA EN NUEVO LEÓN, MEXICO.

EL DISEÑO DE KINDERPOP ESTA INSPIRADO EN LAS FORMAS GEOMETRICAS MAS SIMPLES, EL CUADRADO Y EL RECTANGULO. CUENTA CON 3 DIFERENTES VOLUMENES, INTEGRANDO UN

PATIO CENTRAL DENTRO DE LOS VOLUMENES.

EN EL PRIMER VOLUMEN, SE ENCUENTRA EL ACCESO AL KINDERGARTEN, ASI COMO TODA EL AREA ADMINISTRATIVA Y DE SERVICIOS. EL VOLUMEN DE LA FACHADA NORTE ES EXCLUSIVA PARA

EL USO ACADEMICO. KINDERPOPESTA DISEÑADO PARA UN MINIMO DE 48 NIÑOS CON OPCIÓN DE APAPTARSE A 60 SEGÚN SE REQUIERA. EL DISEÑO FUE ORIENTADO PARA EFICIENTAR AL

MAXIMO EL APRENDIZAJE Y MINIMIZAR CUALQUIER TIPO DE DISTRACCIONES DURANTE CLASES, ADEMÁS DE PROMOVER LA MAYOR ATENCIÓN Y VISTAS DE LA DIRECCIÓN A TODAS LAS AREAS.

PROGRAMA ARQUITECTONICO

PLANTA BAJA PLANTA BAJA

1 ACADEMICOS

1.1 SALON 1º

1.2 SALON 2º

1.3 SALON 3º

1.4 SALON 3º

1.5 BAÑOS NIÑAS

1.6 BAÑOS NIÑOS

3.85 X 6.60

5.65 X 4.40

6.55 X 4.40

6.60 X 4.40

2.00 X 4.30

2.00 X 4.30

25.41

24.86

28.82

29.04

8.60

8.60

DIMENSIONES SUPERFICIE EN M2

SUBTOTAL 125.33

2 ADMINISTRATIVOS

2.1 RECEPCIÓN

2.2 SALA DE ESPERA

2.3 ADMINISTRACIÓN

2.4 ARCHIVO

2.5 PAPELERÍA

2.6 SITE

2.7 BAÑO DE VISITAS

1.70 X 4.30

2.55 X 2.30

1.20 X 2.00

1.30 X 1.00

1.30 X 1.00

3.00 X 2.40

7.31

5.86

2.40

1.30

1.30

7.20

4.30 X 1.80 7.74

SUBTOTAL 33.11

DIMENSIONES SUPERFICIE EN M2

3 EXTERIORES

3.1 ESTACIONAMIENTO

3.2 ASCENSO/ DESCENSO

3.3 PATIO CENTRAL

3.4 PATIO TRASERO/HUERTO

3.5 PASILLO DE SERVICIO

3.6 BANQUETA FRONTAL

5.50 X 5.00

19.95 X 4.5

20.15 X 3.00

1 X 14.5

27.50

89.77

57.00

60.45

14.50

42.00

SUBTOTAL 291.22

1.7 SALON MULTIUSOS

1.8 GIMNASIO

2.9 SALA DE JUNTAS

2.10 SALA DE MAESTROS

8.20 X 4.40

5.20 X 4.30

36.00

46.64

82.64

22.36

12.90

2.11 BAÑO DE MUJERES 8.60

10.60 X 4.40

SUBTOTAL

2.8 DIRECCIÓN 3.90 X 2.50

3.00 X 4.30

2.00 X 4.30

9.75

2.12 BAÑO DE HOMBRES 8.602.00 X 4.30

4 SERVICIOS

4.1 ENFERMERÍA 2.55 X 2.00 5.10

SUBTOTAL 5.10

PLANTA ALTA

1 ACADEMICOS

2 ADMINISTRATIVOS

62.21SUBTOTAL

4 SERVICIOS

4.2 CUARTO DE SERVICIO 2.55 X 2.00 5.40

4.3 BODEGA GENERAL 6.60 X 3.85 25.40

SUBTOTAL 30.80

TOTAL 630.41

LISTADO DE PLANOS

PAQUETE

INDICE DE PLANOS KPOP-IP-01 PLANO INDICE

CLAVE NOMBRE DE PLANO

CONJUNTO KPOP-CON-01 PLANTA DE CONJUNTO

ARQUITECTONICOS KPOP-ARQ-01 PLANTA BAJA ARQUITECTONICA

KPOP-ARQ-02 PLANTA ALTA ARQUITECTONICA

LIMITE DE LOSAS KPOP-LDL-01 LIMITE DE FIRMES

KPOP-LDL-02 LIMITE DE LOSAS DE ENTREPISO

ALBAÑILERIAS KPOP-ALB-01 ALBAÑILERIAS PLANTA BAJA

KPOP-ALB-02 ALBAÑILERIAS PLANTA ALTA

ELEVACIONES KPOP-ELE-01 ELEVACIÓN SUR Y OESTE

KPOP-ELE-02 ELEVACIÓN ESTE Y NORTE

CANCELERÍA

KPOP-RYE-01 RAMPAS Y ESCALERAS

KPOP-CAN-01 CANCELERIA

CRITERIOS ELECTRICOS Y KPOP-CES-01 CRITERIO ELECTRICO PLANTA BAJA

KPOP-IYP-02 ILUMINACIÓN Y PLAFONES PLANTA ALTA

ILUMINACIÓN Y PLAFONES KPOP-IYP-01 ILUMINACIÓN Y PLAFONES PLANTA BAJA

KPOP-DSP-02 DESPIECE DE PISOS PLANTA ALTA

DESPIECE DE PISOS KPOP-DSP-01 DESPIECE DE PISOS PLANTA BAJA

KPOP-ACB-02 ACABADOS PLANTA ALTA

ACABADOS KPOP-ACB-01 ACABADOS PLANTA BAJA

CORTES CONSTRUCTIVOS KPOP-COR-01 CORTES A Y B

SALIDAS ESPECIALES

X-X

Nº

1

2

3

5

6

7

8

9

10

11

12

4

KPOP-LDL-03 LIMITE DE LOSAS DE TECHO

13

14

15

16

18

2223 CRITERIO ELECTRICO PLANTA ALTAKPOP-CES-02

DESPIECE DE MUROS KPOP-DSPM-01 DESPIECE DE MUROS

24

25

26

CARPRINTERÍA Y HERRERÍA KPOP-CYH-01 CARPINTERIA Y HERRERÍA

RAMPAS Y ESCALERAS

KPOP-DET-01 DETALLES GENERALES28DETALLES GENERALES29 KPOP-DET-02

KPOP-RYE-0227

1920

21

17KPOP-DSPM-02

!"#$%&&%'(#)*%&+),-,

!"#$%

de

&

'(

%)

&

(

'

(

)*

*))

+#

#!)

, )-

$.

()

UNIVERSIDAD DE MONTERREY

AVENIDA MORONES PRIETO 4500 PTE

SAN PEDRO GARZA GARCIA, N.L.

MÉXICO, C.P. 66238

PLANO No.

1

KINDERP P MONTERREY

DISEÑO:AXEL HERNANDEZ RUBIO

ASESORES:ARQ. SALVADOR ALEJANDRO IBARRA ARAGÓN

ARQ. ZAYDA CAROLINA GONZÁLEZ LÓPEZ

PROYECTO EJECUTIVO

NOTAS GENERALES1. LAS DIMENSIONES INDICADAS EN ESTE PLANO SON DE CARACTER TECTINO, EL CONTRATISTA DEBERA DE

REVISARLAS EN OBRA ANTES DE PROCEDER A LA CONSTRUCCIÓN O FABRICACIÓN DE CUALQUIER ELEMENTO.

DE EXISTIR ALGUNA DISCREPANCIAN, DEBERA DE SER SOLUCIONADA EN CONCENSO CON LA SUPERVISIÓN

ARQUITECTONICA DE LA OBRA, LAS ACOTACIONES Y NIVELES SE ENCUENTRAN INDICADAS EN METROS.

2. TODO TRABAJO QUE REQUIERA DE UNA MEDICIÓN SE REALIZARA CONSIDERANDO LAS DIMENSIONES

EXPRESADAS EN EL DIBUJO, NO DEBERÁN REALIZARSE MEDICIONES DIRECTAMENTE SOBRE LOS DIBUJOS.

LAS DISCREPANCIAS ENCONTRADAS ENTRE LOS DIBUJOS Y LA SITUACIÓN EXISTENTE EN OBRA DEBERÁN

REPORTARSE A LA DIRECCIÓN ARQUITECTONICA.

3. ES REQUISITO INDISPENSABLE QUE LOS MUROS Y COLUMAS A REVESTIR ESTÉN DEBIDAMENTE ZARPEADOS

(SI ASÍ SE ESPECIFICA), PLOMEADOS Y ALINEADOS DE FORMA TAL QUE NO EXISTA VARIACIONES SUPERIORES A 5MM.

4. ES REQUISITO INDISPENSABLE QUE LOS FIRMES Y LOSAS ESPECIFICADOS COMO ACABADO APARENTE ESTÉN

DEBIDAMENTE ACOTADOS, NIVELADOS Y TERMINADOS SEGÚN LA MUESTRA APROBADA POR LA DIRECCIÓN ARQ.

5. TODAS LAS DIMENSIONES SE INDICAN A PAÑO DE MAMPOSTERÍA, PAÑO DE CONCRETO, PAÑO DE MURO

TERMINADO, PAÑO DE MURO DIVISORIO INTERIOR, ETC. SEGÚN SEA EL CASO. A MENOS QUE SE INDIQUE ALGO

DIFERENTE

CLAVE:

PLANO ARQUITECTONICO:

ESCALA NUMERICA:

ESCALA GRÁFICA:

PLANO INDICE

SIN ESCALA

KPOP-IP-01

NORTE

SIMBOLOGÍA GRAFICA

INDICA EJES ARQUITECTONICOS

INDICA CORTE ARQUITECTONICO

ACCESO VEHICULAR

SALIDA VEHICULAR

INDICA PENDIENTE

INDICA NIVEL

INDICA RAMPA

INDICA CAMBIO DE NIVEL

LINEA DE EJES ARQUITECTONICOS

LINEA DE LIMITE DE PROPIEDAD

PROYECCIONES

CORTE DE ESCALERAS

SALIDA DE CIELO

APAGADOR TIPO VAIVEN

APAGADOR SENCILLO

SALIDA DE MURO. H DE 1.80m SOBRE N.P.T.

CENTRO DE CARGA

CONTACTO DUPLEX POLARIZADO

CONTACTO DUBLEX INTEMPERIEI

SALIDA DE TELEFONO

SALIDA DE INTERNETINT

ILUMINACIÓN Y ELECTRICOS

ALBAÑILERÍA

P# INDICA TIPO DE PUERTA

h= 0.00

x TIPO DE MURO

V-XX INDICA TIPO DE VENTANA

INDICA TIPO DE BARANDALB-X

ACABADOS

x

INDICA CAMBIO DE ACABADO EN EL PISOS

INDICA CAMBIO DE ACABADO EN MUROS

APAGADO EN MURO

ACABADO EN CIELO

ACABADO EN PISO

C-XX

P-XX

Z-XX ACABADO EN ZOCLO

INDICA INICIO DE DESPIECE

NOMENCLATURA

N.P.T.

N.S.L.

N.S.F.

N.I.L.

NIVEL DE PISO TERMINADO

NIVEL SUPERIOR DE LOSA

NIVEL INFERIOR DE LOSA

NIVEL SOBRE FIRME

NIVEL DE JARDIN

NIVEL DE CALLE

N.J.

N.C.

N.S.P. NIVEL SUPERIOR DE PRETIL

R-1INDICA NOTA DE REVISIÓN

RÍO GUADALQUIVIR

SIN ESCALA

O

CAL

ZAD

A SA

N P

EDR

O RIO GUADALQUIVIR

RIO MISSOURI

RIO AMAZONAS

RIO

GR

IJAL

VA

RIO

TAM

AZU

NC

HAL

E

RIO ORINOCO

RIO MISSISSIPPI

CALZADA DEL VALLE

PLANO DE UBICACIÓN

COLONIA FUENTES DEL VALLE

ARCHIVOS XREF

PLANOS DE REF

ANOTACIONES

REVISIONES

No DESCRIPCIÓN FECHA

A

B

O

AVANCE PRELIMINAR 03/OCT/2012


PLANTA DE CONJUNTO021:200

ENTREGA FINAL 26/NOV/2012

HUERTO

BANQUETA

RAMPA

N.P.T. 100.28 m.N.P.T. 100.28 m.

N.J. 100.20 m.

N.J. 100.20 m.

N.P.T. 100.28 m.

N.J. 100.15 m.

N.B. 100.10 m.

N.J.100.20 m.

N.P.T. 100.28 m.

N.P.T. 100.28 m.

N.J.100.20 m.

AREA VERDE

AREA VERDE

AREA VERDE

AREA VERDE

AREA VERDE

N.S.L. 107.75

N.S.E. 107.95

N.S.E. 107.90

AREA VERDE N.J. 100.30 m.

N.S.E. 107.95

N.S.E.107.76

N.S.E. 107.95

N.S.L 107.75

PENDIENTE 2%

PENDIENTE 2%

PENDIENTE 2%

PENDIENTE 2%PENDIENTE 2%

PENDIENTE 2%

PENDIENTE 2%

PENDIENTE 2%

PENDIENTE 2%

PENDIENTE 2%

N.I.E. 107.74 m.

PENDIENTE 1%

N.I.E. 107.74 m.

PENDIENTE 1%

N.I.E. 107.74 m.

PENDIENTE 1%

BAP

BAP

BAPBAP

ACCESO

N.J. 100.20 m.

PENDIENTE 1% PENDIENTE 1% PENDIENTE 1%

N.P.T. 100.27 m. N.P.T. 100.27 m. N.P.T. 100.27 m.

N.P.T. 100.28 m. N.P.T. 100.28 m. N.P.T. 100.28 m.

N.P.T. 100.27 m.

PENDIENTE 1%N

.P.T

. 100

.27

m.

PE

ND

IEN

TE 1

%N.P.T. 100.28 m.

N.B. 100.10 m. 100.10 m.

N.B. 100.10 m.

N.C. 99.95 m.

N.S.F. 100.25 m.

N.J.100.20 m.

N.I.E. 107.78

N.S.E. 107.81

N.I.E. 107.78

N.I.E. 107.78N.I.E. 107.78

N.S.L.107.75

N.S.L. 107.75

N.S.L.107.75

N.S.L.107.75

N.S.L.107.75

N.S.E.107.76N.S.E.107.76

N.S.E.107.76

N.S.L. 107.75

N.S.L. 107.75

N.S.L. 107.75

N.S.L. 107.75

N.S.P. 110.25

N.S.P. 110.25

N.S.P. 110.25 N.S.P. 110.25

N.S.P. 108.50

N.S.P. 110.25

N.S.P. 110.25

N.J. 100.20 m.

SISTEMA IMPERMEABLE EN AREA DE JARDINERIAA BASE DE MEMBRANA PREFABRICADA GARDEN (ANTIRAIZ)

COLADERA HELVEX DE 4"MODELO 444 - X




N.S.E. 107.80

20.15

20.15

22.2

2

ASCENSO DESCENSO

E-O

E-N

E-S

PENDIENTE 2%

B

B

A

PENDIENTE 2%

1.28 4.30 1.35 2.55 2.00 2.00 6.58

4.78

4.30

3.85

1.80

4.40

3.09

2.002.551.354.301.28 2.00 6.58

PENDIENTE 2%

PENDIENTE 2%

BAP

BAP

PENDIENTE 1%

N.P.T. 100.27 m.

N.P.T. 100.28 m.

MonterreyUniversidad

TVRES

de

M

HO

SI

M

O

H

O

IN

NII

UR

RTI

C IF

EP

OI




MÉXICO, C.P. 66238

PLANO No.

2

KINDERP P MONTERREY




PROYECTO EJECUTIVO









CLAVE:

NOMBRE DE PLANO:

ESCALA NUMERICA:

ESCALA GRÁFICA:

PLANTA DE CONJUNTO

NORTEREVISIONES

O


A

B

O


1:50

0.00 0.50 1.00 2.00

NOMENCLATURA

N.P.T.

N.S.L.

N.S.F.

N.I.L.




NIVEL SOBRE FIRME

NIVEL DE JARDIN

NIVEL DE CALLE

N.J.

N.C.


N.B.

N.S.E.

N.I.E

BAP

NIVEL DE BANQUETA

NIVEL SUPERIOR DE EMPASTADO

NIVEL INFERIOR DE EMPASTADO

BAJANTE PLUVIAL

N.I.E. 107.78

N.I.E. 107.78

N.S.L.107.75

N.S.L. 107.75

N.S.P. 108.50

N.S.P. 108.50

N.J. 100.20 m.

N.S.P. 108.50





COLADERA HELVEX 4"

DETALLE DE COLADERA HELVEX DE 4" PARA TECHOSSIN ESCALA



TODOS LOS PRETILES TENDRAN UNA PENDIENTE DEL 1%AL INTERIOR DE LA LOSA DE TECHO

EL RELLENO DE LAS PENDIENTES PARA LA LOSA DE TECHOSERA A BASE DE CONCRETO LIHERO LIGHTSTONE Y ELSISTEME DE IMPERMEABILIZACIÓN PREFABRICADAAPARENTE MARCA AL-KOAT DE MEMBRANA TIPO PG-45 T SBSACABADO EN GRAVILLA; APLICADA POR TERMOFUSIÓNUTILIZANDO PEVIAMENTE REFUERZOS DE MEMBRANAAL-KOAT TIPO PA-4D T SBS SOBRE COMPUESTO PRIMARIODE LA MISMA MARCA.

22.2

2

DESCENSO

E-E

PENDIENTE 2%

CAL

ZAD

A SA

N P

EDR

O RIO GUADALQUIVIR

RIO MISSOURI

RIO AMAZONAS

RIO

GR

IJAL

VA

RIO

TAM

AZU

NC

HAL

E

RIO ORINOCO

RIO MISSISSIPPI

CALZADA DEL VALLE

PLANO DE UBICACIÓN


ARCHIVOS XREF

PLANOS DE REF

ANOTACIONES

SIMBOLOGÍA GRÁFICA

INDICA EJES GENERALES

INDICA CAMBIO DE NIVEL EN PISO

INDICA NIVEL EN PLANTA

INDICA DIRECCION DE PENDIENTE


KPOP-CON-01

PLANTA DE CONJUNTO21:50

A

NOTAS IMPORTANTES

PARA EL DROP OFF SE PROPONE SOLUCIONAR EL PROBLEMA PLUVIAL CON ADOQUIN DRENANTE. REVISAR PLANO DE ACABADOS

6.58

4.78

4.30

3.85

1.80

4.40

3.09

6.58

26/NOV/2012

INDICA NUMERO DE ELEVACIÓN

INDICA PLANO EN EL QUE SE ENCUENTRA

ESCALA

INDICA NOMBRE DEL PLANO

INDICA LETRA DE CORTE

X-X

X

APROBADO PARACONSTRUCCIÓN

N.B. 100.10 m.

N.J. 100.20 m.

BAÑO DE VISITAS

SALÓN 2º SALÓN 3º SALÓN 3º

HUERTO

ESTACIONAMIENTO

BANQUETA

ARCHIVO

PAPELERÍA

ENFERMERÍA

SALA DE ESPERA

BAÑOS NIÑAS BAÑOS NIÑOS

SALÓN 1º

PATIO

ADMIN.

RECEPCIÓN

BANQUETA

RAMPA RAMPA

BANQUETA

RAMPA

SUBE

SITE

N.P.T. 100.27 m.

100.10 m.

N.P.T. 100.28 m.N.P.T. 100.28 m.

N.J. 100.20 m.

N.J.100.20 m.

N.P.T. 100.28 m.

N.J. 100.20 m.

N.P.T. 100.28 m.

N.J. 100.15 m.

N.B.100.10 m.

N.B. 100.10 m.

N.C. 99.95 m.

N.J. 100.20 m.

N.P.T. 100.24 m.

N.P.T. 100.28 m.

N.P.T. 100.28 m.

100.20 m.

AREA VERDE

AREA VERDE

AREA VERDE

AREA VERDE

AREA VERDE

N.P.T. 100.28 m. N.P.T. 100.28 m. N.P.T. 100.28 m.

N.P.T. 100.28 m.

N.P.T. 100.28 m.

N.P.T. 100.28 m. N.P.T. 100.28 m.

N.J. 100.30 m.

100.10 m.

2345

8

9

10

11

7

6

1918171615

12

13

14

N.P.T. 100.28 m.

PENDIENTE 1% PENDIENTE 1% PENDIENTE 1%

N.P.T. 100.28 m.

100.10 m.

N.P.T. 100.27 m. N.P.T. 100.27 m. N.P.T. 100.27 m.

N.P.T. 100.28 m.

PENDIENTE 1%

N.P.T. 100.27 m.

N.P.T. 100.27 m.

PENDIENTE 1%

N.P.T. 100.27 m.N.P.T. 100.27 m.

PENDIENTE 1% PENDIENTE 1%

N.P.T. 100.28 m. N.P.T. 100.28 m.

N.P.T. 100.28 m.N.P.T. 100.28 m.

N.P.T. 100.28 m. N.P.T. 100.28 m. N.P.T. 100.28 m.

N.P.T. 100.28 m.

RAMPA

ACCESO N.P.T. 100.27 m.

PENDIENTE 1%

N.P.T. 100.28 m.

N.P

.T. 1

00.2

7 m

.

PE

ND

IEN

TE 1

%

N.J. 100.20 m.

N.J. 100.20 m.

PENDIENTE 2%

20.15

20.15

22.2

2

1.28 4.30 1.35 2.55 2.00 2.00 6.58

1.28 18.80

3.09

14.3

54.

78

3.09

4.40

1.80

3.85

4.30

4.78

1.20 12.20 6.58

ASCENSO DESCENSO

E-O

E-N

E-S

A

B

B

1

N.P.T. 100.28 m.

ACCESO A SITE

PENDIENTE 1%

N.P.T. 100.27 m.

N.P.T. 100.28 m.


TVRES

de

M

HO

SI

M

O

H

O

IN

NII

UR

RTI

C IF

EP

OI




MÉXICO, C.P. 66238

PLANO No.

3

KINDERP P MONTERREY




PROYECTO EJECUTIVO

NOTAS IMPORTANTES1. LAS DIMENSIONES INDICADAS EN ESTE PLANO SON DE CARACTER TECTINO, EL CONTRATISTA DEBERA DE










CLAVE:

NOMBRE DE PLANO:

ESCALA NUMERICA:

ESCALA GRÁFICA:

PLANTA BAJA ARQUITECTONICA

NORTEREVISIONES

O


A

B

O


1:50

0.00 0.50 1.00 2.00

NOMENCLATURA

N.P.T. NIVEL DE PISO TERMINADO

NIVEL DE JARDIN

NIVEL DE CALLE

N.J.

N.C.

PENDIENTE 2%

22.2

2

6.58

6.58

3.09

10.0

54.

304.

78

3.09

4.40

1.80

3.85

4.30

4.78

DESCENSO

A

E-E

PLANTA BAJA ARQUITECTONICA31:50






INDICA RAMPA


KPOP-ARQ-01

CAL

ZAD

A SA

N P

EDR

O RIO GUADALQUIVIR

RIO MISSOURI

RIO AMAZONAS

RIO

GR

IJAL

VA

RIO

TAM

AZU

NC

HAL

E

RIO ORINOCO

RIO MISSISSIPPI

CALZADA DEL VALLE

PLANO DE UBICACIÓN


ARCHIVOS XREF

PLANOS DE REF

ANOTACIONES

26/NOV/2012



ESCALA



X-X

X


BAÑOS MUJERES BAÑOS HOMBRES

CLOSET

SALÓN MULTIUSOS

GIMNASIO

CUARTO DE SERVICIO

SALA DE JUNTAS

SALA DE MAESTROS

BODEGA GENERAL

DIRECCIÓN

N.P.T. 103.78 m.

N.P.T. 103.78 m.

N.P.T. 103.78 m.

N.P.T. 103.78 m.

N.P.T. 103.78 m. N.P.T. 103.78 m.

N.P.T. 103.78 m.

N.P.T. 103.78 m.

N.P.T. 103.78 m.

N.P.T. 103.78 m.

N.P.T. 103.78 m.

N.P.T. 103.78 m.

12345

8

9

10

11

7

6

18171615

12

13

14 20

4.30 2.00 2.00 6.58

18.78

14.3

5

4.40

1.80

3.85

4.30

12.20 6.58

4.30 3.90 2.00 2.00 6.58

E-O

E-N

3.90

N.P.T. 103.78 m.

19

HUECO

HUECO

PROYECCION DE LOSA

PR

OY

EC

CIO

N D

E L

OS

A

B

B

A

E-S

BODEGA GENERALN.P.T. 103.78 m.


TVRES

de

M

HO

SI

M

O

H

O

IN

NII

UR

RTI

C IF

EP

OI




MÉXICO, C.P. 66238

PLANO No.

4

KINDERP P MONTERREY




PROYECTO EJECUTIVO

NOTAS IMPORTANTES1. LAS DIMENSIONES INDICADAS EN ESTE PLANO SON DE CARACTER TECTINO, EL CONTRATISTA DEBERA DE










CLAVE:

NOMBRE DE PLANO:

ESCALA NUMERICA:

ESCALA GRÁFICA:

PLANTA ALTA ARQUITECTONICA

NORTEREVISIONES

O


A

B

O


1:50

0.00 0.50 1.00 2.00

6.58

6.58

6.58

4.40

1.80

3.85

4.30

4.40

1.80

3.85

4.30

E-E

PLANT ALTA ARQUITECTONICA 41:50

HUECO

KPOP-ARQ-02

NOMENCLATURA

N.P.T. NIVEL DE PISO TERMINADO






INDICA RAMPA

CAL

ZAD

A SA

N P

EDR

O RIO GUADALQUIVIR

RIO MISSOURI

RIO AMAZONAS

RIO

GR

IJAL

VA

RIO

TAM

AZU

NC

HAL

E

RIO ORINOCO

RIO MISSISSIPPI

CALZADA DEL VALLE

PLANO DE UBICACIÓN


ARCHIVOS XREF

PLANOS DE REF

ANOTACIONES

26/NOV/2012


A



ESCALA



X-X

X


1.75

8.25

3.00

5.25

1.75

N.S.L. 107.75

N.S.L. 103.75

N.S.F. 100.25 N.P.T. 100.25100.20

10.0

0

3.00

7.00

N.S.L. 103.75

N.S.F. 100.25

N.S.L. 107.75

10.0

0

N.S.P. 108.50

N.S.P. 110.25

MURO DE BLOCK DE CONCRETO DE 20 CMACABADO ZARPEO Y AFINECOLOR BLANCO

PLACAS DE ALUMINIO DE 1M X 1MPINTADAS EN DIFERENTES TONOS EN ESCALA DE GRISES

PUERTAS DE CRISTAL TEMPLADO CLARO DE 9.5 MM DE ESPESORCON MARCOS DE ALUMINIO COLOR NEGR DE 5MM DE ESPESORPLACAS DE METAL DESPLEGADO DE 1M X 1MMUROS DE BLOCK DE CONCRETO DE 15 CM

BARDA PERIMETRAL

ACABADO ZARPEO Y AFINEPINTURA COLOR BLANCO

PLACAS DE ALUMINIO DE 1M X 1MPINTADAS EN DIFERENTES TONOS EN ESCALA DE GRISESPLACAS DE METAL DESPLEGADO DE 1M X 1M

MURO DE BLOCK DE CONCRETO DE 20 CMACABADO ZARPEO Y AFINEPINTURA COLOR BLANCO A 2 MANOS

MUROS DE BLOCK DE CONCRETO DE 15 CMBARDA PERIMETRAL


VENTANAS DECRISTAL ESMERILADO,CON PERFILES DE ALUMINIOCOLOR NEGRO

N.S.P. 108.50

110.25

N.S.F. 100.25

N.I.L. 103.55

N.I.L. 107.55

N.B.L. 103.55

N.I.L. 107.55

N.S.L. 103.25

103.25

N.S.P. 110.25

FIJOFIJO FIJO

FIJO FIJO

FIJO FIJO FIJO

FIJO FIJO FIJO

FIJOFIJOFIJO

FIJO

FIJO

FIJO FIJO FIJO

FIJO FIJO

FIJOFIJO

FIJO

FIJO

FIJO FIJO

FIJOFIJOFIJOFIJO FIJO

N.P.T. 103.77

N.P.T. 100.27

V-AAV-AA

V-AAV-AA

V-BBP2 P2V-CC

V-DD

V-EE

V-CC

V-AA

V-FF

V-AA

V-AA

FIJO

V-FF

CON ENTRECALLES DE PEFILES DE ALUMINIO A CADA 95CMNOTA: CHECAR DETALLE DE PUERTA

PLOMO Y ESCUADRAACABADO DE PINTURA VINILICA COLOR BLANCA MARCA BEHR

CON MEZCLA DE CEMENTO-ARENA, APLICADO CON MAESTRAS AMURO DE BLOCK DE CONCRETO DE 15CM, ZARPEADO, REBOSADO

CLAVE:GALLERY WHITE UL260-15ACABADO DE PINTURA A 2 MANOS

LAMINAS DE METAL DESPLEGADO DE 1M X 1MDE 1M X 1M ESPESOR DE 5MM

COLOR NEGRO30% AREA LIBREMARCA LADESA, MODELO WEAVE 10 PD-1013

LAMINAS DE METAL DESPLEGADO DE 1M X 1M

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00

10.0

0

3.75

1.75

1.00

0.75

0.25

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00

8.25

1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00 0.80

1.001.001.001.001.001.001.001.001.001.001.001.00

0.38

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00

6.58

ES 2 CM ARRIBA DE EL NIVEL SUPERIOR DE LOSAEL NIVEL DE PISO TERMINADO (N.P.T.)

MATERIAL A ESPECIFICAR







0.20

0.20

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCTPR

OD

UC

ED B

Y A

N A

UTO

DES

K E

DU

CA

TIO

NA

L PR

OD

UC

TPRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

10.0

0

10.0

0

1.75

8.25

MURO DE BLOCK DE CONCRETO DE 20 CMACABADO ZARPEO Y AFINE


TVRES

de

M

HO

SI

M

O

H

O

IN

NII

UR

RTI

C IF

EP

OI




MÉXICO, C.P. 66238

PLANO No.

10

KINDERP P MONTERREY




PROYECTO EJECUTIVO















DIFERENTE

CLAVE DEL PLANO: KPOP-ELE-01

NOMBRE DE PLANO:

ESCALA NUMERICA:

ESCALA GRÁFICA:

ELEVACIONES ARQUITECTONICAS

NORTEREVISIONES

O


A

B

O


1:50

0.00 0.50 1.00 2.00

CAL

ZAD

A SA

N P

EDR

O RIO GUADALQUIVIR

RIO MISSOURI

RIO AMAZONAS

RIO

GR

IJAL

VA

RIO

TAM

AZU

NC

HAL

E

RIO ORINOCO

RIO MISSISSIPPI

CALZADA DEL VALLE

PLANO DE UBICACIÓN


ARCHIVOS XREF

PLANOS DE REF

ANOTACIONES

ELEVACIÓN OESTE101:50

N.P.T. 103.77

N.P.T. 100.27

0.20

0.20






NOMENCLATURA

N.P.T.

N.S.L.

N.S.F.

N.I.L.




NIVEL SOBRE FIRME

NIVEL DE JARDIN

NIVEL DE CALLE

N.J.

N.C.



26/NOV/2012APROBADO PARACONSTRUCCIÓN

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCTPRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T

10.0

0

1.75

8.25

1.75

0.75

0.20

0.80

1.00

2.00

0.20

1.10

1.00

1.20

PANELES DE ALUMINIO (ALUCOBOND)DE 1M X 1M ESPESOR DE 5MM

99.95 N. DE CALLE

N.P.T. 103.77

N.P.T. 107.77

N.P.T. 100.27

N.I.L. 103.55

N.I.L. 107.55

N.S.P. 110.25

N.S.L. 103.75

N.S.L. 107.75

N.P.T. 100.25

N.I.L. 103.55

N.I.L. 107.55

N.S.P. 110.25

N.S.P. 108.50 N.S.P. 108.50

10.0

0

2.50

0.20

3.80

0.20

3.30

N.S.L. 103.75

N.S.L. 107.75

N.S.F. 100.25

N.I.L. 103.55

N.I.L. 107.55

N.S.P. 108.50

N.S.P. 110.25

N.S.F. 100.25

PUERTAS DE MADERA DE PINOCOLOR CHOCOLATE

FIJO FIJO FIJO FIJO FIJO FIJO

FIJOFIJOFIJOFIJOFIJOFIJOFIJOFIJOFIJO V-JJ

V-GGV-HHV-II

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00 1.00 1.00 1.00

0.32

10.28

30% AREA LIBREMARCA LADESA, MODELO WEAVE 10 PD-1013

LAMINAS DE METAL DESPLEGADO DE 1M X 1M

COLOR (RAT GREY)

PANELES DE ALUMINIO (ALUCOBOND)DE 1M X 1M ESPESOR DE 5MMCOLOR GRIS

LAMINAS DE METAL DESPLEGADO DE 1M X 1MDE 1M X 1M ESPESOR DE 5MM

COLOR NEGRO



CLAVE:GALLERY WHITE UL260-15







ACABADO DE PINTURA A 2 MANOS ACABADO DE PINTURA A 2 MANOS




1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00 1.00

18.00

1.00 1.00 1.00 1.00 1.00 1.05 1.05 1.05 1.05 1.051.00 1.00 1.00

0.15

1.00 1.00 1.00 1.00 0.50

0.50


OD

UC

ED B

Y A

N A

UTO

DES

K E

DU

CA

TIO

NA

L PR

OD

UC


10.0

0

1.75

8.25

1.75

0.75

0.20

0.80

1.00

2.00

0.20

1.10

1.00

1.20



10.0

0

1.75

8.25

1.75

0.75

3.80

0.20

3.30

0.20

103.25




TVRES

de

M

HO

SI

M

O

H

O

IN

NII

UR

RTI

C IF

EP

OI




MÉXICO, C.P. 66238

PLANO No.

11

KINDERP P MONTERREY




PROYECTO EJECUTIVO















DIFERENTE

CLAVE DEL PLANO: KPOP-ELE-02

NOMBRE DE PLANO:

ESCALA NUMERICA:

ESCALA GRÁFICA:

ELEVACIONES ARQUITECTONICAS

NORTEREVISIONES

O


A

B

O


1:50

0.00 0.50 1.00 2.00

CAL

ZAD

A SA

N P

EDR

O RIO GUADALQUIVIR

RIO MISSOURI

RIO AMAZONAS

RIO

GR

IJAL

VA

RIO

TAM

AZU

NC

HAL

E

RIO ORINOCO

RIO MISSISSIPPI

CALZADA DEL VALLE

PLANO DE UBICACIÓN


ARCHIVOS XREF

PLANOS DE REF

ANOTACIONES

ELEVACIÓN NORTE111:50

ELEVACIÓN ESTE111:50

103.25

N.P.T. 103.77

N.P.T. 100.27

8.25














INDICA TIPO DE VENTANA

INDICA TIPO DE PUERTA

ESCALA


INDICA NIVEL

X-X

V-XX

PX

NOMENCLATURA

N.P.T.

N.S.L.

N.S.F.

N.I.L.




NIVEL SOBRE FIRME

NIVEL DE JARDIN

NIVEL DE CALLE

N.J.

N.C.



26/NOV/2012APROBADO PARACONSTRUCCIÓN


PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T

GIMNASIO

SALÓN TERCEROBAÑOS NIÑAS

BAÑOS MUJERES

PATIO CENTRAL

SITE

DIRECCIÓN

CUBO DE ESCALERAS

BODEGA GENERAL

SALÓN 1º

10.0

0

2.50

0.70

3.50

0.50

2.80

10.0

0

N.S.L. 103.75

N.S.L. 107.75

N.S.P. 108.50

N.P.T. 100.28

N.I.L. 103.55

N.I.L. 107.55

N.S.L. 103.75

N.S.L. 107.75

N.P.T. 100.27

N.I.L. 103.55

N.I.L. 107.55

N.S.P. 110.25

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00

1.00

N.J. 100.20

N.S.L. 103.75

N.S.L. 107.75

N.S.P. 108.50

N.P.T. 100.28

N.B.L. 103.55

N.B.L. 107.55

N.S.F. 100.25

N.S.L. 103.75

N.S.L. 107.75

N.P.T. 100.28

N.B.L. 103.55

N.B.L. 107.55

N.S.P.110.25

100.20

LOSA TRADICIONAL DE CONCRETOREFORZADO DE 20CM ESPESOR,ALIGERADA CON BARROBLOCK MEDIDASDE 20X30X20 CMS. CON NERVADURAS @75CMS. RESISTENCIA DE 250 KG/CM2(VER PLANOS ESTRUCTURALES).


N.S.F. 100.25

PANELES DE ALUMINIO (ALUCOBOND)DE 1M X 1M ESPESOR DE 5MMDIFERENTES TONOS DE GRIS




V-KK

V-KK

B-Y

P1 P1 P1

P1

FIJO FIJO FIJO

FIJO

N.P.T. 103.78

P1P1

FIJO FIJO

IMPERMEABILIZACIÓN EN LOSA DE AZOTEA, PRETILES YBASES CON SISTEMA MEMBRANA PREFABRICADA MARCACURACRETO DE 4.00 MM DE ESPESOR CON ACABADOTEXTURA GRAVILLA BLANCO. APLICADO CON SOPLETE DEGAS BUTANO CON UN TRASLAPE DE 10 CM.

1

2

3

4

5

6

7

MURO DE BLOCK DE CONCRETO CON ZARPEO YAFINE Y YESO. APLICACIÓN DE PINTURA ESMALTEACRÍLICO ANTIBACTERIAL A BASE DE AGUASHERWIN WILLIAMS.

MURO DE BLOCK DE CONCRETO CON ZARPEO YAFINE Y YESO. APLICACIÓN DE PINTURA ESMALTEACRÍLICO ANTIBACTERIAL A BASE DE AGUASHERWIN WILLIAMS.

V-LL

V-LL

PANELES SANITARIOS MARCA SANILOCKA EMPOTRAR EN MURO(REVISAR ESPECIFICACIONES)


2.50

8.05

2.50

3.90

1.00

0.30

0.503.60

1.00 1.00

2.80

2.20

3.85

2.65 1.20

0.30

3.00

2.50

1.90

0.80

2.90

1.00

1.00

1.20

3.85

2.80

2.20

1.00

2.50

0.75

1.90

0.60

3.85

2.80

1.40

0.10

0.03

1.00

0.300.50

0.20 0.03 0.

10

1.37

1.00

0.80

0.50

0.20

0.03

2.20

0.60

0.50

0.20 0.

03

2.20

1.07

0.50

0.20 0.03

2.47

3CM. DE N.S.F. A N.P.T. PARA RECIBIR PISOVINILICO CON SU REPECTIVO ADHESIVO

10 CM DE ALTURA DE N.P.T HACIA ARRIBAPARA RECIBIR ZOCLO

3CM. DEL NIVEL DE ESCALON A N.P.T. PARARECIBIR PISO VINILICO CON SU REPECTIVO

RAMPA DE CONCRETO ARMADA CON ACEROPARA RECIBIR RELLENO DE ESCALON

ADHESIVO

3CM. DE N.S.L. A N.P.T. PARA RECIBIR PISOVINILICO CON SU REPECTIVO ADHESIVO

INSTALACIÓN DE PLAFÓN MARCAARMSTRONG.LINEA TUNDRA, DE 60X60 CMDE 60 X 60 XM, 1.5 CM DE ESPESOR(REGISTRABLE) Y CON CERTIFICACIONLEED. COLOR BLANCO

3CM. DE N.S.L. A N.I.E. PARA RECIBIREMPASTADO PARA PENDIENTE DE LOSA

IMPERMEABILIZACIÓN EN LOSA DEAZOTEA, PRETILES Y BASES CON SISTEMAMEMBRANA PREFABRICADA MARCACURACRETO DE 4.00 MM DE ESPESOR CONACABADO TEXTURA GRAVILLA BLANCO.APLICADO CON SOPLETE DE GAS BUTANOCON UN TRASLAPE DE 10 CM.

4.30 1.35 2.55 2.00 2.00 6.58

3.20

2.50

0.030.72

0.10

0.03

0.50

0.20 0.03 0.

10

0.50

0.20 0.030.72

2.70

3.17

0.10

0.03

2.70

0.50

0.20 0.03 0.

10

0.50

0.20 0.03

3.17



INSTALACIÓN DE PLAFÓN MARCAARMSTRONG.LINEA TUNDRA, DE 60X60 CMDE 60 X 60 XM, 1.5 CM DE ESPESOR(REGISTRABLE) Y CON CERTIFICACIONLEED. COLOR BLANCO

3CM. DE N.S.L. A N.P.T. PARA RECIBIR PISOVINILICO CON SU REPECTIVO ADHESIVO





OD

UC

ED B

Y A

N A

UTO

DES

K E

DU

CA

TIO

NA

L PR

OD

UC


10.0

0

10.0

0

1.75

8.25

1.75

0.75

0.70

0.30

0.50

1.00

1.75

0.95

0.50

0.80

1.00

1.70

0.50

0.30

1.00

1.50

2.15

1.00

1.50

N.S.F. 100.25


TVRES

de

M

HO

SI

M

O

H

O

IN

NII

UR

RTI

C IF

EP

OI




MÉXICO, C.P. 66238

PLANO No.

12

KINDERP P MONTERREY




PROYECTO EJECUTIVO

1. LAS DIMENSIONES INDICADAS EN ESTE PLANO SON DE CARACTER TECTINO, EL CONTRATISTA DEBERA DE








CLAVE DEL PLANO: KPOP-COR-01

NOMBRE DE PLANO:

ESCALA NUMERICA:

ESCALA GRÁFICA:

CORTES ARQUITECTONICOS

NORTEREVISIONES

O


A

B

O


1:50

0.00 0.50 1.00 2.00

CAL

ZAD

A SA

N P

EDR

O RIO GUADALQUIVIR

RIO MISSOURI

RIO AMAZONAS

RIO

GR

IJAL

VA

RIO

TAM

AZU

NC

HAL

E

RIO MISSISSIPPI

CALZADA DEL VALLE

PLANO DE UBICACIÓN


ARCHIVOS XREF

ANOTACIONES

0.30

MURO DE BLOCK DE CONCRETO CON ZARPEO Y AFINE YYESO. APLICACIÓN DE PINTURA ESMALTE ACRILICO

ANTIBACTERIAL A BASE DE AGUA MARCA SHERWIN WILLIAMS LÍNEA A29 (DOS MANOS) .

LOSA TRADICIONAL DE CONCRETOREFORZADO DE 20CM ESPESOR,

ALIGERADA CON BARROBLOCK MEDIDASDE 20X30X20 CMS. CON NERVADURAS @75

CMS. RESISTENCIA DE 250 KG/CM2(VER PLANOS ESTRUCTURALES).




PLAFÓN MARCA ARMSTRONG LINEAHEALTH ZONE. CON DIMENSIONES 2' X 2' X34" COLOR BLANCO. H= 3.25 M (SOBRE NPT)

MURO DE BLOCK DE CONCRETO CON ZARPEO Y AFINE YYESO. APLICACIÓN DE PINTURA ESMALTE ACRÍLICO

ANTIBACTERIAL A BASE DE AGUA SHERWIN WILLIAMS LÍNEA A29 (DOS MANOS).

N.S.F. 100.25

N.P.T. 103.78

IMPERMEABILIZACIÓN EN LOSA DEAZOTEA, PRETILES Y BASES CON SISTEMA

MEMBRANA PREFABRICADA MARCACURACRETO DE 4.00 MM DE ESPESOR CON

ACABADO TEXTURA GRAVILLA BLANCO.APLICADO CON SOPLETE DE GAS BUTANO

CON UN TRASLAPE DE 10 CM.

FIJO

FIJO

MURO DE BLOCK DE CONCRETO CON ZARPEO Y AFINE YYESO. APLICACIÓN DE PINTURA ESMALTE ACRÍLICO

ANTIBACTERIAL A BASE DE AGUA SHERWIN WILLIAMS LÍNEA A29 (DOS MANOS).

MURO DE BLOCK DE CONCRETO CON ZARPEY AFINE Y YESO. APLICACIÓN DE PINTURA

ESMALTE ACRÍLICO ANTIBACTERIAL A BASEDE AGUA SHERWIN WILLIAMS LINEA A29







0.75

CORTE ARQUITECTONICO - A101:50





INDICA TIPO DE VENTANA

INDICA TIPO DE PUERTA

ESCALA


INDICA NIVEL

X-X

V-XX

PX

NOMENCLATURA

N.P.T.

N.S.L.

N.S.F.

N.I.L.




NIVEL SOBRE FIRME

NIVEL DE JARDIN

NIVEL DE CALLE

N.J.

N.C.


B-X INDICA TIPO DE BARANDAL

PLANOS DE REF



50CM. DEL NIVEL INFERIOR DE PLAFONPARA RECIBIR PLAFON E INSTALACIONES

3CM. DE N.S.F. A N.S.L. PARA RECIBIR PISOVINILICO CON SU REPECTIVO ADHESIVO


50CM. DEL NIVEL INFERIOR DE PLAFONPARA RECIBIR PLAFO E INSTALACIONES

N.I.E. 107.78




50CM. DEL NIVEL INFERIOR DE PLAFONPARA RECIBIR PLAFON E INSTALACIONES

3CM. DE N.S.F. A N.S.L. PARA RECIBIR PISOVINILICO CON SU REPECTIVO ADHESIVO



IMPERMEABILIZACIÓN EN LOSA DEAZOTEA, PRETILES Y BASES CON SISTEMA

MEMBRANA PREFABRICADA MARCACURACRETO DE 4.00 MM DE ESPESOR CON

ACABADO TEXTURA GRAVILLA BLANCO.APLICADO CON SOPLETE DE GAS BUTANO

CON UN TRASLAPE DE 10 CM.


A

B

NOTAS IMPORTANTES

APROBADO PARA 26/NOV/2012CONSTRUCCIÓN


PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T

Axel Hernandez Architecture

Documents

Transcript of Axel Hernandez Architecture