AUDITION PACKET

MORTICIA ADDAMS

GOMEZ 1

SCENE TWO: MORTICIA'S BOUDOIR

... Revealing GOMEZ, fencing with LURCH, who holds his foil absolutely still while GOMEZ swipes at it extravagantly.

GOMEZ

Fight sir, fight like a man! Feel the kiss of my Spanish steel! Ha! Ha! Ha! Ha! Foiled again!

GOMEZ strikes LURCH's sword down. LURCH pokes GOMEZ with it.

GOMEZ

Oww! Damn your lightning reflexes!

GOMEZ retains his sword. MORTICIA enters with a bouquet of yellow flowers.

MORTICIA Gomez, look.

GOMEZ

Ugh! Flowers! Who would send something so tasteless?

MORTICIA

(reads the card) "The most precious gift there is, More goody-licious than gold, Is that blessing we call friendship, Whether new or

very old."

GOMEZ

"Goody-licious?" Who talks like this?

MORTICIA removes the flowers from the stems, during:

MORTICIA

The Beinekes. Wednesday's friend Lucas and his parents. They're coming for dinner tonight.

GOMEZ Lucas?

MORTICIA

Yes.

GOMEZ

But Lucas is a boy's name.

MORTICIA Yes.

GOMEZ

Wednesday has a friend who's a boy?

They both look at Lurch. Finally:

MORTICIA It's nothing, darling. Puppy love.

(hands Lurch the stems) Put these in water.

WEDNESDAY enters, carrying her crossbow and a goose with an arrow sticking out of it.

WEDNESDAY

Here. I shot dinner.

MORTICIA

(taking it) Oh, Wednesday, that's lovely. Wherever did you find it?

WEDNESDAY

Petting zoo.

MORTICIA

Thank you, dear. Come, Lurch - we'll whip up something really special. And this time, we'll actually cook it.

(shares a laugh with Lurch) Oh, Gomez - guests for dinner! Fresh meat!

They exit. WEDNESDAY looks nervously after them.

WEDNESDAY

Daddy, I need your help with this dinner. Can you keep a secret?

WEDNESDAY produces a ring from around her neck.

GOMEZ

Of course.

WEDNESDAY Look.

48

SCENE 8

(MORTICIA'S BOUDOIR) (MORTICIA is showing ALICE the family photo album. ALICE sips on her wine.)

MORTICIA And this is Cousin Helga from Baden-Baden.

ALICE Who's that looking over her shoulder?

MORTICIA Oh, no. That's her other head.

ALICE She has two heads?

MORTICIA Well, you know what they say.

(MORTICIA and ALICE share a laugh, then MORTICIA turns to another page.)

ALICE (sees the photo)

And who's that man in the dress?

MORTICIA Oh. That's Aunt Herman. Wednesday's uncle, twice removed.

ALICE I don't understand.

MORTICIA Well, they removed it once - but it grew back.

(turns to another photo) And here's Gomez and me, at our wedding.

ALICE What's that?

MORTICIA Our wedding vows.

49

ALICE That's so romantic.

(reading) "We promise to tango at least three times a week."

MORTICIA - for passion.

ALICE (reading)

"We promise to tell each other everything."

MORTICIA - for truth.

ALICE Everything?

MORTICIA Of course.

ALICE And you're still married?

MORTICIA More than ever.

ALICE Boy, it sure doesn't work that way in our house.

MORTICIA How does it work?

ALICE Well -

(rhymes) “What's good for the gander is a nice quiet goose; If I told Mal my secrets, all hell would break loose.”

MORTICIA Alice, I'm shocked. What kind of a marriage is it where you keep secrets?

ALICE A long one.

101

SCENE 7

(CROSSOVER - PUGSLEY'S BEDROOM)

#19A BEDTIME STORY (MORTICIA rides PUGSLEY'S bed as it travels SL.)

MORTICIA What's wrong, my little cockroach?

PUGSLEY I can't sleep.

MORTICIA Why not?

PUGSLEY There's no monster in the closet.

MORTICIA (wearily, her mind elsewhere)

I'm sure he's hiding someplace else.

PUGSLEY Mommy ... I have a Full Disclosure.

MORTICIA Yes?

PUGSLEY What if you tried to do something to somebody and you ended up doing it to somebody else by mistake?

MORTICIA Are we talking about anyone we know?

PUGSLEY Well, I was talking to Grandma before, and she told me –

MORTICIA Don't listen to that ancient woman. She may not even be part of this family.

PUGSLEY Is Wednesday really gonna marry that guy?

102

MORTICIA She might.

PUGSLEY Oh, no!

(then) Make me feel better, Mommy.

MORTICIA Life is a tightrope, my child, and at the other end is your coffin.

(then) Better?

PUGSLEY Uh-huh. Thanks, Mommy.

MORTICIA Now close your eyes or the monster won't come out and eat you up.

(looks closely at him) Pugsley? Pugsley?

(MORTICIA sees that PUGSLEY is fast asleep. She strokes his head as...)

Sleep well, my little vermin. Your mommy's life has fallen apart and she needs to go away for a while. And, years from now, when your marriage collapses and you want to know who put us all on the road to hell, you can thank your father.

(A MONSTER IGUANADON's feet, tail and finally, head, emerge from under the bed and walk the bed off.) (to the monster under the bed)

Look after my baby, will you? Keep him in harm's way. (The MONSTER carries off the bed, MORTICIA and PUGSLEY.)

106

SCENE 9

(PARK BENCH AND TAXI SIGN--IN FRONT OF GATES) (MORTICIA sits on a park bench, a valise by her side.)

GOMEZ So it's true.

MORTICIA I can't live with a man who keeps secrets.

(She lights the TAXI sign)

GOMEZ There's another secret I haven't told you.

MORTICIA Hunh. What?

GOMEZ That you are the most exquisite, the most magnificent, the most desirable of all women.

MORTICIA That's no secret.

GOMEZ No. But even you had a secret - once.

MORTICIA Never.

GOMEZ And if you're wrong.

MORTICIA I never am.

GOMEZ But if you are, what will you give me?

MORTICIA Name it.

107

GOMEZ A dance.

MORTICIA Go on.

GOMEZ Many years ago, when you loved me and you wanted to marry me, we came to your father and told him, and he said, "Wonderful, let's go tell your mother." And what did you say?

MORTICIA How could I possibly remember what I -

GOMEZ You said, "No! She'll ask a lot of embarrassing questions and wreck the whole thing."

MORTICIA That's different. My mother was condescending, judgmental, and withholding, and loved nothing more than stirring up trouble.

GOMEZ Uh huh.

MORTICIA (realizes)

Oh God, I've turned into my mother.

GOMEZ And Wednesday is you. Isn't it wonderful?

MORTICIA You did that like a lawyer.

[MUSIC IN]

GOMEZ No, just a husband and a father. Not so easy. In fact, very difficult.

#21 LET'S LIVE BEFORE WE DIE

LET'S LIVE BEFORE WE DIE LET'S LAUGH BEFORE WE CRY

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MORTICIA: “Out.”GOMEZ: “Cara -”MORTICIA: “Out!” [MUSIC]

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5 œ œ œ œ œ œ ‰ Jœdoesn't ask her parents be

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6 œ œ œ œ œ ‰ Jœfore she says "I do"? And

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˙ ‰ jœ œ œ

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7 œ œ œ œ œ œ œ ‰ Jœwhat a bout my husband? Ob

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8 œ œ œ ‰ Jœ œ ‰ Jœli vi ous, na ive. This

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9 œ œ œ œ œ œ œ œ œevening's getting serious, these O

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10 œ œ œ ‰ Jœ œ ‰ jœhi o ans won't leave. But

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- - - - - - - - - - - - -

12JUST AROUND THE CORNER

[Rev. 10/12/10]

Music and Lyrics byANDREW LIPPA

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11 œ œ œ œ œ œ œ œI can't let these latest troubles

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12 œ œ œ œ œ ‰ Jœrob me of my bliss, for

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13 œ œ œ œ œ œ œ œwhen I'mscared of true disaster

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15

œ œ œ œ œ œDeath is just a round theŒ

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17

œ œ œ œ œ œwait ing pa tient ly toŒ

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18 ˙ Óstrike.Œ

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19 œ œ œ œ œ œOne un planned e lec troŒ

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20 œ œ Ócu tion,Œ

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21 œ œ œ œ œ Œthat's the kind of end

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22 œ œn œ# œ œ ŒI can comp re hend.

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23

œ œ œ œ œ œWhen my life is un inŒ

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24 œ œ Óspi red,Œ

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25

œ œ œ œ œ .œor I need a lit tleŒ

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26 .˙ Œspree.Œ

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Piano/Vocal – 2 – 12. Just Around The Corner [Rev. 10/12/10]

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27 œ œ œ œ œI'm re born dream ingŒ

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28 œ œn œ# œn œ# œ œ œdeath is just a round the cor nerŒ

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29 œ œ œ œcom ing af ter

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30 œ Œ Óme.

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31 Œ Jœœœœ ‰ J

œœœœ ‰ ŒMORTICIA: “Coroner. Get it? Death is just around the coroner?”

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32 Œ Jœœœœ ‰ J

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33 Œ Jœœœœ ‰ J

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cor ner,

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36

œ œ .œ œ .œ œwait ing high up on the

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37 ˙ Óhill.

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38 œ œ œ œ œ œSome one bur ied in an

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39 œ œ Óav' lanche?

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40 œ œ œ œ œ ŒThat's the kind of gig

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41 œ œn œ# œ œ ŒI could real ly dig.

œœœœ Œ Œ rœn œœ#

œœ Œ Œœ

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Piano/Vocal – 3 – 12. Just Around The Corner [Rev. 10/12/10]

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42

œ œ œ œ œ œMar riage of ten dis ap

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43 œ œ Ópoints you,

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44

œ œ œ œ œ œnot each hus band is a

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45 .˙ Œgem.

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46 œ œ œ œ .œSo, I'll mourn know ing

œœœœ œœœœ œœœœn œœœœ

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47 œ œn œ# œn œ# œ œ œdeath is just a round the cor ner

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œ ‰ jœn œ# œ

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48 œ œ œ œcom ing af ter

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49 œ Œ Óthem.

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50 Œ œ œ œIf life's allœœ

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51 ˙ Óplums

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52 Œ œ œ œI'll mud dle

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53 ˙ ˙through some.

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54 Œ œ œ œBut when death

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œ œ œ œn

-

Piano/Vocal – 4 – 12. Just Around The Corner [Rev. 10/12/10]

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55 ˙ Ócomes

œœŒ œœww

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56 Œ œ œ œI hope it's

œœn œœ œœ œœ

œŒ

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57 ˙ ˙grue some.

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58 ¿ ¿ ‰ j¿ Œ ‰ jœHot cha cha! Some

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59 œ œ œ œ œ œn œ# œpeople die from pub lic stoning,

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A Tempo - Straight 8ths60 œ œ œ œ œ œn œ# œ

faulty wiring, faul ty zoning,

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61 œ œ œ œ œ œn œ# œcherry pits they did n't know were

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MALE ANCESTOR 2:

62 œ Œ Œ ‰ jœthere. Per

Œ ¿ ¿ Œ(cough) (cough)

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œn Œ Œ œ

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63 œ œ œ œ œ œ œ ‰haps it's by a jungle cat.

Ó Œ ‰ jœA

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FEMALE ANCESTOR 2:

64 Ó Œ ‰ jœPer

œ œ œ ‰ Óslippery mat.

Œ ‰ jœ œ œ œ ‰A baseball bat.

œœœœnnŒ œœœ#

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MALE ANCESTOR 3:

65 œ œ œ œ œ œ œ œhaps an un success ful love af

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66 œ Œ Œ ‰ Jœfair. It

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Piano/Vocal – 5 – 12. Just Around The Corner [Rev. 10/12/10]

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67 œ œ œ œ œ œ œ œcould be in a speed ing train. It

œœœŒ œœœ

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68 œ œ œ œ œ œ ‰ œcould be un der wa ter. It

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69 œ œ œ œ œ œ œ œcould be too much no va caine. Or

wwwnnæ

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70 œ œ œ œ œ œ Œe ven by your daugh ter.

Ó Œ ‰ jœPer

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FEMALE ANCESTOR 1:

71

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œ œ œ œ œ œ œ ‰haps a bad mos qui to bite.

Ó Œ ‰ jœA

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FEMALE ANCESTORS 3&4:

MALE ANCESTORS 1&4:

72 Ó Œ ‰ JœMy

Œ ‰ jœn œ# œ œ ‰Re li gious rite.

œ œ œn ‰ Óti tle fight.

œœœœn <œœœœn <

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œn ¯ œ< œ̄ œn <

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n n n n nn n n n nn n n n n

73 œ œ œ œ œ œ œ œdarlings, itmight even be to

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74 œ Œ Ónight!..œœ œœnn œœ œœnn œœœœ œœ œœ

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œœnn œœ##œœœœnn œœ##

75

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76

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77

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Piano/Vocal – 6 – 12. Just Around The Corner [Rev. 10/12/10]

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78 œ œ œ œ œ œDeath is just a round the

œ œ œ œ œ œDeath is just a round the

œ œ œ œ œ œDeath is just a round the

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œœœœ

œœ œœ

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œœœ

MORTICIA:

ANCESTORS:

f

79 œ ˙ Œcor ner.

œœ ˙̇ Œcor ner.

œœ# ˙̇ Œcor ner.œœœœ# ˙̇̇̇

Œ

œœœœb

œœœœ

80 œ œ œ œ œ œNo one's e ver been im

œ œ œ œ œ œNo one's e ver been im

œ œ œ œ œ œNo one's e ver been im

œœœœ

œœœœ

œœ œœ

œœœœœ

œœœœ

81 .˙ Œmune.

..˙̇b Œmune.

..˙̇# Œmune.œœœœb

œœœœ œœœœ##œœœœ

œ œ œ# œ

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82 œ œ œ œ œ œTurn ing off a res pi

www

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83 œ œ Óra tor,

œœœb ...˙̇̇

œœœœb

œœœœ

84 œ œ œ œ œ Œwith a simp le click

œœœœ Œ ‰ Jœœœœbb œœœœ

œœœ Œ ‰Jœœbb œœ

85 œ œ# œ œ œ Œscan dal ous ly quick.œœœœ# Œ ‰ J

œœœœb Œ

œœ Œ ‰ Jœœœœbb

Œ

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86 œ œ œ œ œ œI can face a new to

œ œ œ œ œ œI can face a new to

œ œ œ œ œ œI can face a new to

œœœœœœœœ

œœœœœœ œœ

œœœœ œ

œœœf

87 œ ˙ Œmor row

œœ ˙̇ Œmor row.œœ# ˙̇ Œmor row.œœœœb ˙̇̇̇ Œ

‰ jœ œ

œœœœb

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88 œ œ œ œ œ œif I make it past to

œ œ œ œ œ œIf I make it past to

œ œ œ œ œ œIf I make it past to

œœœœœœœœ

œœœœœœœœ

œœœœ œ œb

89 .˙ Œday...˙̇b Œday...˙̇ Œday.....˙̇̇̇# Œœœœ œœœbb œœœ œœœnbœ œ œ œb

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Piano/Vocal – 7 – 12. Just Around The Corner [Rev. 10/12/10]

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90 œ œ œ œ œI feel good say ing

œœœœ œœœœ œœœœb œœœœ œ

œœœœœœ œœ

œœœœb

91 œ œ# œ œ œ œ œ œdeath is just a round the cor ner

œœœœ Œ Óœœ Œ Ó

92 œ œ œ œswift ly on its

œœœœ œ œœœœ œ

˙̇ ˙̇

93 ˙ Óway.

œœœœœœ œœ

œœ

œœœœ œœ œœbb

- - - -

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94 Œ3

œœœ. œœœ# . œœœ. ...œœœ. œœœ. ...œœœ. œœœ.ww

œœœœ

œœœœ

95œœœb^ Œ Óœœœœbb^ œœ œœ

œœŒ œœœb œ œœœœ

96 Œ3

œœœ. œœœ## . œœœ. ...œœœ. œœœ. ...œœœ. œœœ.˙̇ ˙̇

œœœœ œ

œœœ

97œœœ Œ Ó

Œœœ œœ

œœ

œ œ œ œb

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&

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$

98

!

Jœœœ ‰ ‰ J

œœœ Œœœœœ-

Jœ ‰ ‰ Jœ Œœ-

"The Clicks"

99

!

œœœœ#^

œœœœ

œœœœœ#

œ̂ Œ Ó

100

3œœ œœ œœ˙̇

˙̇̇̇ œœœ œœœ3

œ œœ

3

œ œ œ3

œ œ œ3

œ œ œ

"The 12 count- Lift"

101

3œœ œœbb œœ˙̇

˙̇̇̇bb œœœ œœœ3

œb œb œ3

œb œ œb3

œ œb œ3

œb œ œ

102 œ> œ œ œœ> œ œ œ

œ> œ œ œœ> œb œ œ

œœœœœœœœ

œœœœœœœœb

wwæ

~~~~ ~~~~~

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b b b b b

b b b b b

103

!

...œœœœœœœœœ œœœ ˙̇̇˙̇̇ ‰ J

œœœ œœœ œœœ œœœ œœœ

˙̇ ‰ jœœ œœ œœ œœ œœ

"The procession"

Straight 8ths

104

!

...œœœbœœœœœœ œœœ ˙̇̇˙̇̇b ‰ J

œœœ œœœ œœœ œœœ œœœ

˙̇bb‰ jœœ œœ œœ œœ œœ

105

6

œœœœœœ

6

œœœœœœ6

œ œb œœœb œ

6

œœœœœœ

˙̇̇̇ ˙̇̇̇#

Π3

œœ œœ œœŒ 3

œœ œœ œœ

106

6

œb œœ œbœœ

6

œb œœœœœ6

œn œb œ# œn œb œ#6

œn œœœœœ

˙̇̇̇##˙̇̇̇b#

Π3

œœ œœ œœŒ 3

œœ œœ œœ

Piano/Vocal – 8 – 12. Just Around The Corner [Rev. 10/12/10]

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107‰ Jœœœœ Œ J

œœœœ ‰ ‰ Jœœœœnnnn

jœœ‰ ‰ jœœ

Œ œœ

Swing 8ths

108 Œœœœœ

3

œœœœ œœnn

3

œœ œœnnœœ

‰ jœœŒ ˙̇æ

Big Pullback

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$

109 œ œ œ œ œ œDeath is just a round the

œ œ œ œ œ œDeath is just a round the

œ œ œ œ œ œDeath is just a round the

‰ Jœœœœœœœœ

œœœœ œœœœ ‰œœœœ

œœœœœ œœ

œœœ

Stripper Tempo

110 œ ˙ Œcor ner

œœ ˙̇ Œcor nerœœn ˙̇ Œcor nerœœœœn œœœœ ‰

œœœœ ‰ Jœœœœnnœœœœ

œœnœœœn œœb

œœœ

111 œ œ œ œ œ œand you have to heed the

œ œ œ œ œ œœand you have to heed the

œ œ œ œ œ œœand you have to heed the

‰ Jœœœœœœœœ

œœœœ œœœœ ‰œœœœ

œœœœœ œœ œœnn

straight 8ths

straight 8ths

straight 8ths

112 .˙ Œcall...˙̇n Œcall...˙̇ Œcall.

3

œœn œ œœ3

œœ œ œœ3

œœn œ œœ3

œœ œ œœ

œœœœ

œœ œœnn

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b b b b b

b b b b b

b b b b b

b b b b b

113 Ó Œ œ œFor your

œœ œœ œœn ŒDon't ask why.

œœ œœ œœ ŒDon't ask why.œœœœ œœœœ œœœœn Œ

œœœœœ œœ œœnn

Œ

Straight 8thsaccel. poco a poco

114 œ œn œ œ œ œ œ œdeath is just around the corner.

!

!

œœ œœn œœ œœ œœ œœb œœ œœœœ Œ

œœ Œp

115 Ó Œ œ œHap py

œœ œœ œœn ŒYou and I.

œœ œœ œœ ŒYou and I.

œœœœ œœœœ œœœœœn Œ

œœœœœ œœnn

Œf

116 œ œn œ œ œ œ œ œbe ing both the mourned and mourner.

!

!

œœ œœn œœ œœ œœ œœb œœœn œœœ˙̇ œœ œœp

- - - - -

Piano/Vocal – 9 – 12. Just Around The Corner [Rev. 10/12/10]

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b b b b b

b b b b b

b b b b b

b b b b b

117 Ó Œ œ œBe causeœœ œœ œœn œ œ

Say good bye be cause

œœ œœ œœ œ œSay good bye be cause

œœœœ œœœœ œœœœn Œœœœ œœœ œ œœœnn Œœ œ œ œn Œ

f

118 œ œn œ œ œ œ œ œdeath is just a round the cor ner

œ œ œ œ œn œ œ œdeath is just a round the cor ner

œ œn œ œ œ œ œ œdeath is just a round the cor ner

œœ œœnn œœ œœ œœn œœb œœ œœ

˙̇ œ œ œ œn

119 ˙ ˙com ing

˙ ˙com ing

˙ ˙com ing

‰ Jœœœœœn ‰ J

œœœœ Jœœœœœ ....œœœœ

œ œ œ œn

Swing 8ths120 ˙ ˙

for us

˙ ˙̇for us

˙ ˙̇nfor us

œœœœ œœjœœnn ..œœbb

œ œ œn œ

,

,

,

,

,

-

- -

- -

- -

- -

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-

-

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b b b b b

b b b b b

b b b b b

b b b b b

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121 wall!wwwall!wwall!

œ œ œ œ œ

3

‰ œœœœ

3

œœœœœœ 3

‰ œœœœ

3

œœœœœœ

œœœ œœœ œœœ œœœœ œ œn œ

122w

wwwww˙ ˙n

3

‰ œœœœ

3

œœœœ œœ

œœnn œœbb œœ œœœœœ œœœ œœœnn œœœœ œ œn œ

123 .˙ Œ...˙̇̇ Œ..˙̇ Œ

˙ .œnJœb

‰ œœœœn ‰ œœnnœœœœnb œœœœ ‰

œœœœœœœn œœœ œœœb œœœ œœœœ œ œn œ œb

124

!

!

!

.˙Œ

wwww .˙wwww

Db6 Harp Gliss

125

!

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!

œŒ Ó

œœŒ Ó

[APPLAUSE SEGUE]

~~~~~~~~~~~~~

Piano/Vocal – 10 – 12. Just Around The Corner [Rev. 10/12/10]

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b b b b b

b b b b b

b b b b b

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42

42

42

42

42

44

44

44

44

44

drum fill

A

!

!

!

!

œ œ

1

!

!

!

’ ’ ’ ’

œœœœ œœnn

œœ

Swing 8ths

ANCESTORS:

2 Ó Œ œ œFor yourœœ œœ œœn Œ

Don't ask why.œœ œœ œœ ŒDon't ask why.œœœœ œœœœ ‰ J

œœœœœœœœn œœœœn

3‰ œœ œœnn

œ œ œn œ

MORTICIA:

f P

3 œ œn œ œ œ œ œ œdeath is just a round the cor ner.

!

!

œœœœ3

œœ œœnn œœbb œœœœœœœœ

œœœœ œ

œœœ

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b b b b b

b b b b b

b b b b b

b b b b b

4 Ó Œ œ œHap py

œœ œœ œœn ŒYou and I.œœ œœ œœ ŒYou and I.œœœœ œœœœ ‰ J

œœœœœœœnn œœœœœ ‰

jœœ

œ œ œn œf

5 œ œn œ œ œ œ œ œbe ing both themournedand mourner.

!

!

œœœœ œœnnœœœœœœ

œœœœ œœœœn

œœœœ œ

œœœF

6 Ó Œ œ œBe causeœœ œœ œœn œ œ

Say good bye be causeœœ œœ œœ œ œSay good bye be cause

œœœœ œœœœ œ œœœœn œœœœ œ

œ œ œn œf

7 œ œn œ œ œ œ œ œdeath is just around the corner

œ œ œ œ œn œ œ œdeath is just around the corner

œ œn œ œ œ œ œ œdeath is just around the corner

œœœ œœnn œœœ œœ œœœ œœbb œœœn œœ

œ œœœ œ œn3

œœ œnF

Straight 8ths

- -

- -

- -

-

- -

- -

--

12AJUST AROUND THE CORNER ~

PLAYOFF[Rev. 3/24/10]

Music and Lyrics byANDREW LIPPA

&

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&

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b b b b b

b b b b b

b b b b b

b b b b b

8 ˙ ˙com ing

˙ ˙com ing

˙ ˙com ing

3

œœn œœn œœn œœb .3

œœ œœnb œœn œœb .œœœn œœœ œœœ œœœœ œ œ œf

Swing 8ths9 ˙ ˙

for us

˙ ˙̇for us

˙ ˙̇nfor us

3

œœ œœ œœnn œœ.3

œœ œœbb œœnn œœ.œœœ œœœ œœœ œœœ

œ œ œ œ

10 wall!

wwwall!

wwall!

3

œœ œœn œœn3

œœn œœn œœb3

œœnn œœb œœn3

œœnb œœn œœn

3

œœ œœn œœbn3

œœnb œœbn œœb3

œœnn œœbb œœn3

œœbn œœnb œœbn

-

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11 œœœœ Œ jœn œ Œœœœœ Œ jœn œ Œ

12

jœœœœ

Œ Ó

Œ œœ Ó[APPLAUSE SEGUE]

Piano/Vocal – 2 – 12A. Just Around The Corner~Playoff [Rev. 3/24/10]