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AssociateProfessorBruceCROSSMAN

MusicArea,PenrithCampus(Kingswood)SchoolofHumanitiesandCommunicationArtsWesternSydneyUniversityLockedBag1797PenrithNSW2751AustraliaEmail:b.crossman@westernsydney.edu.au

Websites:https://www.westernsydney.edu.au/staff_profiles/uws_profiles/associate_professor_bruce_crossmanhttp://brucecrossman.comhttp://www.australianmusiccentre.com.au/artist/crossman-brucehttp://www.australiancomposers.com.au/composers/brucecrossman/index.htmlhttp://sounz.org.nz/contributor/composer/1139CurrentPosition:AssociateProfessorinMusic,SchoolofHumanitiesandCommunicationArts,WesternSydneyUniversity,Australia(appointed2002)

EDUCATION

Qualifications:DoctorofCreativeArts(Composition),UniversityofWollongong(1996-99) 2000 Exegesis:‘PersonalCreativeProcessTowardsaPacific-EuropeanIdentity’ Supervisors:RossEdwards,AndrewSchultz,SharonBellMasterofPhilosophy(Composition),UniversityofYork(1987-90) 1990 Supervisor:DavidBlakeMasterofMusic(withDistinction)Composition,UniversityofOtago(1984-85) 1986 Supervisor:JackSpeirs BachelorofMusic(Honours)Composition,UniversityofOtago(1980-83) 1984

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INTERESTSComposition:Pacific-Europeanmusicalidentity,coloursonority,traditionalmusicsoftheAsia-Pacific(especiallythePhilippines,Korea),free-formimprovisationMusicology:Contemporarymusic,popularmusicOther:post-colonial poetry, abstract art, Chinese artistic philosophy, intercultural andinterdisciplinaryexchange

TEACHINGEXPERIENCEPosition:AssociateProfessor,Music(LevelD) 2002-Present WesternSydneyUniversity,SchoolofHumanitiesandCommunicationArts(Music) •UnitCoordinatorofCompositionCollaboratively designed units and coordinated: Basic Composition, Craft and Theory;Composition Craft and Theory; Music Composition: Concepts and Creativity; TheComposer-Performer; Music Composition: Text and Visual Interactions; SoundCompositionforScreenMedia•OtherUnitstaught:MusicProject;MusicinTheoryandPractice;CollaborativeProject• Music Course Advisor: advise undergraduate students on music courses(2003/05/06/11)• Teach undergraduate composition, collaborative project (interdisciplinary), musicperformance,supervisehonoursprojects,organisestudentworkshopsandconcerts•SupervisepostgraduatesCompletions:Principal supervisor: Yantra De Vilder (DCA): ‘Intersection: Investigating the nexus ofinterdisciplinaryartspracticesinaperformancecontext’Website:http://www.yantra.com.auPrincipalsupervisor:EveDuncan(DCA):‘ButterflyModernism:CreativeTransformationofaEuropeanCompositionalApproachTowardsaKorean-AustralianAesthetic’Website:http://www.australianmusiccentre.com.au/artist/duncan-evePrincipal supervisor: Petar Jovanov (DCA): ‘A Cross-Cultural andMultimedia FracturedMacedonian-AustralianCompositionalVoice’Website:http://petarjovanov.comPrincipal supervisor: Holly Harrison (DCA): ‘The Logic of Nonsense: Personal ProcessTowardsOppositionalityandReorganisationasMusicalComposition’Website:http://www.hollyharrison.net

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Principal supervisor: Jean Bunton (DCA): ‘Imaginative Music for Chinese-SpeakingChildren: Educative Purposes, Tangential Thoughts and Compositional Imagination forChildren’Website:http://www.jeanbunton.comPrincipalsupervisor:DanielPortelli (MAHons): ‘BreaththroughWater:PersonalCross-CulturalandCollaborativeProcessesFlowingTowardsDaoinComposition’Website:http://danielportelli.com.auPrincipal supervisor: ClareMaclean (DCA): ‘Singing the Lord’s Song in a Strange Land:CompositionalVoiceTowardsExpressionofChristianTranscendence’Website:http://www.uws.edu.au/staff_profiles/uws_profiles/doctor_clare_macleanPrincipalsupervisor:Ji-YunLee(DCA):‘AFusionofKoreanandWesternArtMusicTowardsOnenessinCompositionasanExpressionofPersonalIdentity’Website:http://australiancomposers.com.au/composers/jiyunlee.htmlPrincipalsupervisor:StephenClark(PhD):‘TheIntuitiveandtheIntellectual:AspectsofPersonal Compositional Voice and its Complex and Intuitive Processes in Relation toAstronomicalObservationsandElementaryandAdvancedPerformers’Website:http://www.australianmusiccentre.com.au/artist/clark-stevePrincipal supervisor: Daniel Holdsworth (MA Hons): ‘Post-Psychedelic Tendencies,ArchitecturalCohesion:ANewPerspectiveontheRockAlbum’Website:http://www.danielholdsworth.comCo-supervisor(50%):CorrinaBonshek(PhD):‘AustralianDeterritorialisedMusicTheatre:ATheoreticalandCreativeExploration’Website:http://bonmusic.com.auCo-supervisor:AmandaHandel(MAHons):‘MusicofBalance:CirclesandSquares’Website:http://www.amandahandel.com•SupervisehonoursCompletions:2015:JessicaGraham‘AnExplorationintoImprovisationasIntuitiveSelf-Expression:IdentifyingandExtendingtheBoundariesofaPersonalBjork-IrishCelticCompositionalStyleandStructureswithinHildegard/BuddhistShunyataImpulses’Website:https://soundcloud.com/wren

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2015:JosephTabua‘ReinventingMinimalism:AnElectricGuitarDrivenVoiceThroughRepetitiveStructuresAssimilatingOceanicRhythmandHarmony’Website:https://josephtabua.wordpress.com/about-3/2014:ChloeHulewizc‘Hybridisation of Polish-Chaplinesque Compositional Voice: Artistry or Eclecticism?’ 2013:TravisO’Neill‘TheEmotiveQualitiesofMusicalTimbreanditsPsychologicalAffectsinFilm’2012:Kelly-MarieGomes‘O Diabo vai Dancar: The Expression of the Fadista and theMachine—Extending thePoetic Expression of Alienation in Portuguese Vocal Music towards a ContemporaryFadistaVoiceprintthroughSonicAtomisation’2012:NicolasAloi‘Final Fantasy: Authenticating the Hybridity of Western-Japanese Gaming and AnimeMusic’2011:RieMatsuzawa‘The Japanese Open Ear: The Momentary, Ma and Meditative Space as JapaneseAestheticswithinWesternCompositionalProcedures’2011:FloraLau‘If the Shoe Fits: Finding a Personally Distinctive Hong Kong-Australian CompositionalIdentityinCinderellawithinfluencesfromLocalisedChineseMusicandGlobalisedMusicfromJerryGoldsmithandTanDun’2011:LachlanSkinner‘‘Liveness’intheElectroacousticCompositionHautLaitBois’2009:HollyHarrison‘FreedomandControl:AnExplorationof‘ControlledFreedom’inAvant-GardeandRockComposition’2008:PetarJovanov‘TheFlexibilityofPopularandClassicalTechniqueswithinFilmtoCreateDramaticVariety’2008:BronwynHerbert‘SoundTheatre:AnExplorationofDramaticSonicLandscapes’2007:DimitraTzodoris

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‘Eclecticism,RenewalandIdentity:StyleJuxtapositionandAmbiguousSonorityasToolstowardsreinvigoratingTraditionalChoraleFormandSignifyingPersonalIdentity’2006:VanessaChipps‘Music,ImageandEmotion:ExploringtheNexusofSoundandImagetoCreateEmotion’2006:JeanBunton‘Sing the Sounds of English: A Collection of Songs for Children to help EnglishPronunciation’2006:VanessaWall‘Gestures,GriefandPersonalVoice:IntervalStructuresasemotionCarryingattributesinComposition’2005:HeatherLupton‘Unravelled Sounds: The Balance Between Notation and Freedom within JazzInstrumentationandPersonalCompositionalProcess’2005:PaulConnelly‘An Eclectic Approach to Modern Film Scoring: Local and Global Aesthetics within aPersonalFilmCompositionApproach’2004:DanielHoldsworth,‘MusicalAesthetics:TheCompositionofanIdentity’2004:JohnSpasic‘SonicDivergences:BreakingandRetainingtheRuttoCreateaCompleteSonicWorldforSoloElectricBass’2003:JiyunLee‘A Personal Cross-Cultural Approach to Composition: Fusing Korean TraditionalMusicwithWesternArtMusicasanExpressionofIdentity’2003:LachlanFoster‘MusicalSubversionandStructurewithintheMinimalistStyleasanExpressionofPersonalCompositionalIdentity’2002:ClintonCampisi‘Neo-Poets’

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PostgraduateExaminer:PhDandMastersdegreesTheUniversityofAuckland;SydneyConservatoriumofMusic;GriffithUniversity;AustralianNationalUniversity;TheUniversityofMelbourne;UniversityofWollongongConsultancy:AustraliaEnsemble,ReviewPanel,2015-16EditorialPanel,WirripangPtyLtd,2007-11Mentor, Melbourne Symphony Orchestra, CYBEC 21st Century Australian ComposersProgram,2010,2016OtherPositions:Lecturer(fixedterm),FacultyofCreativeArts,UniversityofWollongong 2000Sub-Warden,GraduateHouse,UniversityofWollongong 1997-98HeadofMusic(acting),HamiltonGirlsHighSchool,NewZealand 1995VisitingLecturer,MusicDepartment,WaikatoUniversity 1994MozartFellow,MusicDepartment,UniversityofOtago 1992ComposerinResidence,NelsonSchoolofMusic 1986SeniorTutor,MusicDepartment,UniversityofOtago 1985

RESEARCHEXPERIENCEInternational:JapanFederationofComposers/MelbourneComposersLeague,Japan,2017:EmergencefromAutumnDarknesswithReineTakano(harp),at“AsianTradition/AsianContemporary2017-MysteriousinstrumentfromAustralia-Didgeridoo,”29thMarch,MillenniumHall,Ueno,TokyoJapanFederationofComposers,Japan,2016:Commission:EmergencefromAutumnDarknessintoSpring(2shakuhachi),24February,TokyoAichiUniversityoftheArts,Japan,2015:Collaborator in Residence (December): mentor students; deliver public lectures oncomposition; and compose a commissioned work, Emergence for Darkness (harp).AwardedAustralia-JapanFoundationGrant,DFAT.AsianMusicFestival,2014,YokohamaandTokyo:Spirit-Presence(2shakuhachi),AMFOpeningConcert‘Asia,Asia,Asia’,YokohamaMinato-MiraiHall(SmallHall)EuropeanShakuhachiSocietySummerSchoolRadolfzell,2014,Germany:Spirit-Presence(2shakuhachi),withJamesFranklin(shihan)andNinaHaarer(2shakuhachi),AllensbachChurch

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AsianComposersLeagueConferenceandFestival,2011,Taiwan:NotBrokenBruised-Reed(perc,pn,vln);performers:SsuWeiLee,Szu-HanWang,Tzi-ZhenHuang;selectedAsianMusicFestivalinTokyo,2010,Japan:InGentlenessandSuddenness(shakuhachi);performer:KawamuraTaizan;selectedScholar-in-Residence,2010,DavidC.LamInstituteforEast-WestStudies(LEWI)HongKongBaptistUniversityISCMWorldNewMusicDays,2010,Sydney,Australia:NotBrokenBruised-Reed(vln,pn,perc);performers:EnsembleOffspring;commissionedTongyeongInternationalMusicFestival,2009,Korea:FierceTranquillity(stringtrio);performers:NextMushroomPromotion(Japan);selectedTheConfluenceofCultures:MusicofthePacificRim,2009,USA:DoubleResonances(pn,perc);performers:DannyHolt,LynnVarton(percussion);GuestComposer-in-Residence,CaliforniaStateUniversity,SanBernardino,LosAngelesCANZ/NZSMNewZealandComposersConference,2008,NewZealand:DoubleResonances(pn,perc);performers:DonaldNicolson,ArnoldMarinissen,selectedNZSO-SOUNZReadings,2007,Wellington,NewZealand:PacificDancing(orchestra),performers:NewZealandSymphonyOrchestra;selectedPacificRimMusicFestival,2005,SantaCruz,UnitedStates:FierceTranquillity(stringtrio)commissionedFoundationOrchestraAssociationAnnualInternationalCompositionCompetition2004,Nevada,UnitedStates:PacificBlueDancing(orchestra)HonorableMentionAsianContemporaryMusicFestival/AsianComposersLeague2002,Seoul,Korea:ColourResonancesandDance(orchestra)selectedNZSO-SOUNZReadings,2001,Wellington,NewZealand:SoundRituals,performers:NewZealandSymphonyOrchestra;selectedAsianMusicWeek/AsianComposersLeagueFestival2000,Yokohama,Japan:SoundRituals(orchestra)selectedTunugan/AsianComposersLeagueFestival1997:Manila,Philippines:RitualsforSopranoandStringQuartet;selected

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FellowinComposition,1990,Sapporo,Japan:PacificMusicFestivalNational/Other:Vice-Chancellor’sProfessionalDevelopmentScholarship,2009:UniversityofWesternSydneyforGuestComposerResidencyatCaliforniaStateUniversity,SanBernardinoVice-Chancellor’sExcellenceAwards—HighCommendation,2008,UniversityofWesternSydney: PostgraduateResearchTraining and Supervision (MusicResearch Supervisor’sGroup)APRA-AustralianMusicCentreClassicalMusicAwards,2007:FinalistNomination,VocalorChoralWorkoftheYear,DaragangMagayonCantataAlbertH.MaggsCompositionAward,2005:TheUniversityofMelbourne,Commendation:FierceTranquillity(stringtrio)CorbouldCompositionCompetition1996:QueenslandPhilharmonicOrchestra,Winner,$10,000prizeMozartFellow1992:MusicDepartment,UniversityofOtagoComposerinResidence1987:NelsonSchoolofMusic,NewZealandCoordinationofResearchProjectsfortheWesternSydneyUniversity:Co-organiser, Music Festival Creativity Unlimited 2017, Western Sydney University,Playhouse,10-11August2017●TraditionalNoise&ContemporarySpiritConcert:HyelimKim(taegum,London/Seoul),ClaireEdwardes(percussion,Sydney).Composers:BruceCrossman,KojiNakano,DianaBlom,ClareMaclean,PetarJovanov,EveDuncan● Traditional Noise & Sonic Punk Improvisation Concert: Hyelim Kim (taegum), JohnEncarnacao(amplified-preparedguitar),BrendonSmyly(tenorsaxophone&electronics),JessicaGraham(amplifiedviolin),YantradeVilder(piano),HollyHarrison(drums),JosephTabua(electricguitar)Chief-organiser,PoeticEnergiesAcrossSonicSpace,Australia-China Institute forArtsand Culture, Western Sydney University, Playhouse & Studio, Penrith Campus(Kingswood),20July2017●ArtofSound—GuzhengCollaborations:ChiuTanChing(guzheng)withJohnEncarnacao(guitar),JosephTabua(electricguitar),DomTurner(electricguitar),HollyHarrison(drums)&JessicaGraham(amplifiedviolin).Composers:AndrianPertout,Chiu

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TanChing,JohnEncarnacao,JosephTabua,DomTurner,HollyHarrison,JessicaGraham.Painter/photographer:ElisabethBodey,DavidCubby.Poet:A.J.Carruthers ●Symposium:(1)Multiculturalism,TraditionalCulturesandContemporaryExpression:DrAndrianPertout(composer)&DrElisabethBodey(visualartist);(2)Identity,Languageand Sound: Dr Nicholas Ng (composer/erhu) & Dr David Wright (playwright); (3)Materiality of Breath and Brush: Dr Kate Fagan (poet) & Shen Wednesday(painter/calligrapher)●Nightconcert—Erhu,Qin,Guzheng,Guitar&Percussion:LiuYing(erhu),ChiuTanChing(guzheng),ClaireEdwardes(percussion),TonyWheeler(qin),DomTurner(electricguitar)withShenWednesday(calligrapher),LupingZeng(calligrapher/PekingOperasinger)&KateFagan(reciter).Composers:DomTurner,TonyWheeler,IanStevenson,DanielPortelli,CorrinaBonshek,BruceCrossman,ClareMaclean,NicholasNg.Painters/calligraphers:ShenWednesday,LupingZeng,JoDavis.Poets/reciter:KateFagan,AdenRolfe,DavidWright,JingQi Coordinator,NoiseandSilence:SydneyYouthOrchestraCompositionMentoringProject,WesternSydneyUniversity,Playhouse,PerformanceSpace,10September2015●WorkshopProcess(July-September)●NoiseandSilenceConcert(multimediawithSYO)●Industry-ReflectivePracticeSeminar(SYO,Synergy,HDRstudents,Musicstaff)Coordinator, Creative Explosion in the West: Creative Arts Festival, University ofWesternSydney,15-23October2009●PracticeProjects:NewMindsConcert,EastandWestConfluencesConcert,Interculturaland Performative Confluences (films and performance), Clocked In (outdoor concert),Intercultural Interactive (concert). Music Project Performance 1 & 2, Music ProjectWorkshops1&2●Forums:ReflectivePracticeForums1&2,Vision-SoundForums1&2●Publications:▪ Compact Disc: Creative Explosion—Publications by Wirripang: includes composers:Stevenson,Blom,Crossman,Encarnacao,Atherton▪Performers:EnsembleOffspring▪NationalRadioBroadcast,ABCClassicFMMusicDetails:Saturday24October2009DesignatedChiefResearcher(DCR),InternationalResearchInitiativesScheme—MusicoftheSpiritProject,UniversityofWesternSydney,2007-08Co-researchers:ProfessorMichaelAtherton(UWS)andProfessorChinaryUng(UniversityofCalifornia,SanDiego)atAuroraFestival2008● Practice Projects: Music of the Spirit (concert), Riverside Theatres; Concert, JoanSutherlandPerformingArtsCentre(JSPAC);Electro-AcousticWorkshop(JSPAC);AcousticWorkshop(JSPAC);AlteredConsciousnessMusicTherapyWorkshop(Riverside);Cross-ArtformWorkshop-Lecture(Riverside)

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▪Composers:ChinaryUng,MichaelAtherton,BruceCrossman,RossEdwards,Ji-YunLee,Anne Boyd, Roger Dean, Diana Blom, Garth Paine, Houston Dunleavy and doctoralstudentsfromtheUniversitiesofWollongongandWesternSydney▪Performers:BernadetteBalkus,ClaireEdwardes,SusanUng,MichaelAtherton,LotteLatukefu,DavidMiller,DianaBlom,DeborahCoogan,Charisma,SynC,austraLYSIS● Forums: Music of the Spirit Forum (Riverside); Keynote Lecture at Aura/Aurora(CampbelltownArtsCentre)●Publications:▪OnlineForum:resonatemagazine—AustralianMusicCentre:includespre-forum,liveforum debatewith panels (Ung, Atherton, Crossman, Dean, Pertout, Blom, Dunleavy,Paine)postedliveduringJSPACworkshopsandopentoworldwidediscussionafterwardswithchosenrespondents(Germany,USA,Korea,Australia).ThethemeisPacificmusicalidentity,relatedtotheMusicoftheSpiritbook,withabstracts,musicandvideosamples(WirripangCDandUWS)postedfortheonlinediscussion.▪ Double Compact Disc: Music of the Spirit—Publications by Wirripang: includescomposers:Crossman,Ung,Atherton,Lee,Edwards,Boyd,Paine,Dean,Blom,Dunleavy▪ RefereedBook:Music of the Spirit:Asian-PacificMusical Identity—AustralianMusicCentre:AthertonandCrossman(editors);Crossman,Atherton,Ung,Edwards,Boyd,Lee,Maclean, Dean, Franklin, Pertout, Paine, Cubby, Stanhope, Power, Ping, Lem, Blom,Wright,Latukefu,S.Ung,Aggett.Theareasincludescholarshipwithinreflectivepractice,educationalandphilosophical(analysis,musictherapy,ethnomusicology)areas.▪NationalRadioBroadcast:MusicoftheSpiritconcert,26April;Aura/Aurora12April,ABCClassicFMCurator and Co-Convener, The Intercultural Event, University of Western Sydney,RiversideTheatresandParramattaHeritageCentreatAuroraFestival2006●PracticeProjects:InterculturalConcertandForum▪ Composers: Anne Boyd, Ross Edwards, Bruce Crossman, Michael Atherton, StuartGreenbaum,KimCunio,JiyunLeeandClareMaclean▪ Performers: IanMunro, Lotte Latukefu,MerlindaBobis, SydneyChamberChoir/PaulStanhope,KoreanpercussionensembleUllimsolandJewishmusicensemble●AcademicConference:CrossmanandMacarthur(co-conveners);keynotepresentationsby: Anne Boyd (Sydney University), Cecelia Sun (Sydney University), Sally Macarthur(UWS)andGregSchiemer(UniversityofWollongong).●Publications:▪RefereedBook:Macarthur,CrossmanandMorelos(eds.),InterculturalMusic:CreationandInterpretation(Sydney:AustralianMusicCentre,2006)▪CompactDisc:Jo-Wha(Wirripang,2006);composers:ClareMaclean,BruceCrossman,RossEdwards,StuartGreenbaum,MichaelAtherton,Ji-YunLee,KimCunio,AnneBoyd▪MusicalScores:Atherton,Crossman,Cunio,LeeandMaclean(Wirripang,2006).▪NationalRadioBroadcast:ExchangingNotes,NewMusicUpLate,ABCClassicFM

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Coordinator, Intercultural Creativity: Asian-American-Australian Sound-Dance andMulti-mediaConnections,UniversityofWesternSydney,15-16July,2004●PracticeProjects:ConcertI:Multi-media/Acoustic(includesfilm,newmedia,acoustic);Concert II:AmericanandKoreanMusic;Concert III:Music-Theatre/Multi-media/DanceWork▪Composers/Writer:HiKyungKim(USA),AndrewImbrie(USA),ChanHaeLee(Korea),Julian Knowles, Greg Scheimer, Jenny Game-Lopata, Houston Dunleavy, Garth Paine,MichaelAtherton,SteveClark,MerlindaBobis▪Performers:KimJeong-Seoung,JohnSackett,Jean-MichelFonteneau,WilliamWinant,Ji Aeri, Ensemble Parallale/Nicole Paiement, Aeju Lee (Korean National IntangibleTreasureinBuddhistDance),MichaelAtherton,GarthPaine,JennyGame-Lopata,JulianKnowles,DonnaHewit,GregScheimer,HoustonDunleavy,AaronHullandSteveClark●Forums:ForumI:CommunicationResearch;ForumII:Multi-mediaandPerformance,ForumIII:InterculturalCommunicationandMulti-media,ForumIV:PacificPerspectivesin Creating Sound; keynote presentations: Andrew Imbrie (University of California,Berkley),ChanHaeLee(YonseiUniversity)Organiser,War, Creativity and Communication: An Australian Perspective on EastTimor,UniversityofWesternSydney,28August2003●PracticeProjects:ConcertI:War,AsiaandStudents;ConcertII:CharismainEastTimor▪Composers:AnneBoyd,AndrewFord,MartinWesley-SmithandUWSstudents▪Performers:Charisma,DianaBlom,AhanaStar,MartinWesley-Smith● Seminars: Seminar I: Surrounding Issues; Seminar II: East Timor Emphasis; keynotespeakers:AndrewFord,AnneBoydCoordinator,PublicComposerForums,WesternSydneyUniversity,2002-17▪Forums:Composer-PerformerForums:SonicGritBlues,SonicGritSanjo,InterculturalResearchForum(2017);SonicRebels&Tradition(2016);LivingSonicTraditionsoftheLand(2015);TheLiving-ColoursofAsiainAustralia(2012);MaxSternArtofSoundForum(2011);InteractiveCreativityForums(2010);ImaginativeSpace(2005);Hair-RaisingSounds(2004);FromOuterSpace:ExternalInfluencesontheInternal(2003);IntersectingIdentities:CreativeIdentity(2002)▪Composers:SimonBarker,XuFengShan,JimFranklin(Germany),MaxStern(Israel),KojiNakano (Japan/USA), John Rimmer (NZ), Tim Hopkins, Brett Dean, Liza Lim, AndrianPertout,RossEdwards,AnneBoyd,AndrewFord,RobHirst,DomTurner,TonyWheeler,PhilWiggins(USA),NigelButterley,CharlieChan,SandyEvans,SeanHeim(USA),HyelimKim(London/Seoul)ProfessionalMemberships:MemberAustralasianPerformingRightAssociationLtdMember(represented)AustralianMusicCentreLtdMember(represented)CentreforNewZealandMusic:Sounz

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CURRENTCOMMISSIONSHong Kong New Music Ensemble (mezzo-soprano, flute, viola, guzheng, percussion,piano)withdigitalvisuals,ShyLikeBlushingFlowers,SydneyandHongKong,2016-18

RADIOFEATURE

NewWavesPodcast,ABCClassicFM,BRUCECROSSMAN–GENTLENESS-SUDDENNESS:Contemporarychambermusicinspiredbytheaestheticworlds,musiciansandinstrumentsofEastAsiabyStephenAdams,24June2016.Website:http://www.abc.net.au/classic/content/2016/06/24/4488352.htm

PUBLICATIONSScores:Wirripang:NotBrokenBruised-Reed(vln,perc,pn)(2010)Wollongong,WirripangPtyLtdInGentlenessandSuddenness(shakuhachi)(2010)Wollongong,WirripangPtyLtdQiColourfromHiddenResonances(pn)(2010)Wollongong,WirripangPtyLtdDoubleResonances(percussion,pn)(2008)Wollongong,PublicationsbyWirripangAfter-ResonanceBlues(pn)(2005)Wollongong,PublicationsbyWirripangDaragangMagayonCantata(m-sop,pn)(2006)Wollongong,PublicationsbyWirripangMajesty(piano)(2005)Wollongong,PublicationsbyWirripangFierceTranquillity(vln,vla,vc)(2004)Wollongong,PublicationsbyWirripangB-Bop(cl,vc,pn)(2004)Wollongong,PublicationsbyWirripangAustralianMusicCentre:BloomsLateWhenSpringisGone...(soloerhu)(2016),Sydney:AustralianMusicCentreFragrantRainCloudsofLove(perc,pn)(2016),Sydney:AustralianMusicCentreEmergenceformDarkness(hp)(2015),Sydney:AustralianMusicCentreWherearetheSoundsofJoy?(tpt(Bb),perc&pn)(2015),Sydney:AustralianMusicCentreDyingoftheLight:PacificResonanceforPeter(sopsax)(2014),Sydney:AustralianMusicCentreResonanceofRed(sitar,tabla,hspchd)(2013),Sydney,AustralianMusicCentreGentleness-Suddenness(m-sop,vln,perc,pn)(2012),Sydney,AustralianMusicCentreEarlySpringthatNoOneSees(vla,perc,pn)(2012),Sydney,AustralianMusicCentreBlossomSadness(stringquartet)(2012),Sydney,AustralianMusicCentreSpirit-Presence (Jiari-shakuhachi, Jinashi-shakuhachi), (2012), Sydney, AustralianMusicCentrePacificDancing(orchestra)(2011),Sydney,AustralianMusicCentreSoundRituals(orchestra)(2000),Sydney,AustralianMusicCentreColourResonancesandDance(orchestra)(2000),Sydney,AustralianMusicCentre…backtothecentre(pn)(2000),Sydney,AustralianMusicCentre

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Bluesy-RedFlirt(fl,trpt,perc,pn,vln,vc)(2000),Sydney,AustralianMusicCentreWaiteataPress:Timbres(guit)(1991)WaiteataPress,Wellington,VictoriaUniversityExpressioninBlue(vln,pn)(1988)WaiteataPress,Wellington,VictoriaUniversityOtagoUniversity:PezzoLanguendo(pn)(1984)UniversityCommissions1984,DepartmentsofMusicoftheUniversitiesofAuckland,Canterbury,OtagoandVictoriaSounz:TeKooti’sSong(pn)(1992)Wellington,SounzDual(1988)(2vlns)Wellington,SounzCompactDiscs:LivingColours:PacificSounds&Spirit.NavonaRecords,2017NV6095.LotteLatukefu,JamesCuddeford,ClaireEdwardes,MichaelKieranHarvey,PeterNeville,TristramWilliams;‘DoubleResonances,’‘NotBrokenBruised-Reed,’‘Gentleness-Suddenness,’‘WhereAretheSoundsofJoy?’See:http://www.navonarecords.com/catalog/nv6095/Resophonica.WirirpangPtyLtd,2009Wirr026Atherton/Crossman: “Bunyip Blues”, “Resophonica”, “tik tik”, “Water Dragon(palimpsest)”,‘SnajoforJylee’,“Pentaphonica”,“Off-the-RailBlues”.Performer-Improvisers:MichaelAtherton(perc,preppn,resguit),BruceCrossman(pn).DoubleResonances.WirripangPtyLtd,2008.Wirr017.‘Daragang Magayon Cantata’ (L. Latukefu m-sop; M. Bobis chant., I. Munro pn), ‘InGentlenessandSuddenness’(J.Franklinshakuhachi),‘FierceTranquillity’(NewAsiaStringQuartet),‘BacktotheCentre’(J.Carriganpn),‘AfterResonanceBlues’(T.McGrathpn),‘DoubleResonances.’(B.Balkus,pn,C.Edwardes,perc).ShadowsandSilhouettes.WirripangPtyLtd,2012.Wirr047.‘QiColourfromHiddenResonances’(AntoniettaLoffredo,pn)CreativeExplosion.WirripangPtyLtd,2009Wirr028‘NotBrokenBruised-Reed’(ClaireEdwardesperc,JamesCuddefordvln,ZubinKangapn)MusicoftheSpirit.WirripangPtyLtd,2008.Wirr011‘DoubleResonances.’(B.Balkus,pn,C.Edwardes,perc).Jowha(Oneness).WirripangPtyLtd,2006.Wirr004‘DaragangMagayonCantata’(I.Munro,pn,L.Latukefu,m-sop,M.Bobis,chanter).

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Hammered:AustralianPost-1970SoloPiano.VoxAustralis,2000.‘BacktotheCentre’(J.Carrigan,pn)TheWaiteata Collection ofNew ZealandMusic, Volume1: AViolin and PianoRecital.WaiteataMusicPress,1999.‘ExpressioninBlue’(M.Menzies,vn,D.Poynton,pn)DVD:Crossman,Bruce(artisticdirector/composer)andBarkatIqbal(director).Gentleness-Suddeness.Sydney:FiligreeFilms,2014See:http://www.australianmusiccentre.com.au/product/gentleness-suddennessPerformances:RushingSpiritBreath,HyelimKim(taegum)andClaireEdwardes(percussion),NoiseasMomentarySonicGritandRhythmicUndulation,CreativityUnlimited2017,11August2017Strange Invisible Perfume (guzheng, percussion)—collaboration with Chiu Tan Ching(guzheng),ClaireEdwardes(percussion),LupingZeng(painter/calligrapher)withpoetrybyTangXianzu,Shakespeare,andSongofSongs,20July2017Bloomslatewhenspringisgone...(soloerhu)—collaborationwithYingLiu(erhu)andShenWednesday(painter/calligrapher)withpoetrybyTangXianzu,20July2017EmergencefromDarkness(harp)withReineTakano(harp),attheJapanFederationofComposers/MelbourneComposersLeagueConcertentitled,“AsianTradition/AsianContemporary2017-MysteriousinstrumentfromAustralia-Didgeridoo,”MillenniumHall,Ueno,Tokyoonthe29thMarch2017FragrantRainCloudsofLovewithMichaelKieranHarvey(piano),TimPhillips(percussion),LupingZeng(artist/actor),IqbalBarkat(filmmaker/projectionist)andPeonyPaviliontranslationbyLindyLiMark,atCreativityUnlimitedFestival,Playhouse,WesternSydneyUniversity,2September2016EmergencefromAutumnDarknesstoSpring(2shakuhachi),commissionedbyMiyoshiIzumiforperformanceattheJapanFederationofComposersConcertinTokyoonthe24thFebruary2016EmergencefromDarkness(harp,YukikoHirao),atEastMeetsWestinChamberMusicHall,AichiUniversityoftheArts,Japanon17December2015WherearetheSoundsofJoy?,TristramWilliams(tpt),PeterNeville(perc)andMichaelKieranHarvey(pn)attheMelbourneComposersLeague-ABCClassicFM‘WherearetheSoundsofJoy’concert,IwakiAuditoriumon26September2015

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Spirit-Presence(2shakuhachi),AMFOpeningConcert‘Asia,Asia,Asia’,YokohamaMinato-MiraiHall(SmallHall),AsianMusicFestival,YokohamaandTokyo,Japan,2November2014Spirit-Presence(2shakuhachi),withJamesFranklin(shihan)andNinaHaarer,AllensbachChurch,EuropeanShakuhachiSocietySummerSchoolRadolfzell,Germany,21June2014Gentleness-Suddenness,LotteLatukefu(m-sop),JamesCuddeford(vln),ClaireEdwardes(perc),MichaelKieranHarvey(pn),NewMusicSeries2013,CampbelltownArtsCentre,29June2013

InGentlenessandSuddenness,JamesFranklin(shakuhachi),ThePlayhouse,UniversityofWesternSydney,11October2012NotBrokenBruised-Reed,SsuWeiLee(percussion),Szu-HanWang(piano)andTzi-ZhenHuang (violin), Taipei National University of the Arts, Performing Arts Center, DanceTheatreat29thAsianComposersLeagueConferenceandFestival,Taiwan,3December2011QiColourfromHiddenResonances,AntoniettaLoffredo(pn),TheAssociazioneCarducci,Italy,21November2001QiColourfromHiddenResonances,DianaBlom(pn),InternationalSocietyforMusicEducationConference,ShanghaiConservatoryofMusic,July2010NotBrokenBruisedReed,EnsembleOffspring,ISCMWorldNewMusicDays,VerbrugghenHall,SydneyConservatoriumofMusic,3May2010NotBrokenBruisedReed,EnsembleOffspring,CONtexts:TheAlfredHookLectureSeries(KeithHoward)—TheOrientalOther,RecitalHallWest,SydneyConservatoriumofMusic,23April2010NotBrokenBruisedReed,ClaireEdwardes(perc),ZubinKanga(pn),JamesCuddeford(vln),CreativeExplosion,UniversityofWesternSydney,22October2009DoubleResonances,MichaelKieranHarvey(pn),PeterNeville(perc),MelbourneComposers’League:FourSeasons—Winter,IwakiAuditorium,Melbourne,August2009DoubleResonances,DannyHolt(pn),LynnVarton(perc),LosAngeles,CSUSB,TheConfluenceofCultures:MusicofthePacificRim,May2009

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FierceTranquillity(stringtrio)NextMushroomPromotion(Japan)SmallHall,TongyeongArtsCentre,TongyeongInternationalMusicFestival,Korea,March2009DoubleResonances,DonaldNicolson(pn),ArnoldMarinissen(perc),VictoriaUniversityofWellington,CANZ/NZSMNewZealandComposersConference,September2008DoubleResonances,BernadetteBalkus(pn),ClaireEdwardes(perc),MusicoftheSpirit,RiversideTheatresParramatta,AuroraFestival,19April2008PacificDancing(orchestra)NewZealandSymphonyOrchestra/HamishMcKeich,WellingtonTownHall,September2007After-ResonanceBlues,TomMcGrath(pn),DunedinHeritageFestival,MaramaHall,OtagoUniversity,March2007DaragangMagayonCantata, Lotte Latukefu (m-sop),MerlindaBobis (dancer/chanter)andIanMunro(pn),AuroraFestival,RiversideTheatresParramatta,April2006InGentlenessandSuddenness,JamesFranklin(shakuhachi),Linden-Museum,Stuttgart,Germany,15November2006In Gentleness and Suddenness, James Franklin (shakuhachi), Brunei Gallery Theatre,UniversityofLondon,21July,2006FierceTranquillity,PacificRimMusicFestivalCommission,NewAsiaStringQuartet(KumHoQuartet,Korea),UCSCRecitalHall,SantaCruz,May12005Colour Resonances and Dance, Korean Symphony Orchestra/Sung Kwak, Seoul ArtsCenter,May2002Sound Rituals, New Zealand Symphony Orchestra, Hamish McKeich (cond.); MichaelFowlerCentre,Wellington,October2001SoundRituals,KanagawaPhilharmonicOrchestra/KazufumiYamashita,MinatoMiraiHall,Yokohama,August2000RitualsforSopranoandStringQuartet,ThePundaquitPlayers(2vns,vcandsop),Tunugan'97,CasaSanMiguel,Zambales,Philippines,January1997Books:Michael Atherton and Bruce Crossman (eds.), 2008.Music of the Spirit: Asian-PacificMusicalIdentity.Sydney:AustralianMusicCentre

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Macarthur,Sally,BruceCrossmanandRonaldoMorelos(eds.),2006.InterculturalMusic:CreationandInterpretation.Sydney:AustralianMusicCentreArticles/Chapters:Crossman,B,2016.‘LivingColours:AnAsian-PacificConceptualframeforComposition.’InSallyMacarthur,JudyLochheadandJenniferShaw(eds),Music’sImmanentFuture:TheDeleuzianTurninMusicStudies.Routledge,2016. CrossmanB,2010.‘SpiritualEssences:SoundsofanAsian-PacificPlace,PersonalityandSpiritinDoubleResonances.’WorldNewMusicMagazine:SpiritualEssences:SoundsofanAsian-PacificPlace,PersonalityandSpiritinDoubleResonances,JohnDavisandPhilippaHorn(eds),Amsterdam,pp.6-17

Crossman,B,2008.‘SpiritualEssences:SoundsofanAsian-PacificPlace,PersonalityandSpiritinDoubleResonances.’MusicoftheSpirit:Asian-PacificMusicalIdentity,Atherton,M.andB.Crossman(eds.),Sydney:AustralianMusicCentre,pp.20-32Crossman,B,2006.‘MovingBetweenThings:HeavenandHell,VisualandSonicGesturesTowards Transcendent Oneness.’ Intercultural Music: Creation and Interpretation.Sydney:AustralianMusicCentreCrossman, B, 2005. ‘Asian-Australian Interactions: Personal Compositional Voice andAfter-Resonance Renewal,’ CAESS Conference: Scholarship & Community (CD-ROM),UniversityofWesternSydney,pp.1-6,ed.MichaelAtherton,Sydney:UWSCrossman,B,2005.‘TheArtist’sViewpoint:Asian-AustralianResonances.’TAASAReview(TheJournalofTheAsianArtsSocietyofAustralia)14.2,pp.16-17Crossman, B, 2002. ‘Sounding the Ritual of Sensual Rebellion: Pacific-EuropeanResonances.’LeonardoMusicJournal12,pp.63-65

GRANTS2016,NSWGovernment&ArtsNSW2016/17ArtsandCulturalDevelopmentProgram(ACDP)—GranttowardsthecreativedevelopmentofaChineseopera/Shakespearemusic-theatreworkShyLikeBlushingFlowers2015,Australia-JapanFoundation;DepartmentofForeignAffairsandTrade;AJFMajorGrantsRound2015-162012, Australia Council for the Arts, Presentation and Promotion grant, andCampbelltown Arts Centre, performance grant, Gentleness-Suddenness Project,CampbelltownArtsCentre,26-30June2013