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M4 ART, WAR & THE MAKING OF HISTORY
ART 299 VISUAL CULTURE GLOBAL CONTEXT
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Module 4 Overview “There is no document of civilization that is not at the same time a
document of barbarism.” —Walter Benjamin Topics: what did Walter Benjamin mean by this? what is the relationship
between war, history, and art, as we see it in the works for this week?
Terms: relief sculpture, pictorial narrative, stele, ground line, hierarchy of scale
Read: Kleiner, Chapter 3, pp. 54-63 Look: Victory stele of Eannatum (2-7) Statue of Gudea Head of an Akkadian Ruler (2-12) Victory Stele of Naram-sin (2-13) Ashurbanipal hunting lions (2-23) Palette of King Narmer (3-1)
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Mespotamia, SumeriaVictory Stele of Eannatum“Stele of the Vultures”c. 2450 BCElimestoneLouvre
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Stele of the Vultures, detail of soldiers
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Stele of the Vultures, detail of the king and the vulture
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Stele of the Vultures,detail of the enemiesbeing devoured by the vulture
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Mespotamia, SumeriaLagash,Statue of Gudea,c. 2120 BCEdiorite
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Mesopotamia, SumeriaLagashStanding Gudea,c. 2120 BCEdioriteLouvre
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Mespotamian, SumerianLagashStele of Musicc. 2120 BCE
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MespotamianAkkadianfragment of a Stele of Victory
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Mesopotamia, Akkadian, Head of a Ruler, bronze, c. 2400 BCE
http://www.learner.org/courses/globalart/work/266/index.html
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Mespotamia,Akkadian,Victory Stele of Naram-Sinc. 2250 BCElimestone
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Victory Stele of Naram-Sin, sandy limestone, c. 2250http://www.louvre.fr/en/oeuvre-notices/victory-stele-naram-sinCLICK on FULL SCREEN for picture
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Palette of King Narmer, c. 3200 BCE, reverse
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Palette of King Narmer, c. 3200 BCE, obverse
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Ashurbanipal Hunting Lions, c. 645 BCE, relief sculpture