Are Two Better Than One? Multiple Camera “Single Camera” Production

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Are Two Better Than One? Multiple Camera “Single Camera” Production Peter Kiwitt

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Are Two Better Than One? Multiple Camera “Single Camera” Production. Peter Kiwitt. Topics. Why? How?. Historical Film Production. Productions carried two cameras One camera for production One camera as a spare Productions used two or more cameras for . . . - PowerPoint PPT Presentation

Transcript of Are Two Better Than One? Multiple Camera “Single Camera” Production

Page 1: Are Two Better Than One?  Multiple Camera “Single Camera” Production

Are Two Better Than

One?

Multiple Camera “Single Camera”

Production

Peter Kiwitt

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Topics

Why? How?

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Historical Film Production

Productions carried two cameras One camera for production One camera as a spare

Productions used two or more cameras for . . . Stunts and “big” scenes (typically) Saving time or performances (rarer)

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Why Not Use Two Cameras?

Costs more money Takes more time Compromises eyelines Compromises lighting

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What Changed?

1992 Lost in YonkersDigital editing

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What Changed?

1992 Lost in YonkersDigital editing

1996 Kodak VisionFilm stock improvements

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What Changed?

1992 Lost in YonkersDigital editing

1996 Kodak VisionFilm stock improvements

1996 Average studio feature $60m

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What Changed?

1992 Lost in YonkersDigital editing

1996 Kodak VisionFilm stock improvements

1996 Average studio feature $60m 1997 NBC “It’s new to you”

Television ratings decline

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What Changed?

2000 Star Wars Episode II—Attack of the Clones Digital production

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What Changed?

2000 Star Wars Episode II—Attack of the Clones Digital production

2000 O, Brother Where Art Thou?Digital color correction

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What Changed?

2000 Star Wars Episode II—Attack of the Clones Digital production

2000 O, Brother Where Art Thou?Digital color correction

2001 Practice!

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Film Production Now

Movies & series: Two cameras (or more!) More coverage

Series: Directing producers Rotating DPs

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What Hasn’t Changed

One shot on screen

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What Hasn’t Changed

One shot on screen Same visualization

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What Hasn’t Changed

One shot on screen Same visualization Screenline & eyeline rules remain

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Still Single Camera

Some wide angle shots

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Still Single Camera

Some wide angle shots Some moving shots

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Still Single Camera

Some wide angle shots Some moving shots Shots separated by 90°+

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Two Camera Issues

Lighting Sound Performance

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Two Camera Guidelines

Lighting – closer angles Sound – closer sizes Performance – alternate takes

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Two Camera Techniques

Closer size from closer angle B camera for long lens B camera pickup inserts Two cameras on one dolly track or even dolly

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Recommendation

All programs that teach directors should have at least one workshop or exercise in shooting with two cameras.

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Are Two Better Than

One?

Multiple Camera “Single Camera”

Production

Peter Kiwitt

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Notes

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Notable Productions

1980 Hill Street Blues

1981 MTV 1984 Amadeus – cross-angles 1988 Rain Man – cross-angles 1989 Dead Poets Society – multiple coverage

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Evolution of Style Primitive (1893)

Tableau Transitional (1908)

Tableau Cut-in Tableau

Classical (1917) Master Shot Reverse-shot

Modern (1961)

Master MS1 MS2 CU1 CU2

Contemporary (2001) Master MS1-A MS2-A CU1-B CU2-B