AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work...

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AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

Transcript of AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work...

Page 1: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

AP Art HistoryEarly Renaissance

Chapter 17: Slides to Use as the

Basis of ArgumentWhy is this work significant?

Sum it up in a sentence.

Page 2: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 3: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 4: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

Ambrogio Lorenzetti Allegory of the Good Government1338-40 Palazzo Pubblico, Siena

Page 5: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

Ambrogio Lorenzetti detail: Effects of Good Government in the Countryside

Page 6: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

Paolo UccelloBernardino della Ciarda Thrown Off His Horse

1450sTempera on wood, 182 x 220 cm

Galleria degli Uffizi, Florence

Page 7: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 8: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 9: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 10: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 11: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

façade and interior of Church of Sant’AndreaLeon Battista Alberti

Page 12: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

Lorenzo Ghiberti

Sacrifice of Isaac

competition panel for the east doors of the Baptistery of

FlorenceCathedral1401-1402

Page 13: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

DonatelloEquestrian Statue of Gattamelata1447-50Bronze, 340 x 390 cmPiazza del Santo, Padua

Page 14: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

DonatelloJudith and Holofernes 1455-60BronzePalazzo Vecchio, Florence

Page 15: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

DonatelloSt Mary Magdalenc. 1457WoodHeight: 188 cmMuseo dell'Opera del Duomo, Florence

Page 16: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

December

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Page 18: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
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Page 20: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

Martyrdom of St. Ursula

Page 21: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 22: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 23: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 24: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 25: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 26: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 27: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 28: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

Entombment

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Trinity 1425-28Fresco, 667 x 317 cmSanta Maria Novella, Florence

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Page 35: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 36: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Page 37: AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.

Procession of the Relic of the True Cross Before the Church of Saint Mark