PORTFOLIO

ANTON ROSENBERG

The Sound of Rain

East part of the site facing south.

Southwestenr part of the site, southwest view. Tree on the northeast part of the site

Southwest view showing the sites slope

Assignment

The clients are based on characters from Ursula Leguins novels “Hainish Science Fiction Series”. The family consists of four adults and four children.The building is placed in St:Jörgens park in Lund.

Concept

Water. The element is essentiall to the client and a big part in the sites environment, in the form of rain or snow. The roof consists of overlaping boards. Their functions are to protect the house from the rain aswell as to create a symphony of sound when the droplets hit. The shape and position of the boards determine the frequence and amplitude of the sound. An essential part of this project is the relationship between the outer roof and the main house body.

Method

The design was conceived thruogh the free hand sketch and the rough model. The portrail of the plans, sections and facades were created thruogh work in a combination of Revit, Illustrator, Photoshop and InDesign. A 1:200 model built in foamboard, plyywood and plexiglass with the aid of a lazercutter. Volumes and structures were built in deal wood, styrofoam and gypsum.

Spring 20126 weeks2nd Grade

Exterior concept model

Interior Renderings

East Facade

Section 1

North Facade

Section 2 1:2001:200

1:2001:200

South Facade

Section 3

Plan 1

Plan 2

Plan 3

1:400

1:400

1:400

1:200

1:200

Lund Literature CentreArchitecture Inspired by Hydrodynamics

Assignment

The clients are the Lund Litterature Association. Their vision is to consititute a greater part of the Lund culture scene. Both in terms of collaboration and individual space.

Concept

I chose the site due to its exposed nature within Lund. The square today serves as a pedestrian highway. The flow of water in a streem became as a metaphore for the pedestrian directions in this project.

Method

The conceptual part was conceived through free hand sketching and conceptual modeling. A hydorodynamic tunnel was built with the shape of the square. The pedestrian entrences, paths and exits were represented by inflow, current and outflow of water. Shapes of structures were tested for their individual and collective effect of a spesific directional current. The result of this study created a basis for the design of the buildings.Drawings were created with the aid of the following software tools, Adobe Illustrator, Adobe Photosop and Rhinocerous 4.0.

Spring 20123 weeks2nd grade

An ovale structure placed behind another. A rectangular body is placed with a corner towards the current. A u-shaped building is placed parallel to the current.

Current trevels past the two buildings with no interuption. Current is direcred by the interaction of corner of the rectangular body. A whirl is created within the shape.

Plan 1

Plan 2

Plan 3 1:400

1:500

1:400

1:400

Contextual Plan

Section A1

Section A2

West Facade

West Facade

South Facade

South Facade

1:400

1:400

1:400

1:400

1:400

1:400

Assignment

The assignment was to draw a crematorium. This work was to be inspired by the work created in two seperate workshops and a trip to Istanbul.

Concept

This promatorium has been shaped by three major influences, the programmatic requirements of a promatorium, the strive for sacral characteristics of space, and the examination and concretization of ideas around bone and shell structures. This text only include the process of the latter.

The project started by analyzing a piece of hockey protection. In the object there were two main things on which the design of the building was to be based. Firstly, how the separate parts of the object related to each other in terms of shape. Secondly, the difference in characteristics between the exte-rior and interior of the object. This second notion lead to the examining trabecular and cortical bone structures, in terms of spatial properties.

The buildings design is relying on individual bodies which reflect the spacal requirements of every individual room. The unique parts intersect each other, and where they do one space flows over the other in a defined hierarchy. A park and memorial/burial ground surrounds the promato-rium. The shape of the paths has been inspired by the way the geometric structure of trabecular bone structures. The density of the paths also aims to create a variety of move-ment speeds and ambience within the space.

Method

This work was created through a process of sketching, Maya modelling, Rhino modelling, physical modelling, photoshop and illustrator work.

6 weeks3rd gradeSpring 2013

Place for Cerebration“Limhamn Promotorium & Memorial”

Promession

Promession is a fairly modern way of cremation. The body is dried for 10 days in a storage area before it is frozen down to -196 degrees Celsius in a facility included in the promatory. At this temperature the body becomes very brittle, with the use of vibrations the body and coffin is disintegrated into dust. The process from freezing to turning into dust takes about one and a half hours. The remains is finally buried in a biodegradable coffin at a depth of 50 cm. It then takes roughly 6 months for the remains to be absorbed into plants, trees and bushes planted on the grave.

The Site

Until 1978 the site was used to refine limestone. The majority of the indus-trial buildings still remain as a memory of Limhamns cultural history. As this bachelor project was carried out construction is in place to exploit the eastern part of the location. The projected buildings will mainly consist of four to five story housing.

Limhamn is already heavily exploited in terms of housing. This projects aim is, therefore, to turn almost half of the site into a park and memorial ground. The memorial will work as a calm recreation area as well a place for the inhabitants of Limhamn to remember the diseased.

Scale: 1:1000

Scale: 1:500 Scale: 1:500

Siteplan

Ground floor plan Second floor plan

Movement Diagram

Scale: 1:200North - South Section

Scale: 1:200North Elevation

The art of ProductionA building insipred by digital masonry

Assignment

A wall in a hotel lobby was to be given a sculptural apperance with a minimal budget. To serve this purpose, the material used was white MDF board. Concept

The properties of bark on an old wooden trunk was used as an influence for the design. Therefore, every part of the wall needed to be perceived as unique. There was also a desire for the wall to create an interesting light and shadow display. This was solved bu using different box depth and the ability to for the wall to house flower installations.

Method

The budget only allowed for a more primitive method of constructon. I built up the wall in five unique modules built up by 11 unique boxes. These were in turn made to fit the existing conditions. Important factors that determined the depth bounderies was an existing stair and two pillars.

Horisont ArchitectsSummer 20126 weeks

Project Manager: Anders BlomqvistInterior design Manager: Anna Brorsson

Scale: 1:400Site Plan

Scale: 1:200Plan 1

Scale: 1:200Section 1

Scale: 1:200Plan 1

Scale: 1:100East Facade

Scale: 1:200

Scale: 1:200

South Facade

West Facade

The Droplet Chair

Assignment

Through a long process of imaginative conceptual work a design for a chair was to be determined. The chair was then to be constructed in as imagined.

Concept

The base shape is the one of a water droplet. Within this shape a defined seat was to be inserted.

Method

The idea came from the creation of an imaginative figure, a landscape, a dwelling, a house and finally rough models of furniture that could inhabit this house.The construction of the piece were made in four seperate steps. The first was to sculptude positive mold in styrofoam. The second, to cover the styrofoam chair a shell of glassfibre. This rough shell was given a finish by the use of Plastic Padding (Bondo), spray filler and gelcoat. The third step was to shape the aluminum legs with the use of a lathe. Finally the pad was sewn in three layers, a rough fibre for the back, padding and a leather front.

Fall 20116 weeks2nd grade

Assignment

A workshop where a single everyday item were to create a spatual piece thruogh multiplication and variation.

Concept

Plastic gloves were filled with varying amount of water and dye and hung from 4 m2 of plexiglass. The acrylic boards were hung from th ceiling using descrete metal wiering. A small room served as exhibition space, where lighting and sound contributed to the experience of the piece.

Creators

Anton Rosenberg . Elinor Andersson . Malin Persson . Olof Martin Falk . Martin Berntsson . Johan Lingmark . Johan Demling . Jakob Sjöberg . Oscar Wilhelm Abrahamsson . Nocholas Tenneberg

Spring 20114 days1st grade

Plan Scale 1:100

Section Scale 1:100

Inspiration

Multiplication

Mutation

Assignment

A workshop where the aim was to explore and understand Rhinocerous 4. The assignment was to create a component , multiplu it into a pattern and mutate the conceived schape.

Concept

The shape of the component was conceived thruogh experementation forms which could be created within a cube. The component was multiplied and mutated further thruogh the use if a defined surface.

2 days3rd gradeFall 2012

Bark Wall

Assignment

A wall in a hotel lobby was to be given a sculptural apperance with a minimal budget. To serve this purpose, the material used was white MDF board. Concept

The properties of bark on an old wooden trunk was used as an influence for the design. Therefore, every part of the wall needed to be perceived as unique. There was also a desire for the wall to create an interesting light and shadow display. This was solved bu using different box depth and the ability to for the wall to house flower installations.

Method

The budget only allowed for a more primitive method of constructon. I built up the wall in five unique modules built up by 11 unique boxes. These were in turn made to fit the existing conditions. Important factors that determined the depth bounderies was an existing stair and two pillars.

Horisont ArchitectsSummer 20126 weeks

Project Manager: Anders BlomqvistInterior design Manager: Anna Brorsson

L1a: 800x200x62

L2a: 1200x200x62

L3a: 2400x200x62

L3a: 2400x400x62

L3a: 1400x400x62

L1b: 800x200x112

L2b: 1200x200x112

L3b: 2400x200x112

L4b: 800x400x112

L5b: 1200x400x112

L6b: 400x200x112

Scale: 1:10

Single Boxes:L1b: 9L2a: 9L5a: 4L6b: 2

X5 X7 X10 X10 X3 X3

X3 X2 X1

The debth is reduced by 50 mm on all units within the green marking.

Scale 1:50

Boxes with depth 62 mm (“a”)

Boxes with depth 112 mm (“b”)

Scale: 1:50Elevation

Scale: 1:50Module Placement Diagram