Antiques & Collectables · 2017. 11. 21. · ANTIQUES & COLLECTABLES BP* - Buyer’s Premium of...

Antiques & CollectablesWednesday 6th December at 10.30amTO BE HELD AT FARLEIGH COURT, SURREY CR6 9PE

Antiques & Collectables

Wednesday 6th December

at 10.30amVIEWING

Tuesday 5th December9.30am - 5.00pm

Wednesday 6th December9.00am - 10.30am

A U C T I O N A N D V I E W I N G TO B E H E L D AT FA RLEIGH COURT GOLF CLUB, OLD FA RLEIGH ROAD, NR SEL SDON, SURRE Y CR6 9 PE

Ripley Arts Centre, 24 Sundridge Avenue, Bromley, BR1 2PX

Valuation days held here every Tuesday, Wednesday and Thursday between 10am and 2pm

Welcome to Catherine Southon Auctioneers & ValuersSpecialist: Catherine Southon MAConsultants: Barbara Dixon

Neassa Quinn Mark StaceySale Administrator: Nicola MinneyAuction Enquiries and Information: 07596 332978 07808 737694 Email: [email protected]

Auction Venue: Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE

Office: Ripley Arts Centre, 24 Sundridge Avenue, Bromley, BR1 2PX Tel: 0208 313 3655 (not week of auction)

IMPORTA NT NOTICE S Please note that purchased items of furniture must be collected from the auction venue before 4pm on Friday 8th December otherwise buyers will incur storage charges. All other purchases can also be collected during this time. Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.the-saleroom.com

COLLECT IONS All lots should be collected on the day of the auction, or on Thursday 7th or Friday 8th December until 4pm. After this time all items of furniture will be shipped to the warehouse where an appointment has to be made for collection. All other items will be available for collection at our office address at Ripley Arts Centre 9.30 - 3pm, Monday - Friday for two weeks after the sale.

SHIPPING

AUCT IONS We hold regular Antiques and Collectables Auctions, with colour catalogues, on-line catalogues and Live bidding. These auctions take place regularly at Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE.

This venue has plently of free parking and is a short taxi ride from East Croydon Station with directly links to London. The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.

www.the-saleroom.com

L IVE INTERNE T BIDDING - Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real-world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - it’s just like being in the auction room. A live audio feed means you hear the auctioneer at exactly the same time as other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid!

Mail Boxes Etc.Tel: +44(0)208 649 9777Email: [email protected]

Pack & SendTel: +44(0)203 818 1980Email: [email protected]

Overseas Shipping: AMSTel: +44 (0) 1689 800 688 email: [email protected]

We are happy to ship non-breakable items, please call 07808 737694 for a quote

A N T I Q U E S & C O L L E C T A B L E S

B P * - Buye r’s Premium o f 21.6% inc lus i ve o f VAT @ 20%. Lo ts marked ‡ w i l l be sub jec t to an add i t i ona l fee - p l ease see page 88 . 4

1. A late 19th century mahogany Lazy Susan with raised edge to rim diameter 47cm £50-£80

2. A contemporary pub sign ‘Gold Medal Ales’ of rectangular form with gilt and green lettering on a claret ground 24 x 140cm £60-£80

3. A German Black Forrest bear with fish the bear realistically carved in walking pose with fish in his mouth length 29cm, height 20cm £180-£220

4. A large bronze figure of a grisly bear realistically modelled, in standing stance length 38cm, height 20cm £300-£400

5. A sailors woolwork picture third quarter 19th century, worked in coloured threads depicting five ships under full sail on simulated seas the ships titled ‘Black Prince, Warrior, Hector, Trinculo’, framed and glazed 32 x 60cm £150-£200

6. A 1920s carved oak framed velvet picture of three owls the velvet incised and heightened with white and in an ornate carved oak ‘acorn’ frame total frame: 47 x 59cm £150-£250

7. A Victorian coromandel and silver ladies’ travelling vanity case the simple rectangular case opening to reveal a purple crushed velvet lined case with compartmental interior storing a

number of silver topped glass jars hallmarked 1877 and

chased with scroll and foliage decoration each with and central cartouche

(not engraved), with tray lifting out to reveal

storage below and further secret drawer below width of case 31cm £300-£500

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5B P * - Buye r’s Premium o f 21.6% inc lus i ve o f VAT @ 20%. Lo ts marked ‡ w i l l be sub jec t to an add i t i ona l fee - p l ease see page 88 .

8. A large Islamic circular copper tray with bead and fluted border surrounding chased central borders of palm leaves, beads and chevrons diameter: 69.5cm £50-£80

9. A cold painted bronze figure of a horse, in the style of Bergman modelled standing unbridled looking forward, no makers marks, height: 17.5cm, length: 19.5cm £80-£120

12. A painted portrait of a young girl on ceramic circa 1900, the girl wearing a blue dress with blue ribbon to hair, mounted within a late oval wooden frame overall height 32cm £80-£120

10. An Art Deco style mantelpiece a pair of spelter dogs one seated and the other lying upon a stepped red marble base 16 x 39 x 10.3cm £30-£40

11. An Art Deco clock central clock in an alabaster and marble surround, flanked by two playful cats upon an alabaster marble base 25.6 x 41 x 13.5cm £150-£250



13. ‡ A.E Batchelor (British fl. 1920s) illustrator original artwork for the dust cover of ‘Aloysius let loose’ by Klaxon (John Graham, Barbara Bower), published by Collins circa 1950, framed, together with original artwork by Leslie Wood (British 1920-1994) for the dust cover of ‘Unbroken Thread’ by Viscount Templewood, published by Collins circa 1949, signed lower right, framed, label verso, (2) the former 29 x 24cm, 29 x 19.5cm £50-£80

15. ‡ Leslie Wood (British 1920-1994) illustrator original artwork for the dust wrapper of ‘Storm of Time’, published by Collins circa 1948, signed lower right, framed; together with another Leslie Wood original artwork for a book dust wrapper, framed, (2) total frame: 46.3 x 42.6cm £50-£80

14. ‡ Leslie Illingworth, (Welsh 1902-1979) illustrator ‘Gretchen and the Beast’ drawing published by Punch on 18th of August 1948, signed lower left, framed, notes verso; ‘Album Caran D’Ache’ Album Troisieme, written dedication to ‘Leslie Illingworth from Jon Manchip White 1950’ on inside page; a sketch book with rough pencil sketches, the inside front cover written ‘L.G Illingworth 6 Rue Gevert Paris Animals in the Jardin Des Plantes’ in pencil, together with ‘Illingworth’s War in Cartoons’ by Mark Bryant, autographed by the author, dated 2009 and ‘Illingworth On Target’ by Draper Hill, autographed by the author, dated 1972, (5) total frame: 51.5 x 45.5cm £60-£80

(part)



16. ‡ Gilbert Wilkinson (British 1891-1965) illustrator original artwork for the cover of ‘Passing Show’ magazine 2nd of Feb. 1924, framed; together with Charles Tunnicliffe OBE, RA (British 1901-1979) original artwork for the dust cover of ‘The Complete Gardener’ by W.E Shewell-Cooper, published by Collins 1950s, framed, (2) total frame: 40.3 x 41.8cm, 37.7 x 36.5cm £50-£70

17. ‡ Harry Toothill (British 1917-2001) illustrator original artwork for the dust cover of ‘A Sunset Touch’ by Howard Spring, published by Collins 1953, framed; and the original artwork signed Gorham for the dust wrapper of ‘The Companion Guide to the Greek Islands’ by Ernle Bradford, published by Collins 1963, framed, (2) total frame: 41.1 x 35.6cm, 34.6 x 32.2cm £60-£80

18. ‡ Two original artworks for book dust covers and an advertising watercolour, Maurice Wilson (British 1914-1987) illustrator original artwork for the dust cover of ‘How Little We Know’, by Doreen Wallace, published by Collins 1950, framed; Stephen Russ (British 1919-1983) original artwork for the dust cover of ‘The Dianthus’ by Will Ingwersen, published by Collins 1949 and a ‘Boston Rubbers’ advertising showcard, watercolour in frame, (3) total frame: 37.4 x 33.2cm, 31.7 x 34.6cm, 33.2 x 17.9cm £100-£200



20. A pair of C. W. Dixey & Sons tortoiseshell spectacles made for Sir Winston Churchill the full rimmed round glasses with white dot to tip of each arm to distinguish them as reading spectacles rather than for distance, contained with in a leather spectacle case embossed C.W.Dixey & Son London 1777, together with a typed statement from Director of C. W. Dixey Mr P. Varnes verifying that the spectacles were made for Winston Churchchill and claiming ‘usually three pairs of spectacles were made to Churchill’s prescription and kept at the Cavendish Square showroom later the Wigmore Street practice’

The spectacles were given to the present owner by Mr P. Varnes Director of Dixey and Sons. Usually three pairs of spectacles were made to Churchill’s prescription and kept at the Cavendish Square Showroom later the Wigmore Street practice. After Churchill’s death C.W.Dixey had three pairs of Churchill’s spectacles still in their possession . It is believed one pair were given to Chartwell, one pair auctioned in 2011 and this is the final pair. £1,000-£2,000

21. 19th century Dutch school, Gamblers at the Inn, oil on board, together with a watercolour of figures by a cathedral, unsigned (2) oil: 19 x 25.7cm - board, 25 x 32cm; watercolour frame: 29.8 x 23.6cm £80-£120

19. ‡ British School, mid 20th century a charcoal on paper study of Winston Churchill wearing his artists hat, indistinct signature lower right, framed total frame: 52.6 x 43.7cm £100-£200

22. Early Victorian oil on canvas in the round well painted with a girl revealing her left shoulder the other with low cut gown in early 19th century fashion and ribbon tied bonnet, square gilt frame, diameter 34cm £200-£250



23. Cox David (British 1783-1859) ‘Going to the hayfield’, watercolour, signed lower left, in a giltwood frame, total frame: 68.5 x 78.5cm £300-£500

24. British School, 19th Century ‘Marine scene at sunset’ oil on board, signed indistinctly lower left, mounted in a gilt frame, total frame: 38.2 x 51cm £200-£300

25. Henry Charles Fox R.B.A. (British 1855-1929) ‘A Berkshire lane with sheep’, signed lower right HC Fox dated 1913, in a gilt mount titled, in a gilt frame total frame: 74.5 x 56.7cm £120-£180

27. William Henry Williamson (British 1820-1883) ‘Stormy seas’ signed W H Williamson 1870 lower left, oil on canvas, gilt frame, bear paper label verso total frame: 62.3 x 37cm, canvas: 35 x 55.5cm £100-£200

26. William Henry Williamson (British 1820-1883) ‘Stormy scenes with rocky coastline’, oil on canvas, in a gilt frame, bears paper label verso total frame: 62.7 x 37.2cm, canvas: 35 x 56cm £100-£200

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30. British School, 18th century ‘Portrait of a young girl’, oil on canvas, indistinctly signed, in a gilt frame total frame: 33.2 x 27.8cm, canvas: 29 x 23.9cm approx £200-£300

29. British School, 19th century, a miniature portrait of Don Andres del Peral, after Goya oil on copper, unsigned in a gilt frame, inscription verso ‘miniature oil on copper of Dr Peral after Goya by Irene Begbie Ellissen’ total frame: 23 x 20.9cm, miniature: 12 x 10m approx £60-£100

28. ‡ Sir William MacTaggart PPRSA RA FRSE HonRSW LLD (British, 1903-1981) ‘The Bass Rock’, signed bottom right, oil on board, with label verso reading ‘On her Majesty’s service The Bass Rock Wm MacTaggart PRSA’ 55 x 75cm £3,000-£5,000



35. Edward Armfield (British 1817-1896) ‘Terriers facing a fox’ oil on canvas, signed lower left, gilt frame total frame: 44.4 x 54.4cm, canvas: 40.7 x 30.8cm £100-£200

31. British School, 18th century ‘Three pigs foraging in woodland’, oil on canvas, indistinctly signed, in a gilt frame total frame: 42.5 x 51.2cm, canvas: 29.7 x 35.5cm approx £200-£400

32. British school, 18th century ‘Hunter and hound’, oil on canvas, unsigned, in a gilt frame total frame: 56.5 x 66.7cm, canvas: 62.5 x 53cm approx £200-£400

33. H. Whittaker Reville (British fl.1881-1903) ‘Chestnut hunter in stable’, oil on canvas, signed lower right, in gilt wooden frame total frame: 63.4 x 78cm, canvas: 46.5 x 61.4cm £300-£400

34. Edward Armfield (British 1817-1896) ‘Terriers chasing a pheasant’ oil on canvas, signed lower left, gilt frame total frame: 44.3 X 54.5cm, canvas: 30.7 x 40.9cm £200-£300

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36. James Hardy Junior (British 1832-1889) ‘Blackcock and grouse’, watercolour, signed lower right and dated J. Hardy Jur ‘64, framed and mounted 31 x 46cm £300-£500

37. Charles Thomas Bale (British active 1866-1875) ‘Still life of game, fruit, cider flagon and powder horn’, oil on canvas, signed lower right C. T. Bale, mounted and framed with label to verso 78 x 50cm £1,000-£1,500



38. ‡ Helen Dryden (American 1882-1972) artwork for Vogue 1918 original pen, ink and watercolour artwork for the cover of Vogue USA 15th August 1918 edition, signed lower right, framed, together with a Vogue printed poster ‘Opera’ by Georges Lepape, printed 1970 and an ‘Illustrateurs au temps de Poiret, Paris’ printed poster and three Vogue Les Editions Conde Nast magazines dated 1st Feb 1922, 1st Apr 1922, 1st Nov 1925, (6) the former total frame: 70.4 x 59.2cm £200-£300

39. ‡ Rolf Armstrong (American 1889-1960) ‘Girl on the beach’, pastel and ‘Girl relaxing’, pastel, both framed, unsigned, both with certificate of authenticity verso, (2) total frame: 33.7 x 27.4cm, 32.7 x 25.9cm £60-£80

(part)



42. ‡ Andre Edouard Marty (French 1882-1974) study of a courting couple, ink with watercolour, signed lower right A.E. Marty, framed, label verso ‘Dessin original de Marty Marriage princier, le jour de la St Valentin, (Elizabeth, fille de Jacques II d’Angleterre) total frame: 32.8 x 32.5cm £40-£60

43. ‡ Jean Cooke R.A. (British 1927-2008) ‘Beachy Head, Sussex’, oil on canvas mounted in a pine frame, signed lower right canvas: 50.7 x 61cm; total frame: 52.4 x 62.5cm £200-£300

44. A 19th century Chinese watercolour unsigned, robed figures seated amongst trees with distant pagoda, 31 x 20cm £40-£60

40. ‡ A collection of six framed watercolours signed RJM three of sheep, two of floral sprays and another of grapes, each initialled lower margin in pencil RJM, each framed, (6) total frame: 36.5 x 46.2cm - largest £50-£80

41. ‡ British School, 20th century ‘1930s study of a couple dancing’, watercolour for Britannia and Eve magazine December Issue, unsigned, framed total frame: 35.7 x 28cm £40-£60

(part)



47. Brodtmann’s Naturhistorische Bilder-Gallerie aus dem Thierreiche ‘Der Bengalische Tieger Felis Tigris No. 24’ and ‘Der Panther Felis Pardus No.26’, prints, each in black and gilt frames, (2) total frame: 51.5 x 64cm £80-£120

48. ‘George The Third His Most Excellent Majesty’ after Charles Rosenberg coloured print, mounted in a black frame total frame: 41 x 32.5cm £30-£40

49. Three various hand coloured prints comprising ‘Knight of St George’ winner of the Doncaster Great St Ledger 1854, framed; ‘Ships of the General Steam Navigation Company’, framed and ‘cows in landscape’, framed, (3) 80 x 96.5cm - Knight, 73.5 x 96.5cm - Ships, 51.5 x 65.2cm £100-£200

45. ‡ Richard Evett Bishop (American 1887-1975) ‘Whizzing’ Canadian geese coming to land in lake, etching, signed lower right and titled lower left, mounted and framed, details written verso total frame: 49.3 x 41.4cm £60-£80

46. Seven 1920s ‘Pompeian Beauty Company’ advertising prints six double sided advertising beauty products, in gilt wooden frames, (7) total frame: 69 x 20cm - largest £40-£60

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(part)



54. A collection of 19th and 20th century etchings and prints a Victorian Pantin Colombine by Pellerin, framed; ‘Old Q-uiz the old Goat of Piccadilly - a shining star in the British peerage’ hand coloured etching, framed; a ‘the music band’ print, framed; a ‘Cadillac V 8 12 16’ advertising print, framed; ‘La civilte puerile et honnete’ print, framed; ‘Morning light Grasmere’ and ‘Windermere Lake’ prints by W Heaton Cooper; ‘a Japanese figure with swords’, framed; (8) largest frame: 44 x 54cm £60-£100

55. ‡ Johann Erbler (b.1963 Vienna) ‘Girl in a web’, Limited Edition 25 of 70, artists monogram lower right, in mount board, label verso total mount: 50 x 40cm £50-£80

56. ‡ Maurice Milliene (French 1871-1946) ‘Seated lady’ coloured etching, signed in pencil and dated 1914, in gilt frame total frame: 58 x 44.5cm £80-£120

50. Two Pierre-Joseph Redoute botanical prints and four others including ‘Coelogyne Cristata’, ‘Lycastle Skinneri’, ‘Odontoglossum Oerstedii’, ‘Cerasus Cerisier, framed, (6) total frame: 50.5 x 43cm - largest £50-£80

51. A collection of eleven prints of landscapes and castles in Yorkshire, Sussex and France framed, (11) total frame: 35.4 x 53cm £50-£70

52. Advertising memorabilia for Sunlight Soap, United States Lines, Lifeboy Soap, Avalon cigarettes an advertising print for United States Lines; 1812 Old Iron Sides The Old Way - 1928 Leviathan The New Way, framed; seven Sunlight soap advertising prints, framed; two Lifeboy soap advertising prints, framed and further advertising prints, framed and three Avalon cigarette posters, (22) total framed: 75.7 x 50.5cm £40-£60

53. A vintage advertising print for cigarettes, together with a print, framed; ‘Brown & Bigelow’ 1939 greetings calendar, framed; an Eggleston print seasons greetings, framed, (3) cigarette: 38.5 x 23.4cm; b & b: 33.9 x 22.3cm; eggleston: 43.3 x 23cm £40-£60

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57. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Now, now, Mr Wilkins – we mustn’t try to run before we can walk” cartoon artwork for Playboy cartoon paperback ‘Sex and Other Late Night Laughs’ 1990 backcover, drawn: Feb 1988, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 420 x 320mm, paper rough: 380 x 279mm £100-£200

58. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Not yet, Fiona – when I said ‘cast off’ I was speaking nautically” Unpublished cartoon artwork for Playboy, drawn: Dec 1989, pen and ink with watercolour, on Daler board, signed lower left, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust sheet total board: 420 x 322mm £80-£120



62. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “And remember the time I faked three orgasms for Masters and Johnson” Unpublished cartoon artwork for Playboy, drawn: Sept 1993, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, ‘Kill H’ in lower margin possibly by Hugh Hefner, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, unsigned, (2) total board: 420 x 320mm, paper rough: 380 x 280mm £100-£200

63. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “It’s a kind of amusing story – I was once in bed with an Englishman, an Irishman and a Scotsman, and ……….” Unpublished cartoon artwork for Playboy, drawn: Oct 1975, pen and ink with watercolour, on Crescent illustration board, double board, signed lower right, caption below, artist’s notes lower margin, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on upper margin, Smilby yellow dot verso, with dust sheet total board: 425 x 322mm £80-£120

64. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Steady Mr Birdsell – it’s my present you’re supposed to be unwrapping” Unpublished cartoon artwork for Playboy Germany, drawn: Aug 1985, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust sheet total board: 427 x 322mm £80-£120

65. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Henry dearest, do you think we could, just for once, try a twentieth century book on sexual arousal?” Unpublished cartoon artwork for Playboy, drawn: 1997, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust sheet total board: 420 x 321mm £80-£120

59. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Jeepers, I must be dreaming – it’s a white Christmas.” (Jeepers, I must be dreaming – it’s crossed out in pencil, “Santa must have known I was dreaming of” written in pencil), cartoon artwork for Playboy publ. Dec 1994 p.165, drawn: July 1989, pen and ink with watercolour, on Daler board, signed lower right, caption below, artists notes in margin, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right and another rough drawing, (3) total board: 420 x 320mm, paper rough: 378 x 278mm £100-£200

60. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Of course, if I ever get back home and write it all up, I’ll have to change things about a bit, Friday” cartoon artwork for Playboy Feb 1972 pg.221, drawn: Mar 1971, pen and ink with watercolour, on Daler board, signed lower right, caption below, artists notes lower margin, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc Reproduction Prohibited Without Permission left margin & verso, Smilby yellow dot verso, with dust sheet total board: 410 x 311mm £80-£120

61. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “I used to have a valet, and Beatrice had a ladies-maid, then we suddenly thought what the hell and swapped” cartoon artwork for Playboy pub. Nov 1974 p.241, drawn: Apr 1974, pen and ink with watercolour, on Daler board, signed lower right, caption below, artist’s notes lower margin, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin, Playboy stamp upper margin, Smilby yellow dot verso, with dust sheet total board: 413 x 310mm £80-£120



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70. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “No” cartoon artwork for Playboy publ. Dec 1993 p.155 drawn: Aug 1993, pen and ink with watercolour, on Daler board, signed lower right, caption below, No Playboy Copyright stamps, Smilby yellow dot verso, with dust sheet total board: 421 x 320mm £80-£120

71. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “You despicable son-of-a-bitch, Henderson – and with my own secretary !” Unpublished cartoon artwork for Playboy, drawn: Dec 1990, open and ink with watercolour, on Daler board, signed lower left, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, ‘Ok H’ in lower margin possibly by Hugh Hefner, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 420 x 320mm, paper rough: 279 x 280mm £100-£200

72. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Stanley – how could you – and on the Fourth of July …!” cartoon artwork for Playboy, publ. July 1975 p.169, drawn: Mar 1975, pen and ink with watercolour, on Arne water colour board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved stamps on upper margin & verso, Playboy stamp upper margin, artist’s notes lower margin, Smilby yellow dot verso, with dust sheet total board: 425 x 325mm £80-£120

73. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “It’s Melanie, for you – what shall I say?” Unpublished cartoon artwork for Playboy, drawn: Feb 1990, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust sheet total board: 410 x 322mm £80-£120

74. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Nice cast, sir.” cartoon artwork for Playboy pub. June 1992 p.167, drawn: Nov 1989, pen and ink with watercolour, on Daler board, signed lower left, caption below, artist’s notes in pencil lower margin, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin, together with an Art Copy negative, Smilby yellow dot verso, with dust sheet total board: 420 x 322mm £80-£120

66. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Hey-y-y, this is good – it makes me feel horny ……what’s ‘horny’?” Unpublished cartoon artwork for Playboy, drawn: Nov 1993, pen and ink with watercolour, on Daler board, signed lower, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, ‘Kill H’ in lower margin possibly by Hugh Hefner, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 420 x 320mm, paper rough: 382 x 280mm £100-£200

67. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Tell me, Andy – what made you want to be a masseur?” cartoon artwork for Playboy & Playboy Germany, drawn: Jul 1991, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust sheet total board: 422 x 322mm £80-£120

68. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “I’d like you to update this – I’ve had implants” Unpublished cartoon artwork for Playboy, drawn: June 1995, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right and ‘Ok Color HmH’ on lower margin in red crayon possibly by Hugh Hefner, (2) total board: 420 x 321mm, paper rough: 381 x 279mm £100-£200

69. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “You look sensational, baby – but I think you’ve got it on upside down” cartoon artwork for Playboy pub. Jan 1993 p.135, drawn: July 1992, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 424 x 322mm, paper rough: 380 x 280mm £100-£200



77. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Aw gee, it’s just experience I guess, honey – you can’t spend twenty years with the Vice Squad without picking up a thing or two” ‘honey’ crossed out in ink, Unpublished cartoon artwork for Playboy, drawn: Dec 1990, open and ink with watercolour, on Daler board, signed lower right, caption below, artists notes lower margin, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, ‘Kill H’ in lower margin possibly by Hugh Hefner, Smilby yellow dot verso, with dust sheet total board: 420 x 321mm £80-£120

78. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “And another thing – you never brought me that red bicycle when I was twelve” Unpublished cartoon artwork for Playboy, drawn: Sept 1995, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, ‘Ok color H’ in red crayon possibly by Hugh Hefner, (2) total board: 420 x 323mm, paper rough: 380 x 280mm £100-£200

75. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Will the real Robert A. Henderson please stand up” Unpublished cartoon artwork for Playboy, drawn: Jul 1973, pen and ink with watercolour, on Arne water colour board, signed lower left, caption below in pencil, No Playboy copyright stamps, Smilby yellow dot verso, with dust sheet total board: 415 x 312mm £80-£120

76. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Well that’s solved your problem – now can we get back to mine” Unpublished cartoon artwork for Playboy, drawn: Feb 1979, pen and ink with watercolour, on Arne water colour board, signed lower right, caption below, No Playboy copyright stamps, Smilby yellow dot verso, with dust sheet total board: 423 x 323mm £80-£120

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79. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Hey-y-y, I like it – it makes you look sexy” cartoon artwork for Playboy pub. Oct 1990 p.115, drawn: June 1989, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper & lower margins, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 420 x 320mm, rough: 382 x 280mm £100-£200

80. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “I had it done for you, Manfred dear – er – ‘Ed’ – short for Manfred” unpublished cartoon artwork for Playboy Germany, drawn: Sep 1982, pen and ink with watercolour, on Daler board, signed lower right, caption below, artists hand written notes in pencil Manfred crossed out with a line down to Freddy/Fred, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps on lower margin, Smilby yellow dot verso, with dust sheet total board: 423 x 322mm £80-£120

81. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “…. And ’57 – that was the year your husband was in Pittsburgh, and I brought you the diamond clip………” cartoon artwork for Playboy pub. Dec 1992 p.234, drawn: Aug 1989, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 418 x 317mm, paper rough: 380 x 280mm £100-£200

82. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Actually the dragon wasn’t too bad, but the mosquitoes were hell” Unpublished artwork for Playboy, drawn: June 1988, pen and ink with watercolour, on Daler board, signed lower right, caption below, No Playboy copyright stamps, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 422 x 321mm, paper rough: 380 x 280mm £100-£200



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87. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “You’re new here aren’t you, Miss-er-er…?” cartoon artwork for Playboy Dec 1977 pg.277, drawn: Jul 1977, pen and ink with watercolour, on Arne board, signed left, caption below, artists notes in margins, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc Reproduction Prohibited Without Permission lower margin & verso, Smilby yellow dot verso, with dust sheet total board: 425 x 323mm £80-£120

88. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Dammit, Suzette, the ice has melted” cartoon artwork for Playboy Mar 1980 pg.239, drawn: Apr 1978, pen and ink with watercolour, on Arne board, signed right, caption below, artists notes in margins, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc Reproduction Prohibited Without Permission lower margin & verso, Smilby yellow dot verso, with cellophane sheet total board: 425 x 325mm £80-£120

89. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “With you in a minute, my dear – just giving Suzette her Christmas present” cartoon artwork for Playboy Dec 1979 pg.288, drawn: Jul 1979, pen and ink with watercolour, on Arne board, signed right, caption below, artists notes in margins, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc Reproduction Prohibited Without Permission lower margin & verso, Smilby yellow dot verso, together with artists rough workup for this artwork with artists notes in margins, signed lower right, ‘Ok color H’ in red crayon possibly by Hugh Hefner, (2) total board: 424 x 322mm, paper rough: 382 x 277mm £100-£200

90. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Twenty-eighth floor….and a very Merry Christmas, Madame” cartoon artwork for Playboy Dec 1980 pg.335, drawn: Jul 1980, pen and ink with watercolour, on Arne board, signed right, caption below, artists notes in margins, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc Reproduction Prohibited Without Permission lower margin & verso, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right,’Ok color – H’ in red pen possibly by Hugh Hefner, (2) total board: 423 x 320mm, paper rough: 378 x 279mm £100-£200

83. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Hugh Hefner?…married?…” cartoon artwork for Playboy pub. Feb 1990 p.95, drawn: Aug 1989, pen and ink with watercolour, on Daler board, signed lower right, caption below, artist’s notes in pencil lower margin, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin & verso, Smilby yellow dot verso, with dust sheet total board: 419 x 316mm £80-£120

84. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartton for Playboy “Hey, Jacko – gimme a good rhyme for tits” cartoon artwork for Playboy, pub. Feb 1989 p.125, drawn: Sept 1988, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps lower margin, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, unsigned, (2) total board: 421 x 320mm, paper rough: 380 x 279mm £100-£200

85. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “You’d think someone would have helped us between here and Arizona” cartoon artwork for Playboy, pub. Nov. 1990 p.172, drawn: Oct 1988, pen and ink with watercolour, on Daler board, signed lower right, caption below, Copyright Playboy Publications All Rights Reserved & Not For Reproduction stamps upper margin, Smilby yellow dot verso, with cellophane dust sheet total board: 421 x 323mm £80-£120

86. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “As soon as you’ve got enough evidence down on canvas, give me a nudge and we’ll burst in” cartoon artwork for Playboy Nov 1978 pg.259, drawn: May 1976, pen and ink with watercolour, on Arne board, signed right, caption below, artists notes in margins, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc Reproduction Prohibited Without Permission verso, Smilby yellow dot verso, with cellophane wrapper total board: 422 x 325mm £80-£120



94. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Relax lady, I’m not just any Peeping Tom – you’re on closed-circuit TV” cartoon artwork for Playboy Nov 1981 pg.268, drawn: Jul 1981, pen and ink with watercolour, on Daler board, signed left, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc Reproduction Prohibited Without Permission upper margin & verso, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, unsigned, ‘Ok B + W H’ in blue crayon possibly by Hugh Hefner, (2) total board: 439 x 320mm, paper rough: 375 x 278mm £100-£200

95. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “And then there was the iceman, the milkman, the boy with the groceries, the vacuum cleaner salesman – aah, those were the days.” cartoon artwork for Playboy Sep 1982 pg.201, drawn: Jul 1981, pen and ink with watercolour, on Daler board, signed right, artists notes in margins, caption below, sticker on board, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc Reproduction Prohibited Without Permission upper margin & verso, Smilby yellow dot verso, with dust sheet total board: 426 x 318mm £80-£120

96. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Ho-ho-ho” cartoon artwork for Playboy Germany Dec 1982 pg.77, drawn: Aug 1982, pen and ink with watercolour, on Daler board, signed lower right, caption below, Smilby yellow dot verso, with dust sheet, together with two artists rough workup for this artwork with artists notes in margins, signed lower right, (3) total board: 424 x 318mm, paper rough: 382 x 275mm £100-£200

97. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Santa caught in fireplace man trap” cartoon artwork for Playboy Germany Dec 1984 pg.93, drawn: Aug 1982, pen and ink with watercolour, on Daler board, signed lower right, uncaptioned, Smilby yellow dot verso, with dust sheet total board: 435 x 317mm £80-£120

91. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “I guess I really want something with good opportunities for travel and screwing” cartoon artwork for Playboy Jun 1982 pg.265, drawn: May 1981, pen and ink with watercolour, on Arne board, signed right, caption below, artists notes in margins, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc Reproduction Prohibited Without Permission lower margin & verso, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, ‘Ok color – H’ in red crayon possibly by Hugh Hefner, (2) total board: 422 x 322mm, paper rough: 384 x 278mm £100-£200

92. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Why, Suzette, I believe you knew it was me all the time” cartoon artwork for Playboy Jan 1982 pg.281, drawn: Jul 1981, pen and ink with watercolour, on Arne board, signed right, caption below, artists notes in margins, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc Reproduction Prohibited Without Permission upper margin & verso, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, ‘Ok color – H’ in red crayon possibly by Hugh Hefner, (2) total board: 425 x 322mm, paper rough: 383 x 275mm £100-£200

93. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Just giving Suzette a hand with the Christmas baubles, my dear” cartoon artwork for Playboy Dec 1981 pg.319, drawn: Jul 1981, pen and ink with watercolour, on Arne board, signed right, caption below, artists notes in margins, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc Reproduction Prohibited Without Permission upper margin & verso, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, ‘Ok color – H’ in red crayon possibly by Hugh Hefner, (2) total board: 422 x 322mm, paper rough: 378 x 280mm £100-£200



98. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Ah, Wellard – did you remember to give Suzette her Christmas bonus?” cartoon artwork for Playboy Dec 1982 pg.287, drawn: Jul 1982, pen and ink with watercolour, on Arne board, signed lower right, artists notes in margins, caption below, Copyright Playboy All Rights Reserved stamp & Playboy Publications Inc Reproduction Prohibited Without Permission lower margin & verso, Smilby yellow dot verso, with cellophane sheet, together with artists rough workup for this artwork with artists notes in margins, unsigned, ‘Ok Color – H’ in red crayon possibly by Hugh Hefner, (2) total board: 422 x 318mm, paper rough: 382 x 280mm £100-£200

99. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Me Adam – you Jane?” cartoon artwork for Playboy Germany 1980s, drawn: Oct 1983, pen and ink with watercolour, on Daler board, signed right, caption below, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 424 x 323mm, paper rough: 377 x 277mm £100-£200

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103. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “What I like most about skiing is what it does for the flexibility and mobility of the hips” cartoon artwork for Playboy Germany Jan 1987 pg.51, drawn: Aug 1986, pen and ink with watercolour, on Daler board, signed lower right, artists notes in margins, caption below, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed, (2) total board: 422 x 320mm, paper rough: 385 x 273mm £100-£200

104. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Was it good for you too?” cartoon artwork for Playboy Germany Jan 1988 pg.55, drawn: Jul 1987, pen and ink with watercolour, on Daler board, signed lower right, caption below, Smilby yellow dot verso, with dust sheet, together with two artists rough workups for this artwork with artists notes in margins, unsigned, (3) total board: 420 x 320mm, paper rough: 380 x 280mm £100-£200

100. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “You’ll find this will help to check your body-swing when putting, Mrs. Cavendish” cartoon artwork for Playboy Germany Jan 1986 pg.139, drawn: Nov 1984, pen and ink with watercolour, on Daler board, signed lower right, caption below, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed, (2) total board: 425 x 320mm, paper rough: 382 x 280mm £100-£200

101. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Good grief – it’s started to snow” cartoon artwork for Playboy Germany Jan 1986 pg.65, drawn: Aug 1985, pen and ink with watercolour, on Daler board, signed lower right, caption below, Smilby yellow dot verso, with dust sheet total board: 420 x 325mm £80-£120

102. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “And then the Equal Opportunities Commission stepped in and …” cartoon artwork for Playboy Germany Dec 1991 pg.81, drawn: Jul 1985, pen and ink with watercolour, on Daler board, signed lower left, caption below, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed, (2) total board: 420 x 320mm, paper rough: 381 x 278mm £100-£200



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105. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “…a-doowop adoowoppa, shanga-langa shana-langa, hey hey hey…” cartoon artwork for Playboy Germany Dec 1990 pg.75, drawn: Oct 1987, pen and ink with watercolour, on Daler board, signed lower right, caption below, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 420 x 320mm, paper rough: 380 x 279mm £100-£200

106. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Prancer, godammit, get the hell down off Vixen” cartoon artwork for Playboy Germany Dec 1988 drawn: Jun 1988, pen and ink with watercolour, on Daler board, signed lower right, caption below, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 422 x 320mm, paper rough: 379 x 280mm £100-£200

107. ‡ Smilby, Francis Wilford- Smith (British 1927 – 2009) cartoon for Playboy “Gesund heit” cartoon artwork for Playboy Germany Jul 1990 pg.97, drawn: Apr 1990, pen and ink with watercolour, on Daler board, signed lower right, caption below, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 420 x 320mm, paper rough: 380 x 278mm £100-£200

108. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) “Do Not Feed The Bears / bitte die baren nicht futtern” cartoon artwork for Playboy Germany, drawn: Mar 1991 pen and ink with watercolour, on Daler board, signed lower right, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 422 x 322mm, paper rough: 382 x 281mm £100-£200

109. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Gee baby, thanks, they’re terrific….terrific” cartoon artwork for Playboy Germany Dec 1991, drawn: Aug 1991 pen and ink with watercolour, on Daler board, signed lower right, caption below, Smilby yellow dot verso, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 420 x 322mm, paper rough: 376 x 276mm £100-£200

110. ‡ Smilby, Francis Wilford-Smith (British 1927 – 2009) cartoon for Playboy “Great heavens, Suzette – you sure know the way to fill a Christmas stocking” unpublished cartoon artwork for Playboy Germany, drawn: Aug 1985, pen and ink with watercolour, on Daler board, signed lower right, caption below, with dust sheet, together with artists rough workup for this artwork with artists notes in margins, signed lower right, (2) total board: 423 x 323mm, paper rough: 371 x 279mm £100-£200

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111. A large 19th century Victorian cranberry glass pipe with triple gourd section approx. 46cm in length £60-£80

112. A pair of Wedgwood tri-colour jasperware lidded urns, late 19th/early 20th century of pedestal form with twin handles, the bodies in a green ground with a central band of dancing maidens in white and trailing ribbons with applied acanthus leaves and blue petals, with knopped lids, bears Wedgwood impressed mark to base and no.2, one a/f, (2) height: 21cm £100-£200

114. A Czechoslovakian Art Deco pottery wall mask of a girl, wearing a blue stripped scarf, bears marks and impressed stamp 13053? height: 20.7cm £40-£60

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113. A pair of porcelain portrait plates, of scallop form with central painted portraits surrounded by gilt hatched decoration, unmarked (2) diameter: 24cm £40-£60

115. Three Troika pottery marmalade pots, 20th century of square forms with incised abstract decoration, one signed by Honor Curtis, each bears Troika marks, (3) height: 2 x 9.3cm, 1 x 9cm £80-£120



116. A Troika pottery wheel vase by Alison Brigden of circular form with abstract decoration, bears painted factory and artist marks to base height: 20cm, diameter: 20.2cm £150-£200

117. A Troika pottery vase by Alison Brigden of rectangular form with brown ground and abstract decoration, bears painted factory and artists marks to base height: 17.2cm £150-£200

118. A Troika pottery vase by Alison Brigden of rectangular form with green ground and abstract decoration, bears painted factory and artists marks to base height: 17.5cm £100-£150

119. A Troika pottery chimney vase by Alison Brigden of rectangular form with abstract decoration of both sides, bears painted factory and artist marks to base height: 20cm £150-£200



121. A modern Royal Crown Derby Old Imari pattern comport No 1128, of typical colourways heavily embellished with gilt decoration, with fluted rim, the base with broken section a/f diameter 30cm £60-£80

122. A Royal Crown Derby Old Imari pattern comport No 1128, of square form, of typical colourways, heavily embellished with gilt decoration diameter 30cm £300-£500

120. A Royal Crown Derby set of six silver mounted coffee cups and saucers typically painted and red and blue and embellished with gilt decoration, the cup handles with pierced flower and scroll decoration and hallmarked London 1912 a/f, contained within a presentation case with satin lining, width of case 34.5cm £50-£80

123. A Sevres biscuit ‘Group Cymbales’, circa 1912 the group depicting Bacchante playing cymbals and Satyr seated playing a trumpet on a grassy bank, marks verso Serves 1912, raised upon a blue porcelain and gilt highlighted oval base, with gilt metal plaque engraved ‘Group Cymbales’ biscit de la manufacture Nationale de Sevres’, bearing black stamp to underside S,96 Dore a Sevres 96, in a fitted chamois leather cushioned and leather stitched carrying case, with a metal plaque engraved ‘M Ralph George Dinwiddy Lieutenant de Vaisseau remerciements de la Marine Francaise Portsmouth June 1913’, (3) total height: 38cm; biscuit height: 29cm; base height: 9cm; width: 27.8cm; case: 43 x 28 x 34cm £800-£1200



126. A 19th Century Palissy Majolica ewer decorated with insects with applied frog, tortoise, lizard and other insects, on mossy ground, with handle in the form of a lizard, the lid mounted with shell with insect crawling out, a/f height 32cm £100-£200

127. A Maw & Co majolica painted tile picture of the ‘Chorus Girl’ two tiles mounted in a frame total frame: 43.7 x 23.5cm £40-£50

128. Antiquities; a small Cypriot two handled pottery bowl and a similar round bottomed bottle, each bearing hand written label ‘Nicosia, Cyprus 1878’ (2) diameter of bowl 8.5cm, height of jug 8cm £50-£70

129. A contemporary Moorcroft pottery triangular shaped promotional stand by Sian Leeper, design date 2001 with tube lined pattern on one side and either end, and Moorcroft Pottery on the other side, bears painted and impressed marks to base, with original box height: 5.5cm, length: 18.5cm, depth: 6.2cm £50-£80

124. A pair of Royal Dux figurines of a young boy and girl gathering fruit and wheat painted in royal blue and beige colourways heightened with gilt detail, the boy carrying a bowl of fruit with a bucket to his side, and the girl holding sheaths of corn, both with impressed numbers to base and on naturalistic bases, (2) height of the former 31cm £100-£200

125. A Stevenson & Hancock, Derby porcleain figurine of a potter, early 20th century realistically modelled, the painted figure of a potter at his wheel, raised upon a acanthus scroll base, puce factory marks to base height 19cm £150-£200



131. A contemporary Moorcroft ‘Derent’ vase by Philip Gibson, circa 2004 the flared vase decorated tubelined carp, Limited Edition 69 of 200, impressed, painted stamps and signature to base, with original box height: 20.7cm £150-£200

132. A contemporary Moorcroft ‘Favrile’ vase by Nicola Slaney, circa 2000 the squat baluster tubelined vase, with painted and impressed stamps to base, with original box height: 9cm £80-£120

133. A contemporary Moorcroft ‘Kali Zoe’ vase by Emma Bossons, circa 2004 the baluster tubelined vase, Limited Edition 34 of 300, impressed, painted stamped and signature to base, with original box height: 36.5cm £150-£200

134. A contemporary Moorcroft ‘Kotare’ vase by Philip Gibson, circa 2005 the baluster tubelined vase, Limited Edition 30 of 100, impressd, painted stamps and signature to base, with original box height: 19.5cm £150-£200

130. A contemporary Moorcroft «Christmas Kiss’ vase by Rachel Bishop, circa 2003 a tall tapering tubelined vase, Limited Edition 214 of 250, impressed, painted marks and signature to base, with original box height: 31cm £150-£200

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137. A pair of Chinese 19th century famille verte baluster vases converted to lamps painted with a continuous market scene with figures with baskets, musicians, hawkers etc., and with floral detail to neck, converted to lamps overall height 24.5cm £100-£200

136. A Chinese late 19th century famille verte crackle wear vase the baluster form with twin rams head ring handles, and painted with yellow and green dragons both chasing the flaming pearl, double circle painted mark to base height 21cm £80-£120

135. A small collection of Chinese famille rose comprising three dishes of graduating size, a miniature tureen (possibly from a child’s tea set), miniature jar and lid (broken), and a miniature blue and white Chinese teapot with rattan handle the largest dish diameter 13cm £40-£60



140. A pair of Chinese Kangxi blue and white porcelain dishes, circa 1700 each decorated with figures in a walled courtyard with prunus trees beyond, each with fluted rim, the reverse painted with mountainous landscape with Chenghua six character mark to base diameter 15.5cm £500-£700

141. A Chinese late 18th/early 19th century blanc de Chine ding shaped censer the rounded body having twin handles raised on three lion mask feet with lightly impressed detail to body, with carved hardwood fitted cover and stand, unmarked total height 20cm £300-£500

138. A pair of late 19th century large Chinese blue and white porcelain floor standing vases, the baluster form vases with lioness and cub handles and the crackle ground painted with Taoist precious objects approx. 59cm £100-£200

139. A large 18ct century Chinese export ware blue and white dish the oval lobed porcelain platter painted with a ‘shrine’ with Taoist offerings placed high in a forest garden, stylised floral detail to shaped rim approx. 40 x 29.5cm £100-£200



144. A 19th century Chinese blue and white porcelain dragon handled ewer having fitted Chinese silver base supported on three lion dog feet and silver dragon head stopper, the body painted with geese upon rocks amid reeds, with impressed mark to silver height 27cm £200-£400

145. A large Chinese 19th century blue and white charger well painted with scrolling anemones and scroll detail to edge diameter, diameter 39cm £200-£400

142. A 19th century Chinese blue and white and iron red double porcelain snuff bottle painted with scrolling chrysanthemums, together with a blue and white porcelain snuff bottle of square section (2) the former 6cm £100-£200

143. A large Chinese Longquan celadon charger, Ming Dynasty having heavily potted fluted sides and central floral peony and chrysanthemum decoration, overall celadon glaze save for an unglazed ‘burnt orange’ ring under the base, the base centre with red dot symbols approx. 32.5cm diameter £2,000-£3,000



150. A Meji period Japanese lacquer kodansu (cabinet) with doors to the front decorated with birds and mountainous scenes, opening to reveal six drawers and large below with large brass hinges and carrying handles either side 40cm high 44cm wide £60-£80

151. A Japanese inro and three other snuff boxes the inro of five sections decorated in relief with mountainous scene with deer and birds, together with a rectangular papier mache snuff box with mother of pearl inlay, another lacquer box painted with daisies and butterflies and one other (modern), (4) the inro 8cm £80-£120

146. A 19th century Japanese turquoise glazed monochrome vase of slender necked bottle form height 23cm £40-£60

147. A Japanese satsuma figure of a Buddha converted to a lamp the seated buddha on rocky base, painted in typical colourways and embellished with gilt decoration height 26cm £60-£100

148. A late 19th century Satsuma charger together with a Satsuma cabinet plate and a cylindrical cup the larger plate decorated in relief of flying cranes and other birds with impressed mark to the reverse, the smaller plate decorated with Japanese figures and cranes amongst foliage with painted marks together with a cylindrical cup decorated in a similar style (3) diameter of the larger 35cm £50-£80

149. A mixed collection of early 20th century Japanese saki bowls with various painted scenes including geisha girls, floral scenes etc… (qty) average diameter 6cm £40-£60



154. A Chinese late 19th century carved jade scholars mountain mounted on a fitted carved hardwood display stand length 16.5cm, length 18cm with stand £200-£300

155. An early 20th century carved jade figure of a boar the crouched mammal on a carved hardwood fitted stand length 6cm, with stand 6.5cm £100-£200

156. A late 19th century Chinese lacquer gaming box of rectangular form, with gilt decoration to the sides, lid and interior, the lid opening to reveal a fitted interior with several compartments and gaming trays, with four claw feet width 30cm £100-£150

152. A large early 20th century Burmese bronze figure of a warrior seated upon a rock wearing sword to his side and his helmet placed to the other height approx 29cm £250-£350

153. A large 19th Century Japanese gilt bronze censer having twin elephant mask handles and front panel decorated in high relief with a robed figure seated with a stag in a forest clearing, scroll engraved detail to base, archaic seal mark to base approx. 26 x 39cm £100-£200



160. A collection of Chinese export mother-of-pearl gaming counters finely carved with floral scenes, figures and temples, of rectangular and circular form (qty) length of rectangular 5.7cm £100-£200

161. Two Japanese lacquer Kushi combs circa 1900, the first of smaller size with intricate geometric lacquer work, the other with polished lacquer and coral inlay a.f, together with a carved nut with Japanese scene the largest length 11cm £60-£80

158. A late 19th century Japanese Hakone wear parquetry miniature desk or cabinet one side with cupboard door with mountain scene opening to reveal two drawers above a smaller one, the other side with four further drawers, the top removing in order for the furniture to be used as a desk or cabinet width as a desk 65cm, height 25cm £80-£120

159. A small early 20th century Japanese gilt lacquer box and cover the lid decorated with a house and garden and distant mountain range, width 11cm £40-£60

157. A Meji period Japanese bronze model of a house realistically modelled with thatched roof and figures peering from windows, one figure holding a fan, with no marking or character mark to base, together with a small bronze figure of a turtle unmarked width 9cm £60-£100



165. A pair of Chinese carved stone figures of temple guardians possibly early 19th Century and having carved fitted hard wood stands (2), height 18cm £100-£200

166. A pair of Chinese silk embroidered rank badges Buzi, late Qing of a bird in flight, finely worked in gold and cream threads flying amongst scroll clouds and flowers heightened in gilt thread, with sea creature below, both framed and glazed 28 x 30cm £150-£250

162. A pair of early 20th century Chinese bamboo brush pots the cylindrical pots carved in relief with continuous mountainous lake scenes with figures in boats, having shaded detail and raised on three shaped feet with carved patterned borders height 15cm £60-£80

163. Tatsumura Institute of Textile Arts woven replica of a Japanese Tempyo Era brocade, woven in the traditional manner in coloured silks of the same colour as the original brocade woven in the Tempyo Eras (645-781), in large presentation frame with original information incorporated in the frame Approx. 61 x 154cm £200-£300

164. A pair of Chinese circular cloisonne dishes, late Ming both with foliate scroll decoration heightened with gilt decoration on traditional turquoise ground (2) approx. 14cm diameter £200-£300

167. A pair of 19th century Chinese sleeve panels together with a small collection of unframed Chinese gown edgings including sleeve bands, collar front and Pekin stitched and gold couched motifs (Q) length of panels 65cm £100-£200



171. A Polish silver twin cruet suite, late 20th century each of joined circular bowl form with joined handle raised upon four ball supports, each lid with amber flowerhead finial and two inset cabochons, hallmarked G 925 for Gdansk, with two silver spoons with oval amber cabochons, (4) weight: 4ozt approx, height: 9cm, width: 12cm £80-£120

172. A set of four Victorian silver salts, hallmarked London 1895 the twin handled navette shaped pedestal salts with part gadrooned body upon an oval base and silver gilt interior, makers mark rubbed, (4) height: 6.8cm; width: 13.1cm; weight: 9ozt approx £200-£300

173. A set of Victorian four silver salts, hallmarked London 1868/1878 each of circular form with fluted rim raised upon three pad supports and silver gilt interior, three by Charles Stuart Harris and the other by Martin Goldstein, each engraved with family crest, (4) height: 3.5cm (Goldstein) & 3.8cm (Harris), rim diameter: 5.8cm (Goldstein) & 6cm (Harris); weight: 9ozt approx £200-£300

168. A pair of late 19th century Chinese bronze vases of archaistic form having applied elephant masks to neck and engraved detail to body a.f, approx. 15cm in height £60-£80

169. A Chinese export small silver box and cover early 20th century, of circular form, initialled on the underside KW, with gilded interior and embossed with image of dragon chasing the pearl around the perimeter of the box and the lid width 4.5cm £80-£120

170. A pair of Chinese export silver spill vases by Wang Hing late 19th century, of slender form with pierced decoration of dragons, raised on tripod legs, the underside stamped WH, (2) height 18cm £300-£500



179. A George III silver vinaigrette, hallmarked Birmingham 1804 of oval form with hinged concave lid initialled ‘ER’, with pierced silver gilt filigree grille, by Samuel Pemberton weight: 1ozt approx £60-£100

180. A collection of five Contemporary silver snuff boxes, 20th century two small oval examples one with inset amethyst and the other moonstone, an oval example with engraved lid, a rectangular example with enamelled hinged lid and another, each bearing 925 hallmark and some with import hallmarks, (5) total weight: 4ozt approx £80-£120

174. A small collection of silver comprising a half leather covered hip flask with viewing window and a silver cup and silver top both hallmarked Sheffield 1890, one side engraved ‘Edith’, together with an assorted small collection of silver topped jars, (5) £100-£150

175. A Contemporary silver tankard, hallmarked Sheffield 1951 of typical form with rounded handled upon circular foot ring, with front engraved ‘Tony from the staff of C.B & Co. Dar-es-Salaam May 1956’ by Viner’s Ltd, together with an oak and silver plated banded tankard, with registration mark for 1872, a silver ashtray hallmarked Birmingham 1951 by and a silver ashtray hallmarked Birmingham 1969, (4) height: silver - 13.2cm; oak - 13.2cm, diameter: ashtray - 9.8cm and 12.1cm; silver weight: 17ozt approx £100-£150

176. A 20th century white metal casket possibly Persian of sarcophagus shape decorated with flowers, together with a 19th century silver pill box of rectangular form with gilt interior, Churchill crown dated 1965, silver St Christopher on chain and two Mother Theresa coins length of casket 10.5cm £100-£200

177. A Tiffany silver cigarette case hallmarked Sterling 925, of rectangular ribbed form with hinged lid, marked Sterling 925 Italy Tiffany & Co, weight: 4ozt approx, length: 9.1cm, width: 5.9cm, depth: 1.1cm £80-£120

178. A John Jones George IV

silver-gilt hunting snuff box

the engine turned case hallmarked London 1824, the hinged lid with panel

embossed with hunting scene depicting elephant, dogs and men on horseback hunting a leopard/cheetah curled up in a tree 7.2 x 3.7cm £400-£600



186. A Victorian silver cigarette case, hallmarked Chester 1899 the exterior engraved with initials «BHC’, by John Deakin & Sons; an Edwardian silver vesta case, hallmarked Birmingham 1906, with engraved exterior ‘RHC’, possibly by Henry Charles Freeman; an agate and brass vesta case, with ribbed pull up striker and sides; a silver plated and leather bound hip flask and a shagreen style brass cigarette case with loose coins, (5) silver weight: 3ozt approx £100-£200

181. Three Contemporary silver pill boxes, 20th century two embossed with flower heads and the other with winged angels, each hallmarked with 925 and a circular pill box with an Egyptian head decorated cover, (4) total weight: 2ozt approx £80-£120

182. Four Contemporary novelty silver boxes, 20th century a rectangular compartmentalised pill box; a cylindrical box with blue enamel hinged lid; a small powder compact with mirror and finger loop and a small handbag with chain, all bearing 925 and some with import hallmarks (4) total weight: 3ozt approx £80-£120

183. A collection of Victorian silver novelty items a silver vesta case, hallmarked Birmingham 1857 with engraved body; a hinged photograph pendant, hallmarked Birmingham 1886; a silver cross pendant, hallmarked Birmingham 1887 and a silver figural embossed matchbox cover, hallmarked 90, (4) weight: 2ozt approx £80-£120

184. An Art Deco style silver cigarette box, hallmarked Birmingham 1970 of canted rectangular form with engine turned hinged lid with ribbed border, raised upon squat stepped supports, by Harman Brothers, 3.6 x 17.5 x 12.4cm £70-£100

185. A silver cigarette case, hallmarked London 1940 with engine turned exterior, engraved internally ‘M.P.H. 6.9.41’, by S J Rose & Son; a silver matchbox case, hallmarked Birmingham 1931, with engine turned decoration, by William Base & Sons and a silver plated leather cover hip flask, (3) silver weight: 5.6ozt approx £50-£70

187. A George V silver tea caddy, hallmarked London 1925 of cylindrical form with circular push on cover, each with ribbed border, by Charles & Richard Comyns, with number on base 10420 height: 9.8cm; weight: 4ozt approx £40-£60

188. A Victorian silver tea caddy, hallmarked Sheffield 1860 of rectanuglar form with hinged domed top lid with guilloche border, the sides with foliate chased borders, the front with locking mechanism and engraved initials, by Martin Hall & Co 19 x 11.7 x 9.8cm, weight: 15ozt approx £150-£200

189. A continental white metal and blue guilloche pill box the screw top circular box stamped on the inside 935 with initials TF, with gilt interior diameter 3.5cm £40-£60



192. A William IV silver salver, hallmarked London 1830 the pie crust edge with applied foliate border, the centre engraved with crest surrounded by scrolling acanthus leaf band, raised upon three flowerhead scrolled supports, the underside engraved ‘To John Winstone Esq in grateful remembrance of his kindness to I.H. Barnett during his minority. This trifling testimonial is presented by his Father John Barnett 1831 - Acta exteriora Indicant Interiora Sacreta’ diameter: 26.9cm; height: 3cm; weight: 23ozt approx £280-£350

190. A pair of Continental silver plated candlesticks the foliate embossed drip trays above baluster knopped stem with circular base with Greek key decoration, raised upon four leaf and berry scrolled supports, each stamped 12, (2) height: 29cm £60-£80

191. A pair of Continental silver cast candlesticks, in the form of a pair of centurion sea Gods (ichthyocentaurs) each with candle sconce above octagonal acanthus decorated drip trays, raised upon serpent figures with shell and seaweed gadrooned circular base, each stamped 800 standard, (2) height: 15.5cm, weight: 30ozt approx £300-£500

193. A Victorian five piece silver tea set hallmarked Sheffield 1871/1872/1873 with makers initials for William and Henry Straftord, each piece heavily engraved with swags, floral sprays and embellished with a border of circular design, each piece with crest of fox and Latin motto reading Virtus Sola Nobilitat (virtue alone is noble), and owners initials to the reverse, (5) height of water jug 22.5cm, overall weight approximately 82ozt £800-£1,200



195. An Edwardian three piece tea service, hallmarked Sheffield 1918 the teapot with ribbed body and ebonised handle, the twin handled sugar basin and cream jug with gadrooned edge, by Jay, Richard Attenborough Co Ltd, (3) weight: 30ozt approx £300-£500

196. A Victorian silver cream jug, hallmarked London 1843 the scalloped rim with scroll handle on a foliated chased baluster body with central cartouche upon three shell supports, possibly by Walter Morrisse weight: 4ozt approx, height: 11.5cm £50-£80

194. A German five piece silver tea service by H Meyen & Co. Berlin of hexagonal pedestal form with beaded rim and shaped handles, comprising of a teapot, coffee pot, cream jug and lidded sugar basin and a rectangular canted tray, each bearing 800 hallmarks and a silver pedestal dish, bears no marks, (6) height: teapot - 22cm, coffee pot - 28cm, sugar basin - 14cm, cream jug - 14cm; tray measures: 43.8 x 32.2cm; total weight: 140 ozt approx £800-£1,000

197. An extensive suite of German silver and silver-gilt flatware by H Meyen & Co., Berlin, late 19th century each handle decorated with a border of wheat and initialled ‘C’, the suite comprises of twelve table forks and twelve table knives; thirteen serving spoons; eight fish forks and ten fish knives; twelve dessert forks and twelve dessert knives; nine silver-gilt h’orderve forks and nine silver-gilt h’orderve knives; twelve teaspoons; nine silver-gilt coffee spoons; nine silver-gilt spoons; a cake slice; two silver-gilt serving spoons; a serving fork; a smaller serving fork; a sugar nips; four butter knives, each bearing 800 standard hallmark and the majority with the H Meyen & Co. factory mark, the majority of the knife blades bearing J.A. Henckles Zwilling-werk factory mark, (137 piece) silver weight: 130ozt approx; weight of loaded handled items: 70ozt approx £1,500-£2,000



200. A selection of Victorian silver fiddle pattern flatware six table forks hallmarked London 1840 possibly by John James Whiting; six serving spoons, six dessert forks, six dessert spoons hallmarked London 1892 by Josiah Williams & Co and two A1 sauce ladles, (26) silver weight: 48ozt approx £400-£600

201. A collection of silver teaspoons three George IV teaspoons, hallmarked Edinburgh, makers mark IL, together with two Victorian teaspoons, hallmarked London 1839 and two Victorian silver teaspoons, hallmarked Glasgow 1862 and two cast bronze elephant figures each carrying a howdah, a/f, (9) silver weight: 4ozt approx, height of elephants: 5.5cm £60-£80

202. A collection of George III and Victorian silver dessert, serving and tea spoons six Victorian fiddle pattern dessert spoons hallmarked London 1862 with makers mark SW; six William IV fiddle pattern dessert spoons hallmarked London 1835 by Charles Boyton; four George III teaspoons hallmarked London 1806, makers mark rubbed; five George III teaspoons hallmarked London 1804 possibly by Stephen Adams; two Victorian serving spoons hallmarked London 1860 possibly by William Smily; four George III teaspoons hallmarked London 1802 by Peter, Ann & William Bateman; two Victorian dessert spoons hallmarked London 1838 by David Phillips; two George III teaspoons hallmarked London 1801 by Peter, Ann & William Bateman; a George III serving spoon hallmarked London 1801 by Peter, Ann & William Bateman and two teaspoons hallmarked London 1805 by Peter & William Bateman, (34 spoons) weight: 30ozt approx £300-£400

198. A suite of German silver flatware, early 20th century nine table forks and nine table knives; nine dessert forks and nine dessert knives; two fish forks and two fish knives; three sizes of serving forks; a serving spoon and a sauce ladle, each handle with ribbed ribbon decoration and engraved initials ‘ ‘FL’, each hallmarked 800 standard and hallmark GK possibly for Koberlin Gebruder, (45) weight: 49ozt approx £400-£500

199. A selection of miscellaneous German silver flatware six silver coffee spoons, stamped Prata 935; a German silver tea strainer, stamped 800 standard; a German silver napkin ring, stamped 800 standard; a German silver salt with spoon and glass liner, stamped 800 standard; seven servings spoons; a dessert fork; five teaspoons; a small serving fork; a pickle fork, each with 800 standard stamp, with further silverplated items, (38) silver weight: 20ozt approx £200-£300



205. A collection of Victorian silver dessert and table forks six fiddle pattern forks hallmarked London 1860 possibly by William Smily and six table forks hallmarked London 1860 possibly by William Smily, (12) weight: 25ozt approx £150-£250

206. Three cased sets of Victorian and later silver flatware a silver fish knife and fork set, hallmarked 1893, in fitted case with ivorine handles, by Edward Hutton/William Hutton & Sons; a cased set of six silver grapefruit spoons, hallmarked Sheffield 1932 by Lee & Wigfull; a cased set of twelve coffee spoons and sugar nips, hallmarked London 1929, by Mappin & Webb; a silver napkin ring; a silver mustard spoon; a silver handled grapefruit knife and a silver plated sugar nips, (3 cases & 4 loose) silver weight: 8ozt approx £80-£120

207. A silver cigarette box hallmarked London 1921 of rectangular form with hinged cover with sectioned interior, the hinged lid has rubbed engraving, together with a three applied silver photograph frames, a/f, (4) box: 4.6 x 14.5 x 8.8cm; larger frame: 12.7 x 9cm; small frame: 9.3 x 6.3cm; smaller frame: 4.3 x 4.3cm £80-£120

208. An early Victorian church warden ceremonial mace, hallmarked London 1840 of tapering cylindrical form with a coin inset pommel, the shaft with two applied engraved bands with a knopped base, possibly by Elizabeth Dyer or Emma Dear, the top with partial engraving ‘W Brackstone - Church Warden’ length: 97cm, total weight: 27ozt approx £300-£500

203. A Victorian silver sifter spoon hallmarked London 1858, with pierced bowl by H J Lias & Sons, togther with another silver sifter spoon hallmarked London 1880, with pierced bowl by Walter & John Barnard and a silver sugar nips, hallmarked London, with pierced scrolled sides possibly by James Stamp & John Baker, (3) weight: 4ozt approx £60-£100

204. A selection of Victorian and later silver and Epns flatware three mustard spoons hallmarked London 1831/1860/1862; three salt spoons hallmarked London 1865 Birmingham 1897; a butter knife hallmarked London 1894; a small fork hallmarked London 1894, together with miscellaneous Epns silverplated cutlery, (14) silver weight: 4ozt approx £30-£50



211. A Victorian silver gilt christening pedestal cup hallmarked Birmingham 1869, with acanthus scroll handle and the body with two applied bands upon a circular foot ring by Elkington & Co., together with a Victorian Walker & Hall christening fork and spoon hallmarked Sheffield 1885, a silver mounted penknife, bears no hallmarks and two silver cased pocket watches, a/f, (6) total weight: 10ozt approx £100-£150

212. A suite of Mappin & Webb enamelled dressing table brushes and mirrors a clothes and hair brush with hand mirror with blue enamel backs, hallmarked London 1940, by Mappin & Webb; two hair and clothes brushes with a hand mirror with pink enamel back, hallmarked London 1938, by Mappin & Webb, together with two combs and a comb back, (11) £80-£120

209. A William Hutton & Sons silver coffee pot hallmarked Sheffield 1915, of tapering form with reeded body and lid and ebonised handle, together with a boxed christening suite of a silver napkin ring, egg cup and spoon hallmarked Birmingham 1929 by AJ Bailey and a boxed silver fork and spoon hallmarked Sheffield 1900 by Maxfield & Sons, (6) weight: 24ozt approx, height of coffee pot: 21.5cm £80-£120

210. A Polish Baltic amber silver spoon and a Victorian silver cream jug the spoon with trailing leaves surrounding the Baltic amber cabochon with bark effect stem and rounded bowl hallmarked CZ and 925; the cream jug part gadrooned hallmarked Birmingham 1900, (2) total weight: 2ozt approx £50-£70



215. A mahogany cased suite of twelve ivorine handled fruit knives and forks, with retail label for Rowell Silversmith Oxford and a cased silverplated pierced fish knife and fork, (2 cases) £80-£120

213. A novelty white metal decanter in the form of a Johnnie Walker Black Label Whisky bottle stamped on the underside silver, tests for silver, weight approximately 24 ozt £100-£200

214. A cased set of fifty 1000 years of British Monarchy silver ingots by John Pinches each rectangular ingot hallmarked London 1973/1974/1975/1976/1977, inset in a fitted case, together with a historical commentary by Sir Arthur Bryant each weighing over 2ozt approx per ingot, ingot measurement: 2.3 x 4.6 x 0.7cm £1,500-£1,800

216. An Arts and Crafts Warric pewter three piece tea service the teapot, twin handled sugar basin and cream jug each with hammered design and applied decoration, each bearing marks to bases, (3) teapot: 9cm high; sugar basin: 6.5cm high; cream jug: 6.5cm high £60-£100



220. A pressed vulcanite daguerreotype case of octagonal form the hinged frame with relief scroll decoration opening up to reveal a daguerreotype of a young lady seated, together with a black and white photo of a gentleman in a miniature Regency frame, (2) height of the former 9.5cm £60-£80

221. A George VI Asprey alabaster table cigarette box, hallmarked London 1937 of rectangular form with applied green clasp and a cold painted bronze horse mounted on an alabaster horseshoe shaped ashtray, no marks, a/f, (2) box: 5.4 x 9.2 x 8.5cm; horse: 10 x 11.8 x 13.4cm £80-£120

222. A late 19th/early 20th century tortoiseshell card case with unusual decoration of impressed pattern of gothic arches to either side 9 x 6cm £80-£120

217. A pair of Elkington & Co silver plated candlesticks each with canted drip trays, with corinthian columns upon a square sectioned base with applied acanthus leaf border, decorated with garlands and rams heads, bearing hallmarks, (2) height: 30.5cm £60-£100

218. Two mahogany cased mother of pearl handled fruit knives and forks, a suite of twelve and a blue leather cased ivorine handled set of six fruit knives and forks, (18) £40-£60

219. A pair of 18ct gold lorgnettes the handle and frames stamped 18, the handle with pierced floral decoration, a/f length 7.6cm £300-£400



226. Four assorted fans and a Victorian parasol including a wooden fan decorated with winged cherubs and small children playing; two black feather fans (one black lace); a cream lace fan hand painted and decorated with a mother of pearl; a black Victorian parasol with knotted handle, together with a mother of pearl card case (6) length of the former 24cm £80-£120

227. An early 20th century Ethiopian granulated silver gilt hair comb together with a later fine thread work circular pendant, both tests as silver (2) length of comb 94mm, approx weight 23.8g £50-£70

228. An interesting small collection of sewing accessories first half 19th century, comprising a combined bone tape measure and double ended pin cushion hand painted with floral decoration, together with a Georgian bone pin cushion in the form of bellows pierced decoration, and a needle case in the form of a book of similar design; a miniature bone fan and a vegetable ivory tape measure (5) height of the former 9.5cm £60-£80

223. An enamelled hinged cigarette case of Leda and the swan of rectangular rounded form, no hallmarks, a/f 9 x 6.4 x 1.8cm £50-£60

224. Two paper mache snuff boxes the first a Russian box of elongated oval form decorated with polar bear, together with a rectangular snuff box with applied mother of pearl, (2) length of the form 7.5cm £40-£60

225. A red velvet and gilt metal border Common Prayer Book, the front with applied pierced initials, with gilt metal clasp engraved M.E.B from A.L. and E.E.K in a fitted case with gilt metal clasp fitted case: 4.5 x 10.5 x 7.6cm £60-£80



231. A small collection of miscellaneous treen and novelty silver comprising a treen puzzle ball egg cup, barrel, ink well, carved bear, glass ink fountain pen in case a/f, miniature/dolls house silver knife, fork, spoon and plate hallmarked Birmingham 1924, two silver thimbles, bucket and compass fob (qty) length of miniature silver form 3.5cm £60-£100

229. An Italian contemporary brass nutmeg grater contained within a leather pouch and contained within an Asprey card outer case, together with a glass and silver plate perfume/smelling salts holder of ovoid form (2) height of the former 5.4cm £60-£100

230. A collection of military and civil badges and insignias and others including a silver London Rifle Brigade South African campaign badge, Royal Warwickshire sweetheart pin (tests for gold), a silver stag brooch, two miniature penknives and other related items (qty) £100-£200



234. An 18ct gold open faced gentlemans pocket watch by J.J Durrant the white enamel dial with Roman numerals with spade hands, subsidiary seconds dial, J.J. Durrant 40 Cheapside London 3325 on dial, in a 18ct gold case, mechanism number 3325, case hallmarked 18ct 3325 dial diameter: 37.5mm, case diameter: 43mm £300-£500

235. A 15ct gold gentlemans full hunter pocket watch with ribbon fob the white dial with arabic hours, pierced hands, subsidiary seconds dial, case back hallmarked 15ct, outer case engraved with initials LM, with mounted link ribbon fob, link stamped 585 with import stamp, in box total weight: 115gms, dial diameter: 41mm, case diameter: 53mm, ribbon length: 12.5cm £300-£400

236. An 18ct gold ladies pocket watch, the gilt dial with roman hours, black spade hands, the case back engraved with foliate sprays total weight: 47gms; case diameter: 38mm; dial diameter: 36mm £100-£150

232. A fine French early 19th century fancy ladies gold watch chain with integral ‘chatelaine’ the watch chain with fine engraved detail and graduating to either end, having matching delicate chatelaine with original screw action connector with two miniature hard stone set seals and the matching watch key suspended below, tests for gold, contained within a stamped associated box approx. weight 28gm £400-£600

233. A 9ct rose gold curb link watch Albert chain with gold half sovereign fob and a 15ct gold hard stone seal fob, sold together with a fancy full case American Elgin plated pocket watch with central architectural engraved decoration and outer scrolls, the sovereign in removable 9ct gold pendant mount approx. weight of watch chain and half sovereign fob 43.8gms £400-£600



239. A 9ct gold Cyma gentlemans pocket watch the white enamel dial with arabic hours, subsidiary seconds dial, spade hands, case back hallmarked 9ct, in a matched box, together with a silver ladies pocket watch, the white enamel dial with floral enamel detail, Roman numerals and spade hands, case back hallmarked silver, in associated wood case (2) 9ct watch: dial diameter - 42mm, case diameter - 48mm, total weight - 75gms; silver watch: dial diameter - 32mm, case diameter - 38mm, total weight - 1ozt approx £60-£80

240. A collection of assorted wristwatches including Omega, Ingersoll and Jaeger-Le-Coultre the Jaeger-Le-Coultre gentlemans wristwatch with circular dial, the arabic and baton hours with spade hands and subsidiary seconds dial, in polished steel case, case back number: 49690; an Ingersoll gentlemans wristwatch, the circular black dial with red arabic hours, spade hand and subsidiary seconds dial in a polished steel square case with leather strap, case back engraved ‘To Edward from Mummy 7th Feb. 1932’; a silver cased ladies wristwatch, the dial with arabic hours and spade hands, in a canted case with material strap, case back stamped 375; an Omega gentlemans wristwatch, the black silvered dial with arabic hours, spade hands and subsidiary seconds dial, in a polished steel case with leather strap, movement number: 9167286, case back number: 10102310, (4) Jaeger: dial diameter - 13mm, case diameter - 27mm; Ingersoll: dial diameter - 26mm, case diameter - 32mm; silver: dial diameter - 20mm, case diameter - 25mm; black Omega: dial diameter - 26mm, case diameter - 29mm £300-£500

237. A J.W. Benson 18ct gold ladies half hunter pocket watch the white enamel dial with roman hours, spade hands and subsidiary seconds dial with J.W. Benson London, the case back engraved with foliate sprays, the front cover with blue enamel ring with white enamel roman numerals, in a fitted red leather case, (2) dial diameter: 29mm; case diameter: 36mm £300-£500

238. An 18th century pair cased pocket watch on an 18th century gilded chatelaine the gold cased watch having fusee movement by Wm Hinstock of London, the gilt outer case decorated in relief with figural court scene and suspended from a gilt chatelaine with central screw action locking mechanism, the chatelaine having integral watch key, two suspension hooks and a Georgian gold swivel hardstone seal £500-£700



244. An Omega 14K gold gentleman’s wristwatch the circular champagne coloured dial with baton hours with dauphine hands and sweep subsidiary seconds, manual wind, interior of case back marked 14K 0.585, 330379, 2911, movement marked 15751649 Omega Swiss 17 Jewels, with a later brown croc grain strap 24.5cm total length; 33mm dial diameter; 18mm lug width £200-£300

245. An Omega bi-metal gentlemans wristwatch supplied to the Air Ministry the circular white dial with Arabic hours and spade hands, case back engraved with arrow and 6B/159 A 29622 Omega: dial diameter - 30mm, case diameter - 33mm £400-£500

246. A 18ct gold ladies wristwatch the circular black dial with gilt Arabic hours and facetted hands in a 18ct gold case, the 9ct gold mesh bracelet with three graduated circular links, case back stamped 750, clasp on bracelet stamped 9ct dial diameter: 12mm; case diameter: 14mm approximately; gold weight: 10gms £80-£100

241. A 9ct gold Garrard automatic gentlemans wristwatch the champagne dial with baton hours and hands, date aperture, case back hallmarked 9ct and numbered 802868, with mesh stretch bracelet, in fitted box total weight: 52gms; dial diameter: 29mm; case diameter: 34mm £400-£600

242. A Rolex Oyster Royal gentlemans wristwatch the white dial with chevron hours and Arabic quarters, gilt feuille hands in a polished steel case with screw in crown and screw down back, movement stamped Montres Rolex, movement number: 72526, case back numbered: 6444 dial diameter: 24mm approx; case diameter: 30mm approx £500-£600

243. An Ingersoll silver cased gentlemans wristwatch, the circular white dial with Arabic hours, pierced hands and subsidiary seconds dial in a canted square case, case back stamped 925, with a Darlena black strap dial diameter: 25mm approx; case diameter: 30mm approx; total length: 23cm £50-£60



251. An 18K Omega ladies manual wind wristwatch the circular champagne dial with baton and numerical hours, facetted hands, Omega logo on dial face, in a circular bezel with mesh bracelet and clasp, Omega logo number: 2929 1 on the inner case back, movement number: 16733636, with Omega box total length: 17cm; weight without movement: 32gms; dial diameter: 24mm; dial diameter: 18mm £700-£1,000

252. An 18k gold ladies half hunter wristwatch, the circular white enamel dial with roman hours and baton seconds, with gilt spade hands, the front cover with roman black numerals, with a brown leather strap, the case back engraved with initials total weight: 36gms; case diameter: 33mm; dial diameter: 28mm £80-£120

253. A Rolex 9ct gold ladies wristwatch, the circular dial with arabic hours and tapered hands in a octagonal case and rolled gold link bracelet, mechanism stamped Rolex, case stamped 9 .375 total weight: 19gms approx £100-£150

254. An 18k gold F Bart ladies wristwatch, the dial with baton hours and shaped hands, in a square case with bracelet, case back marked 18k total weight: 19gms, dial diameter: 12mm, case diameter: 15mm £200-£300

247. An attractive Art Deco sapphire and diamond set cocktail watch in the form of a bow the dial set to centre of a stylised ‘tied bow’ having two rows of diamonds around the dial with stylised baguette sapphire and diamond set tied ribbon to either side, the edges with scroll detail, the watch on 18ct white gold mesh bracelet strap approx. 40 x 20mm, total weight 23.2gm £1,000-£1,500

248. A 9ct Bravingtons gold ladies wristwatch, the engine turned gilt dial with arabic hours, spade hands, in a circular case with 9ct gold expandable link bracelet, case hallmarks 9ct, mechanism numbered 569249, with original receipt dated 19th Sept 1929, in fitted box total weight: 18gms, case diameter: 24mm, dial diameter: 26mm £80-£120

249. An 18k gold Movado ladies wristwatch the champagne dial with jewelled and baton hours and shaped hands, in a square case with leather lop strap and gilt clasp, in Movado box total weight: 16gms, dial diameter: 11mm, case diameter: 17mm £300-£500

250. An Accurist 9ct gold ladies wristwatch the circular dial with baton hours and facetted hands, in a 9ct gold square case with link bracelet and clasp with safety chain, the case back and clasp stamped 375 dial diameter: 11mm; case diameter: 14mm; total length: 17.5cm approximately £80-£120

251

247



258. A six stone Edwardian opal set part bracelet the central section original and composed of six graduated circular opals, later attached to a yellow gilt metal watch bracelet a.f, opal section approx. 52mm £100-£150

259. A heavy rose gold curb link charm bracelet the 9ct gold bracelet hung with an interesting variety of contrasting yellow gold charms, including a large elephant, lion and a galloping horse charm, a doe, pair of binoculars a miners lamp and other charms, charms either marked for 9ct gold or test for gold elephant charm measures approx. 25 x 35mm, bracelet approx. 28cm in length, approx. total weight 81.2gms £600-£800

260. A 9ct gold articulated ‘strap’ bracelet, circa 1960 the centre of pierced ladder link construction, marked for 9ct on push clasp fastening approx. weight 16.3gms, approx. 9mm in width £120-£180

261. A Continental 18ct gold fancy link bracelet, circa 1950 the foliate and diamond shaped links fully articulated, the invisible push clasp fastening marked for 18ct gold and stamped ‘MOD.DEP.’ for registered design approx. weight 17.3gm, approx. 1cm in width £300-£400

255. An attractive graduated facetted amber bead necklace the amber beads of varied honey tones, the beads both translucent and opaque and graduating to either end and having 9ct gold push clasp approx. 77cm in length, largest bead approx. 25mm, approx. weight 40.8gm £80-£120

256. An unusual and attractive Arts & Crafts style enamel drop necklace the green and blue foliate enamel centre pendant of scroll foliate form having centre nacre oval and small pearl drop below, suspended from a river pearl set chain below a central collet set blue gem stone attached to integral snake link neck chain chain length of pendant, length of pendant 8.5cm £400-£600

257. A delicate continental guilloche hinged enamel picture locket having central rose within foliate forget me nots on an oyster enamel ground, sold together with gold and half pearl, .585 gold, probably Russian pendant on gold chain with fancy scroll overlaid barrel push clasp (2) pendant and chain approx. 4.3gm, locket approx £100-£150



266. A heavy silver curb link charm bracelet the bracelet hung with a variety of charms including an elephant, squirrel and a piggie, also Tower Bridge, a cuckoo clock and The Eiffel Tower, the bracelet having heart padlock fastening, in associated box approx. weight 81.8gms £80-£120

267. An Edwardian 9ct gold slave bangle with Greek key design in associated D & J. Wellby Ltd case, together with a ladies Vertex 9ct gold wristwatch on integral bracelet overall total weight approximately 33g £200-£300

262. A rose gold curb link bracelet with heart padlock fastening each link stamped 9ct approx. weight 10.2gms £80-£120

263. An attractive Continental 18ct rose gold bracelet fully articulated and formed of alternate smooth and textured cylindrical links with gold sphere detail to either end and further set between two outer rows of gold spheres, marked for 18ct gold to reverse of push clasp fastening approx. 190 x 22mm, approx. weight 46gms £800-£1,000

264. A very heavy 18ct gold articulated panel bracelet each panel fitting invisibly to the next, the whole with textured rippled fabric effect, invisible push clasp fastening, fully hallmarked for 18ct gold and with makers stamp E. J. Ltd, approx. width 3.00cm approx. length approx. 18.5cm, approx. weight 143.5gms £2,800-£3,200

265. An elegant Continental twin row ruby and diamond articulated strap bracelet the pairs of rubies gently graduating to either end and with diamond set link detail, yellow metal mount tests for gold approx. 18.5cm in length, approx. weight 28gm £1,000-£2,000

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274. A wide Continental yellow metal engraved cuff bangle decorated with flower posies on a plannished ground and with engraved rope twist detail to edge, stamped to inside with initials R.S., tests for gold approx. weight 33.4gms, width approx. 22mm in width £300-£400

275. An early 20th century rose metal bangle of unusual raised floret design each floret with bead work detail in between, the rose coloured metal, tests for gold and with yellow gold bloom detail approx. weight 38.7gms £300-£400

276. An early 20th century scroll engraved open bangle the rose coloured metal with floral and scroll engraved decoration and having fancy shaped end detail, tests for gold approx. weight 17gms £100-£200

277. A Georg Jensen silver torque bangle and a similar Jensen ring, post 1945 each piece fully marked, post 1945 (2) bangle measures approx. 6.00cm inside widthways, ring size R/S £120-£180

278. A collection of five Japanese bronze menuke one of a prancing horse with gold detail and with silver brooch mount, two similar menuke of a bow also with gold detail and with silver brooch mounts, together with two un-mounted menuke (5) horse measures approx. 4cm £100-£200

268. A Chinese export ware silver repousse bangle, late 19th century the bangle finely detailed in relief with a continuous figural village frieze of seated scholars, attendants and other related figures and buildings approx. weight 44.1gm £60-£100

269. A Continental contemporary 18ct gold and diamond set fancy bracelet the alternating yellow and white gold fancy links spaced with three fancy collet mounted diamonds, stamped 750, contained within an associated box length approx 19cm £300-£400

270. A fancy gold four bar gate bracelet with heart padlock fastening the bracelet of substantial construction with fancy twisted bar links and heart padlock fastening, marked for 9ct gold approx. 38.6gms £300-£400

271. A 9ct gold curb link charm bracelet hung with a variety of mainly 9ct gold charms the charms following a mainly ‘animal’ theme including a giant rat, elephant, horse, zebra and sliding snail, also a working miniature corkscrew, an 18ct gold St Christopher and a gilt articulated fish charm weight approx. 55gms £500-£600

272. A 9ct gold double curb link charm bracelet hung with a variety of charms including a swan, a teapot, a vintage car and an acorn approx. weight 23.8gm £200-£250

273. An early 20th century 9ct gold gold ‘slave’ bangle and a rose gold bangle the arm bangle with key pattern engine turned decoration and marked for Chester 1911, maker A. Bros., the other also of hollow construction and of 9ct rose gold, marked for Birmingham 1921 (2) inside diam. respectively 92mm and 75mm, approx. weight respectively 15.2gms and approx. 10.3gms, total weight 25.5gms approx £200-£300



282. A good quality Continental diamond and pearl cocktail spray brooch, circa 1950 formed as ribbon tied mistletoe branches, having pearl white berries, and diamond set stems and set with a white berries, the largest stem set with a rectangular cut diamond to end, the whole tied with a white gold diamond set ribbon twist, pearls untested, marked for .585 white gold approx. 55 x 50mm, approx. weight 9.1gm, largest diamond set to stem approx. 0.21ct £500-£700

283. A small Victorian silver and paste set crown brooch the stones set in a central line and with bead work arches to either side, marked for Chester 1901 26mm approx. across, approx. 2.4gms £80-£120

279. A delightful early Victorian diamond and gem wasp clip having pink topaz set thorax and peridot to centre and with rose diamond set wings and cabochon ruby eyes, the pin having spring action wings when pulled together release a pair of fastening pins and when released secure them to a fabric approx. 35 x 30mm, approx. weight 4.5gm £300-£400

280. A delicate antique single row pearl necklace with Russian diamond clasp the pearls (untested) and graduated to either end, terminating in a good quality Russian gold, four stone diamond set fancy clasp approx. length 38.6cm £300-£500

281. A Victorian style diamond, sapphire, ruby and pearl bangle and the matching brooch both pieces marked .585 for 14t gold, the textured three row bangle with central woven half pearl set scroll having central small diamond, sapphire and ruby s (2)et on the diagonal, sold together with the matching brooch, both pieces marked with J.H.F.? makers monogram (2) approx. weight 19.6gm £500-£700



284. A Victorian 15ct gold ruby and pearl brooch and other Victorian jewellery the oval 15ct gold brooch with central pearl and ruby cluster in star setting, having shaped border and overlaid decoration, together with a Victorian silver Scottish agate and cabochon citrine ‘plaid’ brooch with both raised and flush inlay, Victorian Registry mark to reverse, tests silver, two 9ct gold stick pins, one with central diamond point, a ‘garnet’ paste set heart pendant brooch a.f., and a horseshoe pin, this lot has two associated fitted boxes (Q) 15ct brooch approx. 4.7gms, approx. 33 x 28mm £150-£250

285. A large attractive early Victorian diamond and turquoise set floral cluster pin converted to and from a clasp?, the old cut central diamond approximately 1.00ct and set within an alternating twin diamond and oval turquoise cluster, white and yellow metal mount tests for gold and silver The centre stone spreads approx. 1.00ct, approx. weight 5.3gms. measures approx. 19mm diameter £500-£700

286. An attractive Eastern silver gilt and enamel circular filigree brooch the brooch enamelled with pale blue and lilac flowers and set with polished rose quartz, the filigree work with rope twist thread detail stamped silver to the reverse approx. dia. 4.5cm, approx. weight 13gm £50-£80

287. An eastern diamond and gem set hinged Turban pin the pierced and shaped stylised foliate pin set with central diamond surrounded by small cabochon gems including sapphire, emerald and ruby, yellow meal mount tests for high carat, approx. weight 7.6gm £100-£150

288. A gold mounted garnet and pearl set cluster brooch the circular brooch having central garnet within a half cultured pear border and a further row of garnets, brooch marked for 9ct approx. 3cm diameter, approx. weight 6.4gms £70-£100

289. A delicate Edwardian sapphire and half pearl set bar brooch and another the bar brooch marked 15ct and in associated Collingwood Ltd. box, together with a fancy silver gilt (tests), elongated triangular ‘coil work’ brooch with wired coral bead border in associated Collingwood Ltd. box (2) bar brooch approx. weight 3.00gms, gilt brooch measures approx. 73 x 20mm £80-£120

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290. An attractive Victorian early Edwardian fire opal and diamond cluster pendant brooch the cushion cut fire opal approximate weight 4.20ct (has substantial crack to underside), set within a single row border of small diamonds, suspended below a later diamond set 18ct gold bar brooch, in associated fitted box total weight approx. 7.2gm £400-£600

291. A Victorian diamond set aigrette brooch of stylised foliate design having three central diamond set floral stems rising from a foliate central motif and with fancy diamond set foliate scrolls to either side, having provision for pendant the large stone approximate weight 0.30ct, graduating in size from approximately 0.20ct, then 0.10ct and further smaller diamonds, mount tests for precious metal measures approx. 70 x 55mm, approx. weight 21.4gm £600-£1,000

292. A large Victorian sherry citrine set Etruscan style brooch the large oval facetted stone set in a substantial yellow metal mount, tests for gold, and with scroll engraved panels facing inward creating the brooch setting measures approx 42 x 34mm, weight approx. 20gm £200-£300

293. A pair of Victorian Etruscan style banded agate and enamel drop earrings the marquis shaped banded agates set in rose coloured mounts with rope twist and engraved detail, test for gold and having four outer black enamel shield shaped motifs, one integral with wire fitting total weight for both approx. 6gm, approx. 30mm drop from top of top shield £200-£300

294. A large pair of antique carved coral drop earrings and another pair the natural red coral drops with deeply carved symmetrical design and with textured yellow metal fittings, test for gold, together with a pair of paler coral large round bead drop earrings with yellow metal chain, detail and fittings, test for gold (2) tear drop earrings approx. 5.5cm drop, approx. weight 9.7gm, bead drops approx. 5.7cm drop, approx. weight 10.00gm £200-£300



295. A pair of contemporary diamond set cluster earrings having central diamond surrounded by two rows of diamonds and in a raised white metal setting, test for gold approx. weight 5.4gms, diameter approx. 12mm £450-£550

296. A pair of delicate Edwardian diamond set cluster drop earrings the cluster drops suspended from the matching single stone diamond set fittings, yellow and white metal mounts, tests for gold circular cluster measures approx. 1cm diameter, approx. weight 3.7gm £400-£600

297. A pair of small Victorian almandine garnet shell scroll earrings the yellow metal drops of scroll leaf and shell form set with three central graduating garnets and having bead drop below, tests for gold weight approx. 1.8gm, 3cm drop approx £100-£150

298. A small Continental 18ct gold ‘In Tempestate Securitas Georgius Equitim Patronus’ medallion one side depicting St. George slaying the dragon, the reverse with a galleon in full sail approx. 18mm diameter, approx. weight 4.00gm £60-£80

300. A Victorian Etruscan style diamond set oval pendant locket the yellow metal pendant with thread and bead work decoration, tests for gold, and set with single central diamond, the reverse with picture glass locket back size including hanging loop approx. 5 x 3cm, diamond approx. 0.15ct, approx. weight 10.1gms £80-£120

301. A charming Edwardian peridot and pearl drop pendant on chain the circular pendant set with five peridot and pearl florets and with central pearl and peridot drop above a pair of pearl ad tear shaped peridot drops, the pendant suspended from a fancy 15ct gold chain, pendant tests for gold chain approx. 45cm, pendant approx. 50 x 25mm £150-£200

302. A Continental Chinese oval jade and gold overlay ‘lovebirds’ pendant, the polished pale celadon jade oval overlaid with a pierced pictoral mount depicting a pair of lovebirds perched amid prunus blossoms, yellow metal mount stamped 10K approx. 50 x 32 x 6mm £200-£300

299. An unusual large gold mounted blue john pendant the circular pendant with ‘giant’ hallmarks to the edge for 9ct gold and maker’s mark O.S.W., the centre set both sides with polished bluejohn approx. 50 x 33mm, weight approx. 25.1gms £80-£100



304. A charming Edwardian 18ct gold miniature mesh evening bag pendant, charm having shaped hinged frame and chain handle and with fine bead detail to the lower edge, sold together with a similar smaller ‘working’ miniature mesh evening purse, tests for gold, a delightful lot (2) gross weight approx. 8.3gm, approx size larger 50 x 21mm, smaller but measured without chain approx. 25 x 19mm £100-£200

303. An attractive fine Victorian diamond and pearl pendant drop brooch having central pearl (untested), set within a single row circular diamond cluster having a further larger diamond outer cluster set with four old cut diamonds each approximately 0.50 ct and each spaced with two smaller diamonds, the brooch having large tear shaped pearl (untested) drop below and with diamond set detachable pendant mount, the fitted box from Carrington & Co Ltd. also containing a diamond set hanging loop, enabling the pendant to be worn with or without the centre section, tests for gold the pearl drop 2cm approx, the central section 3cm approx, hanging loop approx 1cm £2,000-£3,000

305. An attractive Edwardian “jelly” opal and diamond cluster pendant, the oval opal, approximate weight 1.90 ct set within a single row border of diamonds, with removable diamond set pendant loop, tests for gold approx. 30 x 7.9mm, the diamonds approx. 0.15 ct each, stones well matched, bright, white and lively, no visible chipping or scuffing £300-£400

306. A Victorian style garnet and seed pearl oval cluster pendant brooch the hanging loop hinged and set with a circular garnet cluster, yellow metal mount approx. 40 x 26mm, approx. weight 10.2gms £60-£80



311. A delicate Edwardian pearl and diamond ‘daisy’ cluster ring, having central set pearl within a circular diamond set border, mount marked 18ct size P Overall good £100-£200

312. An attractive deep yellow gem set ring and another The yellow gem of semi square form and set in 18ct gold and platinum mount, together with a Continental 10K gold mounted amethyst single stone ring (2) size respectively N and I/J £100-£200

313. A delicate early 20th century blue zircon and diamond set ring, the single blue zircon in white metal mount and having diamond set shoulders, together with a single 9ct gold mounted blue gem set ring and an 18ct gold diamond set ring mount, centre stone absent (3) respectively size N, M and O/P £200-£300

314. A large Victorian precious opal and diamond three stone ring the central circular opal set between two claw mounted, old cut diamonds, yellow metal mount tests for gold Size R, diamonds spread approx. 0.50 ct, opal measures approx. 7mm diameter £400-£600

315. A blue cabochon sapphire and diamond set ring the oval sapphire of good colour and with small diamond set to either side, yellow metal mount tests for gold, associated red leather ring box size L, £100-£200

316. An Art Deco style three stone diamond marquis shaped ring the mount marked for platinum and having fancy marquis shaped panel set with three diamonds and with bright cut detail to either side size L, approx. weight 3.3gms £300-£500

307. A contemporary 18ct gold Celtic cross pendant with raised decoration, suspended from a 9ct gold flat curb link chain approx. weight for 18ct cross 12.2gm, approx. weight for 9ct chain 9.3gm £250-£350

308. An oval amethyst and diamond set cluster ring the oval light coloured amethyst set within a small single row diamond set border, mount marked for 18ct white gold size N £200-£300

309. An attractive contemporary sapphire and diamond set cluster ring the oval sapphire set within a border of ten circular brilliant cut diamonds, white metal mount sapphire spreads approx. 2.00ct, total approx. diamond weight 1.20ct, size N £1,500-£2,000

310. A Victorian single stone diamond ring, the old cut diamond approximately 0.20ct and of slightly ovoid form, the 18ct gold mount marked for Sheffield 1896, associated Davidson Bros. of Cheapside box Size M, approx. weight 4.0gm £180-£220

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322. A delicate Edwardian gem and pearl set twist ring the central red stone between a pearl to either side, yellow metal mount tests for gold size Q £200-£300

323. An attractive Victorian style five stone ruby and diamond half hoop ring the slightly graduated rubies well matched in colour and set with diamond point detail, the scroll mount marked for 18ct size M, approx weight 3.6gms £200-£300

324. An Edwardian garnet set five stone ring and four other rings the five stone garnet ring having 9ct gold mount, Birmingham 1909, together with an early 19th century half pear cluster ring in scroll mount, tests for gold, a.f., a Bohemian garnet set daisy cluster ring, mount tests for gold, a Victorian 18ct gold mounted five stone opal ring, a.f. and a small illusion set single stone diamond ring, a.f. (5) Respectively size P/Q, O, Q, N/O, K £300-£500

325. A single stone diamond set ring together with another diamond ring the single stone approximately 0.25ct and in yellow metal mount, tests for gold, the other channel set with small diamonds and of fancy twist form, mount marked for 18ct gold (2) single stone size U, chanel set U/V, approx. weight for both 7.5gm £300-£500

326. A striking Art Deco enamel, diamond and gem set ring having deep blue enamel centre set with a single collet mounted diamond with an emerald baguette and fancy shaped small sapphires to either side and having further diamond detail to the shoulders, size I, £300-£500

317. A Victorian three stone diamond set gypsy ring the 18ct gold mount, ‘star’ set with three small diamonds, together with a 22ct gold wedding band (2) size N, Q, approx. weight 3.4, wedding band approx. weight 2.3gm £80-£120

318. A delicate three stone precious opal and diamond set ring, having central oval opal of good colour between two smaller matching opals and with diamond point detail, mount marked for 18ct gold £180-£220

319. A large and heavy Edwardian 18ct gold gentleman’s wedding band and another the former wedding band marked for London 1907, the latter of yellow metal, tests for gold (2) larger band approx. 10mm in width, size Q, approx. weight 18.7gms, smaller band size O, approx. weight 7.2gms £400-£500

320. A late Victorian rose diamond set 18ct gold gypsy ring, the fancy mount marked for Chester 1893, together with a later six stone rose diamond, claw set gypsy ring, 9ct gold mount marked for B’ham 1914, both rings with associated boxes (2) size respectively Q and P/Q, approx. weight respectively 2.8gms, and 2.8gms £200-£300

321. An Edwardian 18ct gold three stone opal set ring the opals in scroll mount and with diamond point detail, marked for Birmingham 1903 size Q, approx. weight 4.7gms £200-£300

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331. An attractive Georgian pearl and emerald set memorial cluster ring having small central emerald within four half pearls and small emerald and with emerald scroll set shoulders, the reverse with glass hair set locket back, mount tests for gold Size L £200-£300

332. An attractive Georgian enamel and carved hard stone memorial ring having central carved hard stone oval ‘forget me not’, within a finely enamelled yellow metal and black foliate mount, the reverse with glass locket with plaited hair, the inside inscribed ‘high Watson, died 5th Nov. 1834, aged 61 size H/I, approx. weight 2.4gm £150-£250

333. A charming Georgian amethyst and pearl set cluster scroll ring and another Georgian cluster ring the former having central rectangular half pearl and amethyst cluster with amethyst trefoils to either side, having scroll pierced shoulder detail, closed central setting, together with a red gem and half pearl cluster ring, the cluster mounted on a 22ct gold wedding band, dated for London 1812 (2) £200-£400

327. An Art Deco pierced octagonal jade silver mounted ring having marcasite set border, together with a continental red natural coral set hinged ‘poison’ ring of foliate design and a silver and marcasite turquoise set Art deco style ring (3) Size respectively L, approx. 13mm across, size M/N 18 x 22mm approx, size L £60-£100

328. An attractive Continental diamond and gem set floral ring having central diamond and ruby flower cluster with scroll and emerald set leaves to either side, mount marked for 9ct gold Size M/N £80-£120

329. A gold mounted carved shell cameo ring and three other gold rings the oval cameo carved as ‘The Three Graces’ and in a 9ct rope twist mount, together with a small illusion set diamond ring, 18ct and platinum mount, together with a 9ct gold mounted opal and garnet cluster ring and a circular gold mounted butterfly wing ring a.f. (4) size J/K, L, J/K, K/L £100-£200

330. A single stone precious black opal set ring the oval opal mounted in a yellow metal mount, tests for gold size J, opal approx. 8 x 6mm £80-£120

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338. A single stone 1.25ct diamond set ring, the stone approximately 1.25ct in size and set in a plain yellow metal mount, tests for gold size O £1,200-£1,800

339. A large Continental ruby and diamond set fancy floral cluster ring, circa 1960, having central diamond surrounded by navette cut rubies and further outer diamond point detail, white metal mount marked 18ct cluster diam. approx 2.00cm, size L/M, approx. weight 7.4gms £400-£600

334. A single stone diamond set ring the diamond approximately 1.00ct and set in plain platinum mount size J £800-£1,200

335. A large fancy diamond set bombe cluster ring having central diamond of approx. 0.25ct, surrounded by a slightly smaller diamond set cluster, the whole within a foliate diamond set outer border, mount marked for 18ct white gold cluster diam. 18mm, ring size K/L,. approx. weight 7.00gms £1,800-£2,200

336. A large diamond set fancy cluster ring, circa 1970 having central diamond of approx. 0.50ct, surrounded by a cluster of smaller diamonds, each approx. 0.20ct and then a further fancy shaped small diamond set border, yellow and white metal mount, tests for gold cluster diam. approx. 2.00cm, ring size M/N, approx. weight 6.4gms £1,400-£1,600

337. A three stone diamond set twist ring each diamond approximately 0.25 ct. and set in an 18ct gold and platinum mount size N £500-£600

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346. A blue zircon and seed pearl half hoop dress ring and two other rings the zircon ring set with three stones and spaced with twin seed pearl detail, a 9ct gold signet ring bearing monogram and a yellow metal mounted five stone garnet half hoop ring, tests for gold (3) approx. total weight 10gm £100-£200

347. A delicate opal and diamond set daisy cluster ring the central circular opal with good colour display and set within a cluster of small diamonds, 18ct white gold mount size M/N, approx. weight 3.1gms £200-£300

348. A delicate early 19th century turquoise and ruby ‘forget me not’ cluster ring, having central small ruby, within a turquoise set cluster and with floral scroll detail to mount, tests for gold, together with a small Victorian gold and plaited hair memorial band, tests gold (2) size G/H the former, the band K £150-£250

349. A collection of six various 18ct and 9ct gold rings. including an 18ct white gold textured band, a 9ct gold amethyst set ring, a 9ct gold bloodstone set ring, a small 9ct gold signet ring, a 9ct gold band and a yellow metal band, test for gold (6) 18ct approx. 3.5gm, remainder approx. 14.8gm £150-£200

340. A 1940s diamond set fancy floral cluster cocktail ring the central diamond approximately 0.50ct and within a detailed outward foliate and floral diamond setting, yellow and white mount marked for 18ct and platinum size N £1,000-£1,500

341. An antique style five stone diamond set ring the central stone approximately 0.20 ct and with two graduated stones to either side, mount marked for 18ct white gold, in associated Goldsmiths & Silversmiths Company fitted ring box size P, approx. weight 4.2gms £250-£350

342. A five stone diamond set delicate half hoop ring the mount marked for 18ct gold and platinum size Q/R, £200-£300

343. An emerald and diamond set daisy cluster ring the central circular emerald of good colour and set within a cluster of small diamonds emerald spreads approx. 0.75ct, size M, approx. weight 3.7gm £500-£600

344. A large gold mounted smokey quartz set dress ring the facetted oval stone in 9ct gold mount, circa 1980, in associated ring box size L, approx. size of stone 25 x 13mm, approx. weight 6.2gm £50-£80

345. A late Victorian single stone diamond set ring the old cut diamond approximately 0.20ct and in high claw 18ct gold setting marked for Birmingham 1902 size N, approx. weight 4.4gm £200-£300

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350. An unusual Continental emerald and diamond set ring of twin leaf form one leaf diamond set the other emerald, yellow metal mount stamped 18ct size P, approx. weight 8.0gms £300-£400

351. An attractive Art Deco style diamond set ring having three central line set diamonds, within two stepped oval rows of small diamonds, mount marked for 18ct gold size N/O, measures approx. 18 x 12.2mm £500-£600

352. An attractive Art Deco emerald and diamond set cluster ring the central octagonal emerald, set within two step mounted rows of small diamonds, white metal mount size P/Q, Emerald approx. measurements 6.25 x 5.55 x 3.07mm £600-£800

353. An attractive diamond and baguette diamond set ring the central stone approximately 0.65ct. and set between a pair of graduating baguette cut diamonds to either side, mount marked for platinum size R £500-£700

354. A sapphire and diamond ring and three gold mounted dress rings comprising: a sapphire and diamond three stone set ring, mount marked 9ct and Plat, a 9ct gold mounted emerald and illusion set diamond cluster ring, a 9ct gold mounted oval opal set dress ring and a 9ct gold mounted amethyst set fancy ring (4) Size respectively O, O, P, O,. gross weight of items approx. 10.9gms £120-£180

355. A three stone diamond set ring the centre stone approximately 0.21ct and flanked by a slightly smaller diamond to either side, mount tests for gold size N, approx. weight 2.3gms £200-£300

356. An unusual contemporary ruby and diamond two section ring the main ring set with an emerald cut ruby with baguette diamonds to either side and having separate stepped, three stone baguette diamond ring fitting together to be worn as one, white and yellow metal mount stamped 14K, in associated box, (2) size N, approx. total weight 6.00gms £500-£600

357. A large striking contemporary citrine and diamond set fancy ring the central cushion cut citrine approximately 18.03ct set within a single row diamond cluster and raised on a high pierced scroll setting, white metal mount marked .750 for 18ct white gold, in associated ring box size P, approx. citrine dimensions approx. 14.09 x 11.97 x 18.89mm £300-£400

358. An unusual Continental sapphire and enamel ring having central small claw set sapphire within red and blue champleve set gold square with rope twist detail, the square set on a fancy champleve enamelled open ring mount, stamped .750, possibly Russian approx. weight 9.7gms, size P £400-£500

359. A large and striking modern Swiss blue topaz and diamond set fancy ring the large emerald cut topaz set within a small diamond cluster and having double row diamond set shouldered mount, yellow and white metal mount tests for gold, in associated box size P, approx. weight 14.6gms. topaz approx. 18.7 x 14.3mm £400-£500

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364. A silver mounted carved nacre cameo brooch and matching earrings each piece carved with a classical portrait of a maiden (2) brooch measures approx. 32 x 25mm £40-£60

365. Art Deco onyx and diamond studs and dress buttons, Hunt & Roskell the Hunt & Roskell fitted box containing four circular onyx and diamond buttons white metal mounted and stamped Plat and also 18ct. together with a pair of matching studs, associated Hunt & Roskell cloth covered fitted box £200-£300

366. A pair of 9ct gold oval cufflinks bearing monogram E.J.H marked Birmingham 1950, chain linked and with engine turned detailed edges approx. 19 x 15mm, approx. weight 14.2gm £100-£150

367. A pair of 9ct gold oval chain linked cufflinks having one textured and one plain oval, marked for 9ct gold, marks rubbed, makers mark S & P approx. weight 6.5gm, approx. size apptox. 20 x 15mm £60-£80

360. An Edwardian large single pearl set ring the pearl untested and set in 18ct white gold mount with diamond point detail to shoulders, makers mark J.M.D., in associated Victorian ring box Size N, pearl approx. 8.84mm, diameter, approx. weight 2.5gm £180-£220

361. A gentleman’s Victorian style 18ct gold, single stone diamond set ring, the star set diamond approximately 0.25ct, marked for London 1960, maker W. W. Ltd., together with a 22ct gold wedding band (2) diamond ring approx. 13.6gms, size Z1, size band M, approx. 3.00gms £200-£300

362. An Eastern multi gem set tower ring the yellow metal mount, tests for gold having central small sapphire cluster within mixed tear shaped gems and further small sapphire outer detail size N/O, approx. weight 4.2gms £80-£120

363. A 19th century carved shell cameo portrait brooch the cameo of a classical male a.f. set in an ornate yellow metal foliate brooch mount, tests for gold, together with a hair picture locket mourning brooch, part tests gold and an early Victorian turquoise and half pearl set ring a.f. (3) cameo frame 50 x 42mm, approx. weight cameo 14.2gm £100-£200



371. A pair of oval 9ct gold cufflinks and various gold studs, circa 1910 the chain linked cufflinks bearing engraved monogram NJH to both ovals, together with ‘The OP Wallet’, containing a pair of 9ct gold rectangular chain linked cufflinks with engine turned striped decoration and six 18ct dress studs, each marked for use and in in the fitted wallet stamped 18ct and with OP within a diamond cartouche mark (Q) 18ct gold studs approx. weight 7.1gm, 9ct oval cufflinks approx. 8.9gm, rectangular cufflinks approx. 5.8gm £60-£80

372. A small collection of gold jewellery including wedding rings comprising 9ct gold chain, engraved cross pendant, gentleman’s diamond set ring and six other 9ct gold rings including three wedding rings a.f. (Q) approx. weight 21.6gm £150-£200

373. A Continental gold mesh style bracelet together with a locket on chain the yellow metal bracelet tests for gold, together with a circular yellow metal hinged picture locket engraved with a flower basket to one side and swallows amongst flowers on the other, suspended from a 9ct gold chain (2) locket and chain approx. total weight 9.3gm, bracelet approx. 12.6gms £200-£300

374. An interesting collection of Victorian and later silver jewellery, to include an Edwardian silver hair comb, Birmingham 1907 by Pearce and Thompson, various Victorian brooches, an enamel and silver ‘Caribbean islands’ charm bracelet, large Siamese niello silver bracelet and other similar items, various silver and marcasite items and a ladies engraved silver cased fob watch (Q) £200-£300

375. A mixed collection of mainly Victorian and Edwardian gold and other jewellery, including a Victorian cuff bracelet with large enamelled porcelain scroll mounted gilt metal clasp, a selection of stick pins including 15ct and 9ct gold, an Edwardian 9ct gold bar brooch, another brooch, tests for gold, 9ct gold studs, two picture lockets (Q) £300-£400

376. A Chinese character pendant on chain and other jewellery the yellow metal pendant testing for gold, together with a hard stone gold signet ring, two gold wedding bands, a cultured pearl set brooch and other items. £200-£300

368. An interesting horseshoe seal fob with Islamic carved hard stone intaglio seal, the large oval carnelian seal set in yellow/rose metal mount, tests for gold and having two curved horseshoe supports, the intaglio carved with flowers and script approx. weight 19gm, approx. size base 30 x 27mm, intaglio only approx. 25 x 22mm £200-£300

369. Two pairs of 9ct rose gold cufflinks the first stamped .375 and with engraved scroll decoration, the second pair engraved with initial C and similarly stamped with initials JG in shield approximate weight 21g £180-£240

370. A pair of Scandinavian Lapponia Bjorn Weckstrom, modernist 14K gold cufflinks “Devil’s Wheel” design, textured, circular and of hollow construction, fully marked for Lapponia and for Bjorn Weckstrom, engraved initials to back plate, original Lapponia box approx. weight 15.2gm £200-£400



382. A pair of Ethiopian antique white metal slave bangles and another pair the former hinged and with geometric engraved decoration and with internal rattles, fastening on a ‘bolt pin’, the latter perhaps anklets and of closed form with continuous floret motif and diamond shaped permanent fastening (2) £200-£300

383. A large and impressive Ethiopian tribal necklace the beads inter-spaced with a mixed collection of white and other metal Coptic cross and grooming pendants, many with thread work decoration, some test low grade silver, sold together with another similar bead necklace with pendant cross and a single grooming pendant (2) £200-£300

384. A collection of Ethiopian antique and later Coptic crosses some of hinged construction and pierced in traditional manner, some white metal with primitive engraved decoration, some thread work, a varied and interesting collection (Q) £200-£300

385. A 9ct gold military sweetheart pin together with a silver gilt Order of the Odd Fellows jewell, both cased pin approx weight 5.5g £100-£200

377. Two gold mounted amethyst dress rings and other items the dress rings both in yellow metal mounts, both test for gold, together with a simulated pearl necklace having gold cultured pearl and garnet cluster clasp and a loose facetted amethyst and a facetted yellow gem stone (5) £100-£200

378. An amusing Victorian silver and paste ‘monkey seated on a bar’ brooch makers mark K.P., together with a 9ct gold four row plaited ring, and a 9ct gold small circular garnet set hinged picture locket (3) Ring and locket approx. 6.6gms, £100-£150

379. A Tiffany & Co silver heart bracelet the heart stamped Tiffany & Co 925 on cable link bracelet, together with a silver pill box/cufflink box of circular form stamped 925, both contained within a card case with felt Tiffany pouch total weight 81.6g £60-£80

380. A garnet set tower ring and various related items including a hard stone silver mounted ring, a diamond point ring, three other rings together with a pair of earstuds (Q) Garnet ring Q £100-£200

381. A Victorian oval carnellian set snuff box with gilt metal engine turned mount, set with polished and bevelled hard stone 1.5 x 5.5 x 4.7cm £40-£60



390. An interesting mixed collection of silver jewellery and others including a Scottish celtic silver pendant with a central millefiori glass cabochon, a silver stiff bangle with filigree and central amethyst, three dress rings, silver fob chain, silver heart pendant and three small modern eastern white metal dishes (qty) £60-£100

391. Three pieces of modernist silver and tigers eye jewellery comprising an oval pendant on chain, a silver bangle with stylised floret detail and a similar ring (3) £50-£80

392. A Victorian 15ct gold Etruscan style diamond set brooch and matching earrings together with a similar Etruscan style diamond set stud with attachable stick pin fitting, both with original fitted boxes (2) £80-£150

393. A Victorian fine gold sovereign in gold pendant mount on chain the sovereign dated 1901 and in removable 9ct gold ‘star burst’ pendant mount and suspended from a 9ct gold flat weave chain sovereign including mount approx. 13.2gm, chain approx. 4.5gm £250-£350

394. An 18ct gold mounted pearl dress ring, another pearl ring a row of cultured pearls the 18ct gold ring of modernist textured design set with two cultured pearls of differing size, single row the other of 14ct gold and set with central cultured pearl trefoil, sold together with a single row cultured pearl necklace, having a 9ct gold pearl set push fancy clasp (3) size P/Q, 14ct L, gross weight of items approx. 58.6gm £300-£400

386. A gentleman’s 18ct gold diamond set ring and two seals the ring marked for 18ct and having small star set single diamond, a 9ct gold hollow seal fob charm and a gilt and hard stone set watch key fob ring approx. 5.7gm, fob charm approx. 2.1gm £80-£120

387. A collection of mainly gold jewellery and a novelty Austrian pistol charm the jewellery comprising mainly 9ct gold pairs of earrings, three gold mounted dress rings one amethyst set, a yellow metal ‘toggle and a heart and cherrub pendant on chain, the miniature ‘working’ pistol approxomately 4.5cm long and with firing action, the lot contained in a vintage «Brand Box» circular box in the form of a hat box (Q) gross weight excluding pistol on chain approx. 29.5gms £200-£300

388. A late Victorian two piece silver scroll buckle, Birmingham 1900 of stylised pierced heart design, makers mark A & L Lt, approx. 83 x 60mm £40-£50

389. A small collection contemporary gem and diamond jewellery to include an 18ct white gold ruby and diamond cluster pendant on chain, a pair of 18ct white gold mounted square cut ruby stud earrings, a pair of 9ct gold fancy two colour cultured pearl drop earrings and a pair of small 9ct white gold mounted small diamond set trefoil earrings, together with three associated boxes (4) £100-£200



397. A Tiffany & Co Legacy platinum and diamond eternity wedding ring with channel set diamonds, complete in original case, with original card case size N £700-£1,000

398. Tiffany & Co white gold clover key pendant stamped .750, inset with three Tiffany diamonds, without chain weight approximately 8g £400-£500

399. Tiffany ‘Diamonds by the yard’ silver necklace stamped 925, designed by Elsa Peretti, with seven round diamonds, contained within original box and original outer card case full length 77cm £400-£500

395. An interesting collection of Victorian and later jewellery including a 9ct gold amonite set pin brooch, a gold mounted scarab pin, a pair of diamond stud earrings, a Victorian snake pin a.f., a 9ct gold heart locket with hinged picture, Edwardian gold and pearl studs cased, a mourning ring a.f., and chain a.f., (8) £100-£200

396. A Tiffany & Co gentleman’s steel travelling watch of 1920s style in mock crocodile case with easel back, together with a ladies Tiffany & Co 18ct gold necklace with diamond single stone in swing pendant, both contained within original cases, pouches and card cases weight of necklace 0.9g £200-£400



402. An attractive 9ct gold Egyptian style fringe necklace with foliate detail marked for 9ct gold, graduating to either side to the push clasp fastening, sold together with a 9ct gold fancy five bar gate bracelet with heart padlock fastening (2) approx. weight 30.1gm £250-£350

403. An impressive vintage 1950s iridescent collar necklace, original Harrods box the necklace comprised of a beadwork inner lattice and then with turquoise irridescent ‘leaves’ attached overall, creating a wide Egyptian style collar around the neck, Harrods card box £100-£200

400. A small collection of gold jewellery including a rose gold fancy bracelet, hasving scroll engraved links and heart padlock fastening, sold together with a 9ct gold ‘Avia» Incabloc quartz bracelet watch, having square dial and herringbone woven mesh bracelet/strap, ladies Accurist 9ct gold circular dial bracelet watch, mechanical wind movement, a short 9ct gold betcher chain and a 9ct gold bar brooch, all in associated box (5) Respectively, approx. weight 12.2gm, Avia approx. 27.3gm, Accurist approx. 16.2gm, chain approx. 9.9gm, £300-£500

401. An Arts & Crafts pierced enamelled scroll brooch and two Art Nouveau pendants the former set with a small heart shaped opal and with small pendant drop, together with two 9ct gold art Nouveau peridot set floral scroll pendants and a sterling silver thistle bar brooch (4) gross weight of lot approx. 13.3gm £80-£120



408. A John Pinches silver gilt ‘Mothers Day 1975’ pendant decorated with horse and foal to one side and trailing flower on another, in an associated Cartier London leather box diameter 31cm, weight 0.45 ozt approx £40-£60

409. A coin wallet containing three full fine gold sovereigns and six half sovereigns comprising three Victorian full sovereigns, 1889, 1898 & 1899, and six gold half sovereigns, Edward VII, 1905, George V, 1912, 1913, 1914 & 1915 (9) approx. total weight 48.00gms £1,200-£1,600

410. A Victorian 1895 fine gold sovereign the coin set in 9ct gold removable pendant mount and suspended on a long fine link rose metal chain approx. total weight 12.00gms £280-£320

404. A collection of late 19th early 20th century native Zulu beadwork woven in traditional colours and including a necklace, waist adornment and other items (6) £60-£100

405. A Victorian fine gold sovereign, dated 1892 approx. weight 8.2gms £200-£300

406. An Edward VII, 1910, fine gold half sovereign having soldered pendant fitting and suspended from later, fine box link 9ct gold chain approx. total weight 8.00gms £150-£200

407. Two fine gold sovereign and a fine gold half sovereign Edward VII, 1903 full sovereign, George V 1925 full sovereign in yellow metal removable pendant mount, tests for gold and a George V, 1914 half sovereign (3) approx. total weight 21.4gma £500-£600

411. A collection of UK and Foreign Coinage, ten 1971 The Decimal Coinage of GB & Northern Ireland, six proof coins with Royal Mail Stamp in a black cardboard envelope with Royal Mail certificate; six 1970 Queen Elizabeth II Coinage of GB & Northern Ireland, eight proof coins with Royal Mail Stamp in a dark mauve cardboard envelope; two 1974 The First Coinage of The Kingdom of Swaziland, seven proof coins in a dark pink envelope; two 1974 Coinage of The Falkland Islands, five proof coins in a blue cardboard envelope; one 1971 Ceylon Coinage Central Bank of Ceylon, seven proof coins in a yellow cardboard envelope and a 1964-1974 Bank of Sierra Leone crown in commemoration of the 10th anniversary of the Bank of Sierra Leone, in a red leather case with certificate (22 cases) £100-£200



415. A cased set of ten The Queen’s Beasts silver ingot commemorating the Queen’s Silver Jubilee each of navette shape with a crest on one side, each hallmarked Birmingham 1976 or 1977 by Yorkshire Mint, with ten information cards,(10) total weight: 15ozt approx £200-£300

412. A George IV two-pound coin 1823 Georgius IIII D.G.Britanniar.Rex.F.D. on one side, initials below head rubbed, reverse side with St George and dragon and date underneath, initials below lance and dragon rubbed, edge with raised letters ‘decus et trutamen.anno regni, with loop link to top coin diameter: 28mm £1,000-£1,200

413. A Commonwealth of the Bahama Islands 1971 gold coin proof set in a fitted brown leather case with 100 dollar, 50 dollar, 20 dollar and 10 dollar coins, each bearing 917 hallmark, (4 coins) weight: 72gms £200-£300

414. A cased set of four Maundy Money coins dated 1933 in fitted case, (4) £50-£80

416. An interesting brass 12-inch sextant by Jesse Ramsden bearing name plate Duke of Clarence, third quarter 18th century of ‘T’ bar frame, with arc divided to 135o signed Ramsden London, with brass index arm and vernier, two sets of interchangeable filters, sighting tube, mirror, and wooden handle, contained within a fitted case with additional sighting tubes shades etc, the case with brass name plate screwed to lid inscribed His Royal Majesty’s The Duke of Clarence £1,000-£2,000



419. A late 18th century brass equinoctial ring dial engraved with initials I.G.V (?) the outer meridian ring divided 0-90 and engraved with numerous European cities and latitudes, the inner ring also engraved with cities, and engraved hour scale, with central bridge with pin hole sight sliding over the zodiacal scale, with brass suspension ring diameter 7.2cm £100-£200

420. A mid 19th century brass drum microscope in fitted case with two objectives, lenses and five specimen slides, with J. H. Steward retailers mark to case, contained within a fitted wooden case height of microscope 18cm £80-£120

421. A leather bound Broadhurst, Clarkson & Co. ‘Hawk’ four draw brass hand held telescope total length: 44.9cm; closed length: 17cm £50-£70

417. An 8-inch radius Heath & Co. bell frame sextant circa 1900, the oxidised frame with single set of interchangeable filters, mirrors, magnifier, and scale engraved Heath and Co. Ltd Crayford, London, and with owners name R. G. Dinwiddy R.N. with wooden handle (detached), contained within an original case complete with brass eyepieces £150-£200

418. A good 19th century cased stereoscope by Cary the burr walnut veneered stereoscope inset with trade label for Cary 181 Strand London, with leather covered eyepieces, contained within a fitted burr walnut veneered case with brass recessed carrying handle with an extensive collection of glass slides, with interior of lid to case with compartment containing a quality of card slides, together with a burr walnut veneered case containing further card stereoscopic slides width of viewer 18cm, width of case 38cm £300-£500



424. A Dunhill 9ct gold lighter, the engine turned rectangular body with applied coronet, hallmarked 375 to base height: 5.6cm, total weight: 63gms £500-£700

425. A Dunhill ‘Unique’ lighter of typical form with ribbed body, no.396046 height: 6.4cm £150-£250

426. An Ernst Leitz Wetzlar Leica III camera serial number 534343, Emlar f = 5cm 1:3.5 lens, with booklet height: 6.9cm, width: 14.5cm, depth: 4.5cm £100-£150

422. A late 19th/early 20th century 2¾inch refracting telescope by Newton & Co the leather bound body tube signed around the eyepiece Newton & Co Opticians 3 Fleet Street, Temple Bar, London, on a blacked brass adjustable tripod stand with two eyepieces, in wooden case length of body tube 102cm £100-£150

423. A cylinder key wind musical box Swiss, third quarter 19th century, no 12581, the 20cm cylinder playing airs on a steel comb, with key winding holder to the side, and start/stop and repeat levers, contained within a mahogany case width of case 34cm £500-£800



429. Two vintage fur capes, hat and muff the former brown short cape with marcasite fastener, the second a short evening cape of ermine, a ‘Russian» the rabbit fur hat with ear flaps, together with a muff in original cylindrical box with makers label to lid (4) height of box 22cm £60-£100

430. A 9ct gold Eversharp pencil, with clip holder and fitted case and lead refills, the pencil body engraved ‘N. C. B. H. Dec 6th 1931’, together with another gold retracting pencil, with ribbed upper body and loop link, unmarked, not tested, (2) total weight: 36gms; length: 10cm - Eversharp; total length of other: 13.3cm £80-£120

431. David Friedman ‘The Legends of Motorsport’ signed edition JS1/350 in black slipcase, the interior signed by 22 motorsport legends including Mario Andretti, Jackie Stewart, Stirling Moss etc…, featuring a collection of extensive motorsport photography by David Friedman 29 x 23xm, previously belonged to Jodie Scheckter £800-£1,200

432. A pair of Indian hardwood elephants, 20th century each standing with bone tusks and eyes, a/f, (2) height: 15.5cm £80-£120

427. A late 19th/early 20th century coromandel and ivory chess set and later board the turned ivory and coromandel pieces unmarked with screws to the bases of the knights, sold together with a 20th century bone and ebonised inlaid folding board height of king 7.5cm, length of board closed 40cm £200-£300

428. A Wheatstone 56 key treble concertina late 19th century, No 22287, with six fold bellows, ebonised ends with 56 keys, with metal trade label, contained within a square leather carrying case with leather fastening strap closed 13.5cm, height of case 20cm £600-£800

433. A vintage Rupert teddy bear dressed in a red top, with yellow and black checkered trousers and scarf, with moveable arms and legs with brown pads, no labels length 53cm approx £60-£80

T E R M S & C O N D I T I O N S

IMPORTANT INFORMATION FOR BIDDERS AND BUYERS

Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are requiredCONDITIONS OF BUSINESS

All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business

ESTIMATES AND RESERVES

Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT

All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate

BUYER’S PREMIUM AND VAT

A buyer’s premium of 21.6% is applicable to all the lots in this sale.

The buyer’s premium is inclusive of VAT at the current standard rate (20%). Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers

Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium

PRE-SALE EXHIBITION

All auctions are on public view the day before the sale and on the morning of the sale

CONDITION REPORTS

All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information

BIDDING IN PERSON

To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect.

ABSENTEE & TELEPHONE BIDDING

Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom). It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business

PAYMENT

Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment:

CREDIT/DEBIT CARD

We are pleased to accept major Credit Cards, for which a surcharge will be made of 3% of the transaction total. This is to cover the charge made to us by the bank. (Unfortunately we are unable to accept American Express). There is no charge for payments by Debit Card

STERLING BANKER’S DRAFT RO BUILDING SOCIETY CHEQUE

We are pleased to accept a Sterling Banker’s Draft or a Building Society cheque drawn on a recognised UK bank or building society

STERLING CHEQUE OR CASH

Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers Ltd.

Cash payments will not be accepted above the amount of £6,000

ELECTRONIC AND WIRE TRANSFERS

Wire transfers can be made directly to our bank:

National Westminster Bank plc

33 High Street

West Wickham

Kent

BR4 0WH

Sort Code: 60-23-22

Account Number: 79995810

Account Name: Catherine Southon Auctioneers & Valuers Ltd

IBAN: GB47 NWBK 6023 2279 9958 10Swift Code: NWBKGB2L BIC: NWBK GB 2L

PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANS-FERRED. CATHERINE SOUTON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER


DEFINITIONS“Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate)

“The Company” means Catherine Southon Auctioneers & Valuers Ltd, Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number

“Seller’s Commission” is the commission The Company charges Sellers of Property.

“Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts

“Buyer’s Premium” is the commission The Company charges Buyers of Property

“Hammer Price” is the highest bid for the Property accepted by the auctioneer

“Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company

“Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses.

“Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction

“Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer

“Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description.

The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable

1. SELLER’S WARRANTIES(a) The Seller warrants to The Company and the Buyer that:-

(i) the Seller is the owner of the Property or is properly authorised to sell it;

(ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims;

(iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property;

(iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property.

(b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller

2. SALE PREPARATION(a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale.

(b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot

(c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties

(d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces

(e) The Company will charge a Buyer’s Premium on the sale of the Property at The

Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it

(f) Sellers are prohibited from bidding on their own Property.

3. WITHDRAWAL OF PROPERTY(a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”).

(b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason.

(c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a). If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.

4. EXCLUSION OF LIABILITY (a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c).

(b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses

(c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited

5. LOSS OR DAMAGE TO PROPERTY(a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:-

(i) risk passes to the Buyer; or

(ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or

(iii) 6 months after receipt of the Property by The Company, if not consigned for sale

(b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be:

(i) the Hammer Price of the Property, if sold;

(ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or

(iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates);

less Seller’s Commission and Expenses

(c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination

6. VATIf any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques

CONDITIONS OF BUSINESS FOR SELLERS

The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers.

Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer.


7. POST AUCTION SALES If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.

8. PAYMENT OF NET SALE PROCEEDS(a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company.

(b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.

9. UNSOLD/ UNCOLLECTED PROPERTY(a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:-

(i) be reconsigned for sale; or

(ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses.

(b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-

(i) transfer the Property to independent storage at the Seller’s expense; or

(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the

re-sale plus all relevant Expenses

(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address

10. RESCISSION OF SALESThe Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control

11. DATA PROTECTION (a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law.

(b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a).

12. MISCELLANEOUS (a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect

b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.

CONDITIONS OF BUSINESS FOR BUYERS

1. INTRODUCTION(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:

(i) these Conditions of Business for Buyers;

(ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd;

(iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement

(b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot

2. DEFINITIONS “Bidder” is any person making, attempting or considering making a bid, including Buyers;

“Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent;

“Seller” is the person offering a lot for sale, including their agent, or executors;

“THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd, registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183;

“Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer;

“Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 21.6% (inc VAT);

“Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price;

“Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses;

“Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot

The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable

3. EXAMINATION OF LOTS (a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions

(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion

4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS(a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit

(b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot

(c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses

(d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller

con t i nued ove r page

5. BIDDING AT AUCTION(a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained)

(b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form

(c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONSTHE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES)

7. CONDUCT OF THE AUCTION(a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable

(c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer

(d) Any post-auction sale of lots shall incorporate these Conditions of Business

8. PAYMENT AND COLLECTION(a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”)

(b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above

(c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a)

(d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer. Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers.

(e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers

9. REMEDIES FOR NON-PAYMENTWithout prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:-

(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense;

(b) cancel the sale of the lot;

(c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot;

(d) reject future bids from the Buyer;

(e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds;

(f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original Purchase Price and the amount achieved on re-sale, including all costs incurred in such

re-sale;

(g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien;

(h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs;

(i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings

10. FAILURE TO COLLECT PURCHASES(a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage

(b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction

11. DATA PROTECTION(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law

(b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i)

12. MISCELLANEOUS(a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY

(b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives

(c) The materials listed in Condition 1(a) set out the entire agreement between the parties

(d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect

(e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.

13. ARTISTS’ RESALE RIGHTSFrom 14th February 2006 all UK art market professionals (which includes, but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing exchange rates, for an estimate of the current UK sterling equivalent, please refer to the front of this catalogue.

It is entirely the responsibility of the buyer to acquaint himself with the actual EURO to UK Sterling exchange rate on the day of the sale in this regard. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk.

All items in this catalogue that are marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer.

The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4% payable by the buyer. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges and threshold levels, please see www.dacs.org.uk. There is no VAT payable on this royalty charge.

For all questions relating the regulations regarding Droit de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email [email protected].


Ripley Arts Centre, 24 Sundridge Avenue,

Bromley BR1 2PX Tel: 0208 313 3655

07596 332 978www.catherinesouthon.co.uk

Antiques & Collectables · 2017. 11. 21. · ANTIQUES & COLLECTABLES BP* - Buyer’s Premium of...

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Transcript of Antiques & Collectables · 2017. 11. 21. · ANTIQUES & COLLECTABLES BP* - Buyer’s Premium of...