and the Possibilities of Multi-institution Linked Datasets · 2018-10-12 · Pierre Bonnard Vincent...

Jonathan Lill MoMA ArchivesJonathan Lill

and the

Possibilities of Multi-institution

Linked Datasets

The MoMA Archives

“There’s no reason…the Museum of Modern Art shouldn’t link its Jackson Pollock page to…pages of museums throughout the world.” —

New York Times

Jonathan Lill MoMA Archives


932.933.934.935.936.937.938.939.940.941.942.943.944a.944b.944c.945.946a.946b.947.948.949.950.951.952.953.954.955.956.957a.

Recent Acquisitons VIGraphics 1: New DimensionsInformationArchipenko: The Parisian YearsBarnett Newman, 1905–1970One-Eyed DicksOsaka IEast 100th Street….Work in Progress: ArchitectureStories by Duane MichalsPicasso: Master PrintmakerRobert IrwinFrom Naturalism to Abstraction: Three SeriesSalvation Army Reception ExhibitionPainters for the TheatreE.J. BellocqThe Nude: Thirty 20th-Century DrawingsPaperworksRecent Acquisitions: Design CollectionPaul Burlin (1886–1969): The Last PaintingsBerenice AbbottFour Americans in ParisJasper Johns: LithographsWalker EvansAlexander RodchenkoSurrealist Illusion from the Museum CollectionRecent American AcquisitionsGoodwin Galleries New InstallationRecent Acquisitions: 20th-Century Pioneers

Vito AcconciCarl AndreSiah ArmajaniKeith ArnattRichard ArtschwagerDavid AskevoldDavid BainbridgeJohn BaldessariMichael BaldwinBarrio Campo Ricode CanovanasRobert BarryFrederick BarthelmeBernd BecherHilla BecherMel BochnerGeorge BrechtStig BroeggerAdolfo BronowskiStanley BrouwnVictor BurginDonald BurgyJames Lee Byars

Christine KozlovJohn LathamSol LeWittRichard LongMarta MinujinRobert MorrisHélio OiticicaDennis OppenheimPanamarenkoGeorge PassmorePaul PechterGiuseppe PenoneAdrian PiperMichelangelo PistolettoGilbert ProeschAlejandro PuenteMarkus RaetzRobert RauschenbergKlaus RinkeArnold RosenbergEdward RuschaTomaz Salamun…

Jorge Luis CarballaChristopher CookRoger CutforthCarlos d'AlessioHanne DarbovenWalter De MariaJan DibbetsCarlos EspartacoMercedes EstevesGerald FergusonRafael FerrerHamish FultonGiorno Poetry SystemsDan GrahamInes GrosRandy HardyMichael HeizerHans HolleinDouglas HueblerPeter HutchinsonRichards JardenStephen KaltenbachOn Kawara

MoMA Exh. #934.July 2–September 20, 1970Information

Organized by: Kynaston McShineParticipants:


From the archives:~2600 exhibitionrecords

From the collection managementsystem (TMS): ~27,000 name records

Purpose-builtMicrosoft AccessDatabase


masterchecklists press

releases

artist dataexhibition data

curatordata


TMS constituent id

VIAF ID

Wikidata QID

moma.org artist URL

ULAN ID

3213

moma.org….artists/3213

19676467

500000974

Q132305

archives id 3092

moma.org exh. URL

historical exh. number

archives id

TMS exhibition id 2868

#645

moma.org….exhibitions/1990

3047

Descriptive data Added data for linking and connecting

Willem de Kooning


From the Archives… …to the internet

Access Index

masterchecklists press

releases

artist data

TMS

DAM

the web


moma.org/history


moma.org/artists


https://github.com/MuseumofModernArt/exhibitions

The exhibition index on Github Includes an explanation of the datastructure and a 34,559 line .csv file


Who is the youngest artist to receive a solo show at MoMA?

Name Exhibition Age

Dahlov Zorach Ipcar92. Creative Growth, Childhood to Maturity [MoMA Exh. #92, November 1, 1939-January 5, 1940]

22

William Turk Priestley30a. Project for a House in North Carolina by William T. Priestly [MoMA Exh. #30a, July 10-September 30, 1933]

26

W. Eugene Smith257a. Pacific Report: Photos By Eugene Smith [MoMA Exh. #257a, May 10-June 30, 1944]

26

Richard Long 1001a. Projects: Richard Long [MoMA Exh. #1001a, March 14-April 17, 1972] 27

Jacob Lawrence262. Paintings by Jacob Lawrence [MoMA Exh. #262, October 10-November 5, 1944]

27

G. E. Kidder Smith 142. Stockholm Builds [MoMA Exh. #142, August 4-September 8, 1941] 28

Bill Viola 1255. Projects: Bill Viola [MoMA Exh. #1255, March 15-April 24, 1979] 28

David V. Hayes642. David V. Hayes: New Talent in the Penthouse [MoMA Exh. #642, April 1-May 3, 1959]

28

David Tremlett 1025. Projects: David Tremlett [MoMA Exh. #1025, March 6-April 8, 1973] 28

Saul Steinberg190. Camouflage for Civilian Defense [MoMA Exh. #190, August 12-September 13, 1942]

28

Joel Otterson 1439. Projects: Joel Otterson [MoMA Exh. #1439, January 17-March 3, 1987] 28


What artists have appeared in the most exhibitions at MoMAyet don’t have works in the collection?

Name Number of exhibitions

Thomas Eakins 17

Winslow Homer 15

Albert Pinkham Ryder 13

Arundell Clarke 8

John Singer Sargent 8

George Caleb Bingham 7

Henry Hobson Richardson 7

Hugh Stubbins Jr. 7

William Wilson Wurster 7

Fostoria Glass Co. 6

William M. Harnett 6


MoMA PS1 MoMA

The Brooklyn Bridge Event

10 Bleecker Street

The Clocktower Gallery

The Idea Warehouse

112 Greene St. (White Columns)

The Kitchen

New Museum

Whitney Museum

1950s cooperative galleries

Lower Manhattanand SoHo

Brooklyn Museumof Art

Additional PS1galleries1971-2000


in thedatabase

MoMAMoMA PS1White ColumnsWhitney Museum of ArtICA PhiladelphiaTanager GalleryHansa GalleryGreen GalleryBrata GalleryJudson GalleryReuben GalleryThe City GalleryThe CenterChambers Street LoftDelancey Street MuseumPark Place GroupMarch GallerySpiral Group

26991139103179636810995593022219999331

Various Brooklyn galleriesThe Brooklyn Museum of ArtSan Francisco MoMAThe KitchenNew MuseumLace GalleryArtists SpaceExit Art

214511011011568425455????????

No. of Exh.Organizations

not yetin thedatabase

Organizations

Exhibitions

Artist Names

25+

12,117

30,000+?

Name matches to outside authorities

7298

9457

5623

11,693

ULAN

VIAF

Wikidata

SNACSocial Networks in

Archival Context

Virtual InternationalAuthority File

Getty Union Listof Artists Names

Wikipedia

Total numbers


New Work: Part I 1/8/1963 2/2/1963 Green Gallery

Contemporary American Group Show [New Work Part III]

5/1/1963 6/15/1963 Green Gallery

Don Judd 12/17/1963 1/11/1964 Green Gallery

New Work Part III 4/8/1964 5/2/1964 Green Gallery

New Work (Contemporary American Group Show) 10/24/1964 11/14/1964 Green Gallery

Flavin, Judd, Morris, Williams 5/26/1965 6/12/1965 Green Gallery

7 Sculptors 12/1/1965 1/17/1966 ICA Philadelphia

The 1960s: Painting and Sculpture from the Museum Collection

6/28/1967 9/24/1967 The Museum of Modern Art

Donald Judd 2/27/1968 3/24/1968 Whitney Museum of Art

Art of the Real 7/3/1968 9/8/1968 The Museum of Modern Art

Plastics and New Art 1/15/1969 2/25/1969 ICA Philadelphia

Recent Acquisitions: Painting and Sculpture 9/5/1969 11/11/1969 The Museum of Modern Art

Exhibition Title Start Date End Date Organization

Donald Judd


Contemporary Americans 3/1/1955 3/31/1955 Hansa Gallery

Painting and Sculpture from the Museum Collection 3/5/1955 4/24/1955 The Museum of Modern Art

Perle Fine: Collages 3/11/1955 3/31/1955 Tanager Gallery

Picasso: 12 Masterworks 3/15/1955 4/17/1955 The Museum of Modern Art

Developing Creativeness In Children 3/15/1955 4/17/1955 The Museum of Modern Art

Leland Bell 4/1/1955 4/10/1955 Hansa Gallery

Charles Huffman: Paintings 4/1/1955 4/21/1955 Tanager Gallery

Recent Acquisitions Since 1954 4/6/1955 5/1/1955 Whitney Museum of Art

Textiles and Ornamental Arts in India 4/11/1955 9/25/1955 The Museum of Modern Art

Jacques Beckwith 4/12/1955 5/1/1955 Hansa Gallery

Benrimo, Townley, Tyler: New Talent Exhibition in the Penthouse 4/19/1955 5/22/1955 The Museum of Modern Art

Robert Beauchamp: Paintings 4/22/1955 5/12/1955 Tanager Gallery

Fay Lansner 5/3/1955 5/22/1955 Hansa Gallery

Prints from Europe and Japan; Etchings by Matisse 5/4/1955 5/31/1955 The Museum of Modern Art

The New Decade: 22 European Painters and Sculptors 5/10/1955 8/7/1955 The Museum of Modern Art

The New Decade: 35 American Painters and Sculptors 5/11/1955 8/7/1955 Whitney Museum of Art

Paintings from Private Collections 5/31/1955 9/7/1955 The Museum of Modern Art

Exhibitions March–May 1955Contemporary Americans 3/1/1955 3/31/1955 Hansa Gallery


Afro (Afro Basaldella) Jean Dubuffet Paul Klee Pierre-Auguste RenoirKarel Appel Marcel Duchamp Oskar Kokoschka Germaine RichierKenneth Armitage Raoul Dufy Käthe Kollwitz Christian RohlfsUmetaro Azechi Thomas Eakins Fay Lansner Len RosenbergFrancis Bacon Valdemar H. Elenbaas Fernand Léger Arthur RothsteinJean Bazaine James Ensor Jack Levine Georges RouaultRobert Beauchamp Agenore Fabbri Alfred Manessier Henri RousseauMax Beckmann Lyonel Feininger Édouard Manet Albert Pinkham RyderJacques Beckwith Perle Fine Gerhard Marcks Kiyoshi SaitoLeland Bell Paul Gauguin John Marin Karl Schmidt-RottluffTom Benrimo Alberto Giacometti Henri Matisse William ScottPierre Bonnard Vincent van Gogh Roberto Matta Georges-Pierre SeuratGeorges Braque Arshile Gorky Luciano Minguzzi Ben ShahnCharles Burchfield Helmut A. P. Grieshaber Mirko (Mirko Basaldella) Pierre SoulagesAlberto Burri Juan Gris Joan Miró Chaim SoutineReg Butler Étienne Hajdu Amedeo Modigliani Rufino TamayoMassimo Campigli Marsden Hartley Otto Mueller Yves TanguyGiuseppe Capogrossi Erich Heckel Antonio Zoran Music Bradley Walker TomlinPaul Cézanne Karl Hofer Rolf Nesch Hugh TownleyLynn Chadwick Winslow Homer Emil Nolde Richard O. TylerMarc Chagall Charles Huffman Robert Osborn Hans UhlmannGiorgio de Chirico Inagaki Tomo Marion Palfi United Productions of America (UPA)Robert Colquhoun Vasily Kandinsky Max Pechstein Maurice UtrilloHilaire-Germain-Edgar Degas Kawakami Sumio Pablo Picasso Maria Helena Vieira da SilvaRobert Delaunay Kawanishi Hide Édouard Pignon Édouard VuillardAndré Derain Ernst Ludwig Kirchner Jackson Pollock Theodor WernerOtto Dix Fumio Kitaoka Odilon Redon Fritz Winter

Zao Wou-ki


https://exhibitions.univie.ac.at/


http://www.getty.edu/research/tools/provenance/search.html


Going forward: How large does this data set need be to make it a really robust tool? (If completeness is impossible, then what do we aim for?)

Where is the boundary between institutions that should be included and those that may not need be? (How do we prevent sprawl?)

How dense does the data have to be to support useful network analysis and graph visualization (When can I start making pretty data pictures?)

How do we make sure the data remains visible and actually used by scholars. (Where should this data live?)

How do we make the data as open as possible? (How should this data be encoded and published?)


8 artistpages

77 exhibitions

101 artworksonline

Hundreds ofdocuments

“There’s no reason…the Museum of Modern Art shouldn’t link its Jackson Pollock page to…pages of museums throughout the world.” —New York Times

Jonathan Lill MoMA ArchivesJonathan Lill The MoMA Archives

[email protected]/archivesmoma.org/history

maid.moma.org

and the Possibilities of Multi-institution Linked Datasets · 2018-10-12 · Pierre Bonnard Vincent...

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