Allison Bosworth's Interior Design Portfolio

ALLISON [email protected] - 408 - 5654

EDUCATION

ACHIEVEMENTS, AWARDS, AND ACTIVITIES

SPECIAL SKILLS

WORK EXPERIENCE

UNIVERSITY OF CINCINNATI 2008-2013

Cincinnatus ScholarshipGuardian Industries ScholarshipDean’s List 10 quarters, 1 semesterDesign Manager of Engineers Without Borders, 2010 - 2013Secretary of Engineers Without Borders, 2008-2010Secretary of Students for Ecological Design, 2009-2010Relay for Life participant, 2009UC Women’s Club Soccer, 2008-2012

Adobe Suite (CS3-CS6; Photoshop, Illustrator, InDesign), AutoCad, Revit Architecture, Form Z, Adobe Premiere Pro, Vectorworks, Adobe Dreamweaver, Vectorworks, Sketch-Up, Microsoft Office Suite (Excel, Office, Powerpoint), some knowledge in Bentley Microstation, MAC and PC platforms, branding, brand strategy, social media integration and marketing

FRCH DESIGN WORLDWIDE --- Cincinnati, OH

MKG --- New York, NY

lauckgroup --- Austin, TX

BHDP ARCHITECTURE --- Cincinnati, OH

AUGUST 2012 - DECEMBER 2012

JANUARY 2012 - JUNE 2012

JUNE 2010 - SEPTEMBER 2010

JANUARY 2011 - MARCH 2011 & JUNE 2011 - SEPTEMBER 2011

GPA: 3.45/4.00

GPA: 3.58/4.00

GPA: 4.65/5.00 3.89/4.00

Interior Design

Worked with several brands such as Steak n Shake and Sunglass Hut (Luxottica). Responsibilities included developing floor plans, working on construction documents in AutoCad, and Photoshop renderings. I also assisted designers and the brand manager with research and developing image strategy for each project.

Worked with several brands such as Evian, Delta, Diet Coke, and Mad Men. Responsibilities included developing floor plans, developing branding and experiential marketing strategies, wall elevations, graphic elements, and setting up print files and corresponding mechanical files. The main focus was on graphic elements, which included such work as Facebook and Twitter promos, event invitations, event signage, and additional branded collateral, such as drink cards and coasters.

Responsibilities included upkeep and reorganization of materials library, answering telephones, setting up meetings and appointments with vendors and representatives, assisting designers on finishes for projects, and providing graphic design help in Photoshop, Illustrator, and InDesign.

Responsibilities included working on several different project teams in different design phases from schematic design to construction document phase. I also assisted designers with the research and selection of finishes for projects, developed schematic environmental graphics for wall elevations, produced finish plans, schedules, and other construction documents in Revit, developed client presentations in InDesign, and served as the primary contact for the materials library, updating, organizing, and scheduling all vendor presentations.

Mechanical Engineering

Specialty Design Co-op/Intern

Design Co-op/Intern

Interior Design Co-op/Intern

Workplace Design Co-op/Intern

UNIVERSITY OF CINCINNATI 2007-2008

URBANA HIGH SCHOOL 2003-2007


Design should do the same thing in everyday life that art does when encountered: amaze us, scare us or delight us, but certainly open us to new worlds within our daily existence.

Aaron Betsky, Curator of Architecture, Design and Digital Projects, SFMOMA

FOUR ON THE FLOOR

THE HOME STUDIO

SEPHORA SAAVY: SOIREE AT COLETTE

DELTA DAY AT THE LAKERS

JUXTAPOSITIONAL CHAIR

ESCUELA DE CREATIVAS CIENCIAS

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The young elite from Manhattan have seen it all. When they visit Sin City, they party til sunrise, and expect their accomodations to reflect their status and impeccable style.

The employees of Scripps Network act as the liason between home design trends and the American people. As such, the employees need dedicated space on the Scripps campus in Knoxville to collaborate with other employees, be inspired, and learn more the interior design industry.

For Sephora, it’s time to get ahead with a saavy pop-up. To not only up Sephora’s street cred but strut their stuff for fashion mavens, beauty connoisseurs, marketing mavens & elaborate editors. All trendsetters, all here. The impact.. the newest, the latest, the greatest. The most buzzed about beauty trends in the world.

Shoot around, sink a three, and see how LA fans’ stats compare to the Lakers.

The juxtapositional chair was designed as an indoor chair, meant for casual sitting and lounging. Taking inspiration from the Panton chair, the Juxtapositional chair also acts as a sculptural piece. The chair will be able to fit into a variety of living room settings, where friends and family can gather and converse.

La Escuela de Creativas Ciencias is a focus option public school in San José, Costa Rica. The school will promote, stimulate, and encourage students by providing a hands-on and interactive educational experience. At ECC, we strive to foster discovery type learning, by allowing students to interact with the physical world and their peers. By focusing on the creative sciences and technology, ECC will cultivate students who are independent, creative, and problem solvers, ready for the constant evolution of the globalization of the economy.

Hospitality Studio Project OCTOBER 2010 - DECEMBER 2010

TABLE OF CONTENTS

Scripps Network Collaboration Project MARCH 2011 - JUNE 2011

SEPTEMBER 2011 - NOVEMBER 2011

JANUARY 2013 - APRIL 2013

MARCH 2012

SEPTEMBER 2011 - DECEMBER 2011

PAVE Retail Competition

Co-op at MKG

Furniture Seminar

Senior Capstone Project

FOUR ON THE FLOOR01DESIGNED DURING:LOCATION OF PROJECT:TYPE OF PROJECT:

OCTOBER 2010 - DECEMBER 2010MONTE CARLO, LAS VEGASHOSPITALITY STUDIO PROJECT

The young elite from Manhattan have seen it all. When they visit Sin City, they party til sunrise, and expect their accomodations to reflect their status and impeccable style.

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from the 3-bay suite showing the dining, eating, and entertainment areas of the suite. The ‘four on the floor’ concept is shown in the various floor patterns and the retro furniture and wallcoverings. The goal was to give the young elite a new version of lavish and exquisite, providing an experience they’ve never seen before.

for the ‘four on the floor’ concept. Images evoke the lavish and party-centric lifestyle of Manhattan’s young elite.

of the 3-bay suite. A lavish bar, large living space, full dining room, and a billiard table make up the public space in the suite. The bedroom features an open concept style bathroom with angled walls defining the space and alluding to the angled lines in the public space of the suite.

of the 5-bay suite. the ‘four on the floor’ concept was applied throughout the design--except more intensely than in the 3-bay suite. Angled floor patterns, ngled walls, and angled columns all relate to the ‘four on the floor’ concept. Two bedrooms flank each end of this suite, with a large theatre, pool table, multiple tvs, a bar, and a dining room.

scale 1/2” = 1’

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scale 1/2” = 1’

scale 1/4” = 1’

four

floor

on the

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PERSPECTIVE

IMAGE STRATEGY

AXON/PLAN

AXON/PLAN

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SKETCH UP + PHOTOSHOP

ILLUSTRATOR



02SEPTEMBER 2010 - DECEMBER 2010 HOSPITALITY STUDIO PROJECT FOUR ON THE FLOOR

THE HOME STUDIO02DESIGNED DURING:LOCATION OF PROJECT:TYPE OF PROJECT:

MARCH 2011 - JUNE 2011KNOXVILLE, TNSCRIPPS NETWORK COLLABORATION PROJECT

The employees of Scripps Network act as the liaIson between home design trends and the American people. As such, the employees need dedicated space on the Scripps campus in Knoxville to collaborate with other employees, be inspired, and learn more the interior design industry.

PHASE

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PHASE

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PHASE 2

PHASE

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FITNESS CENTER

SITE LINES

SIGHT LINES

PEDESTRIAN CIRCULATION

HUDDLE ROOM

PHASE LINES

SECURITY

INTERACTIVE SHOWROOM

KITCHEN

LOADING DOCK

OFFICES

CAFE

GREEN SPACE

VEHICULAR CIRCULATION

PUBLIC SPACE

OUTDOOR SPACES

RECEPTION/LOBBY

PARKING

RESTROOMS

STORAGE

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02 04MARCH 2011 - JUNE 2011 SCRIPPS NETWORK COLLABORATION PROJECT THE HOME STUDIO

of the Home Studio vignette spaces. Color wayfinding graphics on the floor differentiate vignette styles. Above, huddle rooms overlook the vignette spaces, providing inspiration and a reminder of the HGTV brand for those collaborating in the rooms.

showing the resource library and the vignette spaces. The resource library acts as a home base for Scripps employees to explore the vignettes and learn more about interior design products. Large scale floor graphics provide quick, visual alert to the style of each vignette.

showing the three levels of the home studio. The lowest level provides a cafe for Scripps employees. The main level houses five vignette spaces in addition to the resource center: (1) sustainable; (2) contemporary; (3) mid-century modern; (4) traditional; (5) eclectic. The upper level contains four huddle rooms, each overlooking the vignette spaces below. SKETCH UP + PHOTOSHOP

AXONOMETRIC VIEW04

CAMPUS MASTER PLAN

PERSPECTIVE

PERSPECTIVE

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for Scripps Network Campus in Knoxville, Tennessee. Completion of the campus is broken up into the following five phases:

phase 1: home studio | cafephase 2: fitness center | green spacephase 3: offices | parking | green spacephase 4: public space(s) | additional parkingphase 5: additional public space | green space

The phases will occur over the course of five years, creating an iconic campus for Scripps employees and the Knoxville community. ILLUSTRATOR

PRISMA MARKERS + PEN + VELLUM


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06MARCH 2011 - JUNE 2011 SCRIPPS NETWORK COLLABORATION PROJECT THE HOME STUDIO

soireesoireesoireesoiree @@ colette{ }

SEPHORA SAAVY: SOIREE AT COLETTE03DESIGNED DURING:LOCATION OF PROJECT:TYPE OF PROJECT:

SEPTEMBER 2011 - NOVEMBER 2011PARIS, FRANCEPAVE RETAIL COMPETITION

For Sephora, it’s time to get ahead with a saavy pop-up. To not only up Sephora’s street cred but strut their stuff for fashion mavens, beauty connoisseurs, marketing mavens & elaborate editors. All trendsetters, all here. The impact.. the newest, the latest, the greatest. The most buzzed about beauty trends in the world.

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soireesoireesoireesoiree @@ colette{ }

showing the visual merchandising area and simple wall graphics. the visual merch fixture is an extrusion of sephora’s flame, alluding to their brand and providing inspiration to those in the space.

showing the Sephora Soiree at Colette. Sephora’s bold lines easily fit in Colette’s streamlined architecture, and the iconic stripes also act as photo back drop for impromptu photo shoots.

ILLUSTRATOR + PHOTOSHOP


PERSPECTIVE

PERSPECTIVE

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08SEPTEMBER 2011 - NOVEMBER 2011 PAVE RETAIL COMPETITION SEPHORA SAAVY: SOIREE AT COLETTE

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showing the mavens gathered for the Soiree live podcast. Sephora fans can send tweets and Cacebook messages, and the mavens will answer a select group of questions live at sephora.com.

showing the exterior of the activation space in the water bar. Sephora’s bold stripes layer to form a wall and the Sephora name is layered on the wall to add dimensionality within the space.



PERSPECTIVE

PERSPECTIVE

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04 10SEPTEMBER 2011 - NOVEMBER 2011 PAVE RETAIL COMPETITION SEPHORA SAAVY: SOIREE AT COLETTE

DESIGNED DURING: TYPE OF PROJECT:FALL 2011 FURNITURE SEMINAR04

PIECES & ASSEMBLY: THINKING IN THREE’S

LIGHTEST

ALUMINIUM

SHAPE

FINISH

WEIGHT MEDIUM

BIRCH

HEAVIEST

BIRCH; DARK STAIN

juxtapositionalCHAIR

CURVILINEAR PROFILE vs. LINEAR FORMSSTRUCTURE vs. FORM

COMPRESSION vs. TENSIONMETAL vs. WOOD

The juxtapositional chair was designed as an indoor chair, meant for casual sitting and lounging. Taking inspiration from the Panton chair, the Juxtapositional chair also acts as a sculptural piece. The chair will be able to fit into a variety of living room settings, where friends and family can gather and converse.

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VOIDS TO REDUCE WEIGHT

1/16” STAINLESS STEEL SHEET

3/4” BALTIC BIRCH SHEET

1/2” BALTIC BIRCH SHEET

showing the curvilinear versus linear forms.

showing the juxtaposed materials and finishes.

PEN + MARKERSKETCHES

PHOTOGRAPH

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of the juxtapositional chair before taking the design into dimensioned drawings on the computer.

of the juxtapositional chair produced in SolidWorks. The program makes parts and assemblies interchangeable, thus making the modeling process very efficient.CHIPBOARD SOLIDWORKS

MODEL MODEL03 04

12SEPTEMBER 2011 - DECEMBER 2011 FURNITURE SEMINAR JUXTAPOSITIONAL CHAIR

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showing the cut pieces and voids receieved from the Rapid Prototyping Center.

juxtaposing the ebony stained pieces with the natural birch pieces.

showing the connection detail of the exposed screws.

juxtaposing the natural birch with the ebony stain and the aluminum sheet. This view also shows the connection details of each piece.

of the simple, exposed screw attaching the aluminum to the birch sheet.

of the final chair. In following the minimalistic and industrial aesthetic, I wanted to expose the connection details of the screws. It also adds visual interest to the simplistic design

showing the slot connection detail of the two pieces of wood.

PHOTOGRAPH

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11 SEPTEMBER 2011 - DECEMBER 2011 14FURNITURE SEMINAR JUXTAPOSITIONAL CHAIR

DELTA DAY AT THE LAKERS05DESIGNED DURING:LOCATION OF PROJECT:TYPE OF PROJECT:

MARCH 2012NOKIA PLAZA, LOS ANGELES, CACO-OP AT MKG

Shoot around, sink a three, and see how LA fans’ stats compare to the Lakers. Delta Day at the Lakers was a fan appreciation event before a home game at the Staples Center.

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stats LA43.86.229.515.22.0

94.011.634.117.15.1

PPGOFFRDEFR

3PMFTM

LAKERS stats LA43.86.229.515.22.0

94.011.634.117.15.1

PPGOFFRDEFR

3PMFTM

LAKERS

showing the Delta event in Nokia Plaza outside the Staples Center. A branded stats wall sets the tone for the event, as fans see how their stats compare to the best of the best on the Lakers team. ILLUSTRATOR + PHOTOSHOPPERSPECTIVE01

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of Delta Day at the Lakers, showing the courtside, VIP experience seats and fans participating in foul shots and three pointers to win prizes from Delta.EVENT PHOTOGRAPH03 of Delta Day at the Lakers, showing the exterior wall of the activation space. The branded stats wall and Delta Brand Ambassadors greet fans as they approach the event area.EVENT PHOTOGRAPH04

on the interior of the activation space, designed to resemble the courtside seats available in front row of a Lakers game, an upscale, VIP experience.ILLUSTRATOR + PHOTOSHOP

ELEVATION02

16MARCH 2012 CO-OP/INTERNSHIP AT MKG DELTA DAY AT THE LAKERS

at ECC is dynamic, moveable, and adapts to the needs and wants of the children. It is a multi-age classroom, featuring a control/command center which acts as a central, facilitator of activities in the classrom, a library, a science/wet lab area, three additional computer stations, and a greenhouse.

attached to each multi-age classroom connects the interior of the school to the temperant outdoor climate in Costa Rica. The greenhouse also provides an opportunity for students to learn about sustainability and biology.

of ECC showing the relationship of the classroom modules to the rest of the shell; the varying roof heights of the shell; and the relationship of the 2nd mezzanine level to the classroom modules and the shell of the building.

SKETCH UPSKETCH UPSKETCH UP

THE IDEAL CLASSROOMTHE GREENHOUSEAXONOMETRIC 030201

RESEARCHPROJECTTIMELINE

PRE-DESIGN

RESEARCH +

BRAND STRATEGY

SCHEMATIC+

DESIGN DEVELOPMENT

CDs+

FINAL DESIGN

MARCH - JUNE 2012 JUNE - AUGUST 2012 SEPTEMBER - DECEMBER 2012 JANUARY - FEBURARY 2013 MARCH - APRIL 2013

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ESCUELA DE CREATIVAS CIENCIAS06DESIGNED DURING:

LOCATION OF PROJECT:TYPE OF PROJECT:

RESEARCH MARCH 2012 - DECEMBER 2012,DESIGN PROCESS JANUARY 2013 - APRIL 2013SAN PEDRO, COSTA RICASENIOR CAPSTONE

La Escuela de Creativas Ciencias is a focus option public school in San José, Costa Rica. The school will promote, stimulate, and encourage students by providing a hands-on and interactive educational experience. At ECC, we strive to foster discovery type learning, by allowing students to interact with the physical world and their peers. By focusing on the creative sciences and technology, ECC will cultivate students who are independent, creative, and problem solvers, ready for the constant evolution of the globalization of the economy.

showing the two components of ECC and its brand qualities. The ideal classroom and the interactive spaces possess the attributes that give ECC its passion, its energy, and its uniqueness.

DIAGRAM04

ESCUELA DE CREATIVAS CIENCIAS

THE IDEAL CLASSROOM

INTERACTIVE EXHIBIT SPACES

hands-on

discovery

educational

experiential

interaction

fun

exploration

multi-age

constructivist

collaborative

evolving

dynamic

experiential

18JANUARY 2013 - APRIL 2013 SENIOR CAPSTONE ESCUELA DE CREATIVAS CIENCIAS

N 1ft

2ft

5ft 20ft

10ft

1m

2m

5m

of ECC’s main floor. Each classroom has is lcoated along the courtyard side of the building, helping to further connect the interior and the exterior. The oversized circulation space makes room for interactive spaces and exhibits, transforming the circulation space into learning environments for the schoolchildren. ECC features four interactive areas: (1) Matter & Energy; (2) Earth, Universe, & Space; (3) Human Body; and (4) Sustainable & Healthy Eating.

showing the ideal classroom and two interactive areas, Earth, Universe, & Space and The Human Body. In order to reflect the Costa Rican culture and reduce the embodied energy associated with the transportation of materials to the site, Costa Rica’s vast natural resources will be used for the completion of ECC. All classroom floors will be made of teak wood, locally grown and harvested in Costa Rica. All furniture within the rooms will be made from melina wood, also grown and harvested in Costa Rica. Traditional Spanish-style clay tiles manufactured by Productos Caribe S.A, located in the city of Esparza, Puntarenas province, approximately 80 km west of San José, will be used in the “wet lab” area of the classroom.

showing the interactive exhibit spaces in ECC, visible to students as they enter the school. The Human Body Exhibit, “Obras Cuerpo,” is on the right and the Earth, Universe, & Space Exhibit, “Explorar Espacio,” is on the left. Corrugated metal walls and concrete floors remain visible and an open feel throughout the circulation space, pays homage to the industrial nature of the once coffee production facility.

AUTO CAD

AUTO CAD + PHOTOSHOP


PLAN

RENDERED PLAN

PERSPECTIVE

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07 20JANUARY 2013 - APRIL 2013 SENIOR CAPSTONE ESCUELA DE CREATIVAS CIENCIAS

of a tangram showing the components that define the ECC’s curriculum.

showing the entry of ECC. Upon entering the school, students are greeted by interactive exhibits, such as an interactive Earth with iPad contorls and an exhibit showing the planets.

showing the Human Body exhibit area. On the right, a life-size game of Operation allows students to learn more about their bodies. On the left, large-scale cells show students how their body works on a molecular level. In the back, students jump, move, and shake to increase their heart rate and learn more about the most vital organ in their body. Exposed corrugated metal walls, concreate flooring, and the overall openness of the space pays homage to the building’s original function-- a coffee manufacturing plant.

showing the ideal classroom. The control center is the technological centerpiece of the room. It features iPads, two televisions, a projection system, and two stations for audible language training. Large, metal lighting fixtures and an exposed ceiling grid revel the pitch of the ceiling and allude to the industrial of the building shell.

derived from the curriculum tangram. The fully saturated tangram represents the seven aspects of the ECC curriculum. The three lighter tangrams represent the three brand qualities of ECC: Discovery, Exploration, and Interaction.

ILLUSTRATOR


SKETCH UP + PHOTOSHOPSKETCH UP + PHOTOSHOP

ILLUSTRATOR

DIAGRAM

PERSPECTIVE

PERSPECTIVE

PERSPECTIVE

ECC LOGO

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multi-age

technology

scienceculture

bloom’staxonomy

color

constructivist

12 22JANUARY 2013 - APRIL 2013 SENIOR CAPSTONE ESCUELA DE CREATIVAS CIENCIAS


FOR YOUR TIME & CONSIDERATIONTHANK YOU

Allison Bosworth's Interior Design Portfolio

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