Alice Cleaver
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Transcript of Alice Cleaver
Alice Cleaver (1878–1944)
Cleaver studied at the Art Institute of Chicago, four years; the Pennsylvania Academy of Fine Arts under William Chase and Cecelia Beaux, three years; and in Paris for one year until the outbreak of World War I ended her studies. She spent most of her career painting in her home town of Falls City, Nebraska in the manner of her Philadelphia training.
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Biography Alice Cleaver
Alice Cleaver was born in 1878 in Falls City, Nebraska, daughter of an insurance salesman and former homesteader. She studied art at the University of Nebraska, Art Institute of Chicago, and Pennsylvania Academy of Fine Arts. While still a student in Philadelphia in the early 1900’s, Cleaver traveled to Arizona and New Mexico in order to paint the lifestyle and surroundings of the Pueblo Indians. In order to travel, she would often exchange her paintings for rail fare.
After finishing her studies, Cleaver lived in Paris from 1913-1914, exhibiting her work and
seemingly beginning a promising career as a painter. However, she returned to Falls City in 1914 under pressure from overbearing parents. She remained close to home for the rest of her life, teaching art and music and continuing to paint a little, but her career was certainly over.
http://www.medicinemangallery.com/bio/alicecleaver.lasso
Alice Cleaver (1878-1944)
Museum Collections Featuring Works by Alice Cleaver
Highest Auction Prices for Alice Cleaver
Alice Cleaver was born in 1878 in Falls City, Nebraska, daughter of an insurance salesman and former homesteader. She studied art at the University of Nebraska, Art Institute of Chicago, and Pennsylvania Academy of Fine Arts. While still a student in Philadelphia in the early 1900’s, Cleaver traveled to Arizona and New Mexico in order to paint the lifestyle and surroundings of the Pueblo Indians. In order to travel, she would often exchange her paintings for rail fare.
After finishing her studies, Cleaver lived in Paris from 1913-1914, exhibiting her work and seemingly beginning a promising career as a painter. However, she returned to Falls City in 1914 under pressure from overbearing parents. She remained close to home for the rest of her life, teaching art and music and continuing to paint a little, but her career was certainly over.
Museum Collections Featuring Works by Alice Cleaver
Highest Auction Prices for Alice Cleaver
Return to Home Page WWW.TAOSPAINTERS.COM
Alice Cleaver
A MONA Moment By Ron Roth Director Museum of Nebraska Art
Who is this Miss Alice Cleaver, and why should we be interested in her here in Nebraska? Well, a strong case could be made that this Falls City native was Nebraska's greatest woman visual artist.
While it is true she began and ended her career in the field of music - she studied music at the University of Nebraska - her brilliance as a painter was not to be denied. In 1904, she successfully completed a degree with honors from the prestigious Chicago Art Institute. She was accepted into the
Philadelphia of Fine arts and studied for three years with perhaps the greatest American artists of that era, William Merritt Chase. Then on to Paris and studying and exhibiting in the salons and studio of the international capital of art, and the Latin Quarter Exhibition that was reported in the New York Times.
So why is Alice Cleaver not widely known or recognized today? There are many reasons. But be very sure, as one noted art historian has commented on Cleaver, she "was able to achieve a limited success that few women of the early 20th Century were able to attain." Her career in Paris was thwarted by the onset of World War I, which forced her to leave Europe and return to her hometown of Falls City. Poor health as a result of a heart ailment, a protective and close knit family were other factors which perhaps contributed to her not fully realizing her extraordinary talent.
Hanging in my office now, is a painting by Ms. Cleaver from the MONA collection, which I greatly admire. An oil painting titled Girl with Palette.
The overall color tone of the painting is brown, a somber color we don't normally associate with opportunities for rich, visual effects. But using subtle gradations of color with hints of multiple hues Miss Cleaver entertains us with a seminar on the rich possibilities of brown. Look there, for instance, that fugitive hint of pink in the apron cascading down from her knee.
And the opportunity for dramatic contrast is not lost on Cleaver. Look at those glistening mounds of oil paint on the edge of the palette - pristine, undisturbed, and read for action - ready to be combined with each other on the empty plane of the palette board above them. Against the background of brown, these rich dapples of color sparkle like a string of gems.
This portrait captures a moment of reflection, the pause the artist takes immediately before transforming her vision onto the canvas. Her head is tilted pensively, slightly to the right. And, most tellingly, her eyes are glancing leftward toward something off the canvas to her left, presumably at the object or model she will be painting.
And look at those fingers of her right hand. The thumb, forefinger and middle finger are pursed together in a way we associate with meditation. Her left hand supports her as she leans back against a table. And where is the paintbrush? It is somewhere outside of the canvas. Because the subject of this painting is not about the act of painting, but what goes before: the thinking, the planning, the reflection, the preparation of the paints-- rituals of the creative act.
http://www.netnebraska.org/extras/monamoments/mona12alice.html
Alice Cleaver b. 1878, Racine, Wisconsind. 1944, Falls City, Nebraska
Title: Girl in White - Portrait of Miss Edna Brown
Medium: oil
Date: n.d.
Dimensions:
Acquired by: Museum Purchase & Gift of Dr. Tom Pollard
Accession No: 1992.31
Nebraska's women artists between 1880 and 1950 left a huge legacy. Twelve of the most influential were: Sarah Wool Moore, Cora Parker, Sarah Sewell Hayden, Elizabeth Tuttle Holsman, Alice Righter Edmiston, Angel DeCora Dietz, Elizabeth Honor Dolan, Marion Canfield Smith, Alice Cleaver, Gladys M. Lux, Katherine "Kady" Burnap Faulkner, and Myra Biggerstaff. The Fall 2007 issue of Nebraska History in an article by Sharon L. Kennedy discusses the contributions these women made to Nebraska art and reproduces some of their most noted works.
http://www.lycos.com/info/women-artists--works.html?page=2