Acquisition Strategies in the Multinational Recording Industry

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Acquisition Strategies in the Multinational Recording Industry Patrik Wikström Jönköping International Business School

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Transcript of Acquisition Strategies in the Multinational Recording Industry

Page 1: Acquisition Strategies in the Multinational Recording Industry

Acquisition Strategies in the Multinational Recording Industry

Patrik WikströmJönköping International Business School

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1888-1920

1888

1894-1901

1888

1896

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1920s

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1930sInternalCentralizedHierarchical

ExternalAggressiveConservative

1929-34

1931

1931

1929

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1940s

1945

1945

1942

1947

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1950s

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# of new acts on the year-end-charts

Dowd (2004)

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Industry concentration

Dowd (2004)

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1950s

1955

19611961-2

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1960s

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Labels-to-firm ratio

Dowd (2004)

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1970s

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InternalDecentralizedMulti-label

ExternalPartnerships“Progressive”

1970s

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1970s

1977

1972“…as I speak, black music and country music appear to be two primary growth areas in the coming year. If that perspective changes by the time you leave this room, I can still assure you Columbia Records will have a major entry into whatever new area is broached by the vagaries of public tastes”.

(Arthur Taylor president CBS in 1973)

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1980s

1979, 83-86

1988

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1990s

1995

1998-9

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1990s

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Market shares, single sales, Sweden

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Industry concentration

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Labels-to-firms-ratio

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Global sales of recorded music

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2000s2004

2000

2004

2007

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Conclusions &Looking forward

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InternalCentralizedHierarchical

InternalDecentralizedMulti-label

InternalCentralized?Label groups

1930- 1970- 2000-

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Atlantic Records Group

Independent Label Group

Warner Bros. Records

Word Entertainment

Interscope/Geffen/A&M

Island Def Jam Music Group

Universal Motown Records Group

Decca Label Group

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InternalCentralizedHierarchical

ExternalAggressiveConservative

InternalDecentralizedMulti-label

ExternalPartnerships“Progressive”

InternalCentralized?Label groups

ExternalOutsourcing“Upstreaming”

1930- 1970- 2000-

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“360 business model”

Record salesConcertsMerchandiseLicensingSponsorshipsEtc…

“All-rights/Full-service”

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Warner Music Group’s latestacquisitions, partnerships, and JVs A: Zebralution, DE – Digital distribution platform (Feb ‘07) JV: Brand Asset Group, US – Artist development services (Jun

‘07) A: Non-Stop Music, US – Production Music (Aug ‘07) A: Taisuke, JP – All-rights/Full service (Sep ‘07) P: Zazzle, US – Merchandise retailer (Oct ‘07) JV: Kaiku, FI – All-rights/Full service (Oct ‘07) A: Camus Production, FR – Tour Production, promotion and

production company (Jan ‘08)

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Patrik WikströmMedia Management and Transformation Centre

Jönköping International Business SchoolJönköping, Sweden

[email protected]