Arranged byALAN BILLINGSLEY

Freely (q = ca. 116)

A MUSICAL

© 2015 REALLY ROTTEN MUSIC and MAD MOTHER MUSICAll Rights for REALLY ROTTEN MUSIC Administered by WB MUSIC CORP.

All Rights for MAD MOTHER MUSIC Administered by WORDS AND MUSIC ADMINISTRATION, INC. This Arrangement © 2016 REALLY ROTTEN MUSIC and MAD MOTHER MUSIC

All Rights Reserved. Printed in USA. Sole Selling Agent for This Arrangement: Alfred Music

Words and Music byKAREY KIRKPATRICK

and WAYNE KIRKPATRICK

FLUTE

CLARINET 1

CLARINET 2

TENOR SAXOPHONE

BARITONE SAXOPHONE

TRUMPET 1

TRUMPET 2

TROMBONE 1

TROMBONE 2

SOLOS

SOPRANOALTO

TENORBASS

PIANO

SYNTHESIZER 2(French Horn)

SYNTHESIZER 1(Strings)

TIMPANI

GUITAR

BASS

DRUM SET

SOLO 1: What on earth is a musical?SOLO 2: It appears to be a play where the dialogue stops and the plot is conveyed through song.SOLO 1: Wait. So, an actor is saying his lines and then, out of nowhere, he just starts singing?SOLO 2: Yes!

mf

mf

mf

SOLO 1

Well,

mf

that is the

3

stu pid- est- thing that I have

3

ev er- heard. You’re

3 3 3 3

mf

pizz.

mf

mf

mf

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5 rit.

rit.

rit.

rit.

a tempo

a tempo

a tempo

a tempo

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

Solos

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

do ing- a play, got some thing- to say, so you sing it?

3

It’s ab surd!- Who on earth is

3

go ing- to sit there

3

while an

3 3 33 3 3 3 3

arco

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broadly e rit.

broadly e rit.

broadly e rit.

broadly e rit.

8a tempo

a tempo

a tempo

a tempo

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

Solos

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

3

5

mf

3

mf

3

mf

3

mf

3

mf

3

ac tor- breaks in to- song? What pos si- ble

3

- thought can the au di- ence

3

- think, oth er-

3 3 3

3

3

3

5

3

mf

3

Gentle crashes

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rit.

rit.

rit.

rit.

12 16

16

Brightly (q = ca. 126)

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

Solos

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

mf

mf

"Horn-like"

mf

mf

mf

than this is hor ri- bly

3

- wrong?

SOLO 2: Remarkably, they won’t think that.SOLO 1: Seriously? And why not?SOLO 2: Because ...

SOLO 2

It’s

mf

a mu si- cal,- a mu si- cal,- and

3

mf

mf

B¨6 G7

mf

B¨6 G7

"2-Beat" in 4

mf

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18

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

Solos

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

mf

noth ing’s- as a maz- ing- as a mu si- cal!- With song and dance, and sweet ro mance,- and

SOPRANO

ALTO

Ah

mp

TENOR

BASS

mp

C7 F F9 B¨6 G7

C7 F F9 B¨6 G7

sim.

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22

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

Solos

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

mf

mf

hap py- end ings- hap pen- ing- by hap pen- stance.-

hap pen- stance.- Bright

mf

lights, stage fights,

mf

C7 F13 E¨ D7/F©

C7 F13 E¨ D7/F©

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25

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

Solos

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

You wan na- be great then you got ta- cre ate- a mu si- cal!-

and a daz zl- ing- cho rus.- A mu si- cal!-

3

G‹ G7(#5) G7 C9 D‹/F F9 B¨

G‹ G7(#5) G7 C9 D‹/F F9 B¨

fill

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28 30

30

Fl.

Cl. 1

Cl. 2

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Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

mp

mp

mp

mp

mp

mp

mp

mp

SOLO 1: I don’t know, I find it hard to believe people would actually pay to see something like this.

Let’s just say it’s a Sat ur- day- night, and you wan na- go out on the town.

3 3 3 3 33

3 3 3 3 3 3

mp

mp

mp

B¨

mp

B¨

mp

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32

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

Got a lad y- to flat ter,- who might cheer you up if you don’t let her down.

SOPRANO only (opt. solo)

You could go see a trag e- dy,-

3 3 3 3 3 3 3 3 3

BASS only (opt. solo)

But3 3 3 3 3 3

3

C‹ F B¨

C‹ F B¨

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35 rit.

rit.

rit.

rit.

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

ALTO only (opt. solo)

Or a play from Greek my thol- o- gy.- Ew!

ALL3 3 3 3

that would n’t- be ver y- fun.

TENOR only (opt. solo)

See a moth er- in love with her son.

ALL3 3 3 3 3

pizz.

C‹ F7 B¨/D G7(;5) C‹

C‹ F7 B¨/D G7(;5) C‹

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Dramatically (q = ca. 92)

Dramatically (q = ca. 92)

38

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

You

f

could go see a dra ma,- with all that trau ma- and pain. Or

mp

go see

33 3 3 3

f mp

3 3 3 3 3

f

A¨ C‹ B¨ G7

A¨ C‹ B¨ G7

cr. tom

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rit.

rit.

rit.

rit.

41 a tempo

a tempo

a tempo

a tempo

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

mp

mp

mp

mp

some thing- more re lax- ing- and less tax ing- on the brain. Go see a

mp

C‹7 A¨‡…‹7 C‹7/G G9 C‹7 F GØ7/F F‡…‹7 F7

F GØ7/F F‡…‹7 F7

Lt cym

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45

45

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

mf

mf

mf

"Horn-like"

mf

"Horn-like"

mf

mf

mf

mf

"Horn-like"

mf

"Horn-like"

mu

mf

si- cal,- a mu si- cal,- a puff y- piece re leas- ing- all your blues i- cals.-

Where

mf

mu si- cal,- a mu si- cal,- re leas- ing- all your blues i- cals.-

Where

mf

mf

mf

mf

B¨6 G7 C7 F13

mf

B¨6 G7 C7 F13

mf

sim Lt. fill

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49

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

croon ers- croon

Ah!

a catch y- tune,

And lim ber,- leg gy- la dies- thrill ya till ya swoon.

croon ers- croon

Ah!

a catch y- tune,

B¨6 G7 G¨7 G7 C9 F6 E9 F9

B¨6 G7 C9 F6 E9 F9

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53

53

Fl.

Cl. 1

Cl. 2

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Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

Oos, ahs, big ap plause,- and a stand ing- o va- tion.- The fut ure- is bright if you can just write a

3 3

E¨ G¨‡…‹7 G‹ G7(#5) G7 C13

E¨ G¨‡…‹7 G‹ G7(#5) G7 C13

Lt. fill Lt. fill

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56

57

57

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

(Piccolo)

mu si- cal.- Some

mp

make you hap py.-

Somef

make you sad.

mpsub.

f

F6 E9 F9 B¨ E¨6 B¨/F

F6 F9 B¨ E¨6 B¨/F

cymFl tom

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59

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

Some

mf

are quite big, some quite

3

small. Some are too long, some are

mf

3

mf

F9 B¨6 B¨ B/E B% B/E B% B/E

F9 B¨6 B¨ B/E B% B/E B% B/E

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62 molto rit.

molto rit.

molto rit.

molto rit.

Fl.

Cl. 1

Cl. 2

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Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

Flute3

3

3

3

just plays with song. Ah! Some mu si- cals- have no talk ing- at

3

all.

SOLO 1: And people actually like this? SOLO 2: No! They love it!

3

3

3

A‹11 A‹7/E A‹7 G7(“4) G7 G7(“4) G7(“4)/D G7 G7(“4) G73

A‹11 A‹7/E A‹7 G7(“4) G7 G7(“4) G7(“4)/D G7 G7(“4) G7

3cym

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A bit faster (q = ca. 132)

A bit faster (q = ca. 132)

6667

67

67

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

f

f

f

f

f

f

f

f

f

f

f

f

B¨6 G7 C7

f

B¨6 G7 C7

f

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70

Fl.

Cl. 1

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Tpt. 1

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Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

"Horn-like"

"Horn-like"

"Horn-like"

"Horn-like"

With

mf

song and dance, and sweet ro mance,- and with a mu si- cal- we might have

mf

mf

F6 E9 F9 B¨6 G7 C7

F6 F9 B¨6 G7 C7

fill fill

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74 75

75

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Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

mf

mf

mf

mf

mf

mf

mf

mf

mf

(clap) half a chance. Oos, ahs, big ap plause- with ev ’ry- one- cheer ing- for us.

mf

mf

F13

mf

E¨ E¨‹6/G¨ B¨/F G7(#5) G7

F13

mf

E¨ E¨‹6/G¨ B¨/F G7(#5) G7

mf

fill fill

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Swing (q = ca. 112)

Swing (q = ca. 112)

77 79

79

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

And for some un ex- plain- a- ble-

f mf

5

E¨‹6/G¨ B¨/F

E¨‹6/G¨ B¨/F

fillCr. Ride

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80

Fl.

Cl. 1

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T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

shake

shake

shake

shake

shake

shake

rea son,- the crowd goes wild ev ’ry- time when

3

G7(#5) G7 C‹9 C7

3

G7(#5) G7 C‹9 C7

3 3

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83

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

3

3

dan cers- kick in un i- son- in one, big won der- ful

3

-

3

3

3

3

B¨/F G¨‡…‹7 B¨6 G7(#5) C9 B9 C93

B¨/F G¨‡…‹7 B¨6 G7(#5) C9 B9 C93

fill fill 3

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86

Fl.

Cl. 1

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Tpt. 1

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Tbn. 1

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S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

rit. e cresc.

rit. e cresc.

rit.

3

rit. e cresc.

3 3 3 3 3 3 3

3

rit. e cresc.

3 3 3

3

rit. e cresc.

3 3

3 3 3 3 3

3

rit. e cresc.

3 3 3

3 3 3 3

3

rit. e cresc.

3 3 3 3 3 3 3

3

rit. e cresc.

3 3 3

line!

rit.

And then you’ve got your self- a

3 3 3 3 3 3 3

rit. e cresc.

rit. e cresc.

rit.

rit.

C‹7

rit. e cresc.

G¨7

3 3 3 3 3 3 3

C‹7

rit. e cresc.

G¨7

rit. e cresc.3 3 3 3 3 3 3

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88

88

Kickline (q = ca. 104)

Kickline (q = ca. 104)

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

f

f

f

f sim.

Solo

f

shakeshake

f

shake

f

f

mu

f

si- cal,- a mu si- cal,- a

f

f

f

f

f

B G©

f

B G©

f

Crashes on 2 & 4fill

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92

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

3

3

3 3

sim.

3 3

3 3

la la la la la la la pa- looz- i- cal!- With splash y- style and a

3

3

3

3

3 3

C©9

sim

G©‹7/F© G7 F©7 B

C©9 G©‹7/F© G7 F©7 B

fill

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95

Fl.

Cl. 1

Cl. 2

T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

3 3

3 3

3 3

3 3

3 3

big, fake smile, a snaz zy- band, some jazz y- hands, I swear that I’ll

3 3

3 3

G©7 C©9 G©‹7/F© G7 F©7

G©7 C©9 G©‹7/F© G7 F©7

fill

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98

98

Doubletime feel, straight eighths (q = ca. 126)

Doubletime feel, straight eighths (q = ca. 126)

Fl.

Cl. 1

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T. Sax.

Bari. Sax.

Tpt. 1

Tpt. 2

Tbn. 1

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S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

cross my heart hope to die if it is n’t- a doo zy.- Take it from me,

E6 E‹6/G B G©7(#5) G©7 C©9

E6 E‹6/G B G©7(#5) G©7 C©9

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101

Fl.

Cl. 1

Cl. 2

T. Sax.

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Tpt. 1

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Tbn. 1

Tbn. 2

S.A.

T.B.

Pno.

Synth. 1

Synth. 2

Timp.

Gtr.

Bass

Dr.

3

3

3

3

3

3

they’ll be flock in’- to see

cresc. to end

a

cresc. to end

3

3

E‹7

E‹7

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104

Fl.

Cl. 1

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T.B.

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Synth. 1

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Timp.

Gtr.

Bass

Dr.

ff

ff

ff

ff

ff

ff

ff

ff

ff

star lit,- won’t quit,- big hit- mu si- cal!-

ff3

ff

3

cresc. to end ff3

ff

ff

ff

C©‹9 BŒ„Š7/D© E F#13(11) B6

ff

C©‹9 BŒ„Š7/D© E F#13(11) B6

ff3

fill Big fill to end

ff3

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