A house is not a home (by Lilith)

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description

Overview of my self-portraits in my own house as well as in strangers' houses from 2006 till 2013. Dimensions 30 x 25 cm landscape, 228 pages, full color, hardcover bound, an original picture included Multilingual: Dutch, English, German Design Edwin Smet Price euro 39.50 inc 6% VAT Shippingcosts within the Netherlands euro 10.00 (shippingcosts abroad to be agreed) ISBN: 978-90-819714-1-6

Transcript of A house is not a home (by Lilith)

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Le droit de manifester, 2008

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Golden triangle, 2012

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Queen bed, 2012

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Side table, 2010 Collection Museum Van Bommel van Dam, Venlo (nl)

‘Feeling a person of worth, equal to others, relativizes bending forward to serve.’

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Banquet, 2008 Collection Museum Van Bommel van Dam, Venlo (nl)

‘Being flesh and blood doesn’t automatically imply being a piece of meat.’

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Doing the laundry, 2007 Collection Museum Van Bommel van Dam, Venlo (nl)

‘I take everything as a challenge, it’s just a matter of perception.’

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From blue to white, 2010 Collection Museum Van Bommel van Dam, Venlo (nl)

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Looking for love to compensate the emotional abuse. But then again: I am weed.

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Dutch Art Photographer

Henriëtte van Gasteren

(Sevenum, 1964), using the artist

name Lilith, is a storyteller with

a passion for photography. Since

2006 her self-portraits have been

telling her stories. Her recurring

themes have been women,

identity, female archetypes,

gender bending and of course,

life itself. But above all freedom

and equality.

Lilith creates humorous, ironic

self-portraits around her own

home. A house shows who we are

and over 5 years Lilith shared her

home with her audience. Every

corner of the room appears in

her extraordinary photography.

A story in images about women,

vulnerability, eroticism and

much more.

In 2012 the time for change had

come. For her latest series of self-

portraits home owners unknown

to her have offered their houses

as sets. After she contacted the

newspapers dozens of house ow-

ners offered their homes for her

new self-portraits. Lilith visited

the houses, often without the

presence of the owner, their faith

in her shown by giving her their

house keys and carte blanche to

use the rooms as she wished.

Lilith, in both her life and her

work communicates with the

things discovered around her so

in these new and strange sites

the artistic possibilities explode

with sometimes surprising re-

sults. Her photography changed

but still remained unmistakably

‘Lilith’.

Dutch and German translations of all texts from page 218

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A house is not a home, 2012 Collection Limburgs Museum, Venlo (nl)