A Collection of Work, 2013

A collection of work byJeffrey M. StewartSyracuse University School of Architecture

Master of Architecture, Class of [email protected]

585.613.8216

DEN[CITY]

RESUME 04

06

16

38

TRIBUTE CENTER

CULINARY INSTITUTE

JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013

[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE4

EDUCATION SKILLS

EXPERIENCEHONORS / AWARDS

Expected, 05/13

09/11-12/11

05/10

SYRACUSE UNIVERSITY, SCHOOL OF ARCHITECTUREMaster of ArchitectureMagna Cum LaudeInternational Study: Florence, ItalyThesis: Reconnecting the Rust Belt City

UNIVERSITY AT BUFFALO, SCHOOL OF ARCHITECTURE AND PLANNING Bachelor of Science in ArchitectureCum LaudeDeans List

INTERNDANNY FORSTER DESIGN STUDIO, NEW YORK, NEW YORKCollaborated on the schematic design for a hotel in downtown Manhattan. - Developed schemes for facade design using Rhino and 3ds Max Script.Responsible for construction administration for an apartment renovation in Chelsea.Created pricing set for a sustainable house in Indiana using AutoCAD Architecture.

DESIGN STUDIO TEACHING ASSISTANT,SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE, SYRACUSE, NEW YORKWorked directly with faculty to teach first year undergraduate design studio.Trained students to develop technical drawing and modeling skills.Conducted weekly desk crits and design reviews of student work.

INTERN,SMITH AND ASSOCIATES ARCHITECTS, ROCHESTER, NEW YORKProduced construction documents and assisted in design of major housing project.Assisted in design proposal for medical facility. - Collaborated with project manager to bring project from RFP into DD phase. - Created all AutoCAD files and presentation boards. - Conducted code research.

COMPUTER: AutoCAD ArchitectureAdobe CS6 including PremierRhinoceros including V-Ray and Grasshopper3ds Max Design including Max ScriptSketchUpRevit

MODELING: Laser cutterCNC milling3d printingCasting: hydrocal, resin, rubber

EXCELLENCE IN THESIS AWARDSelected by faculty to participate in Super Jury Competition which grant students the opportunity to present to a panel of faculty and visiting professionals to determine best thesis.

ROBERT W. CUTLER STUDY ABROAD SCHOLARSHIPAwarded to students studying abroad who maintain high academic standing.

HUB DESIGN COMPETITION - AFH CHARLESTONAwarded Honorable Mention.

SIGMA ALPHA PI NATIONAL SOCIETY OF LEADERSHIP AND SUCCESSNetworking team of self-governing student established to support academic discipline and goal setting.

PHI ETA SIGMA NATIONAL HONOR SOCIETYAwarded to first year students who earned high academic achievement.

05/12-08/12

08/12-05/13

06/11-08/11

05/13

09/11

10/10

04/09

05/07


[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 5

EDUCATION SKILLS

EXPERIENCEHONORS / AWARDS

Expected, 05/13

09/11-12/11

05/10

SYRACUSE UNIVERSITY, SCHOOL OF ARCHITECTUREMaster of ArchitectureMagna Cum LaudeInternational Study: Florence, ItalyThesis: Reconnecting the Rust Belt City

UNIVERSITY AT BUFFALO, SCHOOL OF ARCHITECTURE AND PLANNING Bachelor of Science in ArchitectureCum LaudeDeans List

INTERNDANNY FORSTER DESIGN STUDIO, NEW YORK, NEW YORKCollaborated on the schematic design for a hotel in downtown Manhattan. - Developed schemes for facade design using Rhino and 3ds Max Script.Responsible for construction administration for an apartment renovation in Chelsea.Created pricing set for a sustainable house in Indiana using AutoCAD Architecture.

DESIGN STUDIO TEACHING ASSISTANT,SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE, SYRACUSE, NEW YORKWorked directly with faculty to teach first year undergraduate design studio.Trained students to develop technical drawing and modeling skills.Conducted weekly desk crits and design reviews of student work.

INTERN,SMITH AND ASSOCIATES ARCHITECTS, ROCHESTER, NEW YORKProduced construction documents and assisted in design of major housing project.Assisted in design proposal for medical facility. - Collaborated with project manager to bring project from RFP into DD phase. - Created all AutoCAD files and presentation boards. - Conducted code research.

COMPUTER: AutoCAD ArchitectureAdobe CS6 including PremierRhinoceros including V-Ray and Grasshopper3ds Max Design including Max ScriptSketchUpRevit

MODELING: Laser cutterCNC milling3d printingCasting: hydrocal, resin, rubber

EXCELLENCE IN THESIS AWARDSelected by faculty to participate in Super Jury Competition which grant students the opportunity to present to a panel of faculty and visiting professionals to determine best thesis.

ROBERT W. CUTLER STUDY ABROAD SCHOLARSHIPAwarded to students studying abroad who maintain high academic standing.

HUB DESIGN COMPETITION - AFH CHARLESTONAwarded Honorable Mention.

SIGMA ALPHA PI NATIONAL SOCIETY OF LEADERSHIP AND SUCCESSNetworking team of self-governing student established to support academic discipline and goal setting.

PHI ETA SIGMA NATIONAL HONOR SOCIETYAwarded to first year students who earned high academic achievement.

05/12-08/12

08/12-05/13

06/11-08/11

05/13

09/11

10/10

04/09

05/07



DEN[CITY]Professor: Hiroaki HataTeam: IndependentSchool: University at Buffalo Project: Mixed use housingSite: Buffalo, New York - Delaware Ave & Chippewa St. - Current occupant: Starbucks Coffee

The goal of this project is to design a scheme that includes living accommodations together with a public program. The relationship between the dwelling and the public was an important design consideration. How the design scheme influences or impacts the surrounding community is another consideration. The focus of this project is to explore a position about urban living and apply it to a multifamily mixed use building both schemati-cally and technically.

A city grid often forces the architecture built within it to conform to the grid. The proposal for this project is to design a building that both conforms and strays from the monotony of the grid. The structure of the building follows the city grid which allows the building to function techni-cally. The skin of the building strays from the grid. A site analysis determined unimpeded views which is used as a reference when shifting the skin. The result is a building envelope that enhances the experience of the space by provid-ing the best views. The building consists of a community center on the first three floors, which houses mixed use community rooms, an entertain-ment space, and a fitness center. Four floors of private residences are atop the public floors.

NIAGARA SQUARE

Dela

war

e A

ve

Chippewa StreetThe skin strays from the grid according to desirable views. This enhances

the dwelling units by orienting visual apertures to the best views of the city.



Parking

First Floor

Second Floor Third Floor Forth Floor Fifth Floor

South Elevation West Elevation



Horizontal EgressPrimary Vertical EgressSecondary Vertical EgressEmergency Exits

MEANS OF EGRESSNIGHTIME VIEW LOOKING AT CORNER ENTRY

Natural air ventilation

Escape stair pressurized fan ductsPlumbing wallsPlumbing delivery wallsPlant / Meter roomElevator equipment roomParking garage ventilationAir conditioning

ENVIRONMENTAL CONTROLS

UNIT CONTROLS



STRUCTURE FACADE DETAILS 1. Roof AssemblyDrainConcrete curb on rubber spacerGravel ballast drain hubVegetationGrowing mediumRoot barrier / sediment filterDrainage, aeration mediumSeparation fabricRigid insulationSingle ply roof membraneVapor barrier 2. Floor Assembly4 Site cast concrete slab3 Metal decking12 Open web joist @ 4 o.c.8 Open web joist @ 4 o.c.8 Steel beam @ 4 o.c.Rigid insulation

3. Parapet AssemblyFormed metal copingContinuous cleatWaterproof membraneRigid insulationAcid etched translucent glass

4. Balcony AssemblyStone tile1 MorterPrefinished metal flashingRoofing membrane2 Concrete topping4 Concrete slab8 Steel I beam

5. Celing Assembly12 open web joistHanger wires1- Cold rolled channels @ 4 o.c.1 Metal furring channels @ 16 o.c. Gypsum board

6. Residential Floor AssemblyHardwood strip flooring or Hydronic trench heaterPolyethylene film2x4 treated wood sleepers in mastic @ 16 o.c.2 Concrete topping4 Concrete slab3 Metal decking12 open web joist

7. Public Floor AssemblyHardwood strip floringPolyethylene film2x4 treated wood sleepers in mastic @ 16 o.c.2 Concrete topping4 Concrete slab3 Metal decking2 C-Channel @ 16 o.c.8 I-BeamRigid insulation

8. Mesh Solar ShadingStainless steel meshEclipse stainless steel attachment

8

RIGID CORE SHEAR WALLS UNIT ASSEMBLY

facade detail slice model

13

2

6

4

5

7



SUSTAINABILITY & URBAN STRATEGY WEST FACADE DAYTIME VIEW

Fountain Plaza Station

Theater Station

1/8 Mile

one acre

project site

Single Family Residence FAR = 0.25Dwelling Units / Acre = 1.0

Multi Family Residence / AcreResident FAR = .80Total Building FAR = 1.32Dwelling Units / Acre = 24.0

Multi Family Residence / Site FootprintResident FAR = 2.85Total Building FAR = 4.75Dwelling Units / Acre = 96.0

DENSITYLOCAL TRANSPORTATION & ACCOMMODATIONS

CHIPPEWA ST

HURAN ST

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TRIBUTE CENTERProfessor: Danny Forster (Principal of Danny Forster Design Studio)Team: IndependentSchool: Syracuse SOA Project: Museum redesignSite: Manhattan, New York - Greenwich St. & Thames St. - Across the street from 9/11 memorial pools queuing space

http://tributewtc.org

The Tribute Center in downtown Manhattan is a museum based around the people who lost their lives on 9/11. It is currently located adjacent to ground zero and the memorial pools. This small museum was started by a few people who had family members perish on 9/11. The power of this museum is the docents, who give tours and are willing to talk about there experi-ences and their family members or friends. Currently the museum has five galleries, starting with the history of the world trade center in gallery one, moving through the events and recovery efforts in galleries two and three. A photo of almost every victim of this event fill the walls in gallery four, and gallery five is a reflection space. There is a separate space in a different building for administrative duties. This center is running out of room and would like to expand. This project seeks to redesign the tribute center and incorporate the center with the administrative offices.

What is unique about this museum is that it does not only show galleries of artifacts from the event, but it is more importantly a museum about the victims. While analyzing the center it was clear that gallery four was the most important gallery because it is a space dedicated to the victims, and provides a space for people to give their respects and reflect. What was also compelling about the center is the emotional intensity due to the lack of space in the center. This creates a certain flow between the galleries which enhances the experience.

This design utilized gallery four as a way to connect the galleries together while expanding the galleries and incorporating the required offices and amenities. An important design driver was to make sure that gallery four remain the most important gallery, dedicated to the victims. Gallery four became a core of the building which controlled circulation and made it clear that while visitors are within each gallery, there is a constant connection back to gallery four and the victims.



TRIBUTE ANALYSIS EXPERIENCE THE GALLERIES

CIRCULATION THROUGH GALLERIES

SPATIAL DIVISION = EMOTIONAL DISCONNECTION SPATIAL TENSION

GALLERY 1

GALLERY 1GALLERY 2GALLERY 3

GALLERY 4

GALLERY 2

GALLERY 3

GALLERY 4

GALLERY 5

GALLERY 5

Circulation

sadness informreflectheal

gallery 5 gallery 4 gallery 3 gallery 2 gallery 1

GALLERY 3 GALLERY 4 GALLERY 5GALLERY 2GALLERY 1

GALLERY SEPARATION

EMOTIONAL RESPONSE

SPATIAL NARROWING

Spatial narrowing triggers emotional intensity

MOVEMENT THROUGH GALLERIES

SPATIAL CONTINUITY

After visiting the Tribute Center and analyzing the different galleries, it was clear that gallery four was the most important because it displayed images of the victims and became a place for reflection. It was also clear that the circulation through the galleries was a main factor to the emotional intensity that visitors feel as they move through the different galleries. The first four galleries are on the same floor, which means that a visitor does not have to climb stairs or take an elevator between galleries. This creates a build up of emotions from gallery one to gallery four. There is a strength to this emotional build up that is important to maintain throughout the design process even if multiple floors are required.

HAPPINESS

HAPPINESS

SADNESS

SADNESS

HAPPINESS

HAPPINESSINFORM

VISITORS OF PROCEDURES

TELLING THE STORY IF 9/11

SHOW THE RECOVERY

EFFORTS

TAKE A TOUR OF THE POOL, SEE THE SITE IN PERSON, UNDER-

STAND THE SCALE

HEAR STORIES, LEARN ABOUT THE VICTIMS AND CELEBRATE

THEIR LIVES

TELL YOUR STORY, DISCUSS THE FUTURE, BEGIN TO

HEAL

THE HISTORY OF THE TWIN TOWERS & THE PEOPLE WHO

WORKED THERE

DOCENT:FIREMAN, NYPD,

SALVATION ARMY, ETC.DOCENT:

VICTIM POOL TOURSDOCENT:

MEET FAMILY MEMBERS

PROGRAM ORGANIZATION

GALLERY 2 GALLERY 3 GALLERY 4 POOL TOUR GALLERY 5GALLERY 1QUEUING

PREPARE

ASCEND INTO GALLERY SPACESLEAVE LOBBY, TAKE TOUR OF POOLS; RETURN TO LOBBY, CONTINUE TO GALLERY 5

ENTER GALLERIES

REMEMBER TEACH RECOVER REFLECT CELEBRATEHEAL

DESCENDLOBBY



CIRCULATION ANALYSIS AND DESIGN

CONTINUOUS CIRCULATIONBROKEN CIRCULATION CIRCULATION BETWEEN GALLERIES WITH TYPICAL STAIR CONDITION

CIRCULATION BETWEEN GALLERIES WITH CIRCULATION CORE

GALLERY 1 GALLERY 2

GALLERY 3 GALLERY 4

GALLERY 5 COMM

OFFICE OFFICE

GALLERY 1 GALLERY 2

GALLERY 3 GALLERY 4

GALLERY 5 COMM

OFFICE OFFICE

CIR

CUL

ATIO

N C

ORE

SEPARATED SLABS CIRCULATION CORE CONNECTS SLABS

ENTRY GALLERY 5

GALLERY 1 GALLERY 1

GALLERY 2 GALLERY 3

OFFICE OFFICE

GA

LLER

Y 4

ENTRY GALLERY 5

GALLERY 1

GALLERY 2

OFFICE OFFICE

CIR

CUL

ATIO

N C

ORE

=GALLERY 1ENTRY GALLERY 2 GALLERY 3 GALLERY 5 OFFICESCORECORE CORE

GALLERY 1ENTRY GALLERY 2 GALLERY 3 GALLERY 4 GALLERY 5 OFFICES

STAIR STAIR STAIR STAIR STAIR STAIR

GALLERY

4TILT CORE

GALLERY 4 BECOMES CORE GALLERY 4 BECOMES GRAND STAIR



GALLERY 4 AS VERTICAL CIRCULATION

STRA

IGHT

RUN

STAI

R

STRAIGHT RUN STAIR DOES NOT ALLOW FOR CONTROLLED MOVEMENT

A straight run stair allows visitors to choose which floor they would like to visit. This does not provide the ability to control movement.

ALTE

RNAT

ING

STAI

R

An alternating stair controls the movement of visitors and does not allow one to skip a gallery.

ALTERNATING STAIRS WITH PARTITIONS CONTROLS VERTICAL MOVEMENT

SITE PLAN SITE PLAN



OFFICEOFFICE

OFFICE

GALLERY 1

GALLERY 2

GALLERY 3

Final plan configuration

GALLERY ORGANIZATION ALTERNATING STAIR IS KINKED TO SUPPORT GALLERY ARRANGEMENT

InformSadnessReflect

Heal

Gallery 5 Gallery 4 Gallery 3 Gallery 2 Gallery 1

StairCore

MAJOR GALLERY

WALKWAY

MIN

OR

GA

LLER

Y

HALLWAY

MIN

OR

GA

LLER

Y

GALLERY 3

LINEAR GALLERY

MIN

OR G

ALLERY

Stair Well

GALLERY 1

Stair Well

StairWell

StairWell

GALLERY 2

GALLERY 1

LINEAR GALLERY

HALLWAY

MIN

OR G

ALLERY

MIN

OR G

ALLERY

StairWell GALLERY 3

LINEAR GALLERY

MIN

OR G

ALLERY

GALLERY ORGANIZATION

The stairway is kinked in order to fit the program onto the site. Office floors are located opposite gallery floors.

Overlaying galleries on site requires the stair to shift, due to site restrictions

CIRCULATION CORE

One of the powerful features of the existing Tribute Center is the emotional intensity one feels while moving through the galleries. This is caused in part by the spatial narrowing that occurs due to a lack of space. This strategy is used once again in the design of the new galleries. A spatial narrowing occurs right before entering the gallery 4 circulation core to give the visitors a sense of tension before moving to the next gallery.



Tapered backing is relative to panel extrusion to provide consistent viewing angle. Bent frame to allow for maximum view of photo.

Acoustical panel, colored blue to recall the clear blue skies on 9/11

Metal structural frame holds panels on atrium side, and artifacts in the galleries.

0-2 to 2-0

Individual panel strip

Individual photo panel

Opposite of the Pantheons coffering, the photo panels scale up as they are stacked to counter the foreshortening

DISPLAYING THE PHOTOS OF GALLERY 4 ATRIUM PANEL SYSTEM

Existing conditions of gallery four

UNFOLDED ELEVATION OF GALLERY FOUR SHOWING ACCEPTABLE PHOTO LOCATION

Acceptable area for photos

Undesirable area for photos

Gallery four contains photos of the victims of 9/11. This makes it the most important gallery because it is the main space where visitors and family members can reflect while seeing an image of their friend or family member. Now that gallery four is the circulation core of the building in the new design, it is important to display the photos of the victims so that everyone can see them, and no victim is given hierarchy over another.

A paneling system was developed to display the nearly 3,000 photos of the victims without placing a photo in an undesirable location. This panel system also allows gallery four to be a place for individual reflection, as well as a collective memorial to all the victims.

2-0



ATRIUM AS MEMORIAL VIEW LOOKING UP AT MEMORIAL WALL INSIDE GALLERY 4 ATRIUM

PERSONAL REFLECTION

COLLECTIVE MEMORIAL

The blue wall in gallery 2

represents the clear blue sky on the morning of

9/11

As gallery 2 ends the blue wall has transformed into a white wall of missing person

posters



D

C

B

A

1

2

3

4

5

CC

1.1

6

SCALE: 1/8" = 1'-0"

4' 8'0 16'

MODEL OF DOWNTOWN MANHATTEN

GROUND FLOOR

GRE

ENW

ICH

STRE

ET

THAMES STREET

GALLERY 5

RETAIL

QUEUING FOR POOLS

QUEUING FOR GALLERIES

ENTRY

COMMUNITY SPACE

D

C

B

A

1

2

3

4

5

6

SCALE: 1/8" = 1'-0"

4' 8'0 16'

SECOND FLOOR

GRE

ENW

ICH

STRE

ET

THAMES STREET

OFFICE

GALLERY 1

D

C

B

A

1

2

3

4

5

6

SCALE: 1/8" = 1'-0"

4' 8'0 16'

THIRD FLOOR

GRE

ENW

ICH

STRE

ET

THAMES STREET

GALLERY 2

OFFICE

D

C

B

A

1

2

3

4

5

6

SCALE: 1/8" = 1'-0"

4' 8'0 16'

FOURTH FLOOR

GRE

ENW

ICH

STRE

ET

THAMES STREET

GALLERY 3

OFFICE

GROUND FLOOR

SECONDFLOOR

THIRDFLOOR

FOURTHFLOOR

INTERIOR VIEWS:

Left: View from second floor looking up circulation core atrium.

Middle: View looking up at the photos displayed in gallery 4

Right: View from inside Gallery 1 on the Second Floor.



FACADE PANEL SYSTEM VIEW FROM 9/11 MEMORIAL POOLS QUEUING AREA

OFFICE

OFFICE

GALLERY

ENTRY

The facade panel system uses the same tectonics as the atrium panel system. The thickness of the facade changes relative to program. The circulation and program can therefore be read on the facade.

0-2 to 2-0

X

2X

Window opening gradually increases to

allow more light into the office space,

while keeping light from entering the

galleries

Facade panel strip

Facade panels are thicker on the gallery facade to prevent direct light from entering the galleries. They become thinner at the office floors to maximize light exposure



NORTH SITE SECTION SITE AXON CUT-AWAY



EAST SECTION PERSPECTIVE

Site model

Site model Collaborative studio site context model



The site for this project is located in the Armory Square district of downtown Syracuse. While studying the surroundings of the site a few interesting points were noticed. First, the facades of the buildings that exist in this district have a unique char-acteristic. The early 20th century factory buildings have heavy facades with small windows. From street level, it is difficult to understand what goes on above the first floor. Another interesting discovery lies beyond the street front, and in the alley's between the buildings. There is a popular courtyard condition that happens between many of the buildings in the district. Thee courtyards are tucked away from the noise of the main streets and allow for a space used by both restaurants and bars for social interaction. Much of the program in this are is related to food. There are many different types of restaurants and bars in this district, which was a major inspiration for this project. Combining the ideas of the existing courtyard culture, with a permanent venue for food was the initial parti.

Considering there is such a popularity for food, it is fitting that there be a center for culinary arts in Syracuse. The program selected for this project is a culinary institute which will serve as a permanent venue for showcasing this food culture. The parti includes a courtyard scheme, which cradles a kitchen hovering above a courtyard. The kitchen becomes the show-case and the jewel in which the people visiting the site have immediate contact with it either visually or physically. Includ-ed in the final scheme are both market rate housing for professionals working at the school and in the district, as well as student housing for visiting chefs and people trying to learn culinary arts.

CULINARY INSTITUTE [OF SYRACUSE]Professor: Arthur McDonaldTeam: Collaboration with Justin HalseySchool: Syracuse SOAProject: Mixed use housingSite: Syracuse, New York - Parking lot in Armory Square District - W. Fayette St. & S. Clinton St.



SITE ANALYSIS KEY

franklin st

w. f

ayet

te s

t

rst

oo

r

wal

ton

stclinton st

franklin st

w. f

ayet

te s

t

seco

nd

oor

wal

ton

st

clinton st

franklin st

w. f

ayet

te s

t

third

oo

r

wal

ton

st

clinton st

franklin st

w. f

ayet

te s

t

four

th

oor

wal

ton

st

clinton st

HOMOGENEITYDIVERSITY

public space

residential

abandoned our site

greenscape

office / studio space

Walking around Armory Square in downtown Syracuse there is a mystery to what goes on inside the old manufacturing buildings. The ground floor is pretty typical storefronts with a mix of restaurants and bars, but above these it is hard to tell whether the rest of the building is apartments, offices or vacant. After studying the site, it was interesting to discover the variety of office spaces and apartments which occupy the space above the storefront. The office buildings have great interiors and the apartments have a nice industrial feel. This was the beginning of our exploration, looking into a scheme which exploits the program above the storefront, a culinary institute and restaurant.



SITE ANALYSIS KEY

franklin st

w. f

ayet

te s

t

rst

oo

r

wal

ton

st

clinton st

franklin st

w. f

ayet

te s

t

seco

nd

oor

wal

ton

st

clinton st

franklin st

w. f

ayet

te s

t

third

oo

r

wal

ton

st

clinton st

franklin st

w. f

ayet

te s

t

four

th

oor

wal

ton

st

clinton st

HOMOGENEITYDIVERSITY

public space

residential

abandoned our site

greenscape

office / studio space

Walking around Armory Square in downtown Syracuse there is a mystery to what goes on inside the old manufacturing buildings. The ground floor is pretty typical storefronts with a mix of restaurants and bars, but above these it is hard to tell whether the rest of the building is apartments, offices or vacant. After studying the site, it was interesting to discover the variety of office spaces and apartments which occupy the space above the storefront. The office buildings have great interiors and the apartments have a nice industrial feel. This was the beginning of our exploration, looking into a scheme which exploits the program above the storefront, a culinary institute and restaurant.



DAY

MIXED USE CULINARY ARTS CENTER

NIGHT



MULTI-USE EXISTING SITE CONDITIONS

NEW DESIRED CONDITION

MASSING STUDIES

centralized circulation, provides no visual access to

program

heavy exterior walls prevent strong visual connections to program from the outside

courtyards and breezeways isolated from program in

section and in plan

a new form of centralized circulation

street side facades exposed to advertise program

courtyard / breezeway becomes critical activity zone

The typical typology that separates retail & business (first floor) from office and residential (upper floors) can begin to blur if an entire mixed-use building is programmed thoughtfully

This unifying programmatic focus allows us to pull this mixed use environment up through the project in

section. Key elements of public open space help to blur strict programmatic distinctions

By examining the interaction of the food service industry and residential life, we begin to image a live-work community centered around a culinary arts school



FACADE STUDY

Double skin framing system

Facade precedent Facade precedent

FACADE DETAILThere was a deep intrest in the facade of the apartments and the restaurant. On the southern (courtyard) side of the building we wanted to maximize window space, without losing thermal mass. The ETFE built into a double skin framing system resolved that problem. On the north side facing the street we wanted to maximize the importance of the restaurant. Using computer scripting an advanced terracotta rain screen was developed for the apartment facade, which include pop out windows to allow for air circulation.

Terracotta rainscreen system

SOUTHERN EXPOSURE WALL ASSEMBLY3/4 GYPSUM BOARD4 LIGHT GAUGE METAL FRAMING3 RIGID INSULATIONVAPOR BARRIERDORALCO METAL-FACED COMPOSITE PANEL SYSTEM6 AIR GAPCOLD ROLLED METAL FRAMING ATTACHED TO SLABETFE HELD BY FLOOR TO FLOOR FASTENERSI. Q. GLASS: RADIANT HEAT GLASSCUSTOM OPERABLE VENT SYSTEM

RESIDENTIAL SLAB ASSEMBLY9 CONCRETE SLAB 3/4 REBAR 10 O.C. RADIANT FLOOR HEATING2.5 CONCRETE TOP2x 4 x 1 HARDWOOD FLOOR

CORRIDOR WALL ASSEMBLY3/4 GYPSUM BOARD4 LIGHT GAUGE METAL FRAMINGBATT INSULATIONGYPSUM BOARD1 METAL FRAMING24 x 48 HUNTER DOUGLAS TILELED COVE LIGHTING

RESTAURANT EXTERIOR WALL ASSEMBLY3/4 GYPSUM BOARD4 LIGHT GAUGE METAL FRAMING4 RIGID INSULATIONPROTECTIVE FILMDORALCO METAL-FACED COMPOSITE PANEL SYSTEM

RESTAURANT WINDOW ASSEMBLY4 LIGHT GAUGE METAL FRAMINGHOPES WINDOWS: JAMESTOWN 175 SERIES

LOUNGE DROP CEILING ASSEMBLYCEILING TIES24-48 CLOTH ACOUSTICAL PANEL

EXTERIOR TERRACOTTA WALL ASSEMBLY3/4 GYPSUM BOARD4 LIGHT GAUGE METAL FRAMING4 RIGID INSULATIONPROTECTIVE FILMWIND BARRIEREUROFOX FRAMING SYSTEM: XLT-v-1001-4 x 24-48 TERRACOTTA TILE



Ground Floor Floor 02 Floor 03 Floor 04, 06 Floor 05, 07

SOUTH SECTION WEST SECTION

A

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D1

S2

S1

S2

Bob's Pencil Company 2

Well, Ibetter get going. come to visit this suemmr.home. Ihope you an dDa dacnThings are going great in our new

Dear Mom,

Bob's Pencil Company

2

Well, I better get going. come to visit this summer.home. I hope you and Dad canThings are going great in our new

Dear Mom,


Well, I better get going. come to visit this summer.home. I hope you and Dad canThings are going great in our newDear Mom,



+6

+6

+4 6

+3

+6 planP-1N

0416 8

scale 1/8 = 1

1. Main restaurant lobby2. Market housing lobby3. Economy housing lobby4. Cafe / eatery5. Cafe6. Culinary supply store7. School merchandise store8. Retail store9. Loading dock

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+20 planP-2N

0416 8

scale 1/8 = 1

1. Restaurant waiting area2. Restaurant3. Main kitchen4. Cold storage5. Teaching kitchen6. Dry storage7. Classroom8. Loading dock9. School lobby

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scale 1/8 = 1

1. Lounge / bar2. Teaching theater3. Classroom4. Meeting room / classroom5. Theater lobby

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scale 1/8 = 1

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P-5



Ground Floor Floor 02 Floor 03 Floor 04, 06 Floor 05, 07

SOUTH SECTION WEST SECTION

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Well, Ibetter get going. come to visit this suemmr.home. Ihope you an dDa dacnThings are going great in our new

Dear Mom,

Bob's Pencil Company

2

Well, I better get going. come to visit this summer.home. I hope you and Dad canThings are going great in our new

Dear Mom,





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+4 6

+3

+6 planP-1N

0416 8

scale 1/8 = 1

1. Main restaurant lobby2. Market housing lobby3. Economy housing lobby4. Cafe / eatery5. Cafe6. Culinary supply store7. School merchandise store8. Retail store9. Loading dock

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scale 1/8 = 1

1. Restaurant waiting area2. Restaurant3. Main kitchen4. Cold storage5. Teaching kitchen6. Dry storage7. Classroom8. Loading dock9. School lobby

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scale 1/8 = 1

1. Lounge / bar2. Teaching theater3. Classroom4. Meeting room / classroom5. Theater lobby

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+44 planP-4N

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scale 1/8 = 1

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P-5



SMART FACADE DESIGN VIEW OF NORTH FACADE AND SITE ENTRANCE

South Facade -ETFE + radient glass double skinNorth Facade - undulating terracotta

rainscreen with parallel pop-out windows

A Collection of Work, 2013

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Transcript of A Collection of Work, 2013