A. 1600-1750 B. 1750-1820 C. 1820-1900 D. 1900-present.

A. 1600-1750B. 1750-1820C. 1820-1900D. 1900-present

A. 500-1450B. 1400-1600C. 1750-1820D. 1820-1900

A. 450-1400B. 1400-1600C. 1600-1750D. 1750-1820

A. 1400-1600B. 1600-1750C. 1750-1820D. 1900-present

A. BaroqueB. ClassicalC. RomanticD. Modern

A. BaroqueB. ClassicalC. RomanticD. Medieval

A. BaroqueB. ClassicalC. RomanticD. Renaissance

A. MozartB. BachC. PalastrinaD. Beethoven

A. VivaldiB. HandelC. HaydnD. Corelli

A. CorelliB. MozartC. HandelD. Bach

A. RomanticB. RenaissanceC. ClassicalD. Baroque

A. VivaldiB. BachC. HandelD. Mozart

A. CorelliB. SchubertC. BrahmsD. Beethoven

A. PalastrinaB. De MachautC. TchaikovskyD. Haydn

A. MozartB. BachC. De MachautD. Tchaikovsky

A. HAYDNB. PALESTRINAC. BRAHMSD. HANDEL

A. MussorgskyB. MozartC. CorelliD. Palestrina

A. LuteB. HarpsichordC. SaxophoneD. Recorder

A. RomanticB. RenaissanceC. BaroqueD. Medieval

A. Natural MinorB. Harmonic MinorC. Melodic MinorD. None of the above

A. Parallel minorB. Relative minorC. Melodic minorD. Harmonic minor

A. Parallel minorB. Relative minorC. Harmonic minorD. Melodic minor

A. Equivalent except for accidentalsB. Parallel major and minorsC. Relative major and minorsD. Natural major and minors

A. Natural minorB. Relative minorC. Harmonic minorD. Melodic minor

A. Uses all the notes in the parallel major, except starts on the 3rd degree.

B. Is the same as the natural minor except for a raised leading tone

C. Has raised 6th and 7th degreesD. Begins on the same note as the

relative major

A. 3 flatsB. No flats or sharpsC. 3 sharpsD. 1 accidental

A. E flat minorB. B flat minorC. E minorD. G minor

A. 2 sharpsB. 3 sharpsC. 2 flatsD. 3 flats

A. A harmonic minor scaleB. A melodic minor scaleC. A natural minor scaleD. A major scale

A. D minorB. C minorC. B flat minorD. F minor

A. G minorB. E minorC. A minorD. F sharp minor

A. G minorB. E flat minorC. B flat minorD. C minor

A. F minorB. A minorC. F sharp minorD. C sharp minor

A. E minorB. G minorC. C minorD. C# minor

A. CB. B flatC. B naturalD. C flat

A. FB. F sharpC. F flatD. G flat

A. Major intervals and minor intervalsB. Minor intervals and augmented

intervalsC. Minor intervals and perfect intervalsD. Major intervals and augmented

intervals

A. There are two different time signatures represented

B. The top number is three times the bottom number

C. Eighth notes are grouped in 4s to create larger beats

D. Eighth notes are grouped in 3s to create larger beats

A. The bottom number divided by 3B. The top number divided by 2C. An average of the top numbers of the

two meters givenD. The top number divided by 3

A. CadenceB. CanonC. EtudeD. Tessitura

A. A large orchestra featuring many instruments to a part

B. A chamber orchestra featuring many instruments to a part

C. An ensemble of 2 or more performers featuring one instrument to a part

D. A place where music is tortured

A. A musical composition written solely to improve technical playing

B. The structure of a piece of musicC. A repeated phraseD. A small glissando between two notes

A. A music composition written solely to improve technical playing


A. A musical composition written solely to improve technical playing


A. MajestyB. ForteC. GrandiosoD. Ornaments

A. CadenceB. CanonC. EtudeD. Tessitura

A. ConB. GraveC. LargoD. Piu

A. AllargandoB. AssaiC. Con motoD. Meno

A. The sameB. The differenceC. To go fasterD. To go slower

A. Too muchB. Not too muchC. SoftlyD. Loudly

A. RubatoB. SostenutoC. StringendoD. Vivace

A. A TempoB. Alla TempoC. Tempo PrimoD. Tempo Forte

A. With fireB. To singC. SweetlyD. With vigor

A. ExpressivoB. GustoC. LegatoD. Leggiero

A. Before the beatB. AlwaysC. NeverD. Easily

A. MarteleB. Sul tastoC. DetacheD. Loure

A. ComoB. CapoC. ConD. Piu

A. 1600-1750 B. 1750-1820 C. 1820-1900 D. 1900-present.

Documents

Transcript of A. 1600-1750 B. 1750-1820 C. 1820-1900 D. 1900-present.