1000 Indie Posters

(Ray) Job No:02-17870 Title:RP-1000 Indie Posters(Bulking Dunmy)07-C57967 (204) #150 DTP:126 Page:Front_Endpaper_2

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(Ray)Job No:02-17870 Title:RP-1000 Indie Posters(Bulking Dunmy)07-C57967 (204) #150 DTP:126 Page:Front_Endpaper_2

Job No:02-17870 Title:RP-1000 Indie Posters(Bulking Dunmy)07-C57967 (204) #150 DTP:126 Page:Front_Endpaper_3

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(Ray) Job No:02-17870/20759 Title:RP-1000 Indie Posters(Bulking Dunmy)#175 Dtp:204 Page:1

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1 0 0 0I N D I EP O S T E R S

J O H N F O S T E R

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CONTENTS

INTRODUCTION

chapter 1 00 HANDMADE HAND-PULLED

chapter 2 00 WHAT’S OLD IS NEW AGAIN

chapter 3 00 NOW THAT’S WHAT I CALL TYPOGRAPHY

chapter 4 00 WHEN AT A LOSS, USE A GIANT HEAD

chapter 5 00 MESSAGES FOR THE MASSES

chapter 6 00 IN CLOSING: A NEW BEGINNING

00 CONTRIBUTOR INDEX

00 ABOUT THE AUTHOR


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CONTENTS

06 INTRODUCTION

chapter 1 09 HANDMADE, HAND-PULLED

chapter 2 55 WHAT’S OLD IS NEW AGAIN

chapter 3 103 NOW THAT’S WHAT I CALL TYPOGRAPHY

chapter 4 153 WHEN AT A LOSS, USE A GIANT HEAD

chapter 5 203 MESSAGES FOR THE MASSES

chapter 6 257 IN CLOSING: A NEW BEGINNING

314 CONTRIBUTOR INDEX

320 ABOUT THE AUTHOR

320 SPECIAL THANKS

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INTRODUCTION

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INTRODUCTION


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7 Introduction

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I AM A POSTER JUNKIE. Always have been; always will be. My chief worry in life is which six prints to rotate on my office walls. (At the time of this writing, I have a Pink Panther litho, a Jesse LeDoux, a Haley Johnson, a Seripop, a Lichtenstein, and a Keith Haring, with a Jeff Kleinsmith framed and waiting in the wings.) When I moved my office, not only did I have to transport well over 1,000 prints, but also it was the only thing I was worried about. My love for the poster is unending. I often tell the tale of taking my first studio job based on the abundance of poster work in the portfolio, only to find out that they hadn’t done one for

nearly a year. I would have to donate my time to local organizations just to bring one in to lavish with my attention. However, that experience

would heavily inform my desire to show the rest of the world the wonders being produced.

When I was pitching the book idea for New Masters of Poster Design years ago (it should be noted that Rockport Publishers

was the only one willing to take the plunge with me), numerous publishers confirmed my worst fears. The poster was considered a dead form of communication and a book compiling them

couldn’t possibly sell. It seemed as if I was the only one who could see the value in what is arguably the most important medium

for design over the last one hundred years. I knew that small outposts had kept the poster alive with amazing work—even if it was mostly being done for tiny clients in an underground fashion. Soon, corporate giants began to adopt the poster as a point-of-sale tool and the music industry replaced many

of their pieces of merchandise with perhaps the most personal of all—the gigposter. The email blast and microsite would remain, but it

couldn’t swallow the large printed sheet shining on our walls.

The poster was back.

Since the publication of New Masters, the design world has undergone numerous upheavals, including a huge return to hand-produced work, as well as small and personalized productions. A fascination with archaic printing methods like letterpress and silk-screening, coupled with the pure, unadulterated satisfaction of producing your final piece using

your own hands, has built a cottage industry for poster makers. The movie poster has even seen resurgence, as not only have the larger studios produced more challenging visuals, but the drafthouse circuit has commissioned a new set of jaw-dropping visuals. Political messaging continues to push and pull the very best out of the world’s designers. Creatives of all stripes can’t resist the large format and becoming part of the history of the magical format.

One of the toughest aspects of curating a collection of work is that you have to leave some of your favorite pieces on the sidelines. When I was asked to assemble 1,000 Indie Posters, I leapt at the chance to put together a fuller snapshot of what is happening in the world of poster design. The funny thing is that I will inevitably have to do the same thing once again. The wealth of work is that great. Pouring out of all corners of the world, posters carry our hopes and dreams, fears and nightmares, joys and jollies. They serve as a mirror, and reflected in their glory is a battalion of inspired souls—so many using it as a vehicle to achieve greatness; so many succeeding.

Just when I think this golden age of the poster has crested, a 100-foot (30.5 m) wave of bracing visu-als show me that we are just getting started.

1,000 posters? The next volume might need a million (and someone will still find it lacking). The most challenging design work continues to take place on these simple sheets of paper and there seems to be no end in sight. There is only one thing that I know for certain: The walls of the world are a richer place. Now we can say the same about your bookshelf.

Enjoy.


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HANDMADE, HAND-PULLED

chapter 1 >>> 0001–0138

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11 Handm

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0001–0004 > PATENT PENDING DESIGN


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upper left 0005 > PATENT PENDING DESIGN

upper right 0006 > DOE EYED DESIGN

bottom right 0007 > LANNY SOMMESE

0008–0009 > SONNENZIMMER


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13 Handm

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upper left 0013 > SONNENZIMMER

right 0014–0016 > LARGEMAMMAL


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0017–0019 > NATE DUVAL 0020 > HAMMERPRESS


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0020 > HAMMERPRESS


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0021–0025 > SPUR DESIGN


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0026 > SPUR DESIGN


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upper 0027–0029 > SPUR DESIGN

lower 0030–0031 > THE SMALL STAKES


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0032–0033 > NICK DUPEY

0034–0036 > ZELOOT


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0034–0036 > ZELOOT


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0037–0040 > F2 DESIGN


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0037–0040 > F2 DESIGN

0041–0043 > TIM GOUGH


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0048–0049 > KATE BINGAMAN-BURT 0044–0046 > MY ASSOCIATE CORNELIUS

lower right 0047 > TODD SLATER


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0048–0049 > KATE BINGAMAN-BURT


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0050–0058 > SERIPOP


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0050–0058 > SERIPOP


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0059–0064 > SERIPOP


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0065–0075 > YEE-HAW INDUSTRIES


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0076–0080 > INVISIBLE CREATURE


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0081–0084 > BOSS CONSTRUCTION


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0081–0084 > BOSS CONSTRUCTION

0085–0090 > EXIT10


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left 0091–0092 > EXIT10

upper right 0093 > CASEY BURNS


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0094–0095 > CASEY BURNS


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41 Handm

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0096–0101 > HAMMERPRESS


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0102–0107 > SCOTT CAMPBELL


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00108–0111 > GREG PIZZOLI


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upper 0112–0113 > DIANA SUDYKA

below 0114 > BENNETT HOLZWORTH


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00115–0117 > JAY RYAN


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upper left 0118 > HERO DESIGN

upper right 0119 > THE NEW YEAR

bottom right 0120 > DIRTY PICTURES


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00121–0123 > THE NEW YEAR


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00124–0126 > ERICK MONTES


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bottom left 0127 > YANN LEGENDRE

upper left 0128 > YANN LEGENDRE

botom right 0129 > POST TYPOGRAPHY

bottom center 0130 > POST TYPOGRAPHY


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0131–0134 > BAD PEOPLE GOOD THINGS


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0135–0138 > JEN MUSSARI


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WHAT’S OLD IS NEW AGAIN

chapter 2 >>> 0139–0291

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0139 > METHANE STUDIOS


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0140 > 344 DESIGN 0139 > METHANE STUDIOS


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0144–0147 > HOMEWORK


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0148–0149 > JONAS BERGSTRAND


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upper left 0150 > JONAS BERGSTRAND

upper right 0151 > DARLING CLEMENTINE

bottom right 0152 > DARLING CLEMENTINE


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upper left 0153 > THE SILENT GIANTS

upper right 0154 > JAY RYAN


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0155–0158 > TOOTH


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0162–0165 > CYAN

0159–0161 > CROSSHAIR


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0162–0165 > CYAN


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0166–0169 > THE HEADS OF STATE


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0170–0171 > LUBA LUKOVA


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0172–0183 > YANN LEGENDRE


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0184 > THE SILENT GIANTS 0185–0188 > MORNING BREATH INC.


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0184 > THE SILENT GIANTS 0185–0188 > MORNING BREATH INC.


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0189–0195 > CHUNKLET GRAPHIC CONTROL


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Again


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0196–0201 > MISS AMY JO


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upper left 0202 > THE LITTLE FRIENDS OF PRINTMAKING

upper right 0203 > THE LITTLE FRIENDS OF PRINTMAKING

bottom center 0204 > ODED EZER

bottom left 0205 > SONNENZIMMER

0206–0207 > SLEEP OP


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0206–0207 > SLEEP OP


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0208–0220 > EXIT10


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0221–0229 > PRINT MAFIA


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85 What’s O

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87 What’s O

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0244–0253 > ART CHANTRY DESIGN CO.


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91 What’s O

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0264–0267 > AESTHETIC APPARATUS


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0268–0269 > EYE NOISE


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upper left 0270 > LUCKY BUNNY COMMUNICATIONS

upper right 0271 > BENNETT HOLZWORTH

bottom 0272 > LUCKY BUNNY COMMUNICATIONS


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bottom left 0273 > THE NEW YEAR

upper left 0274 > THE NEW YEAR

bottom right 0275 > HATCH


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bottom left 0276 > JONAS BERGSTRAND

upper left 0277 > SCOTT REIFSNYDER

upper center 0278 > SCOTT REIFSNYDER

upper right 0279 > SCOTT REIFSNYDER

bottom right 0280 > JONAS BERGSTRAND

center 0281 > JONAS BERGSTRAND


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0282–0287 > DECODER RING DESIGN CONCERN


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99 What’s O

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0288 > HERO DESIGN


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bottom left 0289 > SCODIOLI CREATIVE

upper left 0290 > DENNY SCHMICKLE

upper right 0291 > HERO DESIGN


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NOW THAT’S WHAT I CALL

TYPOGRAPHY

chapter 3 >>> 0292–0469

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0292–0294 > KATJA SCHLOZ


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105 Now

That’s What I Call Typography

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bottom left 0295 > BENJAMIN NELSON

upper left 0296 > DOE EYED DESIGN

upper right 0297 > NICK DUPEY


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107 Now


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0303–0308 > HOAX

0309–0314 > RAGNAR MÁR NIKULÁSSON


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109 Now


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0309–0314 > RAGNAR MÁR NIKULÁSSON


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bottom left 0315 > IGOR BASTIDAS

upper left 0316 > DANIEL BEMBIBRE

upper right 0317 > THE LITTLE FRIENDS OF PRINTMAKING


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111 Now


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0318–0321 > GEORGI GEORGIEV


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upper left 0322 > METHANE STUDIOS

upper right 0323 > METHANE STUDIOS

bottom right 0324 > FRIDA CLEMENTS DESIGN


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113 Now


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bottom left 0325 > FRIDA CLEMENTS DESIGN

upper left 0326 > FRIDA CLEMENTS DESIGN

upper right 0327 > SONNENZIMMER


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Text

upper left 0328 > CHUNKLET GRAPHIC CONTROL

upper right 0329 > BALISTIQUE

bottom right 0330 > HORT


006-320_20072.indd 114 17/08/2010 8:58 PM


006-320_20072.indd 115 17/08/2010 9:01 PM

115 Now


Text

upper left 0331 > BENDITA GLORIA

upper center 0332 > BENDITA GLORIA

upper right 0333 > BENDITA GLORIA

bottom right 0334 > IGOR BASTIDAS

bottom center 0335 > IGOR BASTIDAS

bottom left 0336 > IGOR BASTIDAS

bottom far left 0337 > IGOR BASTIDAS


006-320_20072.indd 115 17/08/2010 8:58 PM


006-320_20072.indd 116 17/08/2010 9:01 PM

Text

upper left 0338 > DIANA SUDYKA

upper right 0339 > MAT DALY


006-320_20072.indd 116 17/08/2010 8:58 PM


006-320_20072.indd 117 17/08/2010 9:02 PM

117 Now


Text

0340–0342 > MAT DALY


006-320_20072.indd 117 17/08/2010 8:58 PM


006-320_20072.indd 118 17/08/2010 9:02 PM

Text

bottom left 0343 > MY ASSOCIATE CORNELIUS

upper left 0344 > F2 DESIGN

upper right 0345 > F2 DESIGN


006-320_20072.indd 118 17/08/2010 8:58 PM


006-320_20072.indd 119 17/08/2010 9:02 PM

119 Now


Text

bottom left 0346 > MORNING BREATH INC.

upper left 0347 > NATE DUVAL

upper right 0348 > BLANCA GÓMEZ

bottom right 0349 > WERNER DESIGN WERKS


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006-320_C58388.indd 121 9/7/10 10:05 AM

121 Now


Text

0350–0358 > ANDY SMITH ILLUSTRATION


006-320_20072.indd 121 17/08/2010 8:58 PM


006-320_20072.indd 122 17/08/2010 9:03 PM

Text

0359–0363 > BOSS CONSTRUCTION 0364–0366 > MODERN DOG DESIGN CO.


006-320_20072.indd 122 17/08/2010 8:58 PM


006-320_20072.indd 123 17/08/2010 9:03 PM

123 Now


Text

0364–0366 > MODERN DOG DESIGN CO.


006-320_20072.indd 123 17/08/2010 8:58 PM


006-320_20072.indd 124 17/08/2010 9:03 PM

Text



006-320_20072.indd 124 17/08/2010 8:58 PM


006-320_20072.indd 125 17/08/2010 9:03 PM

125 Now


Text



006-320_20072.indd 125 17/08/2010 8:58 PM


006-320_20072.indd 126 17/08/2010 9:03 PM

Text

bottom left 0373 > CHRIS HENLEY

upper left 0374 > POST TYPOGRAPHY

upper right 0375 > ANA BENAROYA

bottom right 0376 > ANDY BABB


006-320_20072.indd 126 17/08/2010 8:58 PM


006-320_20072.indd 127 17/08/2010 9:03 PM

127 Now


Text

bottom left 0373 > CHRIS HENLEY


upper right 0375 > ANA BENAROYA

bottom right 0376 > ANDY BABB

bottom left 0377 > DAVID BAILEY

upper left 0378 > CHRIS HENLEY

bottom right 0379 > DAVID BAILEY

bottom center 0380 > DAVID BAILEY


006-320_20072.indd 127 17/08/2010 8:58 PM


006-320_20072.indd 128 17/08/2010 9:04 PM

Text

0381–0386 > CÔME DE BOUCHONY


006-320_20072.indd 128 17/08/2010 8:58 PM


006-320_20072.indd 129 17/08/2010 9:04 PM

129 Now


Text

0387–0388 > TIMOTHY O’DONNELL


006-320_20072.indd 129 17/08/2010 8:58 PM


006-320_20072.indd 130 17/08/2010 9:04 PM

Text

0389–0393 > TIMOTHY O’DONNELL


006-320_20072.indd 130 17/08/2010 8:58 PM


006-320_20072.indd 131 17/08/2010 9:04 PM

131 Now


Text

0394–0395 > PAULA TROXLER


006-320_20072.indd 131 17/08/2010 8:58 PM


006-320_20072.indd 132 17/08/2010 9:04 PM

Text



006-320_20072.indd 132 17/08/2010 8:58 PM


006-320_20072.indd 133 17/08/2010 9:05 PM

133 Now


Text

bottom left 0399 > EXIT10


upper right 0401 > EXIT10

bottom right 0402 > EXIT10

bottom center 0403 > EXIT10


006-320_20072.indd 133 17/08/2010 8:58 PM


006-320_20072.indd 134 17/08/2010 9:05 PM

Text

upper left 0404 > GREG PIZZOLI

upper right 0405 > EYE NOISE

0406–0407 > EYE NOISE


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006-320_20072.indd 135 17/08/2010 9:05 PM

135 Now


Text

0406–0407 > EYE NOISE


006-320_20072.indd 135 17/08/2010 8:58 PM


006-320_20072.indd 136 17/08/2010 9:05 PM

Text

left 0408 > AESTHETIC APPARATUS

right 0409 > SPIKE PRESS


006-320_20072.indd 136 17/08/2010 8:58 PM


006-320_20072.indd 137 17/08/2010 9:05 PM

137 Now


0410–0412 > SPIKE PRESS


006-320_20072.indd 137 17/08/2010 8:58 PM


006-320_20072.indd 138 17/08/2010 9:05 PM

Text

bottom left 0413 > CYAN

upper left 0414 > F2 DESIGN

upper right 0415 > DESIGN ARMY

bottom right 0416 > DESIGN ARMY

bottom center 0417 > HOMEWORK


006-320_20072.indd 138 17/08/2010 8:58 PM


006-320_20072.indd 139 17/08/2010 9:06 PM

139 Now


Text

0418–0419 > FRANÇOIS CASPAR


006-320_20072.indd 139 17/08/2010 8:58 PM


006-320_C58388.indd 141 9/7/10 10:05 AM

141 Now


Text

0420–0424 > PEDRAM HARBY


006-320_20072.indd 141 17/08/2010 8:58 PM


006-320_20072.indd 143 17/08/2010 9:06 PM

143 Now


Text

0425–0431 > ROY BURNS


006-320_20072.indd 143 17/08/2010 8:58 PM


006-320_20072.indd 145 17/08/2010 9:07 PM

145 Now


Text

bottom left 0437 > ODED EZER

upper left 0438 > FONS HICKMANN M23

upper right 0439 > FONS HICKMANN M23

bottom center 0440 > ODED EZER


006-320_20072.indd 145 17/08/2010 8:58 PM


006-320_20072.indd 147 17/08/2010 9:07 PM

147 Now


Text

0441–0451 > ODED EZER


006-320_20072.indd 147 17/08/2010 8:58 PM


006-320_20072.indd 148 17/08/2010 9:08 PM

Text

0452–0457 > ZWÖLF


006-320_20072.indd 148 17/08/2010 8:58 PM


006-320_20072.indd 149 17/08/2010 9:08 PM

149 Now


Text

bottom left 0458 > DECODER RING DESIGN CONCERN

upper left 0459 > ZWÖLF

upper right 0460 > ZWÖLF


006-320_20072.indd 149 17/08/2010 8:58 PM


006-320_20072.indd 150 17/08/2010 9:08 PM

Text

bottom left 0461 > RONALD J. CALLA II

upper left 0462 > JONAS BERGSTRAND

upper right 0463 > 344 DESIGN


006-320_20072.indd 150 17/08/2010 8:58 PM


006-320_20072.indd 151 17/08/2010 9:08 PM

151 Now


Text

0464–0469 > STAYNICE


006-320_20072.indd 151 17/08/2010 8:58 PM


006-320_20072.indd 152 17/08/2010 9:10 PM


006-320_20072.indd 152 17/08/2010 8:58 PM

WHEN AT A LOSS, USE A GIANT HEAD

chapter 4 >>> 0470–0617


17/08/2010 9:10 PM

155 When At a Loss, U

se a Giant Head

Text

0470–0477 > ZACH HOBBS


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0478–0479 > ZACH HOBBS


006-320_20072.indd 156 17/08/2010 8:58 PM



se a Giant Head

Text

upper left 0480 > STEADY PRINT SHOP CO.

upper right 0481 > STEADY PRINT SHOP CO.

bottom right 0482 > LARGEMAMMAL


006-320_20072.indd 157 17/08/2010 8:58 PM



se a Giant Head

Text



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se a Giant Head

Text


upper right 0495 > METHANE STUDIOS


006-320_20072.indd 161 17/08/2010 8:58 PM



se a Giant Head

0499 > THE HEADS OF STATE


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0500–0502 > F2 DESIGN


006-320_20072.indd 164 17/08/2010 8:58 PM



se a Giant Head

Text

0503–504 > NATE DUVAL


006-320_20072.indd 165 17/08/2010 8:58 PM



se a Giant Head

Text

0505–509 > JAY VOLLMAR


006-320_20072.indd 167 17/08/2010 8:58 PM



se a Giant Head

Text



006-320_20072.indd 169 17/08/2010 8:58 PM



se a Giant Head

Text



006-320_20072.indd 171 17/08/2010 8:58 PM


bottom left 0527 > HUIZAR 1984

upper left 0528 > SLEEP OP

upper right 0529 > THE SILENT GIANTS

bottom center 0530 > HUIZAR 1984


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se a Giant Head

Text

upper left 0531 > SCOTT CAMPBELL

upper right 0532 > 344 DESIGN

bottom right 0533 > HENDERSONBROMSTEADART


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se a Giant Head

Text

0536–0539 > ADRIAN JOHNSON


006-320_20072.indd 175 17/08/2010 8:58 PM


0540–0541 > JOANNA WECHT


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se a Giant Head

upper left 0542 > JOANNA WECHT

upper right 0543 > BOSS CONSTRUCTION

bottom right 0544 > BOSS CONSTRUCTION

bottom center 0545 > JOANNA WECHT


006-320_20072.indd 177 17/08/2010 8:58 PM



se a Giant Head

Text

0549–0550 > PRINT MAFIA


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upper left 0551 > HATCH

upper right 0552 > MY ASSOCIATE CORNELIUS


006-320_20072.indd 180 17/08/2010 8:58 PM



se a Giant Head

Text

0553–0555 > MY ASSOCIATE CORNELIUS


006-320_20072.indd 181 17/08/2010 8:58 PM



se a Giant Head

Text

upper left 0559 > FONS HICKMANN M23

upper right 0560 > EYE NOISE


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se a Giant Head

Text

0561–0565 > SPUR DESIGN


006-320_20072.indd 185 17/08/2010 8:58 PM


bottom left 0566 > TIM GOUGH

upper left 0567 > SPIKE PRESS

upper right 0568 > TIM GOUGH


006-320_20072.indd 186 17/08/2010 8:58 PM



se a Giant Head

Text

0569—0571 > TIM GOUGH


006-320_20072.indd 187 17/08/2010 8:58 PM



se a Giant Head

upper left 0576 > DIANA SUDYKA

upper right 0577 > FRIDA CLEMENTS DESIGN


006-320_20072.indd 189 17/08/2010 8:58 PM




006-320_20072.indd 190 17/08/2010 8:58 PM



se a Giant Head


006-320_20072.indd 191 17/08/2010 8:58 PM


bottom left 0584 > ANDREW LEWIS DESIGN

middle left 0585 > ANDREW LEWIS DESIGN

bottom right 0586 > FRANÇOIS CASPAR

bottom center 0587 > ANDREW LEWIS DESIGN


006-320_20072.indd 192 17/08/2010 8:58 PM



se a Giant Head

Text

bottom left 0588 > BENDITA GLORIA

upper left 0589 > WERNER DESIGN WERKS

upper center 0590 > YEE-HAW INDUSTRIES

bottom right 0591 > BENDITA GLORIA

bottom center 0592 > BENDITA GLORIA


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0593–0596 > THE LITTLE FRIENDS OF PRINTMAKING


006-320_20072.indd 194 17/08/2010 8:58 PM



se a Giant Head


006-320_20072.indd 195 17/08/2010 8:58 PM



se a Giant Head

0598–0602 > SUSSNER DESIGN CO.


006-320_20072.indd 197 17/08/2010 8:58 PM


bottom left 0603 > LANNY SOMMESE

upper left 0604 > CÔME DE BOUCHONY

upper center 0605 > CÔME DE BOUCHONY

upper right 0606 > CÔME DE BOUCHONY


bottom center 0608 > LANNY SOMMESE


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se a Giant Head

bottom left 0609 > LANNY SOMMESE

upper left 0610 > NODIVISION

bottom right 0611 > GREG BENNETT

bottom center 0612 > GREG BENNETT


006-320_20072.indd 199 17/08/2010 8:58 PM


left 0613 > TODD SLATER

upper right 0614 > NICK DUPEY

bottom right 0615 > NICK DUPEY


006-320_20072.indd 200 17/08/2010 8:58 PM



se a Giant Head

Text

0616–0617 > HORT


006-320_20072.indd 201 17/08/2010 8:58 PM

MESSAGES FOR THE MASSES

chapter 5 >>> 0618–0836

006-320_20072.indd 203 17/08/2010 8:58 PM


0618–0621 > HATCH


006-320_20072.indd 204 17/08/2010 8:58 PM


205 Messages for the M

asses

Text

top 0622–0629 > HATCH



006-320_20072.indd 205 17/08/2010 8:58 PM


0631–0635 > LANNY SOMMESE


006-320_20072.indd 206 17/08/2010 8:58 PM



asses

Text

bottom left 0636 > MOTHERBIRD

upper left 0637 > KATJA SCHLOZ

upper center 0638 > GEORGI GEORGIEV

upper right 0639 > STRAWBERRYLUNA

bottom right 0640 > MOTHERBIRD

bottom center 0641 > MOTHERBIRD


006-320_20072.indd 207 17/08/2010 8:58 PM



asses

Text

0642–0653 > MOTHERBIRD


006-320_20072.indd 209 17/08/2010 8:58 PM


left 0654 > SLEEP OP

upper right 0655 > SLEEP OP

bottom right 0656 > DECODER RING DESIGN CONCERN


006-320_20072.indd 210 17/08/2010 8:58 PM



asses

Text

bottom left 0657 > DEPARTEMENT

upper left 0658 > DECODER RING DESIGN CONCERN

upper center 0659 > DECODER RING DESIGN CONCERN

upper right 0660 > DECODER RING DESIGN CONCERN

bottom center 0661 > DEPARTEMENT


006-320_20072.indd 211 17/08/2010 8:58 PM



asses

Text

bottom left 0668 > ANDY SMITH ILLUSTRATION

upper left 0669 > THE NEW YEAR

right 0670 > THE NEW YEAR


006-320_20072.indd 213 17/08/2010 8:58 PM


left 0671 > STEADY PRINT SHOP CO.

upper right 0672 > JEFF KLEINSMITH DESIGN


006-320_20072.indd 214 17/08/2010 8:58 PM



asses

Text

upper left 0673 > MORNING BREATH INC.

upper right 0674 > MORNING BREATH INC.

bottom right 0675 > THE SILENT GIANTS


006-320_20072.indd 215 17/08/2010 8:58 PM


left 0676 > MORNING BREATH INC.

upper right 0677 > CÔME DE BOUCHONY

bottom right 0678 > CÔME DE BOUCHONY


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asses

upper left 0679 > CÔME DE BOUCHONY

right 0680 > JONAS BERGSTRAND


006-320_20072.indd 217 17/08/2010 8:58 PM


0681–0685 > LURE


006-320_20072.indd 218 17/08/2010 8:58 PM



asses

Text

0686–0690 > GRIDULA


006-320_20072.indd 219 17/08/2010 8:58 PM


bottom left 0691 > DESIGN ARMY

upper left 0692 > YANN LEGENDRE

upper center 0693 > YANN LEGENDRE

bottom right 0694 > DESIGN ARMY

bottom center 0695 > DESIGN ARMY


006-320_20072.indd 220 17/08/2010 8:58 PM



asses

Text

0696–0698 > DESIGN ARMY


006-320_20072.indd 221 17/08/2010 8:58 PM



asses

Text

0699–0710 > HENDERSONBROMSTEADART


006-320_20072.indd 223 17/08/2010 8:58 PM


0711–0714 > HUIZAR 1984


006-320_20072.indd 224 17/08/2010 8:58 PM



asses

Text

bottom left 0715 > SUSSNER DESIGN CO.

upper left 0716 > SPIKE PRESS

right 0717 > SUSSNER DESIGN CO.


006-320_20072.indd 225 17/08/2010 8:58 PM



asses

Text

0722–0725 > FONS HICKMANN M23


006-320_20072.indd 227 17/08/2010 8:58 PM



asses

Text

0726–0730 > FONS HICKMANN M23


006-320_20072.indd 229 17/08/2010 8:58 PM



asses

Text

0731–0738 > CHRIS BILHEIMER


006-320_20072.indd 231 17/08/2010 8:58 PM


0739 > INVISIBLE CREATURE


006-320_20072.indd 232 17/08/2010 8:58 PM



asses

Text

bottom left 0740 > INVISIBLE CREATURE

upper left 0741 > INVISIBLE CREATURE

upper right 0742 > TODD SLATER

bottom center 0743 > TODD SLATER


006-320_20072.indd 233 17/08/2010 8:58 PM


upper left 0744 > GREG BENNETT

upper right 0745 > GREG BENNETT

bottom right 0746 > FANG CHEN

bottom center 0747 > FANG CHEN


006-320_20072.indd 234 17/08/2010 8:58 PM



asses

Text



006-320_20072.indd 235 17/08/2010 8:58 PM



asses

Text

upper 0756–0759 > EXIT10

bottom 0760–0761 > STUBBORN SIDEBURN


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bottom left 0762 > WERNER DESIGN WERKS

upper left 0763 > WERNER DESIGN WERKS

upper center 0764 > WINK, INC.

upper right 0765 > WINK, INC.

bottom right 0766 > WINK, INC.

bottom center 0767 > WINK, INC.


006-320_20072.indd 238 17/08/2010 8:58 PM



asses

Text

0768–0770 > WINK, INC.


006-320_20072.indd 239 17/08/2010 8:58 PM



asses

Text

0771–0782 > THE SMALL STAKES


006-320_20072.indd 241 17/08/2010 8:58 PM



asses

Text

0787–0791 > RYAN RUSSELL


006-320_20072.indd 243 17/08/2010 8:58 PM


left 0792 > DIRTY PICTURES

upper right 0793 > DIRTY PICTURES

bottom right 0794 > YEE-HAW INDUSTRIES


006-320_20072.indd 244 17/08/2010 8:58 PM



asses

Text

0795–0797 > DIRTY PICTURES


006-320_20072.indd 245 17/08/2010 8:58 PM



asses

Text

0799–0804 > RONALD J. CALLA II


006-320_20072.indd 247 17/08/2010 8:58 PM



asses

Text

0805–0810 > ADAMSMORIOKA


006-320_20072.indd 249 17/08/2010 8:58 PM



asses

Text

0814–0818 > ANDY COOKE


006-320_20072.indd 251 17/08/2010 8:58 PM



asses

Text

0819–0826 > LUBA LUKOVA


006-320_20072.indd 253 8/18/10 3:15 PM


0827–0836 > PEDRAM HARBY


006-320_20072.indd 254 8/18/10 3:15 PM



asses


006-320_20072.indd 255 8/18/10 3:15 PM

IN CLOSING: A NEW BEGINNING

chapter 6 >>> 0837–1000

006-320_20072.indd 257 8/18/10 3:15 PM


259 In Closing: A New

Beginning


006-320_20072.indd 259 8/18/10 3:15 PM

0837–0846 > HORT



Beginning

Text

0847–0848 > HORT


006-320_20072.indd 261 8/18/10 3:15 PM


006-320_20072.indd 262

0849 > BENJAMIN NELSON


006-320_20072.indd 262 8/18/10 3:15 PM



Beginning

Text

upper left 0850 > MORNING BREATH INC.

upper right 0851 > CERNOCH


006-320_20072.indd 263 8/18/10 3:15 PM



Beginning

Text

0852–0856 > TEENBEAT GRAFICA


006-320_20072.indd 265 8/18/10 3:15 PM



Beginning

Text

bottom left 0859 > ANDY SMITH ILLUSTRATION

upper left 0860 > WINK, INC.

upper center 0861 > WINK, INC.

bottom center 0862 > ANDY SMITH ILLUSTRATION


006-320_20072.indd 267 8/18/10 3:15 PM



Beginning

Text

0863–0868 > CYAN


006-320_20072.indd 269 8/18/10 3:15 PM



Beginning

Text

0869–0877 > POST TYPOGRAPHY


006-320_20072.indd 271 8/18/10 3:15 PM



upper right 0879 > AESTHETIC APPARATUS

bottom right 0880 > POST TYPOGRAPHY


006-320_20072.indd 272 8/18/10 3:15 PM



Beginning

Text

0881 > AESTHETIC APPARATUS


006-320_20072.indd 273 8/18/10 3:15 PM



Beginning

Text

0885–0889 > FANG CHEN


006-320_20072.indd 275 8/18/10 3:15 PM




006-320_20072.indd 276 8/18/10 3:15 PM



Beginning

Text

0894–0895 > SCOTT CAMPBELL


006-320_20072.indd 277 8/18/10 3:15 PM



Beginning

Text

0899–0900 > SLEEP OP


006-320_20072.indd 279 8/18/10 3:15 PM


006-320_20072.indd 281 8/18/10 3:07 PM


Beginning

Text



006-320_20072.indd 281 8/18/10 3:15 PM


006-320_20072.indd 282 8/18/10 3:07 PM

Text

0905 > HOMEWORK


006-320_20072.indd 282 8/18/10 3:15 PM


006-320_20072.indd 283 8/18/10 3:07 PM


Beginning

Text

0906–0907 > YANN LEGENDRE


006-320_20072.indd 283 8/18/10 3:15 PM


006-320_20072.indd 285 8/18/10 3:08 PM


Beginning

Text

0908–0913 > JEWBOY CORPORATION


006-320_20072.indd 285 8/18/10 3:15 PM


006-320_20072.indd 287 8/18/10 3:08 PM


Beginning

Text

0914–0918 > JEWBOY CORPORATION


006-320_20072.indd 287 8/18/10 3:15 PM


006-320_20072.indd 288 8/18/10 3:08 PM

Text

0919–0920 > SPIKE PRESS


006-320_20072.indd 288 8/18/10 3:15 PM


006-320_20072.indd 289 8/18/10 3:09 PM


Beginning

Text



006-320_20072.indd 289 8/18/10 3:15 PM


006-320_20072.indd 290 8/18/10 3:09 PM

upper left 0926 > VHAN KIM

upper right 0927 > ANDY COOKE

bottom right 0928 > ANDY COOKE


006-320_20072.indd 290 8/18/10 3:15 PM


006-320_20072.indd 291 8/18/10 3:09 PM


Beginning

Text



006-320_20072.indd 291 8/18/10 3:15 PM


006-320_20072.indd 292 8/18/10 3:09 PM

Text

bottom left 0933 > DIRTY PICTURES

upper left 0934 > INVISIBLE CREATURE

upper right 0935 > MY ASSOCIATE CORNELIUS


006-320_20072.indd 292 8/18/10 3:15 PM


006-320_20072.indd 293 8/18/10 3:10 PM


Beginning

Text

0936–0940 > TIM GOUGH


006-320_20072.indd 293 8/18/10 3:15 PM


006-320_20072.indd 294 8/18/10 3:10 PM

Text


upper right 0942 > CHRIS HENLEY

bottom right 0943 > TOOTH


006-320_20072.indd 294 8/18/10 3:15 PM



Beginning

Text

0944–0945 > SUSSNER DESIGN CO.


006-320_20072.indd 295 8/18/10 3:15 PM


upper left 0946 > ANA BENAROYA

upper center 0947 > ANA BENAROYA

right 0948 > DIRTY PICTURES

bottom center 0949 > DIRTY PICTURES


006-320_20072.indd 296 8/18/10 3:15 PM


006-320_20072.indd 297 8/18/10 3:11 PM


Beginning

Text



006-320_20072.indd 297 8/18/10 3:15 PM


006-320_20072.indd 298 8/18/10 3:11 PM

Text

0953–0956 > LANNY SOMMESE

0957–0959 > STRAWBERRYLUNA


006-320_20072.indd 298 8/18/10 3:15 PM


006-320_20072.indd 299 8/18/10 3:11 PM


Beginning

0957–0959 > STRAWBERRYLUNA


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0960–0962 > JOANNA WECHT


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bottom left 0963 > FRIDA CLEMENTS DESIGN

upper left 0964 > JOANNA WECHT

upper right 0965 > JOANNA WECHT


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0970–0973 > ANDY BABB


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0974–0976 > ZELOOT


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0977–0978 > ZELOOT


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0979–0983 > GREG BENNETT bottom left 0984 > ANDREW LEWIS DESIGN

upper center 0985 > ANDREW LEWIS DESIGN




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bottom left 0984 > ANDREW LEWIS DESIGN

upper center 0985 > ANDREW LEWIS DESIGN




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0988–0991 > NODIVISION


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0992–0997 > EXIT10


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0998–1000 > EXIT10


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CONTRIBUTOR INDEX344 DESIGN

www.344design.com0140, 0463, 0532 ADAMSMORIOKA

www.adamsmorioka.com0805–0810 AESTHETIC APPARATUS

www.aestheticapparatus.com0264–0267, 0408, 0546–0548, 0879, 0881

ANDREW LEWIS DESIGN

www.alewisdesign.com0584–0585, 0587, 0720–0721, 0984–0985, 0987

ANDY SMITH ILLUSTRATION

www.asmithillustration.com0350–0358, 0668, 0859, 0862

ART CHANTRY DESIGN CO.

www.artchantrydesign.com0244–0263, 0483–0491 ANDY BABB

www.andybabb.com0376, 0970–0973

BAD PEOPLE GOOD THINGS

www.badpeoplegoodthings.com0131–0134, 0230–0235, 0510–0518

DAVID BAILEY

www.itsmountpleasant.com0377, 0379, 0380 BALISTIQUE

www.balistique.ca0329, 0986

IGOR BASTIDAS

www.gib.com.ve0315, 0334–0337 DANIEL BEMBIBRE

www.danielbembibre.com0316 ANA BENAROYA

www.anabenaroya.com0375, 0946–0947 BENDITA GLORIA

www.benditagloria.com0331–0333, 0588, 0591–0592

GREG BENNETT

www.worktodate.com0611–0612, 0744–0745, 0979–0983

JONAS BERGSTRAND

www.jonasbergstrand.com0148–0150, 0276, 0280–0281, 0462, 0680

CHRIS BILHEIMER

www.bilheimer.com0731–0738

KATE BINGAMAN-BURT

www.katebingamanburt.com0048–0049 BOSS CONSTRUCTION

www.bossconstruct.com0081–0084, 0359–0363, 0543–0544 CASEY BURNS

www.caseyburns.com0093–0095 ROY BURNS

www.tenonefive.com0425–0431 RONALD J. CALA II

www.i2iart.com/cala0461, 0799–0804

SCOTT CAMPBELL

www.scttcmpbll.com0102–0107, 0519, 0531, 0894–0895

FRANçOIS CASPAR

www.francoiscaspar.com0418, 0419, 0586, 0783–0784


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www.344design.com

www.adamsmorioka.com

www.aestheticapparatus.com

www.alewisdesign.com

www.asmithillustration.com

www.artchantrydesign.com

www.andybabb.com

www.badpeoplegoodthings.com

www.itsmountpleasant.com

www.balistique.ca

www.gib.com.ve

www.danielbembibre.com

www.anabenaroya.com

www.benditagloria.com

www.worktodate.com

www.jonasbergstrand.com

www.bilheimer.com

www.katebingamanburt.com

www.bossconstruct.com

www.caseyburns.com

www.tenonefive.com

www.i2iart.com/cala

www.scttcmpbll.com

www.francoiscaspar.com


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315 Contributor Index

Text

CHRIS BILHEIMER

www.bilheimer.com0731–0738

KATE BINGAMAN-BURT

www.katebingamanburt.com0048–0049 BOSS CONSTRUCTION

www.bossconstruct.com0081–0084, 0359–0363, 0543–0544 CASEY BURNS

www.caseyburns.com0093–0095 ROY BURNS

www.tenonefive.com0425–0431 RONALD J. CALA II

www.i2iart.com/cala0461, 0799–0804

SCOTT CAMPBELL

www.scttcmpbll.com0102–0107, 0519, 0531, 0894–0895

FRANçOIS CASPAR

www.francoiscaspar.com0418, 0419, 0586, 0783–0784

CERNOCH

www.cernochdesign.com0851

FANG CHEN

0746–0747, 0885–0889 CHUNKLET GRAPHIC CONTROL

www.chunkletgraphiccontrol.com0189–0195, 0328 CôME DE BOUCHONY

www.comedebouchony.com0381–0386, 0604–0606, 0677–0679

ANDY COOKE

www.andy_cooke.com0814–0818, 0927–0928

CROSSHAIR

www.crosshairchicago.com0159–0161 CYAN

www.cyan.de0162–0165, 0413, 0718–0719, 0863–0868

MAT DALY

www.matdaly.com0339–0342 DARLING CLEMENTINE

www.darlingclementine.no0151–0152 DECODER RING DESIGN CONCERN

www.thedecoderring.com0282–0287, 0458, 0656, 0658–0660

DEPARTEMENT

www.departement.ca0657, 0661–0667 DESIGN ARMY

www.designarmy.com0415–0416, 0534–0535, 0691, 0694–0698 DIRTY PICTURES

www.ant-hive.com0120, 0496, 0792–0793, 0795–0797, 0933, 0948–0949 DOE EYED DESIGN

www.doe-eyed.com0006, 0296 NICK DUPEY

www.weareyoungmonster.com0032, 0033, 0297, 0370–0372, 0614–0615, 0950–0952 NATE DUVAL

www.nateduval.com0017–0019, 0347, 0503–0504

EXIT10

www.exit10.com0085–0092, 0208–0220, 0399, 0401–0403, 0756–0759, 0992–1000 EYE NOISE

www.eyenoise.net0268–0269, 0405–0407, 0560

ODED EZER

www.odedezer.com0204, 0437, 0440–0451

F2 DESIGN

www.f2-design.com0037–0040, 0344–0345, 0414, 0500–0502 FONS HICKMANN M23

www.fonshickmann.com0438–0439, 0559, 0722–0730 FRIDA CLEMENTS DESIGN

www.drawntotheleft.com0324–0326, 0577, 0963 GEORGI GEORGIEV

0318–0321, 0638

BLANCA GóMEZ

www.cosasminimas.com0348

TIM GOUGH

www.timgough.org0041–0043, 0566, 0568–0571, 0936–0940 GRIDULA

www.gridula.co.uk0686–0690 HAMMERPRESS

www.hammerpress.net0020, 0096–0101 PEDRAM HARBY

www.pedram–harby.com0420–0424, 0827–0836

HATCH

www.hatchsf.com0275, 0551, 0618–0629


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www.cernochdesign.com

www.chunkletgraphiccontrol.com

www.comedebouchony.com

www.andy_cooke.com

www.crosshairchicago.com

www.cyan.de

www.matdaly.com

www.darlingclementine.no

www.thedecoderring.com

www.departement.ca

www.designarmy.com

www.ant-hive.com

www.doe-eyed.com

www.weareyoungmonster.com

www.nateduval.com

www.exit10.com

www.eyenoise.net

www.odedezer.com

www.f2-design.com

www.fonshickmann.com

www.drawntotheleft.com

www.cosasminimas.com

www.timgough.org

www.gridula.co.uk

www.hammerpress.net

www.pedram�harby.com

www.hatchsf.com


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Text

THE HEADS OF STATE

www.theheadsofstate.com0166–0169, 0236–0243, 0298–0302, 0499, 0748–0751, 0966–0969 HENDERSONBROMSTEADART

www.hendersonbromsteadart.com0533, 0699–0710 CHRIS HENLEY

www.24exp.co.uk0373, 0378, 0942 HERO DESIGN

www.heroandsound.com0118, 0288, 0291, 0572–0575 HOAX

www.hoaxhoaxhoax.com0303–0308 ZACH HOBBS

www.weareyoungmonster.com0470–0479 BENNETT HOLZWORTH

www.typebpress.com0114, 0271

HOMEWORK

www.homework.com.pl0144–0147, 0417, 0578–0583, 0901–0905 HORT

www.hort.org.uk0330, 0616–0617, 0798, 0837–0848 HUIZAR 1984

www.huizar1984.com0527, 0530, 0711–0714

INVISIBLE CREATURE

www.invisiblecreature.com0076–0080, 0556–0558, 0739–0741, 0934

JEWBOY CORPORATION

www.jewboy.co.il0908–0918 ADRIAN JOHNSON

www.adrianjohnson.co.uk0536–0539, 0857–0858 VHAN KIM

www.vhan-artwork.com0926

JEFF KLEINSMITH DESIGN

www.jeffkleinsmith.com0672 LARGEMAMMAL

www.largemammalprint.com0014–0016, 0482 YANN LEGENDRE

www.yannlegendre.com0127–0128, 0172–0183, 0692–0693, 0906–0907 RON LIBERTI

www.ronliberti.awwwesome.com0521–0523 THE LITTLE FRIENDS OF PRINTMAKING

www.thelittlefriendsofprintmaking.com0202–0203, 0317, 0593–0596, 0752–0755 LUCKY BUNNY COMMUNICATIONS

www.luckybunny.net0270, 0272

LUBA LUKOVA

www.lukova.net0170–0171, 0819–0826 LURE

www.luredesigninc.com0681–0685 METHANE STUDIOS

www.methanestudios.com0139, 0322–0323, 0495, 0882–0884

MISS AMY JO

www.missamyjo.com0196–0201 MODERN DOG DESIGN CO.

www.moderndog.com0364–0369, 0890–0893

ERICK MONTES

www.thedecoderring.com0124–0126 MORNING BREATH INC.

www.morningbreathinc.com0185–0188, 0346, 0673–0674, 0676, 0850 MOTHERBIRD

www.motherbird.com.au0636, 0640–0653 JEN MUSSARI

www.jenmussari.com0135–0138

MY ASSOCIATE CORNELIUS

www.myassociatecornelius.com0044–0046, 0343, 0552–0555, 0935

BENJAMIN NELSON

www.bnelsonartdesign.blogspot.com0295, 0849

THE NEW YEAR

www.thisisthenewyear.com0119, 0121–0123, 0273–0274, 0669–0670

RAGNAR MÁR NIKULÁSSON

www.ragnarmar.com0309–0314 NODIVISION

www.wearenodivision.blogspot.com0610, 0988–0991

TIMOTHY O’DONNELL

www.timothy-odonnell.com0387–0393 PATENT PENDING DESIGN

www.patentpendingindustries.com0001–0005, 0141–0143, 0400, 0492–0494, 0921–0925, 0941 GREG PIZZOLI

www.gregpizzoli.com0108–0111, 0404 POST TYPOGRAPHY

www.posttypography.com0129–0130, 0374, 0869–0878, 0880 PRINT MAFIA

www.printmafia.net0221–0229, 0549–0550, 0597 SCOTT REIFSNYDER

www.seescotty.com0277–0279


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www.theheadsofstate.com

www.hendersonbromsteadart.com

www.24exp.co.uk

www.heroandsound.com

www.hoaxhoaxhoax.com

www.weareyoungmonster.com

www.typebpress.com

www.homework.com.pl

www.hort.org.uk

www.huizar1984.com

www.invisiblecreature.com

www.jewboy.co.il

www.adrianjohnson.co.uk

www.vhan-artwork.com

www.jeffkleinsmith.com

www.largemammalprint.com

www.yannlegendre.com

www.ronliberti.awwwesome.com

www.thelittlefriendsofprintmaking.com

www.luckybunny.net

www.lukova.net

www.luredesigninc.com

www.methanestudios.com

www.missamyjo.com

www.moderndog.com

www.thedecoderring.com

www.morningbreathinc.com

www.motherbird.com.au

www.jenmussari.com

www.myassociatecornelius.com


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Text

LUBA LUKOVA

www.lukova.net0170–0171, 0819–0826 LURE

www.luredesigninc.com0681–0685 METHANE STUDIOS

www.methanestudios.com0139, 0322–0323, 0495, 0882–0884

MISS AMY JO

www.missamyjo.com0196–0201 MODERN DOG DESIGN CO.

www.moderndog.com0364–0369, 0890–0893

ERICK MONTES

www.thedecoderring.com0124–0126 MORNING BREATH INC.

www.morningbreathinc.com0185–0188, 0346, 0673–0674, 0676, 0850 MOTHERBIRD

www.motherbird.com.au0636, 0640–0653 JEN MUSSARI

www.jenmussari.com0135–0138

MY ASSOCIATE CORNELIUS

www.myassociatecornelius.com0044–0046, 0343, 0552–0555, 0935

BENJAMIN NELSON

www.bnelsonartdesign.blogspot.com0295, 0849

THE NEW YEAR

www.thisisthenewyear.com0119, 0121–0123, 0273–0274, 0669–0670

RAGNAR MÁR NIKULÁSSON

www.ragnarmar.com0309–0314 NODIVISION

www.wearenodivision.blogspot.com0610, 0988–0991

TIMOTHY O’DONNELL

www.timothy-odonnell.com0387–0393 PATENT PENDING DESIGN

www.patentpendingindustries.com0001–0005, 0141–0143, 0400, 0492–0494, 0921–0925, 0941 GREG PIZZOLI

www.gregpizzoli.com0108–0111, 0404 POST TYPOGRAPHY

www.posttypography.com0129–0130, 0374, 0869–0878, 0880 PRINT MAFIA

www.printmafia.net0221–0229, 0549–0550, 0597 SCOTT REIFSNYDER

www.seescotty.com0277–0279

RYAN RUSSELL

0787–0791 JAY RYAN

www.thebirdmachine.com0115–0117, 0154, 0811–0813 SAGMEISTER INC.

www.sagmeister.com0432–0436

KATJA SCHLOZ

www.katjaschloz.de0292–0294, 0637 DENNY SCHMICKLE

www.dennyschmickle.com0290, 0520

SCODIOLI CREATIVE

www.scodioli.etsy.com0289 SERIPOP

www.seripop.com0050–0064 THE SILENT GIANTS

www.thesilentgiants.com0153, 0184, 0529, 0675 TODD SLATER

www.toddslater.net0047, 0613, 0742–0743 SLEEP OP

www.sleepop.com0206–0207, 0528, 0654–0655, 0899–0900

THE SMALL STAKES

www.thesmallstakes.com0030–0031, 0771–0782, 0785–0786 LANNY SOMMESE

0007, 0603, 0607–0609, 0630–0635, 0953–0956 SONNENZIMMER

www.sonnenzimmer.com0008–0013, 0205, 0327, 0929–0932 SPIKE PRESS

www.spikepress.com0409–0412, 0567, 0716, 0919–0920 SPUR DESIGN

www.spurdesign.com0021–0029, 0561–0565 STAYNICE

www.staynice.nl0464–0469 STEADY PRINT SHOP CO.

www.steadyprintshop.com0480–0481, 0671 STRAWBERRYLUNA

www.strawberryluna.com0639, 0957–0959

STUBBORN SIDEBURN

www.stubbornsideburn.com0760–0761, 0896–0898 DIANA SUDYKA

www. dianasudyka.com0112–0113, 0338, 0576


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www.bnelsonartdesign.blogspot.com

www.thisisthenewyear.com

www.ragnarmar.com

www.wearenodivision.blogspot.com

www.timothy-odonnell.com

www.patentpendingindustries.com

www.gregpizzoli.com

www.posttypography.com

www.printmafia.net

www.seescotty.com

www.thebirdmachine.com

www.sagmeister.com

www.katjaschloz.de

www.dennyschmickle.com

www.scodioli.etsy.com

www.seripop.com

www.thesilentgiants.com

www.toddslater.net

www.sleepop.com

www.thesmallstakes.com

www.sonnenzimmer.com

www.spikepress.com

www.spurdesign.com

www.staynice.nl

www.steadyprintshop.com

www.strawberryluna.com

www.stubbornsideburn.com

www.dianasudyka.com

www.dianasudyka.com


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SUSSNER DESIGN CO.

www.sussner.com0598–0602, 0715, 0717, 0944–0945 TEENBEAT GRAPHICA

www.mmarkk.com0852–0856 TOOTH

www.ramenroyale.com0155–0158, 0943 PAULA TROXLER

www.paulatroxler.com0394–0398, 0524–0526

JAY VOLLMAR

www.jayvollmar.com0505–0509

JOANNA WECHT

www.joannawecht.com0540–0542, 0545, 0960–0962, 0964–0965 WERNER DESIGN WERKS

www.wdw.com0349, 0589, 0762–0763 WINK, INC.

www.wink-mpls.com0764–0770, 0860–0861

YEE-HAW INDUSTRIES

www.yeehawindustries.com0065–0075, 0590, 0794 ZELOOT

www.zeloot.nl0034–0036, 0497–0498, 0974–0978

ZWöLF

www.zwoelf.net0452–0457, 0459–0460


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www.sussner.com

www.mmarkk.com

www.ramenroyale.com

www.paulatroxler.com

www.jayvollmar.com

www.joannawecht.com

www.wdw.com

www.wink-mpls.com

www.yeehawindustries.com

www.zeloot.nl

www.zwoelf.net


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Text

YEE-HAW INDUSTRIES

www.yeehawindustries.com0065–0075, 0590, 0794 ZELOOT

www.zeloot.nl0034–0036, 0497–0498, 0974–0978

ZWöLF

www.zwoelf.net0452–0457, 0459–0460


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ABOUTAbout the Author

John Foster is a designer and writer in Washington, D.C, as the principal and

superintendent of Bad People Good Things LLC. He is the author of Dirty

Fingernails: A One-of-a-Kind Collection of Graphics Uniquely Designed by Hand

(Rockport), For Sale: Over 200 Innovative Solutions in Packaging Design (HOW

Books), New Masters of Poster Design (Rockport), Maximum Page Design (HOW

Books), as well as an upcoming monograph on the work of Jeff Kleinsmith for

Sub Pop Records. He writes a weekly column on music packaging, “Judging a

Cover by Its Cover,” for brightestyoungthings.com, and he performs musically

under the guise of Sad Crocodile. He is an international speaker on design

issues and has appeared several times at the world’s largest design gathering,

the HOW Design Conference. His work has appeared in every major industry

publication, and he is the proud recipient of a Gold Medal from the Art Directors

Club of Metropolitan Washington and a Best in Show from the ADDYs. His

work has been shown in galleries all over the globe and is also a part of the

Smithsonian’s permanent collection. Foster resides in Maryland with his lovely

wife and daughter and two of the world’s goofiest foxhounds.

Special Thanks:

Thanks to my enormous and ever-growing family, especially my wife, Suzanne,

and amazing daughter, Lily! My talented intern Gina Kang. Winnie Prentiss,

Mary Ann Hall, David Martinell, Betsy Gammons, Cora Hawks, and everyone

at Rockport Publishers. Svetlana Legetic, Cale Charney, and everyone at BYT.

Clive Solomon and James Nicholls at Fire Records, my old friends Bill

Vierbuchen, Dave Bradbury, Chad Lafley, Rich Westbrook, and many more

I am forgetting—you all have a sloppy kiss accompanied by beard burn in your

immediate future. You can’t make a book like this without a cadre of talented

designers to draw on—so thank you to everyone included in this collection.

I adore you all.

PHOT

OS B

Y GI

NA K

ANG


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001-005_20759.indd 2 8/10/10 2:11 PM

Library of Congress Control Number 2010933487

© 2011 by Rockport Publishers, Inc.

All rights reserved. No part of this book may be reproduced in any form without written permission of the copyright

owners. All images in this book have been reproduced with the knowledge and prior consent of the artists concerned,

and no responsibility is accepted by producer, publisher, or printer for any infringement of copyright or otherwise,

arising from the contents of this publication. Every effort has been made to ensure that credits accurately comply with

information supplied. We apologize for any inaccuracies that may have occurred and will resolve inaccurate or missing

information in a subsequent reprinting of the book.

First published in the United States of America by

Rockport Publishers, a member of Quayside Publishing Group

100 Cummings Center, Suite 406-L, Beverly, Massachusetts 01915-6101

Telephone: (978) 282-9590

Fax: (978) 283-2742

www.rockpub.com

ISBN-13: 978-1-59253-656-6

ISBN-10: 1-59253-656-5

10 9 8 7 6 5 4 3 2 1

Design: John Foster, Bad People Good Things LLC


Printed in China


001-005_20759.indd 2 8/10/10 2:12 PM

Digital edition: 978-1-61060-151-1

Softcover edition: 978-1-59253-656-6

www.rockpub.com


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