'Suck… don't suck.' Framing Ideology in Kathryn Bigelow's 'Near Dark' - Steven Jay Schneider

Manifestations of the Literary Double in Modern Horror Cinema - Steven Jay Schneider

The Essential Evil in/of 'Eraserhead' (or, Lynch to the Contrary) - Steven Jay Schneider

Horror Movies - Steven Jay Schneider

Uncanny Realism and the Decline of the Modern Horror Film - Steven Jay Schneider

Thrice-Told Tales: 'The Haunting' From Novel to Film... to Film - Steven Jay Schneider

Van Sant the Provoca(u)teur - Steven Jay Schneider

Manufacturing Horror in Hitchcock's 'Psycho' - Steven Jay Schneider

Warren Newcombe: 'The Enchanted City' (1922) - Steven Jay Schneider

Introduction to 'Dark Thoughts: Philosophic Reflections on Cinematic Horror' - Steven Jay Schneider & Daniel Shaw

Genre Bending and Gender Bonding: Masculinity and Repression in Dutch 'Thriller' Cinema - Steven Jay Schneider & Kevin W. Sweeney

Introduction to 'Horror Film and Psychoanalysis: Freud's Worst Nightmare': Psychoanalysis in/and/of the Horror Film - Steven Jay Schneider

Monsters as (Uncanny) Metaphors: Freud, Lakoff, and the Representation of Monstrosity in Cinematic Horror - Steven Jay Schneider

Commendatory Preface [The Shower Scene in Hitchcock's 'Psycho' by Philip J. Skerry] - Steven Jay Schneider

Toward an Aesthetics of Cinematic Horror - Steven Jay Schneider

'Shaft' - Steven Jay Schneider

A Tasteless Art: Waters, Kaufman, and the Pursuit of 'Pure' Gross-Out - Xavier Mendik & Steven Jay Schneider