Un-Caging the Orphan: What Intersectionality Can Teach Us About the Educational Role of Orphan Works

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Presented at Place Orphan Films, an Orphans Midwest pre-conference.

Transcript of Un-Caging the Orphan: What Intersectionality Can Teach Us About the Educational Role of Orphan Works

Un-Caging the Orphan: What Intersectionality Can Teach Us About the

Educational Role of Orphan Works

Ashley Blewer & Travis Wagner

University of South CarolinaMoving Image Research Collections

Department of Women’s and Gender Studies

Intersectionalityrace, gender, class, sex, sexual orientation, ability, religion, body, age, ethnicity, nationality, education

Orphanpublic domain materials, home movies, outtakes, unreleased films, industrial and educational movies, independent documentaries, ethnographic films, newsreels, censored material, underground works, experimental pieces, silent-era productions, stock footage, found footage, medical films, kinescopes, small- and unusual-gauge films, amateur productions, surveillance footage, test reels, government films, advertisements, sponsored films, student works, and sundry other ephemeral pieces of celluloid

CollectionsNews:Fox Movietone collectionSouth Carolina television newsTelevision and cinema commercials

Educational:Spartanburg Police Films collection

Personal/”home movies”:Lula Belle and Scotty WisemanLever-KarstWatson-CambreScott NixonPhelpsBuffington

BUTFIRST

GENDER

RACE

CLASS

LAYERS

DON’T FORGET:

...ability, religion, body, age, nationality, sexual

orientation…et cetera

Ability

Nationality

Age

Body

Religion

?

University of South CarolinaMoving Image Research Collections

{Available for research}

Thank you!

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(2002): 451-471. Print.

Butler, Judith. “Melancholy Gender-Refused Identification” in Dimen, Muriel, and Virginia Goldner. Gender in Psychoanalytic Space: Between Clinic and Culture. New York: Other, 2002. Print.

----------------. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990. Print.

----------------. "Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory." Theatre Journal 40.4 (1988): 519-31

. JSTOR. Print

Bailey, Alison, and Chris J. Cuomo. The Feminist Philosophy Reader. Boston: McGraw-Hill, 2008. Print.

Corrigan, Timothy, and Patricia White. The Film Experience: An Introduction. Boston: Bedford/St. Martin's, 2004. Print.

Davis, Angela Y. “Race, Gender and Prison History: From the Convict Lease System to the Supermax Prison” Sabo, Donald F., Terry Allen. Kupers,

and Willie James London.Prison Masculinities. Philadelphia, PA: Temple UP, 2001. Print.

Fusco, Coco The Other History of Intercultural Performance Jones, Amelia. The Feminism and Visual Culture Reader. London: Routledge, 2010. Print.

Gaines, Jane M. Fire and Desire: Mixed-Race Movies in the Silent Era. The University of ChicagoPress: Chicago, 2001.

Paolo Cherchi Usai. Are All (Analog) Films "Orphans"?: A Predigital Appraisal. The Moving Image, Volume 9, Number 1, Spring 2009, pp. 1-18

Streible, Dan. The State of Orphan Films: Editor's introduction. The Moving Image, Volume 9, Number 1, Spring 2009, pp. vi-xix.

Wendell, Susan. "Toward a feminist theory of disability." Hypatia 4.2 (1989): 104-124. Online.