Post on 18-May-2015
description
2. sound
is invisible but a powerful tool for generating meaning
aural not visual but can provoke an equally powerful response in
the viewer
What sound film memories do you have?
3. Sound in film analysis divides into two
Diegetic Sound
4. diegetic sound can be heard by the characters in the
filmExamples
radio sound, speech, traffic noises, weather, doors closing
etc
Non- diegetic Sound
5. non- diegetic sound cannot be heard by the characters in the
filmExamples
voice- over, soundtrack
Diegetic and non-diegetic sound are often used together to generate
a particular response in the viewer
6. 7. Jaws non- diegetic sound
8. first shots underwater 9. shark not seen but its presence is
implied by the soundtrack 10. the score uses a series of low ,
repeated notes in order to illustrate the relentless threatening
nature of the shark 11. the notes continue to build tension and
anxiety for the viewer, no resolutionTHE NON- DIEGETIC SOUND IN
THIS SEQUENCE ESTABLISHES THE TONE, ATMOSPHERE, GENRE AND THE MAIN
THREAT WITHIN THE FILM.
12. 13. Rear Window- diegetic sound
the first sounds we hear are what Jeffries can hear: voices, jazz
music, traffic sounds.
We hear these as Jeffries would hear them, the diegetic sound has a
muffled echoing quality
Jeffries is detachedfrom the life going on around him and in a
bored frame of mind. The diegetic sound helps to establish
this.
14. 4 main areas of meaning that can be generated through sound
(diegetic and non- diegetic)
15. genre 16. setting 17. narrative