Pentecostal-Charismatic Style of Music and Worship The Emotional Effects of Music on Religious...

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Articulo de: Psychology of Music

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Psychology of Music

DOI: 10.1177/0305735602301004 2002; 30; 8 Psychology of Music

Mandi M. Miller and Kenneth T. Strongman Pentecostal-Charismatic Style of Music and Worship

The Emotional Effects of Music on Religious Experience: A Study of the

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distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

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from the SAGE Social Science Collections. All Rights Reserved. distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from

distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized

by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from