TWENTY

MELODIC AND PROGRESSIVE ETUDES

FOR HARPCOMPRISING ADVANCED TECHNICAL STUDIES FOR VELOCITY.

SPECIALLY DESIGNED FOR GAINING COMMAND OFCORRECT RHYTHM, PRECISION IN TEMPO,

AND PROVIDING OPPORTUNITIES FOR EXPERIENCE ANDDRILL IN ENSEMBLE PLAYING.

WITH ACCOMPANIMENT OF A SECOND HARP OR PIANO.

"liar* melody and tone combine

to charm the hour* of tuii.

BY

GERTRUDE INA ROBINSON

Price $2.30

CARL FISCHER. f|6S£3: NEWVORKperron 3*o »ovk«TON st. o ia%io t,ftn*uou *c*

QW ,\T?Y

.Y

BR

TWENTY

MELODIC AND PROGRESSIVE ETUDES

FOR HARPCOMPRISING ADVANCED TECHNICAL STUDIES FOR VELOCITY.

SPECIALLY DESIGNED FOR GAINING COMMAND OFCORRECT RHYTHM, PRECISION IN TEMPO,

AND PROVIDING OPPORTUNITIES FOR EXPERIENCE ANDDRILL IN ENSEMBLE PLAYING.

•WITH ACCOMPANIMENT OF A SECOND HARP OR PIANO.

"Here metiutr and tone combine

to charm the hours of toiL"

BY

GERTRUDE INA ROBINSON

Price $2.50

CARLFI3CHER f$SSS5: MEWYORK

Digitized by the Internet Archive

in 2011 with funding from

Brigham Young University

http://www.archive.org/details/twentymelodicproOOrobi

Preface

Considerable time has elapsed since anything has been written in

the line of original advanced technical studies for velocity on the harp.

Much that has been given us in the past, while clearly stating the tech-

nical principles, is dull and uninteresting. The author contends that

this is unnecessary; that the technical forms can be combined with

melody, and lose nothing of their scientific construction-, that through

such combination, the pupil will be immediately attracted and interest-

ed, and as a direct result, obtain a greater command of rhythm and pre-

cision in tempo.

Long experience in teaching has shown us the need of attractive

studies, which should be complete in themselves for one harp;but which,

when the technic was mastered, should contain enough of the "soul of

music," to lead to a finished result in rhythm and tempo. This need

has inspired the following pages; and to further the results, a second

harp or piano part has been supplied, that the teacher, or another pu-

pil may play with the first harp, and thus provide the opportunities

for gaining experience in ensemble playing.

There are also several forms of technic necessary for the great

solo and orchestral compositions, which have not hitherto been illu-

strated in studies. As far as possible, such forms have been treat-

ed here as a preparation for these classics, thus making the stud -

ies doubly practical and attractive.

The Author

18239 -

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/I

/

ADVANCED LESSONS EOR THE HARP

COMPRISING PRELUDES IN MINOR KEYS,

GLISSANDOS AND SOLOS IN CHARACTERISTIC FORMS

FOR HARPACCORDING TO THE FAMOUS

HASSELMANS METHOD

"Watt mm volet each lilmt ttrtmt

Andwm »/!* souiulirin lyrm."

BY

GERTRUDE INA ROBINSON

Price $i.3u

CAHLFUCMER tttSH MEWVORK1 • I"WM«>M II <

TWENTY

MELODIC AND PROGRESSIVE ETUDES

FOR HARPCOMPRISING ADVANCED TECHNICAL STUDIES FOR VELOCITY.

SPECIALLY DESIGNED FOR GAINING COMMAND OFCORRECT RHYTHM, PRECISION IN TEMPO,

AND PROVIDING OPPORTUNITIES FOR EXPERIENCE ANDDRILL IN ENSEMBLE PLAYING.

WITH ACCOMPANIMENT OF A SECOND HARP OR PIANO.

"Hare melody and tone combineto charm the hours of toil."

BY

GERTRUDE INA ROBINSON

Price $2.50

CARL FISCHER S^eSK NEW "YORKB05TOT1 3»0 60VL4TON ST. WIOUIO L A MA1KXJ IXO.

i

TWENTY

MELODIC AND PROGRESSIVE ETUDES

FOR HARPCOMPRISING ADVANCED TECHNICAL STUDIES FOR VELOCITY.

SPECIALLY DESIGNED FOR GAINING COMMAND OFCORRECT RHYTHM, PRECISION IN TEMPO,

AND PROVIDING OPPORTUNITIES FOR EXPERIENCE ANDDRILL IN ENSEMBLE PLAYING.

WITH ACCOMPANIMENT OF A SECOND HARP OR PIANO.

"Here mel'uty and tone combine

to charm the hours oj toil.

"

BY

GERTRUDE INA ROBINSON

Price $z.50

CARL FISCHER. f%SSS& NEW"YORK

Preface

Considerable time has elapsed since anything has been written in

the line of original advanced technical studies for velocity on the harp.

Much that has been given us in the past, while clearly stating the tech-

nical principles, is dull and uninteresting. The author contends that

this is unnecessary; that the technical forms can be combined with

melody, and lose nothing of their scientific construction; that through

such combination, the pupil will be immediately attracted and interest-

ed, and as a direct result, obtain a greater command of rhythm and pre-

cision in tempo.

Long experience in teaching has shown us the need of attractive

studies, which should be complete in themselves for one harp;but which,

when the technic was mastered, should contain enough of the "soul of

music," to lead to a finished result in rhythm and tempo. This need

has inspired the following pages; and to further the results, a second

harp or piano part has been supplied, that the teacher, or another pu-

pil may play with the first harp, and thus provide the opportunities

for gaining experience in ensemble playing.

There are also several forms of technic necessary for the great

solo and orchestral compositions, which have not hitherto been illu-

strated in studies. As far as possible, such forms have been treat-

ed here as a preparation for these classics, thus making the stud -

ies doubly practical and attractive.

The Author

18339 - I

Twenty Melodic Etudes

N?l

Second Harp or PianoAndante MM Qertrude Ina Robinson

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1S239 _ 51

•-

ADVANCED LESSONS FOR THE NARP

COMPRISING PRELUDES IN MINOR KEYS,

GLISSANDOS AND SOLOS IN CHARACTERISTIC FORMS

FOR HARPACCORDING TO THE FAMOUS

HASSELMANS METHOD

"Waka Into vote* each jiUne string

And sweep the sounding lyrm."

BY

GERTRUDE INA ROBINSON

!.

CAWL H3CMLR $$8517 NEWYORK