MELODIC FOR HARP - Sheet music...Preface Considerable time has elapsed since anything has been...
Transcript of MELODIC FOR HARP - Sheet music...Preface Considerable time has elapsed since anything has been...
TWENTY
MELODIC AND PROGRESSIVE ETUDES
FOR HARPCOMPRISING ADVANCED TECHNICAL STUDIES FOR VELOCITY.
SPECIALLY DESIGNED FOR GAINING COMMAND OFCORRECT RHYTHM, PRECISION IN TEMPO,
AND PROVIDING OPPORTUNITIES FOR EXPERIENCE ANDDRILL IN ENSEMBLE PLAYING.
WITH ACCOMPANIMENT OF A SECOND HARP OR PIANO.
"liar* melody and tone combine
to charm the hour* of tuii.
BY
GERTRUDE INA ROBINSON
Price $2.30
CARL FISCHER. f|6S£3: NEWVORKperron 3*o »ovk«TON st. o ia%io t,ftn*uou *c*
TWENTY
MELODIC AND PROGRESSIVE ETUDES
FOR HARPCOMPRISING ADVANCED TECHNICAL STUDIES FOR VELOCITY.
SPECIALLY DESIGNED FOR GAINING COMMAND OFCORRECT RHYTHM, PRECISION IN TEMPO,
AND PROVIDING OPPORTUNITIES FOR EXPERIENCE ANDDRILL IN ENSEMBLE PLAYING.
•WITH ACCOMPANIMENT OF A SECOND HARP OR PIANO.
"Here metiutr and tone combine
to charm the hours of toiL"
BY
GERTRUDE INA ROBINSON
Price $2.50
CARLFI3CHER f$SSS5: MEWYORK
Digitized by the Internet Archive
in 2011 with funding from
Brigham Young University
http://www.archive.org/details/twentymelodicproOOrobi
Preface
Considerable time has elapsed since anything has been written in
the line of original advanced technical studies for velocity on the harp.
Much that has been given us in the past, while clearly stating the tech-
nical principles, is dull and uninteresting. The author contends that
this is unnecessary; that the technical forms can be combined with
melody, and lose nothing of their scientific construction-, that through
such combination, the pupil will be immediately attracted and interest-
ed, and as a direct result, obtain a greater command of rhythm and pre-
cision in tempo.
Long experience in teaching has shown us the need of attractive
studies, which should be complete in themselves for one harp;but which,
when the technic was mastered, should contain enough of the "soul of
music," to lead to a finished result in rhythm and tempo. This need
has inspired the following pages; and to further the results, a second
harp or piano part has been supplied, that the teacher, or another pu-
pil may play with the first harp, and thus provide the opportunities
for gaining experience in ensemble playing.
There are also several forms of technic necessary for the great
solo and orchestral compositions, which have not hitherto been illu-
strated in studies. As far as possible, such forms have been treat-
ed here as a preparation for these classics, thus making the stud -
ies doubly practical and attractive.
The Author
18239 -
1
Twenty Melodic Etudes
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/I
/
ADVANCED LESSONS EOR THE HARP
COMPRISING PRELUDES IN MINOR KEYS,
GLISSANDOS AND SOLOS IN CHARACTERISTIC FORMS
FOR HARPACCORDING TO THE FAMOUS
HASSELMANS METHOD
"Watt mm volet each lilmt ttrtmt
Andwm »/!* souiulirin lyrm."
BY
GERTRUDE INA ROBINSON
Price $i.3u
CAHLFUCMER tttSH MEWVORK1 • I"WM«>M II <
TWENTY
MELODIC AND PROGRESSIVE ETUDES
FOR HARPCOMPRISING ADVANCED TECHNICAL STUDIES FOR VELOCITY.
SPECIALLY DESIGNED FOR GAINING COMMAND OFCORRECT RHYTHM, PRECISION IN TEMPO,
AND PROVIDING OPPORTUNITIES FOR EXPERIENCE ANDDRILL IN ENSEMBLE PLAYING.
WITH ACCOMPANIMENT OF A SECOND HARP OR PIANO.
"Hare melody and tone combineto charm the hours of toil."
BY
GERTRUDE INA ROBINSON
Price $2.50
CARL FISCHER S^eSK NEW "YORKB05TOT1 3»0 60VL4TON ST. WIOUIO L A MA1KXJ IXO.
i
TWENTY
MELODIC AND PROGRESSIVE ETUDES
FOR HARPCOMPRISING ADVANCED TECHNICAL STUDIES FOR VELOCITY.
SPECIALLY DESIGNED FOR GAINING COMMAND OFCORRECT RHYTHM, PRECISION IN TEMPO,
AND PROVIDING OPPORTUNITIES FOR EXPERIENCE ANDDRILL IN ENSEMBLE PLAYING.
WITH ACCOMPANIMENT OF A SECOND HARP OR PIANO.
"Here mel'uty and tone combine
to charm the hours oj toil.
"
BY
GERTRUDE INA ROBINSON
Price $z.50
CARL FISCHER. f%SSS& NEW"YORK
Preface
Considerable time has elapsed since anything has been written in
the line of original advanced technical studies for velocity on the harp.
Much that has been given us in the past, while clearly stating the tech-
nical principles, is dull and uninteresting. The author contends that
this is unnecessary; that the technical forms can be combined with
melody, and lose nothing of their scientific construction; that through
such combination, the pupil will be immediately attracted and interest-
ed, and as a direct result, obtain a greater command of rhythm and pre-
cision in tempo.
Long experience in teaching has shown us the need of attractive
studies, which should be complete in themselves for one harp;but which,
when the technic was mastered, should contain enough of the "soul of
music," to lead to a finished result in rhythm and tempo. This need
has inspired the following pages; and to further the results, a second
harp or piano part has been supplied, that the teacher, or another pu-
pil may play with the first harp, and thus provide the opportunities
for gaining experience in ensemble playing.
There are also several forms of technic necessary for the great
solo and orchestral compositions, which have not hitherto been illu-
strated in studies. As far as possible, such forms have been treat-
ed here as a preparation for these classics, thus making the stud -
ies doubly practical and attractive.
The Author
18339 - I
Twenty Melodic Etudes
N?l
Second Harp or PianoAndante MM Qertrude Ina Robinson
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1S239 _ 51
•-
ADVANCED LESSONS FOR THE NARP
COMPRISING PRELUDES IN MINOR KEYS,
GLISSANDOS AND SOLOS IN CHARACTERISTIC FORMS
FOR HARPACCORDING TO THE FAMOUS
HASSELMANS METHOD
"Waka Into vote* each jiUne string
And sweep the sounding lyrm."
BY
GERTRUDE INA ROBINSON
!.
CAWL H3CMLR $$8517 NEWYORK