Emelia is a friendly typeface family for hierarchical typesetting, supporting the Latin and Tibetan scripts. The family provides a variety of weights and is designed with playful details that get more distinctive in the light and black versions of the family.

A typeface

for Latin

and Tibetan

in 8 styles

Black

Italic

Regular

Bold

Sans Regular

Tibetan

Light

Sans Black

Germany

hello@sandraadler.de

www.sandraadler.de

Emelia by Sandra Adler

Sila is the link between aesthetics and function, character and discretion, pixel and high definition, versatility and purpose, bold and thin, left and right.

A webfont

in Latin &

Arabic,

in 5 styles

Bold

Regular

Light

Italic

Bold

Regular

Light

Thin

Regular

Heavy

Lebanon

azza@azalam.com

www.azalam.com

Sila by Azza Alameddine

Primarily designed for publications in Brazilian indigenous languages, Brasilica provides a set of accented characters that support the particularities of these languages, as well as most of the European idioms that use the Latin script.

A typeface

for Brazilian

indigenous

languages

Regular

Italic

Bold

Extra Bold

Sans

Brazil

rafael.dietzsch@gmail.com

www.rafaeldietzsch.com

Brasilica by Rafael Dietzsch

Mila is an experimental type system consisting of weights and styles designed specifically for use in school textbooks. Mila is a rebellious kid who digresses from the popular convention of simplification, it is infused with big scops of typographic detail.

A typeface for

Gujarati, Tamil,

and Latin

in 4 styles

Gujarati Regular

Tamil Regular

Latin Regular

Primer Alphabet(use pencil)

India

kalapi.gajjar@gmail.com

Mila by Kalapi Gajjar-Bordawekar

Cawnpore is a Devanagari and Latin typeface family for small sizes and complex hierarchies, such as bilingual dictionaries. It offers serif and sans styles in both scripts, as well as a Devanagari Cursive: a complementary style to expand the typographic palette.

A typeface for

Devanagari

and Latin

in 5 styles

Sans Regular and Bold

Cursive

Regular

Sans Bold

Regular

India

anexasajoop@gmail.com

www.poojasaxena.in

Cawnpore by Pooja Saxena

Dr Jekyll & Miss Hyde is a multi-script typeface for magazines and children’s books. It was designed to work in text and in headings at display sizes. Its forms are funky and strong in personality when used large, elegant and dynamic when set in text.

A typeface for

Latin, Greek

and Armenian

in 4 styles

Italic

Black

Regular

Bold

Italy

elenapapass@yahoo.it

www.elenapapassissa.it

Dr Jekyll & Miss Hyde

by Elena Papassissa

Martha is a versatile multi-script typeface family designed for complex hierarchies in popular science magazines and books. Friendly, round and playful to engage the reader’s interest – robust, clear and reliable to get even the most difficult content across.

A typeface for

Latin, Greek

and Cyrillic

in 5 styles

Light

Regular

Bold

Thin

Italic

A youthful serif typeface family in Latin and Gujarati. Nari is a contemporary design to be utilised in exhibition literature and publications specific to the needs of multi-script textsetting.

A typeface

for Latin and

Gujarati

Regular

Italic

Gujarati

Heavy

Australia

dot@typeoffice.com

uk.linkedin.com/in/dotgeorgoulas

Nari by Dot Georgoulas

Austria

hello@lisaschultz.at

www.lisaschultz.at

Martha by Lisa Schultz

Serendip typeface was discovered in a nine months journey throughout seas never before navigated. The type family is originally intended to compose the canonical texts of Theravāda Buddhism, supporting Pāli language transliterated in Latin and Sinhala scripts.

A typeface

for Latin

and Sinhala

in 8 styles

Thin

Bold

Heavy

Small Caps

Regular

Italic

Black

A multifaceted family consisting of a high-contrast serif and a contemporary grotesque with different levels of idiosyncrasy. The variety of weights and styles provide a typographic system for cinema magazines, from shouting headlines to more refined captions.

A typeface

for Latin,

Devanagari

and Greek

in 10 styles

Heavy Sans

Italic

Regular Grade 1

Devanagari

Regular Sans

Greek

ExtraBold Display

Bullet numbers

Condensed Sans

ExtraBold Quirk Sans

Bold

Italy

michele.patane@cinetype.com

www.cinetype.com

Overlook by Michele Patanè

Brazil / Portugal

oi@rafaelsaraiva.com

www.rafaelsaraiva.com

Serendip by Rafael Saraiva

Lumen is the first typeface to integrate Burmese, Thai and Latin in stylistic harmony whilst respecting the different heritage of each. Its character set and range of styles fit the needs of complex hierarchical typography, such as dictionary, editorial and textbook usage.

The first type

family for

Latin, Thai

and Burmese

Regular

Bold

Burmese

Bold Italic

Thai

Sans Super Headline

Sans Small Caps

United Kingdom

ohbendy@hotmail.com

http://ohbendy.tumblr.com/

Lumen by Ben Mitchell

Angata is an attempt to modulate and semi-serif the sans. It has a rough contemporary feel combined with the traditional features of readability. Like a good linen suit, it’s guaranteed to wrinkle and look jagged on screen but it will remain legible in the worst conditions.

A typeface for

subversion

and social

change

in 3 styles

Bold

Small Caps

Greek

Regular

Italic

France

info@chauffier.com

Angata by Julie Janet Chauffier

Serendip typeface was discovered in a nine months journey throughout seas never before navigated. The type family is originally intended to compose the canonical texts of Theravāda Buddhism, supporting Pāli language transliterated in Latin and Sinhala scripts.

A typeface

for Latin

and Sinhala

in 8 styles

Thin

Bold

Heavy

Small Caps

Regular

Italic

Black

A multifaceted family consisting of a high-contrast serif and a contemporary grotesque with different levels of idiosyncrasy. The variety of weights and styles provide a typographic system for cinema magazines, from shouting headlines to more refined captions.

A typeface

for Latin,

Devanagari

and Greek

in 10 styles

Heavy Sans

Italic

Regular Grade 1

Devanagari

Regular Sans

Greek

ExtraBold Display

Bullet numbers

Condensed Sans

ExtraBold Quirk Sans

Bold

Italy

michele.patane@cinetype.com

www.cinetype.com

Overlook by Michele Patanè

Brazil / Portugal

oi@rafaelsaraiva.com

www.rafaelsaraiva.com

Serendip by Rafael Saraiva

Martha is a versatile multi-script typeface family designed for complex hierarchies in popular science magazines and books. Friendly, round and playful to engage the reader’s interest – robust, clear and reliable to get even the most difficult content across.

A typeface for

Latin, Greek

and Cyrillic

in 5 styles

Light

Regular

Bold

Thin

Italic

A youthful serif typeface family in Latin and Gujarati. Nari is a contemporary design to be utilised in exhibition literature and publications specific to the needs of multi-script textsetting.

A typeface

for Latin and

Gujarati

Regular

Italic

Gujarati

Heavy

Australia

dot@typeoffice.com

uk.linkedin.com/in/dotgeorgoulas

Nari by Dot Georgoulas

Austria

hello@lisaschultz.at

www.lisaschultz.at

Martha by Lisa Schultz

Cawnpore is a Devanagari and Latin typeface family for small sizes and complex hierarchies, such as bilingual dictionaries. It offers serif and sans styles in both scripts, as well as a Devanagari Cursive: a complementary style to expand the typographic palette.

A typeface for

Devanagari

and Latin

in 5 styles

Sans Regular and Bold

Cursive

Regular

Sans Bold

Regular

India

anexasajoop@gmail.com

www.poojasaxena.in

Cawnpore by Pooja Saxena

Dr Jekyll & Miss Hyde is a multi-script typeface for magazines and children’s books. It was designed to work in text and in headings at display sizes. Its forms are funky and strong in personality when used large, elegant and dynamic when set in text.

A typeface for

Latin, Greek

and Armenian

in 4 styles

Italic

Black

Regular

Bold

Italy

elenapapass@yahoo.it

www.elenapapassissa.it

Dr Jekyll & Miss Hyde

by Elena Papassissa

M A S T E R S I N T Y P E F A C E D E S I G N

We would like to thank all our tutors and the staff of the

Department of Typography & Graphic Communication,

especially Gerry Leonidas, Fiona Ross, Gerard Unger

and all the guest lecturers. It has been a wonderful year.

Thank you.

For further samples and information go to:

www.typefacedesign.org

Azza

Ben

Dot

Elena

Julie

Kalapi

Lisa

Michele

Pooja

Rafael D.Rafael S.

Sandra

M A S T E R S I N T Y P E F A C E D E S I G N

We would like to thank all our tutors and the staff of the

Department of Typography & Graphic Communication,

especially Gerry Leonidas, Fiona Ross, Gerard Unger

and all the guest lecturers. It has been a wonderful year.

Thank you.

For further samples and information go to:

www.typefacedesign.org

Azza

Ben

Dot

Elena

Julie

Kalapi

Lisa

Michele

Pooja

Rafael D.Rafael S.

Sandra

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