Hot Stuff Audition Extract - · PDF filePiano/Vocal Hot Stuff Audition Extract ... Is it true...

Post on 26-Mar-2018

235 views 2 download

Transcript of Hot Stuff Audition Extract - · PDF filePiano/Vocal Hot Stuff Audition Extract ... Is it true...

Piano/Vocal

Hot Stuff Audition Extract

Priscilla The Musical

Musical Supervisor: Stephen "Spud" Murphy

2 3 4

(Hns. and Kbd.2 Syn)

(Sim. Pattern)

Piano Cm(No 3rds)

Bb

Cm

A5 6 7 8

Sit

Felicia

tin'- here eat

in'- my heart

out

wait

in'

- wait in'- for some lov

er- to call

Sim Pattern

Gtr 1

Cm

Sim Pattern

Bb

Cm

9 10 11 12

Dialed a bout- a thou

sand- num

bers

- late

ly

- al most- rang the phone

off the wall

Look in'- for some

Cm

Bb

Cm

Eb

#23 - Hot Stuff

B13 14 15 16

hot

stuff

ba by- this eve

nin'-

Ineed

some hot

stuff

ba by- to night-

I want

some

(+Kbd.2 Light Syn.)

Fm

G Cm

Sim Pattern

Fm

G

Cm

17 18 19 20

hot

stuff

ba by- this eve

- nin'

Got ta- have some hot

stuff

got

ta- have some love

to night-

Fm

G

Cm

Fm

G

21 22 23 24

I need

hot

stuff

I want

some

Cm

Eb

Fm G

Cm Eb

Fm G

25 26 27 28

hot

stuff

I need

hot

stuff

Cm

Eb

Fm G

Cm

Eb

Fm G

Piano/Vocal

#23 - Hot Stuff

2

29 30 C 31

mp

Look

Felicia

in'- for a lov

er- who needs

mf

mp

Cm7

32 33 34

an

oth-

er-

don't want

an oth- er- night

on my own

Bbsus2

Cmsus2

35 36 3738

Wan nasharemy love

with a warm

blood ed lov

er

- wan na- bringawild

man

back

3

home

(Barman:) "Frank..."

Cm7

Bbsus2

(Drs.)

Cm

Piano/Vocal

#23 - Hot Stuff

3

39 D

4041

Felicia

f

I want

some hot

stuff

ba by- this eve

nin'-

I need

some

(+Kbd.2 Syn.)

Fm

G

Cm

Sim Pattern

42 43 44

hot

stuff

ba by- to night-

look in'- for my hot

stuff

ba by- this eve

Fm

G

Cm

Fm

G

45 46 47 48

nin'-

I need

some hot stuff

ba by- to night-

Cm

Fm

G

(+Kbd.2-Arco Stgs.)

Piano/Vocal

#23 - Hot Stuff

4

q = 165

Piano/Vocal

Colour My World 2nd Round Audition Extract

Priscilla The Musical

Musical Supervisor: Spud Murphy

2

A3 4 5 6

7 8 9 10

(Tutti)

fBb/C C7

(Drs. Fill)

You'll ne ver- see a dark cloud hang ing- 'round me.

mf

(+Ryhthm Sect.)

F Gm7/F

Now there is on ly- blue skies to sur round- me.

C7 F C11

#15/15A - Colour My World & Playoff

11 12 13 14

15 16 17 18

B19 20 21 22

23 24 25 26

There's ne ver- been a grey day since you found me.

sim. comp (+Tbn.)

F Gm7/F

Ev 'ry- thing I touch is turn ing- to gold. So you can

C7 F (Drs.)

co lour- my world with sun shine- yel low- each day. Oh you can

f

F(+Hns 8va)

Ab Bb F

co lour- my world with hap pi- ness- all the way. Just take the

(Hns)

Eb Bb Gm7sus4/C C7

Piano/Vocal

#15/15A - Colour My World & Playoff

2

27 28 29 30

31 32 33 34

35 36 37 38

C39 40 41 42

green from the grass and the blue from the sky up a bove.- And you can

F Ab Bb F

co lour- my world just paint it with your love. Just co lour- my

Eb Bb Gm7sus4/C C7

(Drs.)

world.

F

NB: bar count and

melody syncopation

Just as long as you are think ing- of me.

mf

(Ryhthm Sect.)

F Gm7/F

Piano/Vocal

#15/15A - Colour My World & Playoff

3

43 44 45 46

47 48 49 50

51 52 53 54

D55 56 57

There will al - ways be a rain bow- a bove- me.

C7 F F C11

Since I found the one who real ly- loves me.

sim. comp

F Gm7/F

Ev 'ry- thing I touch is turn ing- to gold. Just co lour- my

C7 F

world.

F Ab Bb7 Bb6 Bb Bb/C

Piano/Vocal

#15/15A - Colour My World & Playoff

4

58 59 60

Just co lour- my world.

Ebadd9 Cm7sus4 Eb F

Piano/Vocal

#15/15A - Colour My World & Playoff

5

!!!!

!!

We Belong Audition Extract

q = 130Musical Supervisor: Stephen "Spud" Murphy

Priscilla The MusicalPiano/Vocal

2 3 4

!

" # # # #

"Piano

mf

$% % % % %& % $%& ' ' $% % % % %& % '%& ' %( %

)C

$$$ $$$F

$$ $$

5 6 7 8

!

" *Man y- times

% % %I tried

% %to

%+ %tell

%+you,

%+ % , *man y- times

% % %I've cried

% %a lone.

% %-

%% " % *

" $% % % % %& % $%& ' ' $% % % % %& % '%& ' %' %)

(+Bs.)

C

$$$ $$$F

$$ $$

9 10 11 12

!

"Adam

*Al ways- I'm

% % %sur prised-

% %how

%+ %well

%+ %you

%cut

%my

%feel ings

%+ %- to

%+the bone.

% % %% " % *

" $% % % % %& % $%& ' ' $% % % % %& % '%& ' %%% %%%) C

$$$ $$$F

$$ $'(+Drs.-Time)

%C/E

%#32 - We Belong

13 14 15 16

!

" *Don't wan

% %na

%+ %- leave

%+you

%+ %real

%&ly,

%& %-

, *I've in vest

% % %- ed- too

% %much

%+ %time.

% % '

" $'''(Kbd.2-Sustains)

''' $''' ''' ''' ''' ''' '''

) Dm

$$$

$$$ C2

$$$ C F

$$

17 18 19 20

!

" *to give

% %you

%+ %up

%+that

%+ %eas

%&y

%& %-

, *to the doubts

% % %that com

% %pli

%& %- cate-

%&your

%& %mind.

%&

" $''' ''' $''' ''' $''' ''' '''' ''') Dm

$$$

$$$ G2

$$ '' ''

A21 22 23 24

!

" %We

%be

%3

long

%- to

%the

%3

light,

%we be long

% % %- to

%the

%3

thun

% "

der

%& '-

( ,We

%be

%&-

"f

* %%%% %%%%3

%%%% %%%% %%%%3

%%%% %%%% %%%% %%%% %%%% %%%%3

%%%% """"%%%%&'''' %%

-%%-

%%. , %%%- %%%&

) ' "C (+Gtr.-Power Chords)

%F' " % ' "

Am/G G G% % %-%- %

. , %-

"

Piano/Vocal

#32 - We Belong

2

25 26 27 28

!

"long

%to

%the

%3

sound

%of

%the

%3

words

% ,we've both

%& %fall

%en

%3

- un

% "

der

%& '-

( * ,What

%&

" %%%% %%%% %%%%3

%%%% %%%% %%%%3

%%%% , %%%%+%%%% %%%% %%%%

3

(+Hns.)

%%%% """" %%%%/+'''' %%%

-""" %%%

-+%%% %%%-

)C

' " %F

' " %F/G' "

G G% % %-

"

Am7

%-+ %

G/B

%-

29 30 31 32

!

"ev er- we

% %de ny

% % %- or

%em

%3

brace,

%-

,for worse

%& %or

%for

%3

bet

% "

ter,

%& '- we

'be long,-

% % % %

" ''' ''' '''(+Hns.)

%%%% %%%% %%%%3

%%%% """" %%%%+'''' * %%%%

- %%%%&%%%%-""""

) C

% " %+ 'F% " %& ' % "

Am/G G%& ' G

* %- F6/G%& %-

"

33 34 35 36 37

!

" % * *we

%be

%3

long,

% "

- we be

%+ %long

%- to

%3

geth

% "

- er

%+ '-

*We

'be

%long.

$-

" ''' ''' ''' %%% %%% %%%3

%%% """ %%%+'''

%%% ''' %%% $$$

) C

% " %+ 'F

% " %+ 'F/G

% "G

%+ % %G

% 'F6/G

%C

$

Piano/Vocal

#32 - We Belong

3

FELICIA/ADAM – AUDITION SCENE 1

ADAM Adam: So we’ve got to do a number where we all Vogue. TICK Bernice do you know how to Vogue? ADAM She doesn’t even know how to drive. BERNADETTE I don’t know how you can take Madonna seriously, her nickname is Madge. ADAM We take you seriously and your real name is Ralph.

BERNADETTE stops the bus with a screech of brakes. ADAM, laughing, jumps off, with BERNADETTE in hot pursuit.

SCENE I-5A: THE BLACK STUMP

BERNADETTE What did you just say?

ADAM Nothing, Ralph!

BERNADETTE You vicious little stirrer!

ADAM Ralph! Ralph! Ralph Ralph!

BERNADETTE Once more, just once more and I will smack your face so hard you'll have to stick a toothbrush up your tush to clean your teeth.

ADAM Get a sense of Uma, Thurmn! It’s not my fault you had poor old Ralph Jr surgically removed. TICK Adam!

BERNADETTE Is it true that when you were born the doctor turned around and slapped your mother?

TICK No, his mother turned around and slapped everyone else.

BERNADETTE No wonder his father dropped him like a hot tiara. Took one look at this bitchy little screamer and ran for his life.

FELICIA/ADAM FYI

ADAM Below the belt, Bernice. (ADAM exits.)

BERNADETTE (To TICK) You all right? What’s the matter?

TICK Nothing.

BERNADETTE Don’t nothing me, darling. Look at you. You’ve got a face like a cat’s bum.

TICK I’m worried about the show, that’s all. We haven’t even started rehearsals yet.

BERNADETTE We’ve got two whole weeks to get there – and bugger all to do but rehearse!

ADAM How did you get this job anyway, Mitzi, me darling? Who’s the loser who runs this casino in the middle of nowhere? Your mother?

TICK No. My wife. Beat.

ADAM Don’t tell me you’ve got a secret boyfriend tucked away out here somewhere?

TICK No. My wife. I’m married.

BERNADETTE Tick!

ADAM This is getting too weird. You? And a woman? What did you do on your wedding night? The best man?

TICK You know there are two things I don’t like about you, Felicia. Your face. So how about shutting both of them!

ADAM Got any more little surprises you’d like to share with us? Haven’t got any kids stashed away out there as well, have you?

ADAM gets back onto the bus.

FELICIA/ADAM SCENE 1

START

FELICIA – AUDITION SCENE 2

On the instrumental, FELICIA struts out and the drive-in forms around her. Everyone stares.

FELICIA

Hello, I'm the new girl in town.

BARMAN No kidding.

FELICIA

Could I have a margarita? No salt. And some bar nibbles.

BARMAN

It’s a beer or a beer, sweetheart.

FELICIA A fine beaded ale then please, Sir.

The barman hands her a warm can. FRANK approaches.

FRANK

'lo there. Nice legs. Ay.

FELICIA Wait till you see what's at the top of them. I’m a big girl sitting on a little secret.

FELICIA spots BOB avoiding her.

FELICIA (cont’d)

Well, well, well. Look who we have hiding over there.

FRANK

Bob? You know that bloke, do you, love?

BOB ducks his head, embarrassed.

FELICIA Apparently not. So. Who’s going to show me the sights?

FRANK

It would be my pleasure.

FRANK goes to kiss FELICIA and pulls the wig off her head.

FELICIA I suppose a fuck’s now out of the question.

FELICIA starts to run, THE WHOLE CROWD in pursuit.

FELICIA Come on, boys! Who wants to see my map of Tassie?

Suddenly, a bone crunching punch from FRANK connects with FELICIA'S face.

FELICIA

Okay, fellas. Let's not forget how to treat a lady.

FRANK

You fucking freak!

He kicks her in the face, slamming her backwards.

FRANK You bloody pervert! (bangs her head down) Hold him down. That's it. Spread his legs.

Two other miners have caught her in an iron grip.

FELICIA No!...

END