Hot Stuff Audition Extract - · PDF filePiano/Vocal Hot Stuff Audition Extract ... Is it true...
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Transcript of Hot Stuff Audition Extract - · PDF filePiano/Vocal Hot Stuff Audition Extract ... Is it true...
Piano/Vocal
Hot Stuff Audition Extract
Priscilla The Musical
Musical Supervisor: Stephen "Spud" Murphy
2 3 4
(Hns. and Kbd.2 Syn)
(Sim. Pattern)
Piano Cm(No 3rds)
Bb
Cm
A5 6 7 8
Sit
Felicia
tin'- here eat
in'- my heart
out
wait
in'
- wait in'- for some lov
er- to call
Sim Pattern
Gtr 1
Cm
Sim Pattern
Bb
Cm
9 10 11 12
Dialed a bout- a thou
sand- num
bers
- late
ly
- al most- rang the phone
off the wall
Look in'- for some
Cm
Bb
Cm
Eb
#23 - Hot Stuff
B13 14 15 16
hot
stuff
ba by- this eve
nin'-
Ineed
some hot
stuff
ba by- to night-
I want
some
(+Kbd.2 Light Syn.)
Fm
G Cm
Sim Pattern
Fm
G
Cm
17 18 19 20
hot
stuff
ba by- this eve
- nin'
Got ta- have some hot
stuff
got
ta- have some love
to night-
Fm
G
Cm
Fm
G
21 22 23 24
I need
hot
stuff
I want
some
Cm
Eb
Fm G
Cm Eb
Fm G
25 26 27 28
hot
stuff
I need
hot
stuff
Cm
Eb
Fm G
Cm
Eb
Fm G
Piano/Vocal
#23 - Hot Stuff
2
29 30 C 31
mp
Look
Felicia
in'- for a lov
er- who needs
mf
mp
Cm7
32 33 34
an
oth-
er-
don't want
an oth- er- night
on my own
Bbsus2
Cmsus2
35 36 3738
Wan nasharemy love
with a warm
blood ed lov
er
- wan na- bringawild
man
back
3
home
(Barman:) "Frank..."
Cm7
Bbsus2
(Drs.)
Cm
Piano/Vocal
#23 - Hot Stuff
3
39 D
4041
Felicia
f
I want
some hot
stuff
ba by- this eve
nin'-
I need
some
(+Kbd.2 Syn.)
Fm
G
Cm
Sim Pattern
42 43 44
hot
stuff
ba by- to night-
look in'- for my hot
stuff
ba by- this eve
Fm
G
Cm
Fm
G
45 46 47 48
nin'-
I need
some hot stuff
ba by- to night-
Cm
Fm
G
(+Kbd.2-Arco Stgs.)
Piano/Vocal
#23 - Hot Stuff
4
q = 165
Piano/Vocal
Colour My World 2nd Round Audition Extract
Priscilla The Musical
Musical Supervisor: Spud Murphy
2
A3 4 5 6
7 8 9 10
(Tutti)
fBb/C C7
(Drs. Fill)
You'll ne ver- see a dark cloud hang ing- 'round me.
mf
(+Ryhthm Sect.)
F Gm7/F
Now there is on ly- blue skies to sur round- me.
C7 F C11
#15/15A - Colour My World & Playoff
11 12 13 14
15 16 17 18
B19 20 21 22
23 24 25 26
There's ne ver- been a grey day since you found me.
sim. comp (+Tbn.)
F Gm7/F
Ev 'ry- thing I touch is turn ing- to gold. So you can
C7 F (Drs.)
co lour- my world with sun shine- yel low- each day. Oh you can
f
F(+Hns 8va)
Ab Bb F
co lour- my world with hap pi- ness- all the way. Just take the
(Hns)
Eb Bb Gm7sus4/C C7
Piano/Vocal
#15/15A - Colour My World & Playoff
2
27 28 29 30
31 32 33 34
35 36 37 38
C39 40 41 42
green from the grass and the blue from the sky up a bove.- And you can
F Ab Bb F
co lour- my world just paint it with your love. Just co lour- my
Eb Bb Gm7sus4/C C7
(Drs.)
world.
F
NB: bar count and
melody syncopation
Just as long as you are think ing- of me.
mf
(Ryhthm Sect.)
F Gm7/F
Piano/Vocal
#15/15A - Colour My World & Playoff
3
43 44 45 46
47 48 49 50
51 52 53 54
D55 56 57
There will al - ways be a rain bow- a bove- me.
C7 F F C11
Since I found the one who real ly- loves me.
sim. comp
F Gm7/F
Ev 'ry- thing I touch is turn ing- to gold. Just co lour- my
C7 F
world.
F Ab Bb7 Bb6 Bb Bb/C
Piano/Vocal
#15/15A - Colour My World & Playoff
4
58 59 60
Just co lour- my world.
Ebadd9 Cm7sus4 Eb F
Piano/Vocal
#15/15A - Colour My World & Playoff
5
!!!!
!!
We Belong Audition Extract
q = 130Musical Supervisor: Stephen "Spud" Murphy
Priscilla The MusicalPiano/Vocal
2 3 4
!
" # # # #
"Piano
mf
$% % % % %& % $%& ' ' $% % % % %& % '%& ' %( %
)C
$$$ $$$F
$$ $$
5 6 7 8
!
" *Man y- times
% % %I tried
% %to
%+ %tell
%+you,
%+ % , *man y- times
% % %I've cried
% %a lone.
% %-
%% " % *
" $% % % % %& % $%& ' ' $% % % % %& % '%& ' %' %)
(+Bs.)
C
$$$ $$$F
$$ $$
9 10 11 12
!
"Adam
*Al ways- I'm
% % %sur prised-
% %how
%+ %well
%+ %you
%cut
%my
%feel ings
%+ %- to
%+the bone.
% % %% " % *
" $% % % % %& % $%& ' ' $% % % % %& % '%& ' %%% %%%) C
$$$ $$$F
$$ $'(+Drs.-Time)
%C/E
%#32 - We Belong
13 14 15 16
!
" *Don't wan
% %na
%+ %- leave
%+you
%+ %real
%&ly,
%& %-
, *I've in vest
% % %- ed- too
% %much
%+ %time.
% % '
" $'''(Kbd.2-Sustains)
''' $''' ''' ''' ''' ''' '''
) Dm
$$$
$$$ C2
$$$ C F
$$
17 18 19 20
!
" *to give
% %you
%+ %up
%+that
%+ %eas
%&y
%& %-
, *to the doubts
% % %that com
% %pli
%& %- cate-
%&your
%& %mind.
%&
" $''' ''' $''' ''' $''' ''' '''' ''') Dm
$$$
$$$ G2
$$ '' ''
A21 22 23 24
!
" %We
%be
%3
long
%- to
%the
%3
light,
%we be long
% % %- to
%the
%3
thun
% "
der
%& '-
( ,We
%be
%&-
"f
* %%%% %%%%3
%%%% %%%% %%%%3
%%%% %%%% %%%% %%%% %%%% %%%%3
%%%% """"%%%%&'''' %%
-%%-
%%. , %%%- %%%&
) ' "C (+Gtr.-Power Chords)
%F' " % ' "
Am/G G G% % %-%- %
. , %-
"
Piano/Vocal
#32 - We Belong
2
25 26 27 28
!
"long
%to
%the
%3
sound
%of
%the
%3
words
% ,we've both
%& %fall
%en
%3
- un
% "
der
%& '-
( * ,What
%&
" %%%% %%%% %%%%3
%%%% %%%% %%%%3
%%%% , %%%%+%%%% %%%% %%%%
3
(+Hns.)
%%%% """" %%%%/+'''' %%%
-""" %%%
-+%%% %%%-
)C
' " %F
' " %F/G' "
G G% % %-
"
Am7
%-+ %
G/B
%-
29 30 31 32
!
"ev er- we
% %de ny
% % %- or
%em
%3
brace,
%-
,for worse
%& %or
%for
%3
bet
% "
ter,
%& '- we
'be long,-
% % % %
" ''' ''' '''(+Hns.)
%%%% %%%% %%%%3
%%%% """" %%%%+'''' * %%%%
- %%%%&%%%%-""""
) C
% " %+ 'F% " %& ' % "
Am/G G%& ' G
* %- F6/G%& %-
"
33 34 35 36 37
!
" % * *we
%be
%3
long,
% "
- we be
%+ %long
%- to
%3
geth
% "
- er
%+ '-
*We
'be
%long.
$-
" ''' ''' ''' %%% %%% %%%3
%%% """ %%%+'''
%%% ''' %%% $$$
) C
% " %+ 'F
% " %+ 'F/G
% "G
%+ % %G
% 'F6/G
%C
$
Piano/Vocal
#32 - We Belong
3
FELICIA/ADAM – AUDITION SCENE 1
ADAM Adam: So we’ve got to do a number where we all Vogue. TICK Bernice do you know how to Vogue? ADAM She doesn’t even know how to drive. BERNADETTE I don’t know how you can take Madonna seriously, her nickname is Madge. ADAM We take you seriously and your real name is Ralph.
BERNADETTE stops the bus with a screech of brakes. ADAM, laughing, jumps off, with BERNADETTE in hot pursuit.
SCENE I-5A: THE BLACK STUMP
BERNADETTE What did you just say?
ADAM Nothing, Ralph!
BERNADETTE You vicious little stirrer!
ADAM Ralph! Ralph! Ralph Ralph!
BERNADETTE Once more, just once more and I will smack your face so hard you'll have to stick a toothbrush up your tush to clean your teeth.
ADAM Get a sense of Uma, Thurmn! It’s not my fault you had poor old Ralph Jr surgically removed. TICK Adam!
BERNADETTE Is it true that when you were born the doctor turned around and slapped your mother?
TICK No, his mother turned around and slapped everyone else.
BERNADETTE No wonder his father dropped him like a hot tiara. Took one look at this bitchy little screamer and ran for his life.
ADAM Below the belt, Bernice. (ADAM exits.)
BERNADETTE (To TICK) You all right? What’s the matter?
TICK Nothing.
BERNADETTE Don’t nothing me, darling. Look at you. You’ve got a face like a cat’s bum.
TICK I’m worried about the show, that’s all. We haven’t even started rehearsals yet.
BERNADETTE We’ve got two whole weeks to get there – and bugger all to do but rehearse!
ADAM How did you get this job anyway, Mitzi, me darling? Who’s the loser who runs this casino in the middle of nowhere? Your mother?
TICK No. My wife. Beat.
ADAM Don’t tell me you’ve got a secret boyfriend tucked away out here somewhere?
TICK No. My wife. I’m married.
BERNADETTE Tick!
ADAM This is getting too weird. You? And a woman? What did you do on your wedding night? The best man?
TICK You know there are two things I don’t like about you, Felicia. Your face. So how about shutting both of them!
ADAM Got any more little surprises you’d like to share with us? Haven’t got any kids stashed away out there as well, have you?
ADAM gets back onto the bus.
FELICIA/ADAM SCENE 1
START
FELICIA – AUDITION SCENE 2
On the instrumental, FELICIA struts out and the drive-in forms around her. Everyone stares.
FELICIA
Hello, I'm the new girl in town.
BARMAN No kidding.
FELICIA
Could I have a margarita? No salt. And some bar nibbles.
BARMAN
It’s a beer or a beer, sweetheart.
FELICIA A fine beaded ale then please, Sir.
The barman hands her a warm can. FRANK approaches.
FRANK
'lo there. Nice legs. Ay.
FELICIA Wait till you see what's at the top of them. I’m a big girl sitting on a little secret.
FELICIA spots BOB avoiding her.
FELICIA (cont’d)
Well, well, well. Look who we have hiding over there.
FRANK
Bob? You know that bloke, do you, love?
BOB ducks his head, embarrassed.
FELICIA Apparently not. So. Who’s going to show me the sights?
FRANK
It would be my pleasure.
FRANK goes to kiss FELICIA and pulls the wig off her head.
FELICIA I suppose a fuck’s now out of the question.
FELICIA starts to run, THE WHOLE CROWD in pursuit.
FELICIA Come on, boys! Who wants to see my map of Tassie?
Suddenly, a bone crunching punch from FRANK connects with FELICIA'S face.
FELICIA
Okay, fellas. Let's not forget how to treat a lady.
FRANK
You fucking freak!
He kicks her in the face, slamming her backwards.
FRANK You bloody pervert! (bangs her head down) Hold him down. That's it. Spread his legs.
Two other miners have caught her in an iron grip.
FELICIA No!...