HARCLf LEE LIBRARYBRiGHAM' NGUMVERSI1.

PROVO, UTAH

/nr CARL FISCHER EDITION

H. SOUSSMANN

COMPLETE METHOD

FOR THE

FLUTEREVISED AND ADAPTED FOR ALL FLUTES

ORDINARY OR BOEHM SYSTEM

BY

W. POPP(ENGLISH AND GERMAN TEXT)

PART I

The Elements of Music. Easy Exercises Price *1.00

PART II

12 Easy Duets for the Formatxu.* of Tone and Progressive Studies Price *1.00

PART III

Twenty -Four Celebrated Studies Price *1.00

COMPLETE IN ONE BOOK

Paper *2.50

\ 72480

Carl Fischer Inc.,BOSTON Cooper Square CHICAGO

252 Tremont Str.ef NEW YORK30H So Wabash Avo

•> t > it

-•' i

' iERT J. ANDRAUUWOODWIND MUSIC

2871 ERIE AVE.R.CASADESUS.-op. 35 Concerto for Flute& Ch*

12. Easy Duets.

These Duets are intended to give practice in concerted

playing; it is essential that the Pupil should learn the

39 Flute part as well as the I s} Flute, in order to ob-

tain an equal facility throughout the entire compass of

his instrument.

ls_t Flute.Pupil.

Schiiler.

257.Sd Flute.Teacher.Lehrer.

1. C major. C dur.

Allegretto. (m.m.J = ios)

"if

§ <*rr jj UJJtfi

12 Leichte Duette.

Diese Duos bieten ztveckmassigen Stoff im Zusammenspieleti; es ist nothwendig, dass de.r Schiiler nicht allein die

erste Stimme lerne, sondcrn auch die zweite, damit ein

gleichmdssiger Ansatz in alien -Tb'nen erzielt ivird

.

H.SoUSSMANN.

.Revised by Paul de Ville.

&-lasp^p^p

i.

m? HP£

rfHnf rnHr i f r f frrrrf^T^n,f

rj j I jjjjj j?t?

I rn- pr » r f r W^£

tm i arrr^rif-Xn im e=s

i

/

^ g^i§§

s ai* *«s* 5*^ /

10094-29Copyright MCMV by Carl Pischer.New York

1

47

f—Tit m mdol.

w Hi •5 m m m&: *

i fff if OTi f^ig

i«« £.i>.

rt. |W ¥

f

—

m T^mr.s» ii ii ii<»

errso.

man* r^-^Bi ggi ^rfesSfgf

iMfffffYi

m#f f ,f gfgffr , f; f- ^s

* i#-^

ISif

im^ mr*PiS / v^

10094-29

48

2>. A minor. A moll.

Andante. (M.MJ =88)

M ££ £ te £fef=£p: £

l s.t Flute.

258.

24 Flute.

¥^W

fe si^ ^ ^^ P/*/•

I si i £iPP

i

cresc.

i i a §«! to^ pcresc.

cresc f dim. JT dim.

*?-'

'1^jf </m.

feSP

Jr dim.

WrWcresc.

1|fcie£Q^d^

f si ///jure

1^ «7#2. cresc. y sempre

10094-29

49

ft- -0- %m -p-

tf-f^

*: 5^

<2J

i «CXULD rTrrfr

^s £ £ i if i fMr'fe£ S fet/?

e£eS if^fe ±e£ £e£ S PP ^^j"

£ ^ PSe etele i^

£

* S ^ir&£ £

iP a ^feg £=M iE=s=i S

i* :- 1 Ie

te± m 0-

$r i r m m^ ^ ^^ ^F=^=F=^

P jeeee

10094-29

R. CASADESUS. op. 35 Concerto for Flute &

3. Rondo. C major. C dur.

Allegretto, (m.m. J =128)

50

24 Flute.

Ta'rr

m#££:£ ££ £ #£££ ^

Pffff.Ff ftf i f rr/ dim. P

# «-#-

r dim.^S^=P=^ P^JP jCj* r ^t.

p

10094-29

WJ0T

£=£ m h.s a^ P £7 * j n

fJ7?cjf ^ g#^ PPpgggfB? tei

^

| rjsr]

LgtTm

m **&

&EB 1 ^m Tr ere ff

* y ^r M^

# s m*^ ^i L£TtJ in§pi

oresc.

L * J 1

^ j"e *JJ' ' ||J' I')' J)

31

/

§

s

gp rrt P=/

*^^ Um m> HtgjfTF

*^^ */wj> 7 SS= $#

-7—r

£ -^-r

/>« tf'a^o al Fine.B.C.

10094-29

4 . G major. G dur.

Allegro, (m.m. J ; loo)

52

I > fTr it $^=& £ r ?rr*rrrW .f M¥f,a

crest:. f

% i.trfty^feSP SH^l

cresc. j

W+i±at»/

£ ## £ iH^

*:=*:^##1 ^ ^§F g^ P 9 • =f** cresc .

*=** -Jjii C

fjf ITJ/-—

- -si

$ ^ rft^rz^m m pi^i « ^ fe5fi«t-«^-#

10094-29

53

tff frr rr frrf f f

y-7^e£f tor'TOj ro^1gi &=£

S*3=3*

P* ffr rrir ^P. te t £cs:

£=l

iI

r pr p S£ &£Of^ S M

E It If 4t

Hi**ur r-T if rfr^

^ ^^ rrrMf ffl?W

*a «la^ ffff .f fffP . f

it ±.±i.\ IS ^ES* ^i f^cta^ fe is tt£ fe^V ^7

erase.

gg(2 *

gglggf*1»

r^ fe^cresc.

m m meti f~ff«rf

1

#1^ H^¥

*«

**£*£ipm fmiiFP§ /

pn isFine.^g fe# y v^

10094-29

Is} Flute.

I

261.

24 Flute.

5 . E minor. E moll

Andante, (m.m. J : 96)

*

54

6S

I

r 'ccCDrtr ^m

**• (.£§£> • l|£

£

^ S fel i=^ »tid *

P ^ W rrr.

fcfF f# iife

i pp

cresc.

^m§ S^

/

pp/

10094-29

*i-Jj ljf^

¥m

i

»-V^ J

cantabile

aem + =*=J=

10094-29

56

6. G major. G dur.

Allegretto. uh.m. J = 84)

f staccato

#m k^ :-ffff ,ffff f fff ,f ;= f FS=fc

/

j*trrjrr *^S trrfff^±=p

y

m ^#§ ^ i/

I ^M -0-*~

• f~T~ P ~TL

2=^=

f

f+ftrm i#§/

1 w^m ftfefe ^=p

/

t^U rfff rr^-i—i—-—p;—i

—

iffg--f«rffi

f rff* r ff-

-Pfffr.fr ^-^-fSH^M*- f f -r *—t^-r-\

'

1

"

i m-rgr [X.rjir.jjj i

i

'

' ' L^ =t=dMill—1L_Lj—

1

1 1 1 1— —L-L—

1

rff^t:^ f#f f&&% P&P*- +-.

*^m10094-29

57

fe te¥*£

tei^frf ^ ^^^

» c ft* l

» ±-r - + ^m£ ^g^4 U

$TJXffff:^:^^:^ :£«£:= :z :zmm m .*#^s

m i * jhI#• ^ # ^ ^

ijT pi" 1 tf=fr ^M^=£

I* x^ ^*~~

r ete pCXLT';

TT=*=¥r

i=* ^=^ 1 * ter «

r it f"

mf

S — V *^m ^»•/

rMfffffPF$f££te£ £etee^frrf.^> •

f -f- * • • *

4=± & s ms ^* ^J BPr

IJ-

iw'r "^^ p^3 I

—

•

3=£

10094-29

58

f irrrrfffi i ffffr eiim

crrsc.

I^Lu^U-j if m PiPP ^JBL £^#^e^ ^F^P^ ftS=P

te

i i==J s5-

/

^5S-^-» i 23 i¥=? *& *& ^Dx

^4 j4^f£ l. rTf^

i s?^ 35? i& ne?

m i im£ te £• i|

5f ff . gr

r^ro^ JJJJ«Q g^ » :>• ^nrmTl10094-29

59

I..ppppi £f*»mmyn mp ^nsaE^

rrt^^-W^r i^ i

i^ i £ ^T##]4=3

t^mp I* HH rrrjrr I ^PI/

P BMMm m mi«- :

I rrrjrffff =

/

H£{B CLCTJJJJ ^ • » • mB

*^# US ill ife

#H EXCfJJ^ P§ S gUlS:

F=f= m rrrrrn gfggf £=gpgjB SH jjpgp

/

LCLTdU'P F £/«/-

gum s n*=

f#g# fgg#^ i/

t= ^/ / Fine.

10094-29

60

is* Flute.

263.

2^ Flute.

7. D major. D dur.

Allegro. (m.m.J: 123.)

^mm i-

^£g>it'/

i=£

mmili

1 *

Ef r^fVr^f

£EE£ F

t I §m ft^:

i ?^==£i £i=fe £EEfe

P -f*1* Al±E3t P% s3S

*=£liii ^ £^ ^ ^*

£ ^ m i -gJ^s:

ii £jr IM £ ?i ^.Mi I Ii i& ^ 32

P Sfei fe *^_ ## tt Sgfc£ P

P rv: sI fc£ ^^* * WSi££

i ii§ ij

^ ^ ^^je-p^

#fi

?• ^iMfMft^10094-29

^y§|

fefe

•* r tel? 1!*- &

E^ *sl=i

i• igg

^^te.

i

61

m + m

*}

$^-tf1 ^m fr=8IP

zrr *I

rrr j-p-»-

^^

^# S= 42.

I Sg> U

doIce

1P*£

£

/>/>

^m fcc

* I—

i

^ % m ^^ ie±

xcrese.

*? gill!! ^flgg£

of/»«

.

ggte

/

i

j'if «rjT jjj

*<"/

i 3*i * ^[Jj^£f

«^-

«2ir

ifrflfff ^ 1 sp

crese

.

m^± zmm w*5

# ^J4^^ *^ 5^

prt^ ^v £ g^5f atzr;i r

iiMi£:£V^ i iia

c\

p fc^

P i ^Llttcifl ^^ vy

10094-29

62

8. B minor. H moll.

Andante. (m.m.J :8o.)

l8.1 Flute,

264.

2* Flute

#*i a m i rff ffierr mm i p

p ^ ^ *— ^ mil rf=f=£^ m

k »"4-* r«iTrrff

^>=-^ &^

f^WfHfrrfn^ ppcresv.

m^mM r= *c

2 ife/

^^ wrmrnf

*r>-r^ *K

i^ppJL^'ocJ*

M^i frflwfffifrf-

p iiifrv

^flr>P^^ sS r^frr^r^

pr r drJ J

Pi>

?fc

i»i if fir

4tfr

^JT*rf §

dfc-

J5

^fflp•Jl^Tfftff^MrM&gA

cresc. f

tM I Ppi PP§ £=l a^ggi*

cresc. f

10094-29

63

p

m ^jgMmSS s

IS^ =g^ #

to

s :

# m

m a £ g *hs#f I y^lfe

# ip p §?i £ £ m¥ P

h tit IT m£ 5r ' creso.

mp p ^pii p^ ^^y g w w^r»-^

,Wf^f^ffegF^f,

^r,

ff^^^dim.

ft Pi

* ^iyjuj^ |j cfr ^# itft BB|

P//•

ip zz: p^^m cresc.

m pp i<!! 3

iG>tel Steffi

Mi*^^ //•

^F ^r prqrir^pp7"

IiSi

smorz.

m fe 7 7.J.

' •< "*

10094-29

9. D major. D dur.

Allegro. (m.m. J =80.)

64

M t i rffifficf £=^ « # M.

m^ ?mI tfh <,pjJP at^ rtfzfngf m PV •3^^ • - * •m s ^p§

I fe^ #ff«rI ¥fep=£=£

If' eecficcf

F-»y

^-

m B* tr*—w eZ27

»//

¥##te^ nrrf^.rm^ *¥= i ^W^* ^ » d*S"^CP^

i^r^ ^p J. fpJl*>mm^m w

^s[cEpr*

§ ^3CirjJJ iJ^J V ;

^^r- CXiJ

IRs *=£

I§

r rri ' r; i

.Z£as f CJCiTCj- p^Pi¥*=$ rl lira

fjjjg^s ^Si ^w>

egfffftffrrTfrM ^£ ^

te P^lip/>

IE*

10094-29

65

prQgffr-

n r r r r i r- ff^r i

T' prfi

f r?r

fc=4 mm -n

-i^-=2

gg*

Pf^

mma *

m *S^d wj <?• j v t£s e CtD

«tt r-^r£ efej.a m~Z &£U _^_P ££ m a ?

h ^m -JJ^iJ*KS 5^e*#s ^s Jff2

"• T7-* «- r* d J 4 _*F^# * 1 iH n =2 ia

Ps ra ^ » _ yi\ w mrwTbs1

m i &-- +. T e.£SH HlJt rffff .1 irffif

m & P-L+/ite

*f-0- my*-

if.M

P ^ ^^ ^P ££V £-^m rrrf , £ O^J£ =SB

P ^ ^ S g£«/ ^t««.

i e* i*P fe/ v^

10094-29

66

10. F major. F dur.

Allegro. (M. m. J = 126.)

s-

Is} Flute.

266.

»* Flute.

lEEf

marcato

M

£ 3jp

m/ .^tcirj i 'jjjjj

$

<jjfgg

i £*

p

• •• ••"Wj»

|

»W>(

spsn

I *r r ,-r^rf if ^* £ ^ :- -

ifflTi^ifffff'N^il

ferf53f £=3*1 S rr^» ^^ Hi»frrrr

J 13 Jiflj.J^V?Sg

frff r¥* .. » a a €£ ^

|*

tnf

twttttt fitf f^^p i • ;•

P*

#=#* F~^gf m •|^' m- m §Mm

mmm

frrrffff* hm=£sm^t m&imf

10094-39

67

|n^S «b s^ c r'Tffrf

r

if t ^

Imp _ mbB ^ S!fifrfttef i

t&^M f g ,itrT

/

I S ^^i'^ i u P Pca

/

IN 6 g ;p P pf I f Mm

^# w i r t T—>^—™—v fe

351 ^s

^SIf S^fir ryfc si=F^

^ m »**= iftai1 m ^~m!S?*

dim. P

JjfcjOTOT J^tff'r l r»» p«w »

10094-29

68

nMnif

\i^&&

feS

S^JjJ?

r c/fe-

Hfi*^Fft»

r rt uj

5Bjl5i

^cresc.

§^f

±^=L

fmirTJt$aa

^r r,rWr-l§ ^MCfHft , j » i^gpf^ f^S B§1

t^fcr

Q-

J&r r/r^- l^ r ar —cr

pgl% iS row ^-Pt-^ g= c ^ •

i»^*«jif

)>

i ^s 7 i £y

ffl£^* * » I u ttt^/

^m n p--. .-f- f¥ £ i.a. :fi :_ :=E=iE£

M^JJJJ 3ffi

smm *=£ ^

i: *^*>£#£ fi ^Cf ifrrf^ffg m

i^-Srcgr»=

tfpgg

/

us*m m ^ p/

G- —

ffffftftffffffff i

i nUn ^ffg i rc/CJc/iff

S&ee*

-## e e' •* #-«-

^ strrrriR^m ^m

10094-29

69

hr-m^ ppg£p• fvff—ff-^

i I> £

?2=n£ £*!__*.52=

¥

$h

cLtftfcnrrnw ^s/ ort'so.

m i £P P P^^ /=

*•

t>fe ^ 4jg#Pa^fr« ».#». »ma

i''iliiri- i= l

mi^a dg

creac.

m£ ^'^^^_x P ^

^f\ft ffrvfr^fe^p

r^»l> U

/ ^™"^^ -¥f*f#l |

F^P¥^fffTr*rr^rrrt

P CfflW J^rt

i^

i=*SF

liliiPPSr ri'J] rris

te^g

^+=A

^=Pr#*i £

£

Hi =p# j^xJj^jj^ *&

*=?

S*=*ffn[fflw

^ K! S 1

g*

• m .i£

10094-29

70

ist Flute.

267.

2d Flute.

11. Scherzo. D minor. D moll

Allegretto, (m.m «Ui53.

^mf

^>^ jjj

^msis #-•

£ tet.fH=

i

i

^

P

Pw-*i

a

gi

s^

^^g M&^*. ?i i£fa £ EJel£= HI

• -g-

kf£ m

% m SE gSP ^f ^

#k- * ^i i §e i^£ i£feS fc*3

/"..

$=P w p ^3 y

#^- ** JL . is

i £ tt *.,.g ttrf i rtf *!** £ g

1-•-• -*~

2

P cresc.

Ia §£ §gp—*F- Wi i

it fr**F*p£gPP ft»* iw»

i=^^ • £ i: £b e^.

E yl aBi!-r-

I£k

igg «i^^ gjaa J/

J &£ fUgg P » FK » ^4-^

iJVr ra¥/

I S£l i n ^ i§ ^^is s#-•

•

£ fr i rr'hrrr fir: ^ fe^gf- ^=p£ qMfcn

in IP ig ft^F^ffilpepp -

10094-29

71

M I I I t 1

frtfrfflrTO

1

§3^$^s

I£/

sffi

i

*>- 3-

pp ^? f

£'— r\isM

* ^* > HUHC —£ -£-

fefe

Fine.P

ik ^ £ ^see t± i1©-5-

w p

km&m £~~fe~P ' ife*^ * -

ffffp . f tUJUJi *^cresc. f dim.

iIif/v

? £m s IP^a^-/

t, rT^frf i

rff^f ,fWff ,r H jg f-frfffifr

cresc.

m £V -£*

*•^£p g£

*£ £ ?]|£

/. ^ ^ ^fefe

/st-5-

10094-29 senza replica.

12. Rondo. F major. F dur.

Allegretto, (m.m. J -. 100.)

72

Is.* Flute.

268.

2^ Flute.

I

I

^mmf

rrf fr rLf

P *««iir

P

S^1

it.

' r i

n i i

ii^

-m-m^» i rrrrir nHJ'.'i'

i§

^r

^^ *£ m hj>^« § i**Ui &*.^*esc *

^ CTi

Sj ffl^g

S»i/"

^^ eEB* ^ff^r^l

I£ frrTrtf'

* FF

i ft £H s p i-t

cresc. f

^ m m~T2 m *+^-*- s

pip ^m6 ' J/

10094-29

73

•**^mm m &&& £\ r\

^f& n-

Pig Jk i & S ft» - M i t,0-m-Pf m f

$ £ r itTnrrP P £»if

^ 1 MMjti m» - *

mf

§dm m fff frf- f m m£ h

P P Pmf

^ «ro p Bi^324 P S Hi ffl Stat

fej» § £P*J .fff .^fou^f1 |g£ i ^ £i ii

I7 ra *

sp :ZZ

#^ £ g£ ^ a £p ffi

:= rs

V

cresc. fm Fine.

m ip^ m im10094-29

74

Progressive Studies.

In the following Studies I would advise the stu-

dent to make every effort to avoid taking breathtoo often. This too frequent breathing is not a

necessity, but a bad habit, and has a very disa-

greeable effect; in passages of any length it caus-

es some of the notes to be shortened or omitted al-

together, and destroys the continuity.

To prevent this, some composers have adopted the

plan of inserting breathing- marks in their composi -

tions; with this, however, I can by no means agree.

The lung- power varies so much in each individual

that it is impossible to give any general directions

as to how long one breath ought to last.Rather than ex-

haust the breath, it is better to curtail the propervalue of a note now and then, and thus gain an op-

portunity for breathing, always taking care to begin

the next note in strict time.

To acquire ease in rapid playing my generaladvice is to employ the simplest fingering possible,

and particularly to avoid any fingering which re-quires two or more keys, the natural result of

such a use of the keys in quick passages being a

want of clearness. In slow movements, however, the

use of as many keys as possible is indispensable to

the acquirement of a pure, full tone.

C majC du

Progressive Etuden.

H. SOUSSMANN, Op. 53.

Bei den vorliegenden progressiven Etuden bemerke

ich hiermit, dass das zu haufige Athemholen m'oglichst

zu vermeiden ist, es ist mehr eine iible Angewohnheit

als absolute Nothivendigke.it, and dabei sehr stbrend,

well bei langen Passagen durch Ausbleiben von Noten

der Zusammenhang leidet.

Einige Gomponisten sind dagegen auf die Idee ge -

kommen, die Stellen in ihren Gompositionen besonders

zu bezeichnen, wo Athem geholt werden soil. Ich bin

hiermit aber keinesweges einverstanden, weil die Kraft

der Brust eines jeden Menschen so sehr verschieden

ist, dass man solche Vbrschriften, wie lange man mit

seiner Luft auskommen soil, unmoglich bestimmen kann,

man breche daher lieber etivas von dem Werthe einer Note

ab, hole Athem, und blase gleich im Takt weiter.

Um die Fertigkeit beim schnellen Blasen zu fordern,

empfehle ich im, allgemeinen, stets jeden Griff mit so

wenig Finger als moglich zu machen, besonders aber

Griffe mit zivei oder noch mehreren Klappen zu ver-

meiden, da in schnellen Passagen die haufige Anwendungder Klappen, wie sehr natiirlich, nur Undeutlichkeit her-

vorbringen kann. Bei dem Adagio aber, so wie uberhaupt

bei langsatnen Tempos ist die fleissige Anwendung der

Klappen zur Befbrderung der Meinheit und des vollen

Tones unentbehrlich.

rcrS i rTir J^lgjSyncopation.- Synkopirten Noten.

Allegro _^C major.

C dur. j "/ rmirrf i

'rr ji^m p ifrn ipm

#

'if

mf$2

j4ig[fiif rrl>i?eft**

i.mm 2.

f-rmirr rriFine.

12559 -43

75

i& m z£fe^igj

PvP#- EpfeS

**^ MiTffrf i r.Lfr ri

?rrrerri

i

r^#:

# aftb. &l ^J)i l JiJ^ JI JJ>lJjPftgg

i *£f

I

/?. C.«/ Fine senza Replica.

A minor.A moll. i^gp Si ffnrfir^i rfr!r^igi

i

Dotted Notes. _ Punktirte Noten.

Allegro.

A minor. -^ r* J~^

^ wo//.i

y B=? £## g torfgnat*•*

| nrritrrr,w

TrTrfrJr i r=tf'Jt'-f^ irr rfE"JT,r

^gcr ?«•» gal meB^ ffl-*.*- *

^^* Mri i rumTr s§g

G major.G dur.r-^ ^crm^rrrri cr:^a m

12559-43

76

Valse.

G major.

G dur. fH&famf

:•*>.

f'mmttfnffimtf

i^mm-^ffffrffiifl

^#•

s'fe... ,17

ttK fa

^irrgfri^

i kHghc^m.

«—

i* gUi#^ ffrfff i f^f

<\m ftete-i^

§1

#mf A =£

*I^4

ff E

i#: *^ trr t irTrjrTr f n r

'^i*r mm

Fine. P

m l ft Ccnffrrffr^czx

#*4 • • • b^JP £#f€ irnf^

$ j rttivn f i&

^/?. C «/ #%!«,

Allegretto.

E minor.^ moll. $ * * ^^maggB^g^ggi$

t ^ 1St ^l2Sfeflpi|ft^ :-£:.*

£

|« jfejg^g^Ji^a^la^l^gia12559-43

77

Allegretto.

;iffov ,>.,>? gE minor. Jf

jj H

D major. -i*fee IP

till \W KB mmm^dsim tw^ m sifc

&m [Ctfi^cccf i Efrr TOicrrr^irrrr^irfrr^Ilij i lcct^jj

Mazurka.

D major.^u^g ^ttrft £$& uT:

H tftT itltfhtojaicresc.

iinl&-**** THf>, fffrr ,V "i^N"

i

Tffftr irFjri

Ccte ^iT7^

i ft

ffif Hi £ ^^iifffrfiittgi

i>

#H ff'nr £f I

'fy^^iffriffft t'fffTf i ^n-

# ft

cresc.

t»m h Wh. h.. . SfoWTWH ms

^ cresc. f D.C.alFine.

13559-43

78

B si ,. ifrtffi \rtfffi wfftfff i

crdW i iff^pggg

minor.

// ;//<?//. " era^

i e

^ £teiftft-#^

FfJ!rrr^rifirjrrr riurJrfr>

i iir.rrrrri

A la Polacca.

B minor. Jt ^r—B-

#*

E^iffiaj'ir-Lr'Lig^# t»

I ^

Fine.

Trio.

4 l

fe'

F?^ S i sdolce

#» f—

F

i^

i #P^jtr*

•J Jp cresc.

fr~nnf si?

# \f te

jB^lr- D. Cat Fine

senza Replica.

12559 -43

79

A major.A dur. M*&rt \Qmm«®i

4 **

--#-#- £--*

ttt^I

m •+ &&*mm m^vmisfim^Allegretto, m.m. J -. 104

F$ minor.

Z^/5 WO//. -ffidHfo 'iT1

rfu ffcrcri^tfT i crrr^-H

AN3:—

i& m P pr 1 * ?r 1

%

#n

af ferr^iCrr/^

i

rr^i rrrrc^icfD^i

12559-43

80

Ffl minor.

Fis moll.

Allegretto, mm. J = 112.

^ ^

#t*M a

j i

r ^flf [fH ;

IIT [flUT IUf1 £cresc. X y ^

#i p^ *p^ »

*

# m t

mf cresc. f

IH fffr 1^ i?

l p~([££flJT3pTc?mf

=»*

-^

#fe rr i f rr/TS

LL^ '

cX^f

E major.

E dur. ffiw \^i\i^ \ tis$tt \mph

rfrrr ^ #-f Hi

^rr^ irrrr^irrr^irrrr^icrr.;^! jp^

Andante.

E maj

E dur.,°

r-#§i Cfi rf.?>

pi m ^a>#

^ fflTfrlfi

f r, tTwrnifir- pr,

iffrCrTrir pr-

f»f^a § *s Mfe^g p=£V p

i^m ^[fiMfrrrrirfirrrr

iLrrrr

^^

\mf

12559 -43

81

Cft minor.Cis moll. ^'jBjgjjagrijgigr i jg itiT i

ijatft^

0m agp, ^WfP . ^rtftf,Atfr if*fff

ctfqu

i crer-g^Ttm

ifefeJfee;##- je^.

crrj-i Lxi r^q^

j& g% i [?^ i [rcr-TO i i£CfJ3JJii^^a

C$minoCYs wo//

•J jo

Allegretto. m.m. J = 120.

p^• «

£ *=^r^ mT

itrp.M * pttf^

:

=J=^:*..

&

yP *tt^#

x<

1r\

^ ^^ 1« V

mf

-%- tfff

r 1 fff j j 1 j jt jj 1

---1jj • ^ > 11 L—\^f-

—==fe _ I^ cresc. ffftfufe • • §£i

P. ^P w

* g p

(O

pe/ fey

1 y lp^B major.H dur. m1 ^m

+*. mUmmmspi

-W- # ^

I*#

i ^[rcrir^ crcritrtfg? f*

12559 -43

82

B majorH dur. 4

ii

Allegretto, m.m. J = ios.

JJJJ J J J1 «E=Bmf

v.m*m m m mmL cPTcccr

i cccrcca

|*n\ ajJgtgigB l

tJJ33JB i,jJ3-oa%sg

ccEJrI gffTP v-l

Ipi « » dim.

• , • » rr » p« »KZ3C ^*JT*

minor£« #/£>//.

iis"##-. 1

[rEriLrr-r^ i Lrcr^ffi^ii

G$ minor.

£z's wo//.

Allegro. m.m.J =88.

mmfm ^rltT i trr

i>

mipap as r: ii

:ij rr rr rr"rT^

mf

^iB-B-B-B

12559-43

83

mm i\

f ^4„!?&*

^=+^

w§A X X£f£gfir £ ^

X

i P? S i:

r tEKjada^rri^rcrrri ^crrrgjF major. £ffi

i

=il= fffrffr ittr.r^ i

tra^i rr^ i rrgSli

p major.7^ </« r.

Tempo _di Marcia. M.M. J=ioo.

a sr » s

«/pna

#lii§g^ fc ^if'jiJ^^ i

r c^r i:|

=WPi

^ ^££^^if^/j jj i }^J]^r^ 3^1

ex

jjjjj^^cccriN.ja

12559 -43

84

D minor.D moll. ^^l^g§p^liggfii|gll|g^

i i'crrjLiU

i [r'J

-^m ^sm% <&&& tf&mrwmmmmiN

\=mm& m&•ifffrfrr

i^fr#^ m m

fr rrrr^itrcfc^i[rrf^i crrr-TOi[gf Iffli

Presto.

4D minor. X L g -j

/? wo//. VM> 4»;< ^fgg£ff i

tc£ri»ri gc

P»> ^>

^I^LT SN \ ^ »^

y S^

^ ^t&fi^p^ ^ *i*i £*££:=^S feiH

* » ,'~rr r f; p-^g ivs

j, [^fffr i

ftErr • I=

///y gjp^-fcfrftfr

• _ • *^*

12559 -4E

85

1

tlWr r1

= I

cresc.

&L^fffrp»i«rTfrrfr <SUS ;=£= ;=;e=

# mm is jpass*

decresc. r_ ^

#r+ r+- r+

* ^a /^> ^7 0~ 7 * y y I

s I1 • 7* • ~ —

c

Bl> major.

i? dur. i S ffiS

#HI##

125 59 - 43

86

Allegro. m.m.J = ii6. £e^££ gABb major. fc\/ (4 p ^_

A 1

' ^^Wtt\&ftM^tt\t^&^fji^t^r^

cresc.

t:_":z:::_f«*

[Cr^'^'^jjgf

fr-fffrffi 13 r r ttrirtt

fe^-^ —

-

i ±=

m p

m=^m• mo

mm * J1Ji *&z:m • m a

2m 1ITO

^^gt=5^^l2^^<tEt|5g^=:|====:===^=i==|ttk^

?1-fif- =i= —ilu—

—

==J_ -^J yj_uj-J

12559-43

87

4W>-f rp i r iffffi^ rfTf crrcrf i

nrrlggg ##

r

^t^ S^r>rrnrj^j i^ttrgJy

i minor,G moll. 4 Bfr ^=^+mmm trr*rrT

| r ffrrrfn rfrrflrnrrff

^fe¥^m-gm s

Sfc /^rXSSef ^sSTT

1 f^^|

W[r[tfrr^ rrrrc>- 1 rrrr i»«> -

«

G minor, z#

Andante, m.m. J = 79.

^.

r^HrP i rfgff — —•—

I

P P

4 r^fhfWhm ''^ ^S T* min

mf

tJ p—T±- *

v -t fftllttft... /^•^^•j^^:- ^w

iiry

j2.

Htr.fapff^Sht'E m 2_

P UT ISJ

in^zr- fy

iiptf i rifPf f

12559-43

88

^ ^rr r i

r'P ^a.X i P» ^v ftKe Ia#

4Allegretto . m. m. J = 92.

kEb major. zTt^tzp:

^IfljliL^ ljLMi liMB BfsgiT#—

:

rvW4

h, * .f-JF ,:t . ,F3£^fc

ijLiLflli La ' La 1-" LiT r"s

cresc.

4ijg^iliLiLcr ' [jtowWlw bJ^Ur^

fck

1s lct LcT LcT lct LcTLiTLj l LiT' IjTLtfLJLcr La CiTga^

i ^ 7* ^ A ^ 7*ir i r;f^^ rrir.^-rrrr,

n\

Icresc. J

C minor.£* wo//. I^^jj^ i jjjj^ijjj^ ijn^

4ra^ ^Wi

rr^ftf

12559-43

89

4=&& m *9-

ccriQ'jrrrriuQ'r^*-+

+*+

4 m F#^ m *+, *=+ a*¥ *-*

Allegro. m.m.J: 96

C miinor.

12559-48

Andante cantabile. mm.J: 69.

90

As dur. 4A

^mvajor-3SS=E

S3|£:z p. m- :l£:m. a ±i^:~

p espressivo

MM».. *5i H

i M>1*- ~-^>

?*f • > ZjB s i^m- w-m Mmf

frf* 2±

i fc* 3E r^rvfr^ l>» J *a* 'H ^J^ a t^F^,

# fflp#•W^> \4 ' fjg

a jfl crjyrai ^f * M ^

^ .?.y

PITfrlffi i

f yriT?^ .?

i m MiK,

IIP¥=+

dolce

mr\

tr

mf flYW5

<*/"^f

*S-* n p

#Be rWfir=fi^*-fl

£•'

I sfl¥ .

J'fl[;tZM si

fl#w.tf

p^m •tr

p

# Si§ ^m-mf f

t I gj

F minoiFmoll.wj^ flying ^ ## ^p™^

12559-43

91

Allegretto, m.m. J = t041 72460

F minor.Fmoll.

mf

sp >-isrm / —f fp -a

4 fcM &4 &. a 1 £v

Egrrrja fPtm w.^m

1

/ Ji^fr /

r ,f> ^ fr /fr . i |> pffjyvyft

^ ih ^- <rs ^

£fi±

SgS

p:z»

£ i#f«^

*£/* f/^f ^f- /^f-fr-Kp /' f ^f/Tf ,^~i-/p

1 ag i;

f'i> gflffi^ iMW fiefff^T i rrlrfp? »1r i i.p^p.> ^#

4 ^ rt ppffjf£ ^

ViwS' W?w

4 m >•i ip ' 3zat ifc± -*y F5» K £ I

#n 'V £s ^ *t ^ ^^\ ^^^^ £Y£teNe\

F^v m % i m%C\^\

\ry— P\fff\m \>£p 6p fpfpi

rp fPfP fim I P\ff\lTl mBi ^j '^yjm ' ^ixj}^iif^^12559 -43

f'

92

Allegro. m.m.J -.75

D\> major.

Des dur. *r p£

i. # 1

life

i Yr rTrf i^Y^iMii¥^tf£

^ cresc. mf

4Ws—T-r

*s• X_ m W* liPfff , artfeg£th m mf

###

# M> 5mf

fm el CQX g rv rrrr i asp

12559-43

93

Bl> minor. fl_ ag nBmoll. W) 'H'

fa ^^\^^ \^^

\^§^J^i

4 k$ m *£?£% ^ea^il 'eciiWil jffiffr> gjffiv

te»*

^rrri^rrrr i^rrrr ifrrr^ ii

Allegretto. m.m.J :ioo.

3b miminor.# wo//. #2zz

ISCs 1 ^F fT- ijfc

#%

pE*2£

f 2 1

?!>*

^i fjiJjJ^^

i tr* J3ir

IA m >& Mt> 2 5^ fc

#*•

Pfa* w^rn-\ —r^m

-?"" "^

1m-- m m

fr^^

4#>

JM&Jl. In

«fc

tfiT\ m \l!m T±& & V

4 te

' £##- ir tn.

t h &-H Lw'^CST ' L/^i

mh ,kJib*&m A m £ t&

MIm

;*"•"& i^S^3

# kt

*A tfr

—0--m—£— £ 41

<tr

££-?^— ^r

PTf bS m*mm' m 'V ,»—

^

m - fm m12559 -43

# . -

• * •

BRIGHAM YOUNG UNIVERSITY

3 1197 21284 7476

Date DueAll library items are subject to recall 3 weeks from

the original date stamped.

MAY 2 3 2000

JUN n P ™nn

Brigham Young University

-''•"'''•

-

i -'..—»'

$!i*£|T4?

1vW ^»,, v

•*

mm -, ill

•

'5 m

7 Jf UL - .

MM