Duos

52
HARCLf LEE LIBRARY BRiGHAM' NGUMVERSI1. PROVO, UTAH /nr CARL FISCHER EDITION H. SOUSSMANN COMPLETE METHOD FOR THE FLUTE REVISED AND ADAPTED FOR ALL FLUTES ORDINARY OR BOEHM SYSTEM BY W. POPP (ENGLISH AND GERMAN TEXT) PART I The Elements of Music. Easy Exercises Price *1.00 PART II 12 Easy Duets for the Formatxu.* of Tone and Progressive Studies Price *1.00 PART III Twenty -Four Celebrated Studies Price *1.00 COMPLETE IN ONE BOOK Paper *2.50 \ 72480 Carl Fischer Inc., BOSTON Cooper Square CHICAGO 252 Tremont Str.ef NEW YORK30H So Wabash Avo •> t > it -•' i ' iERT J. ANDRAUU WOODWIND MUSIC 2871 ERIE AVE. R.CAS ADESUS.-op. 35 Concerto for Flute & Ch*

Transcript of Duos

Page 1: Duos

HARCLf LEE LIBRARYBRiGHAM' NGUMVERSI1.

PROVO, UTAH

/nr CARL FISCHER EDITION

H. SOUSSMANN

COMPLETE METHOD

FOR THE

FLUTEREVISED AND ADAPTED FOR ALL FLUTES

ORDINARY OR BOEHM SYSTEM

BY

W. POPP(ENGLISH AND GERMAN TEXT)

PART I

The Elements of Music. Easy Exercises Price *1.00

PART II

12 Easy Duets for the Formatxu.* of Tone and Progressive Studies Price *1.00

PART III

Twenty -Four Celebrated Studies Price *1.00

COMPLETE IN ONE BOOK

Paper *2.50

\ 72480

Carl Fischer Inc.,BOSTON Cooper Square CHICAGO

252 Tremont Str.ef NEW YORK30H So Wabash Avo

•> t > it

-•' i

' iERT J. ANDRAUUWOODWIND MUSIC

2871 ERIE AVE.R.CASADESUS.-op. 35 Concerto for Flute& Ch*

Page 2: Duos

12. Easy Duets.

These Duets are intended to give practice in concerted

playing; it is essential that the Pupil should learn the

39 Flute part as well as the I s} Flute, in order to ob-

tain an equal facility throughout the entire compass of

his instrument.

ls_t Flute.Pupil.

Schiiler.

257.Sd Flute.Teacher.Lehrer.

1. C major. C dur.

Allegretto. (m.m.J = ios)

"if

§ <*rr jj UJJtfi

12 Leichte Duette.

Diese Duos bieten ztveckmassigen Stoff im Zusammenspieleti; es ist nothwendig, dass de.r Schiiler nicht allein die

erste Stimme lerne, sondcrn auch die zweite, damit ein

gleichmdssiger Ansatz in alien -Tb'nen erzielt ivird

.

H.SoUSSMANN.

.Revised by Paul de Ville.

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R. CASADESUS. op. 35 Concerto for Flute &

Page 6: Duos

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12. Rondo. F major. F dur.

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74

Progressive Studies.

In the following Studies I would advise the stu-

dent to make every effort to avoid taking breathtoo often. This too frequent breathing is not a

necessity, but a bad habit, and has a very disa-

greeable effect; in passages of any length it caus-

es some of the notes to be shortened or omitted al-

together, and destroys the continuity.

To prevent this, some composers have adopted the

plan of inserting breathing- marks in their composi -

tions; with this, however, I can by no means agree.

The lung- power varies so much in each individual

that it is impossible to give any general directions

as to how long one breath ought to last.Rather than ex-

haust the breath, it is better to curtail the propervalue of a note now and then, and thus gain an op-

portunity for breathing, always taking care to begin

the next note in strict time.

To acquire ease in rapid playing my generaladvice is to employ the simplest fingering possible,

and particularly to avoid any fingering which re-quires two or more keys, the natural result of

such a use of the keys in quick passages being a

want of clearness. In slow movements, however, the

use of as many keys as possible is indispensable to

the acquirement of a pure, full tone.

C majC du

Progressive Etuden.

H. SOUSSMANN, Op. 53.

Bei den vorliegenden progressiven Etuden bemerke

ich hiermit, dass das zu haufige Athemholen m'oglichst

zu vermeiden ist, es ist mehr eine iible Angewohnheit

als absolute Nothivendigke.it, and dabei sehr stbrend,

well bei langen Passagen durch Ausbleiben von Noten

der Zusammenhang leidet.

Einige Gomponisten sind dagegen auf die Idee ge -

kommen, die Stellen in ihren Gompositionen besonders

zu bezeichnen, wo Athem geholt werden soil. Ich bin

hiermit aber keinesweges einverstanden, weil die Kraft

der Brust eines jeden Menschen so sehr verschieden

ist, dass man solche Vbrschriften, wie lange man mit

seiner Luft auskommen soil, unmoglich bestimmen kann,

man breche daher lieber etivas von dem Werthe einer Note

ab, hole Athem, und blase gleich im Takt weiter.

Um die Fertigkeit beim schnellen Blasen zu fordern,

empfehle ich im, allgemeinen, stets jeden Griff mit so

wenig Finger als moglich zu machen, besonders aber

Griffe mit zivei oder noch mehreren Klappen zu ver-

meiden, da in schnellen Passagen die haufige Anwendungder Klappen, wie sehr natiirlich, nur Undeutlichkeit her-

vorbringen kann. Bei dem Adagio aber, so wie uberhaupt

bei langsatnen Tempos ist die fleissige Anwendung der

Klappen zur Befbrderung der Meinheit und des vollen

Tones unentbehrlich.

rcrS i rTir J^lgjSyncopation.- Synkopirten Noten.

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Page 31: Duos

75

i& m z£fe^igj

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i

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i *£f

I

/?. C.«/ Fine senza Replica.

A minor.A moll. i^gp Si ffnrfir^i rfr!r^igi

i

Dotted Notes. _ Punktirte Noten.

Allegro.

A minor. -^ r* J~^

^ wo//.i

y B=? £## g torfgnat*•*

| nrritrrr,w

TrTrfrJr i r=tf'Jt'-f^ irr rfE"JT,r

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G major.G dur.r-^ ^crm^rrrri cr:^a m

12559-43

Page 32: Duos

76

Valse.

G major.

G dur. fH&famf

:•*>.

f'mmttfnffimtf

i^mm-^ffffrffiifl

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t ^ 1St ^l2Sfeflpi|ft^ :-£:.*

£

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Page 33: Duos

77

Allegretto.

;iffov ,>.,>? gE minor. Jf

jj H

D major. -i*fee IP

till \W KB mmm^dsim tw^ m sifc

&m [Ctfi^cccf i Efrr TOicrrr^irrrr^irfrr^Ilij i lcct^jj

Mazurka.

D major.^u^g ^ttrft £$& uT:

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13559-43

Page 34: Duos

78

B si ,. ifrtffi \rtfffi wfftfff i

crdW i iff^pggg

minor.

// ;//<?//. " era^

i e

^ £teiftft-#^

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i iir.rrrrri

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senza Replica.

12559 -43

Page 35: Duos

79

A major.A dur. M*&rt \Qmm«®i

4 **

--#-#- £--*

ttt^I

m •+ &&*mm m^vmisfim^Allegretto, m.m. J -. 104

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12559-43

Page 36: Duos

80

Ffl minor.

Fis moll.

Allegretto, mm. J = 112.

^ ^

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j i

r ^flf [fH ;

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rfrrr ^ #-f Hi

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E maj

E dur.,°

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pi m ^a>#

^ fflTfrlfi

f r, tTwrnifir- pr,

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12559 -43

Page 37: Duos

81

Cft minor.Cis moll. ^'jBjgjjagrijgigr i jg itiT i

ijatft^

0m agp, ^WfP . ^rtftf,Atfr if*fff

ctfqu

i crer-g^Ttm

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p^• «

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12559 -43

Page 38: Duos

82

B majorH dur. 4

ii

Allegretto, m.m. J = ios.

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i cccrcca

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minor£« #/£>//.

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i>

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mf

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12559-43

Page 39: Duos

83

mm i\

f ^4„!?&*

^=+^

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X

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12559 -43

Page 40: Duos

84

D minor.D moll. ^^l^g§p^liggfii|gll|g^

i i'crrjLiU

i [r'J

-^m ^sm% <&&& tf&mrwmmmmiN

\=mm& m&•ifffrfrr

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12559 -4E

Page 41: Duos

85

1

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= I

cresc.

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# mm is jpass*

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125 59 - 43

Page 42: Duos

86

Allegro. m.m.J = ii6. £e^££ gABb major. fc\/ (4 p ^_

A 1

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12559-43

Page 43: Duos

87

4W>-f rp i r iffffi^ rfTf crrcrf i

nrrlggg ##

r

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i minor,G moll. 4 Bfr ^=^+mmm trr*rrT

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1 f^^|

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^.

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12559-43

Page 44: Duos

88

^ ^rr r i

r'P ^a.X i P» ^v ftKe Ia#

4Allegretto . m. m. J = 92.

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:

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12559-43

Page 45: Duos

89

4=&& m *9-

ccriQ'jrrrriuQ'r^*-+

+*+

4 m F#^ m *+, *=+ a*¥ *-*

Allegro. m.m.J: 96

C miinor.

12559-48

Page 46: Duos

Andante cantabile. mm.J: 69.

90

As dur. 4A

^mvajor-3SS=E

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p espressivo

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12559-43

Page 47: Duos

91

Allegretto, m.m. J = t041 72460

F minor.Fmoll.

mf

sp >-isrm / —f fp -a

4 fcM &4 &. a 1 £v

Egrrrja fPtm w.^m

1

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f'

Page 48: Duos

92

Allegro. m.m.J -.75

D\> major.

Des dur. *r p£

i. # 1

life

i Yr rTrf i^Y^iMii¥^tf£

^ cresc. mf

4Ws—T-r

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12559-43

Page 49: Duos

93

Bl> minor. fl_ ag nBmoll. W) 'H'

fa ^^\^^ \^^

\^§^J^i

4 k$ m *£?£% ^ea^il 'eciiWil jffiffr> gjffiv

te»*

^rrri^rrrr i^rrrr ifrrr^ ii

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3b miminor.# wo//. #2zz

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f 2 1

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4 te

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mh ,kJib*&m A m £ t&

MIm

;*"•"& i^S^3

# kt

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—0--m—£— £ 41

<tr

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^

m - fm m12559 -43

# . -

• * •

Page 50: Duos
Page 51: Duos

BRIGHAM YOUNG UNIVERSITY

3 1197 21284 7476

Date DueAll library items are subject to recall 3 weeks from

the original date stamped.

MAY 2 3 2000

JUN n P ™nn

Brigham Young University

Page 52: Duos

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i -'..—»'

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