Post on 12-Mar-2016
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PORTFOLIO
Adventures in Architecture | William Connor OGrady
BOOM.
William Connor OGrady4 Mendys Forest, Aurora,
OntarioCanada
L4G 5A3connor_ogrady@yahoo.ca
English: ExpertFrench: BeginnerItalian: Beginner
INTERIOR
UW UW UW UW coop coop UW
'08
02 03 04 05 06 0701
01. 02. 03. 04. 05. 06. 07.
'09 '10 '11
academic academic academicacademic kpf quadrangle academic
Name: EcohouseType: ResidentialFor: Competition/Academic
Name: Explore Design BoothType: PavilionFor: University of Waterloo
Name: Imminent UrbanismType: High Density ResidentialFor: Academic
Name: InSense SpaceType: PavilionFor: Competition/Academic
Name: Various Type: Office TowersFor: KPF Architects
Name: VariousType: VariousFor: Quadrangle Architects
Name: Casa della CittaType: Hybrid Cultural CentreFor: Academic
ecohouse
A Carbon Zero and LEED Platinum design, intended as a residential
community comprised of modified stacked shipping containers. Through modificiations to the module the living
space can be expanded to house larger family sizes. The units then sit
off set from each other creating a pedestrian oriented open frontage that
becomes a point of interaction be-tween the members of the community.
Sustanaible design features include a concrete trombe wall, photovoltaic
louvers, rainwater collection, a building automated system, superinsulated
walls and the reoovery of a parking lot and transforming it into a green space
with occupiable living.
Notes: Drawings completed in FormZ with Illustrator and Photoshop. 3D
modelling and Rendering completed in Modo and Photoshop.
Name | EcohouseYear | 2008
Completed with | Mark KimSite | Cambridge,Ontario
Structure | Shipping Container and Concrete
Type | Residence
01. Entrance/Front Yard02. Superinsulated Walls, Water
Storage + Solar Energy Harvesting03. Solar Chimney Atrium with PV
Louvers04. Back deck with Water Storage
05. Circulation and Materials06. Construction components
07. Front Entrance08. Modular expansion for population
increase
.LXO .FMZ .PSD .AI
luxologymodo
autoDesSysformZ
adobephotoshop
adobe illustrator
.INDD
adobeindesign
ECOhouse
No Vacancy
Location: Lutz and Wellington Street, Cambridge, Ontario, Canada
Site Situation:The building is oriented in order to maximize passive heating by placing a large glass atrium on the south corner of the house. This serves as the focal point for both the passive and active systemsLandscape around the ECO-house property is planted using trees that are indigenous to the area.Redevelopment of a paved brownfield,removesaheatisland, and provides better natural drainage systems, by re-aerating the earth.
Mark Kim and Connor OGrady
The
Material Aquisition: 50kmParking Lot Site: Revitalization
Asphalt in site area
Services
CommCentre
Bus Residential
Proposed Redevelopment
The Concept: To revitalize a fairly vacant parking lot, with green space, and to reconnect to the downtown service area in a more pedestrian oriented method. With the occu-pancy of residents, and the introduction of large green spaces, the objective is to no longer have a vacant, nega-tive, wasted space.
Power:The main power source for the house are the roof photovoltaics, and the solar lou-vers that lie within the south facing solar chimney. They provide the energy to drive the electricity within the house. Heating and cooling is controlled through a different system. The photovoltaics in both cases, double as shading devices in the summer time. The Solar Louvers prevent the con-crete thermal mass from overheating and in turn heating up the house in the summer. The photovoltaics provide shading for the outdoor patio, creating a relaxing exterior space Solar Louver Detail
First Floor 1:100 Second Floor 1:100 Third Floor 1:100
ECOhouse
No Vacancy
Location: Lutz and Wellington Street, Cambridge, Ontario, Canada
Site Situation:The building is oriented in order to maximize passive heating by placing a large glass atrium on the south corner of the house. This serves as the focal point for both the passive and active systemsLandscape around the ECO-house property is planted using trees that are indigenous to the area.Redevelopment of a paved brownfield,removesaheatisland, and provides better natural drainage systems, by re-aerating the earth.
Mark Kim and Connor OGrady
The
Material Aquisition: 50kmParking Lot Site: Revitalization
Asphalt in site area
Services
CommCentre
Bus Residential
Proposed Redevelopment
The Concept: To revitalize a fairly vacant parking lot, with green space, and to reconnect to the downtown service area in a more pedestrian oriented method. With the occu-pancy of residents, and the introduction of large green spaces, the objective is to no longer have a vacant, nega-tive, wasted space.
Power:The main power source for the house are the roof photovoltaics, and the solar lou-vers that lie within the south facing solar chimney. They provide the energy to drive the electricity within the house. Heating and cooling is controlled through a different system. The photovoltaics in both cases, double as shading devices in the summer time. The Solar Louvers prevent the con-crete thermal mass from overheating and in turn heating up the house in the summer. The photovoltaics provide shading for the outdoor patio, creating a relaxing exterior space Solar Louver Detail
First Floor 1:100 Second Floor 1:100 Third Floor 1:100
01
040302
05
06
0807
CANOPY-COLUMN-COUNTER DETAILS
Canopy to column to counter detail - longitudinal section
Canopy to column to counter detail - cross section
Canopy to column to counter detail - plan
CANOPY-COLUMN-COUNTER DETAILS
Canopy to column to counter detail - longitudinal section
Canopy to column to counter detail - cross section
Canopy to column to counter detail - plan
EXPLORE DESIGN
Completed as part of a design build industrial design elective course, I took
part in the design and full scale pro-totyping of the University of Waterloo School of Architecture Pavilion at the
Explore Design Booth. The space was meant to have a diagonal flowing cir-culation pattern with work exhibited to the outside. Particular features also in-cluded an illuminated wall of collaged
undergraduate work as well as a white bar overhead, meant to address a
connection across the space as well as provide signing for the school out
to the rest of the space.
Notes: Direct application of stud wall construction, as well as testing of cove lighting systems and connections be-tween steel conduit and wood frame.
Name | Explore Design PavilionYear | 2009
Completed with | ElectiveSite | Metro Toronto Convention
Center Toronto, OntarioStructure | Wood Frame, Steel Conduit
Type | Exhibition Pavilion
01. View of pavilion from convention entrance
02. Construction assembly, feature wall
03. Finished feature wall04. Depiction arriving from the
entrance05. Diagram for deployment
06. View from the student lounge07. Column to counter detail
google sketchup
structural prototyping
pre-assembly+ costs
construction detailing
adobeindesign
The proposal for the 2009 Explore Design Pavilion strives to meet the marketing and program intentions in order to successfully showcase Water-loo Architecture to prospective students. The pavilion endeavours to engage students through an experience that they could not get from the school website or from a tour. Through the application of hands-on elements and the use of visual aids, the pavilion creates an interesting experience that lives up to Waterloos acclaimed reputation as the best architecture school in Canada. It is believed that the pavilion will allow students to take away valuable information with them regarding what the school has to offer and what it means to be an architecture student.
UWSA EXPLORE DESIGN 09
WALL ASSEMBLY DIAGRAM
Step 1 Step 2
Step 3 Step 4
DEPLOYMENT
The 2009 Explore Design Pavilion is expected to be broken down into smaller components and packed into a 26 moving truck. The Pavilion will then be assembled on site on October 13, 2009, the day before Explore Design.
Time Period
The Truck will be rented twice over the period of three days, to avoid additional costs on the middle day. Thus it will be rented once to drop off for assembly, and then once again to disassem-ble and bring back to UWSA. The pavilion will be assembled within the 2 hour window that waterloo has signed up for (time TBD).
Size
Due to the Pavilion size a 26 truck will need to be rented at 168$ per day (UHaul: before tax)
Required Equipment
To assemble on site, our team will need at least 10 people of man-power, using power drills and hardware. Some attachments will be joined through slotting and friction fit connections including the premade connections for the aluminum conduit.
01
0302
04 05
0706
.SKP .STP .PAC .CND .INDD.SKP .STP .PAC .CND .INDD
Nto king street streetcar
Barrier #1
Barrier #2
Barrier #3
Barrier #4
IMminent urbanism
Situated in South Parkdale, Toronto through an analysis of transporta-tion patterns of type and density, I
created a vision of a new community space containing urban density while
maintaining programmable pedestrian streets that will re-evaluate the role of the automobile in city living. The main
structures are composed of undulating roofscape buildings used as bridges over a new greenway in place of the
gardiner that contains new light rail lines as well as walking and biking
paths. By offsetting more traffic onto public transit it discourages a com-
muter lifestyle in order to help develop the downtown as well as promote
more energy conscious living
Notes: Use of Bamboo Tablet through mapping and planning portions of
project. Base Renderings output from Maxwell with StudioMAX.
Name | High Density PlanYear | 2010
Completed with | Independent StudioSite | South Parkdale, Toronto, Ontario
Structure | Concrete and SteelType | Collective Housing
01. View of pavilion from convention entrance
02. Construction assembly, feature wall
03. Finished feature wall04. Depiction arriving from the
entrance05. Diagram for deployment
06. View from the student lounge07. Canopy to column to counter
detail
mcneelrhino
autodeskautocad
adobephotoshop
adobeillustrator
adobeIndesign
PRO
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OD
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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
01
04
03
06
09
10
02
05
07
08
.3DM .CAD .PSD .AI .INDD
INsense Space
There is an important emphasis on the experience that embodies all
senses in a strong and unique way. Incense provides a connection with all
senses, as well as being a universal symbol within many spiritual communi-ties. The implementation of this project
is essentially a physical space whose deformation over time represents
the bond between people through memory. The space is intended to
heighten awareness of inner body and outer body experiences and aims to
reconnect the individuals with a place that unlocks memories and allows for
contemplation in a way that moves forward from the traditional social/
spiritual human infrastructure.
Notes: Published as part of Maya Przbylskis paper for oioioihnoeih. Submitted for Bracket Goes Soft
Publication Competition
Name | System Stalker Lab Pop Up 2.0
Year | 2010 Completed with | Harry Wei
Site | Qeen Street East, Toronto, Ontario
Structure | Suspended Steel FrameType | Temporary Spiritual Space
01. View of Primary Congregation Space 02. Incense Universality
Diagram 03. View looking in from the street 04. Spatial Determination
05. Circulating through 06. Temporal Desintegration 07. Understanding the Spatial Experience 08. Visualizing the
module aggregation
mcneelrhino
grasshopper for rhino
adobephotoshop
adobeillustrator
adobeindesign
ORTHOGRAPHIC DRAWINGS (NTS)
PLAN 1:50
LONG SECTION 1:50
CROSS SECTION 1:50
CROSS SECTION 1:50
VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD
PERSPECTIVES
PLAN 1:50
LONG SECTION 1:50
CROSS SECTION 1:50
CROSS SECTION 1:50
VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD
horizontal vertical
Indirect Burning Direct Burning
Composition
Types(physicality)
Support Materials
Related Spaces
Uses
ceremonies Timepiece
Buddhism
Taoism
Shinto(Japanese)
Sage
Gug
gul
Toba
cco
Swee
tgra
ss
Cinn
amom
umJu
nipe
rCy
pres
s
Rose
Pine
Agar
woo
dSa
ndal
woo
d
Myr
rh
Mak
ko P
owde
rFr
anki
ncen
seLa
bdan
um
Copa
l
Stor
ax
Drag
ons B
lood
Patc
houl
i
Ceda
r
Christianity
Hinduism
Islam
Judaism
Neopaganism
Satanism
North American Aboriginal
carry prayers
symboli
sm
magic
Summ
oning
Demo
ns
Oerin
gs
ritual
purication
Shogunate Samurai
Domestic
invincibility aura
aromatherap
y
Sweat Lodge
Temples
Marketplace
Outdoors
ShrinesChurch
ChapelJapanese Castle
House
Monastaries
coils
medicine
cone
s
paste
wood support stick
coreless
coreless stick
powder
suspended
Benz
oin
Resin
stands
gum res
in
bundlescensers
thurible
hot ash
coalsceramic
hot plates
brass bronze
meditation
masking odours
Incense
horizontal vertical
Indirect Burning Direct Burning
Composition
Types(physicality)
Support Materials
Related Spaces
Uses
ceremonies Timepiece
Buddhism
Taoism
Shinto(Japanese)
Sage
Gug
gul
Toba
cco
Swee
tgra
ss
Cinn
amom
umJu
nipe
rCy
pres
s
Rose
Pine
Agar
woo
dSa
ndal
woo
d
Myr
rh
Mak
ko P
owde
rFr
anki
ncen
seLa
bdan
um
Copa
l
Stor
ax
Drag
ons B
lood
Patc
houl
i
Ceda
r
Christianity
Hinduism
Islam
Judaism
Neopaganism
Satanism
North American Aboriginal
carry prayers
symboli
sm
magic
Summ
oning
Demo
ns
Oerin
gs
ritual
purication
Shogunate Samurai
Domestic
invincibility aura
aromatherap
y
Sweat Lodge
Temples
Marketplace
Outdoors
ShrinesChurch
ChapelJapanese Castle
House
Monastaries
coils
medicine
cone
s
paste
wood support stick
coreless
coreless stick
powder
suspended
Benz
oin
Resin
stands
gum res
in
bundlescensers
thurible
hot ash
coalsceramic
hot plates
brass bronze
meditation
masking odours
Incense
Islam
SatanismNative AmericanChristianityNeopaganism
Buddhism Shogunate Samurai Domestic
Taoism
Hinduism
;GDCI 768@
8:CIG6A
Natural Light
Incense Colour
SandalwoodAgarwood Lavender Patchouli
Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.
SITE PLAN 1:500
1. Implementation of a 30cmx30cm grid overtop of the footprint in order to enable a system compatible with the established component size.
2. Divide the space into three zones based on the shape of the room.
4. Establish an entrance threshold where open space will exist, as well as a privacy threshold at the front window to act as an initial screen into the room.Initial design typologies for the different zones. Smaller, Perimeter spaces towards the front and a large central space at the back to accomodate for different kinds of habitation.
5. Desired circulation derived from previous rules.
6. Overlay of circulation diagram on the grid, the path begins to carve itself out of a volume.
7. Relationship between natural lighting and incense colour/type established in a radial fashion.
234 QUEEN STREET EAST
A temporal space that changes shape as people come and share in the space. Through spiritual offering the place becomes physically marked with the contemplation of each person that chooses to do so.
As the ashes build and the structure changes, the air lls with an overwhelming aroma, awakens the body and instills an experience enriched with memories of the past but also a lasting new memory of a place where commu-nity, caring and remembrance is instilled through a celebration of spirit and faith.
A continuously evolving landscape of memory, reection and hope-Janette Kim and Chloe Town
Increasingly the whole world has come to smell alike: gasoline, detergents, plumbing, and junk foods coalesce into the catholic smog of our age. Ivan Illich, 1985
The perception of the city as a place that must be constantly washed is of recent origin...the city is suddenly perceived as an evil-smelling place. for the rst time in history, the utopia of the odorless city appears. Ivan Illich, 1985
Smells that are now universal and specic smells, produced by particular activities, sources of energy, aromas and spices, plants, owers, animals and garbage overlay one another, forming landscapes of smell that are invisible, but nonetheless present and real. (Sense of the City, An Alternative Approach to Urbanism, 2006)
Time/Memory/Sense/Spirituality
SPIRITUAL COMMUNITY CENTERBy: Connor OGrady and Harry Wei
InSense Space
1:1 BASSWOOD PROTOTYPE VIEW OF FRONT FACADE
PLAN 1:50
LONG SECTION 1:50
CROSS SECTION 1:50
CROSS SECTION 1:50
VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD
PERSPECTIVES
PLAN 1:50
LONG SECTION 1:50
CROSS SECTION 1:50
CROSS SECTION 1:50
VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD
horizontal vertical
Indirect Burning Direct Burning
Composition
Types(physicality)
Support Materials
Related Spaces
Uses
ceremonies Timepiece
Buddhism
Taoism
Shinto(Japanese)
Sage
Gug
gul
Toba
cco
Swee
tgra
ss
Cinn
amom
umJu
nipe
rCy
pres
s
Rose
Pine
Agar
woo
dSa
ndal
woo
d
Myr
rh
Mak
ko P
owde
rFr
anki
ncen
seLa
bdan
um
Copa
l
Stor
ax
Drag
ons B
lood
Patc
houl
i
Ceda
r
Christianity
Hinduism
Islam
Judaism
Neopaganism
Satanism
North American Aboriginal
carry prayers
symboli
sm
magic
Summ
oning
Demo
ns
Oerin
gs
ritual
purication
Shogunate Samurai
Domestic
invincibility aura
aromatherap
y
Sweat Lodge
Temples
Marketplace
Outdoors
ShrinesChurch
ChapelJapanese Castle
House
Monastaries
coils
medicine
cone
s
paste
wood support stick
coreless
coreless stick
powder
suspended
Benz
oin
Resin
stands
gum res
in
bundlescensers
thurible
hot ash
coalsceramic
hot plates
brass bronze
meditation
masking odours
Incense
horizontal vertical
Indirect Burning Direct Burning
Composition
Types(physicality)
Support Materials
Related Spaces
Uses
ceremonies Timepiece
Buddhism
Taoism
Shinto(Japanese)
Sage
Gug
gul
Toba
cco
Swee
tgra
ss
Cinn
amom
umJu
nipe
rCy
pres
s
Rose
Pine
Agar
woo
dSa
ndal
woo
d
Myr
rh
Mak
ko P
owde
rFr
anki
ncen
seLa
bdan
um
Copa
l
Stor
ax
Drag
ons B
lood
Patc
houl
i
Ceda
r
Christianity
Hinduism
Islam
Judaism
Neopaganism
Satanism
North American Aboriginal
carry prayers
symboli
sm
magic
Summ
oning
Demo
ns
Oerin
gs
ritual
purication
Shogunate Samurai
Domestic
invincibility aura
aromatherap
y
Sweat Lodge
Temples
Marketplace
Outdoors
ShrinesChurch
ChapelJapanese Castle
House
Monastaries
coils
medicine
cone
s
paste
wood support stick
coreless
coreless stick
powder
suspended
Benz
oin
Resin
stands
gum res
in
bundlescensers
thurible
hot ash
coalsceramic
hot plates
brass bronze
meditation
masking odours
Incense
Islam
SatanismNative AmericanChristianityNeopaganism
Buddhism Shogunate Samurai Domestic
Taoism
Hinduism
;GDCI 768@
8:CIG6A
Natural Light
Incense Colour
SandalwoodAgarwood Lavender Patchouli
Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.
SITE PLAN 1:500
1. Implementation of a 30cmx30cm grid overtop of the footprint in order to enable a system compatible with the established component size.
2. Divide the space into three zones based on the shape of the room.
4. Establish an entrance threshold where open space will exist, as well as a privacy threshold at the front window to act as an initial screen into the room.Initial design typologies for the different zones. Smaller, Perimeter spaces towards the front and a large central space at the back to accomodate for different kinds of habitation.
5. Desired circulation derived from previous rules.
6. Overlay of circulation diagram on the grid, the path begins to carve itself out of a volume.
7. Relationship between natural lighting and incense colour/type established in a radial fashion.
234 QUEEN STREET EAST
A temporal space that changes shape as people come and share in the space. Through spiritual offering the place becomes physically marked with the contemplation of each person that chooses to do so.
As the ashes build and the structure changes, the air lls with an overwhelming aroma, awakens the body and instills an experience enriched with memories of the past but also a lasting new memory of a place where commu-nity, caring and remembrance is instilled through a celebration of spirit and faith.
A continuously evolving landscape of memory, reection and hope-Janette Kim and Chloe Town
Increasingly the whole world has come to smell alike: gasoline, detergents, plumbing, and junk foods coalesce into the catholic smog of our age. Ivan Illich, 1985
The perception of the city as a place that must be constantly washed is of recent origin...the city is suddenly perceived as an evil-smelling place. for the rst time in history, the utopia of the odorless city appears. Ivan Illich, 1985
Smells that are now universal and specic smells, produced by particular activities, sources of energy, aromas and spices, plants, owers, animals and garbage overlay one another, forming landscapes of smell that are invisible, but nonetheless present and real. (Sense of the City, An Alternative Approach to Urbanism, 2006)
Time/Memory/Sense/Spirituality
SPIRITUAL COMMUNITY CENTERBy: Connor OGrady and Harry Wei
InSense Space
1:1 BASSWOOD PROTOTYPE VIEW OF FRONT FACADE
PLAN 1:50
LONG SECTION 1:50
CROSS SECTION 1:50
CROSS SECTION 1:50
VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD
INCENSE
horizontal vertical
Indirect Burning Direct Burning
Composition
Types(physicality)
Support Materials
Related Spaces
Uses
ceremonies Timepiece
Buddhism
Taoism
Shinto(Japanese)
Sage
Gug
gul
Toba
cco
Swee
tgra
ss
Cinn
amom
umJu
nipe
rCy
pres
s
Rose
Pine
Agar
woo
dSa
ndal
woo
d
Myr
rh
Mak
ko P
owde
rFr
anki
ncen
seLa
bdan
um
Copa
l
Stor
ax
Drag
ons B
lood
Patc
houl
i
Ceda
r
Christianity
Hinduism
Islam
Judaism
Neopaganism
Satanism
North American Aboriginal
carry prayers
symboli
sm
magic
Summ
oning
Demo
ns
Oerin
gs
ritual
purication
Shogunate Samurai
Domestic
invincibility aura
aromatherap
y
Sweat Lodge
Temples
Marketplace
Outdoors
ShrinesChurch
ChapelJapanese Castle
House
Monastaries
coils
medicine
cone
s
paste
wood support stick
coreless
coreless stick
powder
suspended
Benz
oin
Resin
stands
gum res
in
bundlescensers
thurible
hot ash
coalsceramic
hot plates
brass bronze
meditation
masking odours
Incense
horizontal vertical
Indirect Burning Direct Burning
Composition
Types(physicality)
Support Materials
Related Spaces
Uses
ceremonies Timepiece
Buddhism
Taoism
Shinto(Japanese)
Sage
Gug
gul
Toba
cco
Swee
tgra
ss
Cinn
amom
umJu
nipe
rCy
pres
s
Rose
Pine
Agar
woo
dSa
ndal
woo
d
Myr
rh
Mak
ko P
owde
rFr
anki
ncen
seLa
bdan
um
Copa
l
Stor
ax
Drag
ons B
lood
Patc
houl
i
Ceda
r
Christianity
Hinduism
Islam
Judaism
Neopaganism
Satanism
North American Aboriginal
carry prayers
symboli
sm
magic
Summ
oning
Demo
ns
Oerin
gs
ritual
purication
Shogunate Samurai
Domestic
invincibility aura
aromatherap
y
Sweat Lodge
Temples
Marketplace
Outdoors
ShrinesChurch
ChapelJapanese Castle
House
Monastaries
coils
medicine
cone
s
paste
wood support stick
coreless
coreless stick
powder
suspended
Benz
oin
Resin
stands
gum res
in
bundlescensers
thurible
hot ash
coalsceramic
hot plates
brass bronze
meditation
masking odours
Incense
Islam
SatanismNative AmericanChristianityNeopaganism
Buddhism Shogunate Samurai Domestic
Taoism
Hinduism
;GDCI 768@
8:CIG6A
Natural Light
Incense Colour
SandalwoodAgarwood Lavender Patchouli
Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.
SITE PLAN 1:500
1. Implementation of a 30cmx30cm grid overtop of the footprint in order to enable a system compatible with the established component size.
2. Divide the space into three zones based on the shape of the room.
4. Establish an entrance threshold where open space will exist, as well as a privacy threshold at the front window to act as an initial screen into the room.Initial design typologies for the different zones. Smaller, Perimeter spaces towards the front and a large central space at the back to accomodate for different kinds of habitation.
5. Desired circulation derived from previous rules.
6. Overlay of circulation diagram on the grid, the path begins to carve itself out of a volume.
7. Relationship between natural lighting and incense colour/type established in a radial fashion.
234 QUEEN STREET EAST
A temporal space that changes shape as people come and share in the space. Through spiritual offering the place becomes physically marked with the contemplation of each person that chooses to do so.
As the ashes build and the structure changes, the air lls with an overwhelming aroma, awakens the body and instills an experience enriched with memories of the past but also a lasting new memory of a place where commu-nity, caring and remembrance is instilled through a celebration of spirit and faith.
A continuously evolving landscape of memory, reection and hope-Janette Kim and Chloe Town
Increasingly the whole world has come to smell alike: gasoline, detergents, plumbing, and junk foods coalesce into the catholic smog of our age. Ivan Illich, 1985
The perception of the city as a place that must be constantly washed is of recent origin...the city is suddenly perceived as an evil-smelling place. for the rst time in history, the utopia of the odorless city appears. Ivan Illich, 1985
Smells that are now universal and specic smells, produced by particular activities, sources of energy, aromas and spices, plants, owers, animals and garbage overlay one another, forming landscapes of smell that are invisible, but nonetheless present and real. (Sense of the City, An Alternative Approach to Urbanism, 2006)
Time/Memory/Sense/Spirituality
SPIRITUAL COMMUNITY CENTERBy: Connor OGrady and Harry Wei
InSense Space
1:1 BASSWOOD PROTOTYPE VIEW OF FRONT FACADE
horizontal vertical
Indirect Burning Direct Burning
Composition
Types(physicality)
Support Materials
Related Spaces
Uses
ceremonies Timepiece
Buddhism
Taoism
Shinto(Japanese)
Sage
Gug
gul
Toba
cco
Swee
tgra
ss
Cinn
amom
umJu
nipe
rCy
pres
s
Rose
Pine
Agar
woo
dSa
ndal
woo
d
Myr
rh
Mak
ko P
owde
rFr
anki
ncen
seLa
bdan
um
Copa
l
Stor
ax
Drag
ons B
lood
Patc
houl
i
Ceda
r
Christianity
Hinduism
Islam
Judaism
Neopaganism
Satanism
North American Aboriginal
carry prayers
symboli
sm
magic
Summ
oning
Demo
ns
Oerin
gs
ritual
purication
Shogunate Samurai
Domestic
invincibility aura
aromatherap
y
Sweat Lodge
Temples
Marketplace
Outdoors
ShrinesChurch
ChapelJapanese Castle
House
Monastaries
coils
medicine
cone
s
paste
wood support stick
coreless
coreless stick
powder
suspended
Benz
oin
Resin
stands
gum res
in
bundlescensers
thurible
hot ash
coalsceramic
hot plates
brass bronze
meditation
masking odours
Incense
horizontal vertical
Indirect Burning Direct Burning
Composition
Types(physicality)
Support Materials
Related Spaces
Uses
ceremonies Timepiece
Buddhism
Taoism
Shinto(Japanese)
Sage
Gug
gul
Toba
cco
Swee
tgra
ss
Cinn
amom
umJu
nipe
rCy
pres
s
Rose
Pine
Agar
woo
dSa
ndal
woo
d
Myr
rh
Mak
ko P
owde
rFr
anki
ncen
seLa
bdan
um
Copa
l
Stor
ax
Drag
ons B
lood
Patc
houl
i
Ceda
r
Christianity
Hinduism
Islam
Judaism
Neopaganism
Satanism
North American Aboriginal
carry prayers
symboli
sm
magic
Summ
oning
Demo
ns
Oerin
gs
ritual
purication
Shogunate Samurai
Domestic
invincibility aura
aromatherap
y
Sweat Lodge
Temples
Marketplace
Outdoors
ShrinesChurch
ChapelJapanese Castle
House
Monastaries
coils
medicine
cone
s
paste
wood support stick
coreless
coreless stick
powder
suspended
Benz
oin
Resin
stands
gum res
in
bundlescensers
thurible
hot ash
coalsceramic
hot plates
brass bronze
meditation
masking odours
Incense
Islam
SatanismNative AmericanChristianityNeopaganism
Buddhism Shogunate Samurai Domestic
Taoism
Hinduism
;GDCI 768@
8:CIG6A
Natural Light
Incense Colour
SandalwoodAgarwood Lavender Patchouli
Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.
SITE PLAN 1:500
1. Implementation of a 30cmx30cm grid overtop of the footprint in order to enable a system compatible with the established component size.
2. Divide the space into three zones based on the shape of the room.
4. Establish an entrance threshold where open space will exist, as well as a privacy threshold at the front window to act as an initial screen into the room.Initial design typologies for the different zones. Smaller, Perimeter spaces towards the front and a large central space at the back to accomodate for different kinds of habitation.
5. Desired circulation derived from previous rules.
6. Overlay of circulation diagram on the grid, the path begins to carve itself out of a volume.
7. Relationship between natural lighting and incense colour/type established in a radial fashion.
234 QUEEN STREET EAST
A temporal space that changes shape as people come and share in the space. Through spiritual offering the place becomes physically marked with the contemplation of each person that chooses to do so.
As the ashes build and the structure changes, the air lls with an overwhelming aroma, awakens the body and instills an experience enriched with memories of the past but also a lasting new memory of a place where commu-nity, caring and remembrance is instilled through a celebration of spirit and faith.
A continuously evolving landscape of memory, reection and hope-Janette Kim and Chloe Town
Increasingly the whole world has come to smell alike: gasoline, detergents, plumbing, and junk foods coalesce into the catholic smog of our age. Ivan Illich, 1985
The perception of the city as a place that must be constantly washed is of recent origin...the city is suddenly perceived as an evil-smelling place. for the rst time in history, the utopia of the odorless city appears. Ivan Illich, 1985
Smells that are now universal and specic smells, produced by particular activities, sources of energy, aromas and spices, plants, owers, animals and garbage overlay one another, forming landscapes of smell that are invisible, but nonetheless present and real. (Sense of the City, An Alternative Approach to Urbanism, 2006)
Time/Memory/Sense/Spirituality
SPIRITUAL COMMUNITY CENTERBy: Connor OGrady and Harry Wei
InSense Space
1:1 BASSWOOD PROTOTYPE VIEW OF FRONT FACADE
Natural Light
Incense Colour
SandalwoodAgarwood Lavender Patchouli
Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.
horizontal vertical
Indirect Burning Direct Burning
Composition
Types(physicality)
Support Materials
Related Spaces
Uses
ceremonies Timepiece
Buddhism
Taoism
Shinto(Japanese)
Sage
Gug
gul
Toba
cco
Swee
tgra
ss
Cinn
amom
umJu
nipe
rCy
pres
s
Rose
Pine
Agar
woo
dSa
ndal
woo
d
Myr
rh
Mak
ko P
owde
rFr
anki
ncen
seLa
bdan
um
Copa
l
Stor
ax
Drag
ons B
lood
Patc
houl
i
Ceda
r
Christianity
Hinduism
Islam
Judaism
Neopaganism
Satanism
North American Aboriginal
carry prayers
symboli
sm
magic
Summ
oning
Demo
ns
Oerin
gs
ritual
purication
Shogunate Samurai
Domestic
invincibility aura
aromatherap
y
Sweat Lodge
Temples
Marketplace
Outdoors
ShrinesChurch
ChapelJapanese Castle
House
Monastaries
coils
medicine
cone
s
paste
wood support stick
coreless
coreless stick
powder
suspended
Benz
oin
Resin
stands
gum res
in
bundlescensers
thurible
hot ash
coalsceramic
hot plates
brass bronze
meditation
masking odours
Incense
horizontal vertical
Indirect Burning Direct Burning
Composition
Types(physicality)
Support Materials
Related Spaces
Uses
ceremonies Timepiece
Buddhism
Taoism
Shinto(Japanese)
Sage
Gug
gul
Toba
cco
Swee
tgra
ss
Cinn
amom
umJu
nipe
rCy
pres
s
Rose
Pine
Agar
woo
dSa
ndal
woo
d
Myr
rh
Mak
ko P
owde
rFr
anki
ncen
seLa
bdan
um
Copa
l
Stor
ax
Drag
ons B
lood
Patc
houl
i
Ceda
r
Christianity
Hinduism
Islam
Judaism
Neopaganism
Satanism
North American Aboriginal
carry prayers
symboli
sm
magic
Summ
oning
Demo
ns
Oerin
gs
ritual
purication
Shogunate Samurai
Domestic
invincibility aura
aromatherap
y
Sweat Lodge
Temples
Marketplace
Outdoors
ShrinesChurch
ChapelJapanese Castle
House
Monastaries
coils
medicine
cone
s
paste
wood support stick
coreless
coreless stick
powder
suspended
Benz
oin
Resin
stands
gum res
in
bundlescensers
thurible
hot ash
coalsceramic
hot plates
brass bronze
meditation
masking odours
Incense
Islam
SatanismNative AmericanChristianityNeopaganism
Buddhism Shogunate Samurai Domestic
Taoism
Hinduism
;GDCI 768@
8:CIG6A
Natural Light
Incense Colour
SandalwoodAgarwood Lavender Patchouli
Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.
SITE PLAN 1:500
1. Implementation of a 30cmx30cm grid overtop of the footprint in order to enable a system compatible with the established component size.
2. Divide the space into three zones based on the shape of the room.
4. Establish an entrance threshold where open space will exist, as well as a privacy threshold at the front window to act as an initial screen into the room.Initial design typologies for the different zones. Smaller, Perimeter spaces towards the front and a large central space at the back to accomodate for different kinds of habitation.
5. Desired circulation derived from previous rules.
6. Overlay of circulation diagram on the grid, the path begins to carve itself out of a volume.
7. Relationship between natural lighting and incense colour/type established in a radial fashion.
234 QUEEN STREET EAST
A temporal space that changes shape as people come and share in the space. Through spiritual offering the place becomes physically marked with the contemplation of each person that chooses to do so.
As the ashes build and the structure changes, the air lls with an overwhelming aroma, awakens the body and instills an experience enriched with memories of the past but also a lasting new memory of a place where commu-nity, caring and remembrance is instilled through a celebration of spirit and faith.
A continuously evolving landscape of memory, reection and hope-Janette Kim and Chloe Town
Increasingly the whole world has come to smell alike: gasoline, detergents, plumbing, and junk foods coalesce into the catholic smog of our age. Ivan Illich, 1985
The perception of the city as a place that must be constantly washed is of recent origin...the city is suddenly perceived as an evil-smelling place. for the rst time in history, the utopia of the odorless city appears. Ivan Illich, 1985
Smells that are now universal and specic smells, produced by particular activities, sources of energy, aromas and spices, plants, owers, animals and garbage overlay one another, forming landscapes of smell that are invisible, but nonetheless present and real. (Sense of the City, An Alternative Approach to Urbanism, 2006)
Time/Memory/Sense/Spirituality
SPIRITUAL COMMUNITY CENTERBy: Connor OGrady and Harry Wei
InSense Space
1:1 BASSWOOD PROTOTYPE VIEW OF FRONT FACADE
PERSPECTIVES
PLAN 1:50
LONG SECTION 1:50
CROSS SECTION 1:50
CROSS SECTION 1:50
VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD
horizontal vertical
Indirect Burning Direct Burning
Composition
Types(physicality)
Support Materials
Related Spaces
Uses
ceremonies Timepiece
Buddhism
Taoism
Shinto(Japanese)
Sage
Gug
gul
Toba
cco
Swee
tgra
ss
Cinn
amom
umJu
nipe
rCy
pres
s
Rose
Pine
Agar
woo
dSa
ndal
woo
d
Myr
rh
Mak
ko P
owde
rFr
anki
ncen
seLa
bdan
um
Copa
l
Stor
ax
Drag
ons B
lood
Patc
houl
i
Ceda
r
Christianity
Hinduism
Islam
Judaism
Neopaganism
Satanism
North American Aboriginal
carry prayers
symboli
sm
magic
Summ
oning
Demo
ns
Oerin
gs
ritual
purication
Shogunate Samurai
Domestic
invincibility aura
aromatherap
y
Sweat Lodge
Temples
Marketplace
Outdoors
ShrinesChurch
ChapelJapanese Castle
House
Monastaries
coils
medicine
cone
s
paste
wood support stick
coreless
coreless stick
powder
suspended
Benz
oin
Resin
stands
gum res
in
bundlescensers
thurible
hot ash
coalsceramic
hot plates
brass bronze
meditation
masking odours
Incense
horizontal vertical
Indirect Burning Direct Burning
Composition
Types(physicality)
Support Materials
Related Spaces
Uses
ceremonies Timepiece
Buddhism
Taoism
Shinto(Japanese)
Sage
Gug
gul
Toba
cco
Swee
tgra
ss
Cinn
amom
umJu
nipe
rCy
pres
s
Rose
Pine
Agar
woo
dSa
ndal
woo
d
Myr
rh
Mak
ko P
owde
rFr
anki
ncen
seLa
bdan
um
Copa
l
Stor
ax
Drag
ons B
lood
Patc
houl
i
Ceda
r
Christianity
Hinduism
Islam
Judaism
Neopaganism
Satanism
North American Aboriginal
carry prayers
symboli
sm
magic
Summ
oning
Demo
ns
Oerin
gs
ritual
purication
Shogunate Samurai
Domestic
invincibility aura
aromatherap
y
Sweat Lodge
Temples
Marketplace
Outdoors
ShrinesChurch
ChapelJapanese Castle
House
Monastaries
coils
medicine
cone
s
paste
wood support stick
coreless
coreless stick
powder
suspended
Benz
oin
Resin
stands
gum res
in
bundlescensers
thurible
hot ash
coalsceramic
hot plates
brass bronze
meditation
masking odours
Incense
Islam
SatanismNative AmericanChristianityNeopaganism
Buddhism Shogunate Samurai Domestic
Taoism
Hinduism
;GDCI 768@
8:CIG6A
Natural Light
Incense Colour
SandalwoodAgarwood Lavender Patchouli
Purple Coloured Incense are often related to the act of cleansing and refreshing the body and mindThe diffferent types are balanced between common spiritual types as well as those with less spiri-tual significance.With the varying types throughout the space the different aromas will invoke existing memories as well as create new ones.
SITE PLAN 1:500
1. Implementation of a 30cmx30cm grid overtop of the footprint in order to enable a system compatible with the established component size.
2. Divide the space into three zones based on the shape of the room.
4. Establish an entrance threshold where open space will exist, as well as a privacy threshold at the front window to act as an initial screen into the room.Initial design typologies for the different zones. Smaller, Perimeter spaces towards the front and a large central space at the back to accomodate for different kinds of habitation.
5. Desired circulation derived from previous rules.
6. Overlay of circulation diagram on the grid, the path begins to carve itself out of a volume.
7. Relationship between natural lighting and incense colour/type established in a radial fashion.
234 QUEEN STREET EAST
A temporal space that changes shape as people come and share in the space. Through spiritual offering the place becomes physically marked with the contemplation of each person that chooses to do so.
As the ashes build and the structure changes, the air lls with an overwhelming aroma, awakens the body and instills an experience enriched with memories of the past but also a lasting new memory of a place where commu-nity, caring and remembrance is instilled through a celebration of spirit and faith.
A continuously evolving landscape of memory, reection and hope-Janette Kim and Chloe Town
Increasingly the whole world has come to smell alike: gasoline, detergents, plumbing, and junk foods coalesce into the catholic smog of our age. Ivan Illich, 1985
The perception of the city as a place that must be constantly washed is of recent origin...the city is suddenly perceived as an evil-smelling place. for the rst time in history, the utopia of the odorless city appears. Ivan Illich, 1985
Smells that are now universal and specic smells, produced by particular activities, sources of energy, aromas and spices, plants, owers, animals and garbage overlay one another, forming landscapes of smell that are invisible, but nonetheless present and real. (Sense of the City, An Alternative Approach to Urbanism, 2006)
Time/Memory/Sense/Spirituality
SPIRITUAL COMMUNITY CENTERBy: Connor OGrady and Harry Wei
InSense Space
1:1 BASSWOOD PROTOTYPE VIEW OF FRONT FACADE
PLAN 1:50
LONG SECTION 1:50
CROSS SECTION 1:50
CROSS SECTION 1:50
VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD CARVE & DECAY
PLAN 1:50
LONG SECTION 1:50
CROSS SECTION 1:50
CROSS SECTION 1:50
VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD
PLAN 1:50
LONG SECTION 1:50
CROSS SECTION 1:50
CROSS SECTION 1:50
VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD
CARVE & DECAY
PLAN 1:50
LONG SECTION 1:50
CROSS SECTION 1:50
CROSS SECTION 1:50
VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD
PLAN 1:50
LONG SECTION 1:50
CROSS SECTION 1:50
CROSS SECTION 1:50
VIEW OF MEDITATION SPACE VIEW OF INITIAL ENTRY THRESHOLD
1:50 MODEL
01
02
03 04
06
07
08
05
.3DM .GH .PSD .AI .INDD
KPF architects
Design development for the lobby, elevator lobby and cab as well as of-fice floor lobby in a business tower in Chongqing, China. Multiple iterations
were completed and consultation with the client determined a lobby
space predominately comprised of limestone panels. Complimented by frosted glass and stainless steel that
comprise elevator entrances. The project involved digital drafting of plans
and sections of the space as well as elevator cab details, lighting and wall
section details as well as digital mod-eling and rendering of the space.
Notes: Digital model was created in Rhino and then rendered with V-ray
for 3ds Max. Project completed with Associate Principal Nyirabu Nyirabu. Additional work was completed for a
confidential project in Goreagon, India.
Name | Business Tower LobbyYear | 2010
Completed with | KPF ArchitectsSite | Chongqing, China
Structure | Concrete and SteelType | Business Tower
01. Client Selection, Main Lobby 02. Option A, Elevator Cab 03. Option B,
Elevator Cab 04. Alternative Option 2, Main Lobby
05. Lobby Organization 06. Alternative Option 2, Elevator Lobby 07. Client
Selection, Elevator Lobby 08. Option 3, Main Lobby
2 CHONGQING JIANGBEIZUI FINANCIAL CITY No. 2KPF
OFFICE LOBBY
2 CHONGQING JIANGBEIZUI FINANCIAL CITY No. 2KPF
OFFICE ELEVATOR CAB OPT 11
2 CHONGQING JIANGBEIZUI FINANCIAL CITY No. 2KPF
OFFICE ELEVATOR CAB OPT 22
2 CHONGQING JIANGBEIZUI FINANCIAL CITY No. 2KPF
OFFICE LOBBY FLOOR PLAN
T1 T2
T3 T4
01
02 03
05
04
06
08
2 CHONGQING JIANGBEIZUI FINANCIAL CITY No. 2KPF
OFFICE ELEVATOR LOBBY
07
mcneelrhino
autodesk3ds max
adobephotoshop
adobeillustrator
autodeskautocad
.3DM .3DS .PSD .AI .CAD
Situated in South Parkdale, Toronto through an analysis of transporta-tion patterns of type and density, I
created a vision of a new community space containing urban density while
maintaining programmable pedestrian streets that will re-evaluate the role of the automobile in city living. The main
structures are composed of undulating roofscape buildings used as bridges over a new greenway in place of the
gardiner that contains new light rail lines as well as walking and biking
paths. By offsetting more traffic onto public transit it discourages a com-
muter lifestyle in order to help develop the downtown as well as promote
more energy conscious living
Notes: Direct application of stud wall construction, as well as testing of cove lighting systems and connections be-tween steel conduit and wood frame.
Name | Various ProjectsYear | 2011
Completed with | Quadrangle Architects Limited
Site | VariousStructure | Concrete and Steel
Type | Various
01. Barcelona Hostel Ideas Competition, Overall
02. Programmatic Configuration, Barcelona Hostel Competition
03. Studio on Richmond, Looking East on Nelson St., Toronto, Ontario,
Canada 04. Construction Management Plan, Studio on
Richmond 05. Studio on Richmond, Looking West on Nelson 06. Studio
on Richmond, Marketing Drawings 07. Overall Tower, Studio on
Richmond 08. Working Drawings for Permit, Studio on RIchmond
mcneelrhino
autodesk3ds max
adobephotoshop
adobeillustrator
autodeskautocadHOSTEL ARTEMISIAHOSTEL ARTEMISIA.
The rationale of the vertical farm integrates void spaces over multiple levels with a selection of crop types organized by their stage of cultivation: planting, growing or harvesting. The vertical farm will also provide occupants the unique opportunity to balance the cost of their stay by contributing to the sustainability of the farm through various functions and chores. The iridescent membrane structure also provides irrigation to the farm by collecting rainwater at the top and filtering into the structure and interior spaces.
The functions of the design are rationalized into a variety of cellular forms sized to correlate with their use, the smallest cell representing a single bed unit. The social areas of the hostel intermittently occupy multiple levels and represent vibrant Cell Collectives. The pinnacle of Hostel Artemisia culminates in a Sky Bar which will provide a currently unavailable but breathtaking 360 degree view of Barcelona exclusive only to Hostel Artemisia patrons. This is Hostel Artemsia.
HOMEOSTATIC MEMBRANE
GUESTSANCTUARY
HYDROPONICPLOTS
CIRCULATIONSTEMS
SERVICECONDUIT
CELLLATTICE
RECHARGECELLS
GROUND PLANEmarket plaza - access elevators + stairs
ADMIN NODEenergy - security - staff areas - infirmary - retail - storage
LOUNGE NODElounge - washrooms - viewing area - storage
LAUNDRY NODElaundry - washrooms - viewing area - storage
PARTY NODEhoster kitchen - dining area - terrace - bar - storage
SINGLE ROOM
DOUBLE ROOM
TRIPLE ROOM
QUADROUPLE ROOM
120477
STREET VIEW
VIEW FROM NORTHE
XP
LO
DE
D A
XO
NO
ME
TR
IC
LEG
EN
D
represents a visionary and unique conceptual approach to the hostel typology by integrating the infrastructure of a highly sustainable vertical farm within an international quality hostel. The two-sided approach to the designs orientation allows the farm to maintain maximum sun exposure while providing adequate shade to the habitable spaces. Hostel Artemisia will be a contemporary hub redefining Bohemian architecture within the gothic quarter and become a beacon-like landmark for visitors interested in a unique Barcelona experience.
HOSTEL ARTEMISIAHOSTEL ARTEMISIA.
The rationale of the vertical farm integrates void spaces over multiple levels with a selection of crop types organized by their stage of cultivation: planting, growing or harvesting. The vertical farm will also provide occupants the unique opportunity to balance the cost of their stay by contributing to the sustainability of the farm through various functions and chores. The iridescent membrane structure also provides irrigation to the farm by collecting rainwater at the top and filtering into the structure and interior spaces.
The functions of the design are rationalized into a variety of cellular forms sized to correlate with their use, the smallest cell representing a single bed unit. The social areas of the hostel intermittently occupy multiple levels and represent vibrant Cell Collectives. The pinnacle of Hostel Artemisia culminates in a Sky Bar which will provide a currently unavailable but breathtaking 360 degree view of Barcelona exclusive only to Hostel Artemisia patrons. This is Hostel Artemsia.
HOMEOSTATIC MEMBRANE
GUESTSANCTUARY
HYDROPONICPLOTS
CIRCULATIONSTEMS
SERVICECONDUIT
CELLLATTICE
RECHARGECELLS
1
2
3
4
5GROUND PLANEmarket plaza - access elevators + stairs
ADMIN NODEenergy - security - staff areas - infirmary - retail - storage
LOUNGE NODElounge - washrooms - viewing area - storage
LAUNDRY NODElaundry - washrooms - viewing area - storage
PARTY NODEhoster kitchen - dining area - terrace - bar - storage
SINGLE ROOM
DOUBLE ROOM
TRIPLE ROOM
QUADROUPLE ROOM
1
2
3
4
52
3
120477
STREET VIEW
VIEW FROM NORTH
EX
PLO
DE
D A
XO
NO
ME
TR
IC
LEG
EN
D
represents a visionary and unique conceptual approach to the hostel typology by integrating the infrastructure of a highly sustainable vertical farm within an international quality hostel. The two-sided approach to the designs orientation allows the farm to maintain maximum sun exposure while providing adequate shade to the habitable spaces. Hostel Artemisia will be a contemporary hub redefining Bohemian architecture within the gothic quarter and become a beacon-like landmark for visitors interested in a unique Barcelona experience.
01 02
03
05
9A501
STAIR A @ EIGHTH FLOOR
6A501
STAIR A & B @ GROUND FLOOR
7A501
STAIR A @ SECOND FLOOR
8A501
STAIR A @ THIRD-SEVENTH FLOOR
1A505
STAIR B @ PARKING LEVEL 5
2A505
STAIR B @ PARKING LEVEL 4
3A505
STAIR B @ PARKING LEVEL 3
5A505
STAIR B @ PARKING LEVEL 1
4A505
STAIR B @ PARKING LEVEL 2
10A501
STAIR A @ EIGHTH FLOOR
A501
Stair A & B Plans and Sections
1:50 SM LK
Studio on Richmond199-201 Richmond St. WestToronto, OntarioforAspen Ridge Homes
07125STAIR A @ EIGHTH FLOOR
STAIR A & B @ GROUND FLOOR
STAIR A @ SECOND FLOOR
STAIR A @ THIRD-SEVENTH FLOOR
STAIR B @ PARKING LEVEL 5
STAIR B @ PARKING LEVEL 4
STAIR B @ PARKING LEVEL 3
STAIR B @ PARKING LEVEL 1
STAIR B @ PARKING LEVEL 2
STAIR A @ EIGHTH FLOOR
A501
Stair A & B Plans and Sections
1:50 SM LK
Studio on Richmond199-201 Richmond St. WestToronto, OntarioforAspen Ridge Homes
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quadrangle architects
.3DM .3DS .PSD .AI .CAD
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CASA DELLA CITTA
Situated in the Campo Martius in Rome, Italy this house for the city is
imagined as a stacked layering of pro-grams containing distinct architectural references juxtapositioned together in
as a means to create a unique identity for traditional features of Rome. By
envisioning these elements differently from their traditional archaic forms found in palazzos, cathedrals and
within the overall urban fabric of thte city, it propels forward the question of a new identity in a city compact with
historicity.
Notes: Completed as a part of the University of Waterloo Rome Studio,
Located in Rome Italy
Name | Casa della CittaYear | 2011
Completed with | Harry WeiSite | Piazza Della Moretta, Rome, Italy
Structure | Steel and ConcreteType | Hybrid Use Cultural Center
01. The Main Lobby 02. Observing the Void 03. Understanding Layers
04. Structural Analysis 05. FromGiancolo Hill 06. The Research Floor
07. The Temple of Knowledge 08. Understanding Layer Relationships
09. From the Tiber River to the Organic City
mcneelrhino
grasshopperfor rhino
adobephotoshop
adobeillustrator
autodeskautocad
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resume
QUALIFICATIONS
WORK EXPERIENCE
Connor OGradyCandidate for Honours Bachelor of Architectural Studies, Co-operative ProgramUniversity of Waterloo, Cambridge, Ontario, September 2007-presentStudent AssociateOntario Association of Architects, July 2011-present
-Spatial, environmental and construction knowledge in creating various design concepts through academic based projects-Outgoing, focused, and highly motivated worker individually and in group environments-Manual Rendering: pencil, archival ink, acrylic, watercolour-Physical Modeling: wood, card stock, acrylic, paper, -LEED knowledge
Quadrangle Architects Limited (01/11-08/11)Senior Architectural Student
-Conceptual design representation for projects of varying scale using Google Sketchup, Adobe Illustrator, Adobe Photoshop and Indesign-Computer modelling including parametric exploration in grasshopper as well as design consulting for a Barcelona Hostel Competition- Responsible for computer modelling and rendering using 3DStudiomax with Vray and Autocad 3d for visual representation images in schematic design, detail design options and solar studies in design development of Studio on Richmond Condominium Towers Phase I (Toronto, Canada)- Member of Working Drawing team for Design Development of Studio on Richmond Phase I- Involved in Design Development of tower unit layouts and co-ordination with Project Interior Designers for Studio on Richmond Phase II- Responsible for the modifications and visual preparation of all marketing drawings for Studio on RichmondPhase II created in AutoCAD
KPF Architects (05/10-08/10)Architectural Intern
-Conceptual Design Diagramming in AutoCAD and Illustrator-Massing Studies using Rhino, 3DStudioMax, Photoshop -Computer Modeling, Rendering and CAD Work for -Design Development of a Business Tower in China
Cohos Evamy, Integrated Design Firm (09/09-12/09)Architectural Intern
-Architectural and Interior Design Work for a Cafe and Museum Lobby Renovation as well as Bridge Concept Design-Computer Modeling and Rendering of all Design Work-AutoCAD Diagramming and Documentation for a Confidential Project
Virtual Engineers, Consulting Engineers(02/09-04/09)Assistant to the Vice President
-Graphic Design for Marketing Material-CAD work for Pipe System Layout as well as Electrical Diagrams-Design and Cost Analysis for Presidents Office Renovation
William Connor OGrady4 Mendys Forest, Aurora,
OntarioCanada
L4G 5A3connor_ogrady@yahoo.ca
Technical Skills:-Adobe Photoshop
-Adobe Illustrator-Adobe Indesign-Adobe Premiere
-Autodesk AutoCAD-Autodesk 3ds Max
-FormZ-Google Sketchup Pro
-MIcrosoft Office-Modo-Rhino
Proficiency:-with file preparation and maintainence of a CNC
Router-with file preparation,
maintenance and use of a laser cutter
-with file preparation for 3d printing
-with traditional workshop machinery
-Digital SLR photography
Stubbornly Curious.
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