Post on 24-Dec-2015
BTEC L3
PRODUCTI
ON
ARTS M
AKE-UP
– SPE
CIAL
EFFECTS
MAKE-U
P
L ES
SO
N 2
UNIT 95 – SPECIAL EFFECTS MAKE-UP – CASUALTY EFFECTS
Objectives: Students will be able to:
Describe the health and safety legislations related to industry.
Demonstrate media make-up techniques to create bruising and wounds. (Listen and respond to information), (Measuring time).
Collate information for St Richards assessment.
Evaluate the importance of correct preparations and removal of products.
Extended Objective:
Analyse the effectiveness of your techniques.
EQ Objectives:
Demonstrate effective teamwork.
Demonstrate respect for your peers and lecturers
ST RIC
HARDS HOSPI
TAL
SHOW 1
10
TH O
CT
OB
ER
20
14
ST RICHARDS HOSPITAL
Friday 10th October 2014
You must arrive at the medical Educational Centre at 8am .
We will be starting the make-up application at 8.30am
You must be finished by 9.30am
You have an assignment attached to this practical assessment.
The assignment is graded pass, merit or distinction
GROUP C
Candice
Harriet
Sophie
Step
0ne
• Shock make-up to the face and neck.• Bruises and abrasions over right side
of the chest.
Step
two
• Apply make-up bruises and abrasions on knuckles elbows, knees. Grass and
dirt to be applied.
Step
three
• Left ankle, closed fracture, putty applied to simulate swelling, shoe to
be put at an angle.
Scenario – 22 year old women in an automobile crash, was ejected from the vehicle.
GROUP D
Gina
Lilly P
Georgia
Holly
Step
0ne
• Shock make-up to the face and neck.• Bruises over right lower lateral chest
extending them round the back.
Step
two
• Apply moisturiser and rouge over face, arms, torso, upper thighs and blend.
• Apply charcoal to previously made areas.
Step
three
• Burns to the face and neck.• Burns to the abdomen.
• Burns to the front of the arms and legs.
Scenario – 25 year old man injured in a gasoline explosion and fire.
GROUP G
Madison
Alex
Lauren TStep
0ne
• Shock make-up to the face and neck- blue lips .
• Bruises behind left ear, the front of the chest and on the left thigh .
Step
two
• Blood around the nose, let is dry and crust.
• Thin trail of blood coming from the left ear.
Step
three
• Left ankle, closed fracture, putty applied to simulate swelling, shoe to be put at
an angle.
Scenario - 22 year old construction worker fell 35 feet.
GROUP K
Lilly
Misa
Eloise
Step
0ne
• Shock make-up to the face and neck.• Multiple face lacerations, abrasion sand bruises.
• Right frontal laceration extending down the nose to the tip and then to the upper lip.
Step
two
• Skull fracture to the head – use wound filler• Bruising applied to the jaw .
• Bruises to the right side of the chest and bruises and contusions to the back of the right side of the
chest.
Step
three
• Contusions over front right side of the abdomen.• Sweat spray applied to the face, arms, and torso- do
this at the end. .
Scenario – young women involved in a single vehicle accident. She hit a pole and was ejected from the vehicle.
GROUP I
Lianne
Lauren
Step
0ne
• Shock make-up to the face and neck- blue lips.
• Sweat spray applied to the face, arms, and torso- do this at the end.
Step
two
• Apply blue neck veins both sides of the neck .
Step
three
• Stab wound in left side of the chest, trickle of blood coming form it.
Young man, stabbed with a butchers knife.
GROUP A
Mary -ann
Megan
Lottie
Step
0ne
• Shock make-up to the face and neck- blue lips.
• Distended neck veins, (raised), use tuplast and blend with foundation.
Step
two
• Apply bruises and abrasions on forehead, left cheek and left side of jaw and left
side of the neck.
Step
three
• Bruises to the upper left tummy and arms and legs.
• Minor abrasions over face to show face struck with windscreen.
Scenario – 19 year old man struck by a tree while driving, pinned to the vehicle.
DEEP WOUNDS
Apart from changing the shape of the face, wax can be used for building up an area which can then be cut into for a deep cut or wound.
• Spread the wax fairly thin, blend the edges as usual.
• Cut into the wax with a palette knife or the end of a brush to make the required incision. Apply sealer.
• When dry colour the area to match the surrounding skin. Put red into the wound and finally a trickle of blood.
BRUISES AND BLACK EYES
A bruise can usually be created using paint only. The colours used are red, grey, purple, greenish – yellow and light
cream or ivory and browns. The fresher the bruise, the redder it is: the older it is the more yellow and brown it
becomes. The stages of a bruise are as follows:
• Red: reddish blue or dark purple
• Brown: paler brown
• Yellowish green: yellow – stages of healing.
Colours can be dabbed on and then blended well or brushed and stippled. Make sure that the edges are soft and the colours blended away. Rub the colour in well.
For swelling, build up first with wax. Swellings look most convincing on bony areas such as the eyebrow bone.
Bruises should always look as though they have worked from the inside of the skin outwards, they must not look as if they were painted on. Think about the shape, the impact and the unaffected areas as well as the age of the bruise.
Never over do the bruise for TV or film. If your critical eyes wont accept the effect as believable, the camera certainly wont either. You may have continuously to consider. If so you must be able to match the bruise exactly the following day or even weeks later. In some circumstances you will need to apply dirt and scratches around the bruise or scar.
BRUISES AND BLACK EYES
One way to build up the bruise is to work in the main colours and then smear a thin coat of wax over the top. Although bruise palettes are good, it is better to learn to mix your won colours form a normal basic colour palette.
Create the darkest part of the bruise first. Blend the edges. Don’t make the bruise look to neat or too like eye shadows.
The bruise should look shiny so add some Vaseline at the last moment.
BURNS
You must plan the effect. How was the burn caused? How old should it be?
First degree burn is slight, usually causing redness and sometimes a small blister.
Second degree burn causes severe blisters. Remember when creating a second degree burn to surround it with a first degree burn.
Third degree burn will cause much more severe lacerations; the flesh may even be charred and black. Around this you should place second degree burns and towards the edge first degree burns.
ALTERNATIVE TECHNIQUES FOR THIRD DEGREE BURNS
1. Place a single layer of cleaning tissue – tear the shape, do not cut it with scissors- across the latex while it is still wet. Cover the tissue with another layer of latex.
2. For a charred flesh effect, add a small amount of cotton wool. Apply another layer of latex. When dry you can peel this back to the skin in bits: this will resemble charred skin.
3. Put some gelatine in a bowl or plastic bag and place it in a container filled with hot water. When the gelatine has melted apply it to the burn to give a shiny blistered effect. Let the gelatine form small droplets around the burn, like blisters. Alternatively push Vaseline underneath areas of latex.
BURNS