PRODUCTION MOODBOARDS - Playing Shakespeare2016.playingshakespeare.org/sites/default/files... ·...
12
© 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited. Playing Shakespeare with Deutsche Bank PRODUCTION MOODBOARDS Unused poster concepts and idea development from designers Premm for the 2016 production of Twelfth Night.
Transcript of PRODUCTION MOODBOARDS - Playing Shakespeare2016.playingshakespeare.org/sites/default/files... ·...
© 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.
Playing Shakespearewith Deutsche Bank
PRODUCTION MOODBOARDSUnused poster concepts and idea development from designers Premm for the 2016 production of Twelfth Night.
© 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.
Playing Shakespearewith Deutsche Bank
“very contemporary” should feel fresh, modern, edgy...
It’s about love being the person on the inside.
The current refugee situation could be referenced or used as a launch pad.
Ethnically mixed cast (eg Viola could be from Africa - but this is not definite)Cast quite young
Viola mourning for her twin an important driver for the plot.
Key images of this might be the shipwreck, the idea of things being ripped apart.
- things that are broken being put back together- finding home and your soulmate- blurred lines (eg gender)
About perspective; it’s one thing if you look at it one way, and another from a different angle.
The strongest visual reference the sculpture of Bruno Catalano
Twelfth/Night flipped title treatment With texturing/distressing the font
The brief
Notes from the production team to the designers
- “very contemporary”
- should feel fresh, modern, edgy...
- It’s about love being the person on the inside.
- The current refugee situation could bereferenced or used as a launch pad.
- Ethnically mixed cast
- Cast quite young
- Viola mourning for her twin an important driver for the plot.
- Key images of this might be the shipwreck, the idea of things being ripped apart.
- things that are broken being put back together
- finding home and your soulmate
- blurred lines (eg gender)
- About perspective; it’s one thing if you look at it one way, and another from a different angle.
- The strongest visual reference is the sculpture of Bruno Catalano
- Twelfth/Night flipped title treatmentwith texturing/distressing the font
© 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.
Playing Shakespearewith Deutsche Bank
Route 2
29.2.15
© 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.
Playing Shakespearewith Deutsche Bank
Route 1
PLAYING SHAKESPEAREWITH DEUTSCHE BANK
journeys end in lovers meeting
11-18 march 2016
© 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.
Playing Shakespearewith Deutsche Bank
some are born great
The blue colour indicating the sea but also the theme of sadness of Orsino’s unrequited love for Olivia.
The word ‘Night’ upside down suggesting the lives of the characters are transformed by the arrival of Viola in the country.
Wave design indicating the near drowning that starts the play.
Image of ship suggesting the shipwreck that brings the twins to Illyria.
The female and males outlines superimposed links with the theme of mistaken identity running through the play.
The quote from the letter to Malvolio links with the theme of fate which affects many of the characters.
© 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.
Playing Shakespearewith Deutsche Bank
Route 4
PLAYING SHAKESPEAREWITH DEUTSCHE BANK
some are born great
11-18 march 2016
© 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.
Playing Shakespearewith Deutsche Bank
Route 6
PLAYING SHAKESPEAREWITH DEUTSCHE BANK
some are born great
11-18 march 2016
© 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.
Playing Shakespearewith Deutsche Bank
Route 5
11-18 march 2016
© 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.
Playing Shakespearewith Deutsche Bank
© 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.
Playing Shakespearewith Deutsche Bank
© 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.
Playing Shakespearewith Deutsche Bank
© 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.
Playing Shakespearewith Deutsche Bank
FINAL POSTER DESIGN
Media Partner
What country, friends, is this?
25 February – 19 March 2016
Playing Shakespeare with Deutsche Bank
Celebrating 10 years
