Visual Storyboard
Here I will be
Here I will be explaining visually the route and actions will take from awaking, to getting home. When we coming to film, we will be using different actors, correct props and some shot may vary.
Mid shot- tunnel scene
In this shot Conor will be awaking in the tunnel, this shot may just to an close-up Ariel view of his face. This is to establish the character immediately, signalling to the audience to identity with him.
Mid shot- tunnel scene
This mid shot will show how dazed and confused Conor is, and will signal the start oh his journey home. The focus on just character with a blurry background again emphasises conor’s importance and conveys to the audience he is in unknown surroundings.
Mid shot- gas hills scene
This shot will change to an over-the-shoulder, giving the audience conor’s perspective, it will also put on emphasis on the camera that will be wrapped around his neck, hinting to the audience it will have some significance in the future.
Long shot- Gas Hills scene
Again this shot will emphasise the actors loneliness and delirium, as directors we will try to signify how rural the environment is, conveying to the audience that Conor is lost and in a unknown environment.
Long shot- Gas Hills
This long shot features the actor holding their stomach in pain. The audience will then question what has happened at how he has got their. Clues that hint further parts of the plot.
Mid shot- gas Hills
Long shot- Lane
POV shot- lane
The POV shot of the lane will help the audience identity with Conor, accompanied by shaky camera movement and quick zoom transitions it will create a fast paced, panicked atmosphere that will echo throughout the film.
Mid shot- Lane
Mid shot- lane
Long shot- lane
Mid shot- Door
The actor opening the door will introduce to the audience an important setting throughout the film.
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