The Big
Lochac
Snogbook
Now with Appendages! ASXLVI
2
Forward
King Fabian of the West commissioned a song book for Lochac in AS XXXV. Master Daffyd
of the Glenns performed this task admirably and that is how we ended up with the original
Lochac Snogbook. I refer to the Snogbook, as the first edition had a delightful typo in the
heading. Since then, we have had many editions of this song book with some songs added, and
others left out. Mistress Bethan and I discussed this at length at Canterbury Faire deciding that
we were rather fond of some of the songs that had been left out of some of the editions, so
perhaps one big Lochac Snogbook with its Appendages would resolve this dilemma.
This is stage one of a larger project. Of course you would like to assist and contribute to
Bethan’s and my plan of musical shenanigans, then please contact me.
I have not used many of the original scores prepared by Master Daffyd. Particularly, I have an
aversion to 2/4 in the place of cut common. Where possible I have used the best version I have
been able to locate either on Daffyd’s Website, my own collection or on the Choral Public
Domain Library. I have done this rather quickly (over several nights) in order to try and get this
to a printable state before Rowany Festival ASXLVI.
The Big Lochac Snogbook and its Appendages, Edition April 2nd, 2012. Simple thanks to
Daffyd and Bethan who have done enormous work in supporting choral music in the Kingdom
of Lochac.
All pieces edited by Constanzia Moralez y de Zamora (Rachel Vess) based on the music
compiled by Daffyd of the Glenns (David Greagg). All errors are mine. Much of this music
comes without copyright. The consistent request is that it is freely copied for non-profit
purposes. Please give credit if you use it.
See you at Rowany Festival
Constanzia ASXLVI
3
Contents Agincourt Carol ________________ Anonymous 1415 SAB ____________________________ 4
A Robyn, Gentle Robyn __________ William Cornish 1468-1523 3V _____________________ 6
Alle Psallite ____________________ Anonymous C13th 3V ____________________________ 10
April is in my Mistress' Face ______ Thomas Morley 1557-1603 SATB ___________________ 12
Ave Vera Virginitas _____________ Josquin des Prez 1450/5-1521 SATB _________________ 15
The Boar’s Head Carol ___________ Anonymous 1521 SATB ___________________________ 16
Change then, for lo she changeth __ William Holborne SAB ____________________________ 17
Come Again ___________________ John Dowland 1563-1626 SATB ____________________ 18
Contrapunto bestiale alla mente ____ Adriano Banchieri 1568-1634 SSATB ________________ 22
Deo Gratias____________________ William Byrd 1539-1623 SSATB ____________________ 26
Dindirrin (Je me levé) ____________ Anonymous 1500 SATB ___________________________ 27
Dona nobis pacem ______________ Anonymous Round 3 _____________________________ 29
En Natus Est Emmanuel _________ Michael Praetorius 1571-1621 SATB _________________ 30
Fi Maris _______________________ Adam de la Halle 1237-1288 AAB ___________________ 32
Gaudete _______________________ Anonymous SATB _______________________________ 33
Hey ho _______________________ Thomas Ravenscroft 1582-1635 Round 9 _____________ 33
If ye love me ___________________ Thomas Tallis 1505 –1585 SATB ____________________ 34
Innsbruck _____________________ Heinrich Isaac 1450 –1517 SATB ___________________ 38
Las! Je me Plain ________________ Claudin de Sermisy 1490 – 1562 SATB _______________ 40
Laudate Nomen Domini _________ Dr Christopher Tye 1505-71 SATB __________________ 42
Lo how a Rose _________________ Melchior Volpius 1560-1615 Round 4 ________________ 44
Mille Regretz ___________________ Josquin des Prez 1450 – 1521 SATB _________________ 45
Of all the Birds __________________ John Farmer 1570 – 1601 SATB ______________________ 48
Oh my heart ____________________ Henry VIII 1491 –1547 STB ________________________ 50
Pasa el agoa, ma Julietta ___________ Anon SATB ____________________________________ 51
Pastime with Good Compay _______ Henry VIII 1491 –1547 STB ________________________ 52
Psallite ________________________ Michael Praetorius 1571-1621 SATB __________________ 54
Sicut Cervis ____________________ Giovanni Pierluigi Da Palestrina (1525-1594) SATB _______ 58
Sing After Fellows (3 Country Dances) Tom Ravenscroft 1582-1635 Round 4 _________________ 62
Sing we and Chant it _____________ Thomas Morley 1557-1602 SSATB ____________________ 64
Stella Splendens _________________ Anonymous Late C14th SB _________________________ 66
Sumer is icumin in _______________ Anonymous 1250 Round 12 _________________________ 67
Ther Is No Rose ________________ Anonymous ATB _________________________________ 68
Weep Oh Mine Eyes _____________ John Bennet 1570 – 1610 SATB ______________________ 70
4
Alto
Tenor
Bass
De o- gra ti- as- - An gli- - - - a Red de- - - - pro - - vi -
a 34G.=120n n k j k k kz k‚ k k k k k k
nk k k kz k‚ k k k k k
De o- gra ti- as- - An gli- - - - a Red de- - pro vi-
aM34 n n k j k k kz k
‡k k k k k k n k k j j k
b 34 l l l l l l l
8
cto - - - - ri a.- Owre kynge went forth to Nor man- dy- With
as
k k k k k d k jz J n n k j k k k f k j k k n k
cto- ri- a.- Owre kynge went forth to Nor man- dy- With
aM j k jz J n n k j k j k k f j k n k
b l l J l l l l l
15
grace and myght of chy val- ry:- Ther God for hym wrought
a k kz k‚ k k k k kz d k‚ k k k n k k k k k k k f k k k
grace and myght of chy val- ry:- Ther God for hym wrought
aMk k k k k k k k j k n k j k k k f k
b l l l l l l
21
merve lus- ly;- Wher fore- Eng londe- may calle and cry: De -
a k k k k k k n k k k k k k k k k k j d k k n k k
merve lus- ly;- Wher fore- Eng londe- may calle and cry: De -
aMk j k n k j k j k k j k n k k
b l l l l l l
Agincourt Carol Anonymous 1415 SAB
5
27
o - - - gra - - ti as De o- gra ti- as- An gli- - - -
a k k‚ k k‡ k‚ k d k k‚ jz n n k j k k j k k k k k
o - - - gra - - ti as De o- gra ti- as- An gli- -
aMk‡k k
‡ k k k k k jz n n k k k k k k n j k
De o- gra ti- as- An - - -
b l l l n n k j k k j k f k k k
34
- - - - - a Red - - - de - pro vi cto- - ri - a.
a k k k‚ k k‚ k n k k k k k k k j kz d k‚ k k jz J
- - - - - - - a Red - - - de - pro vi cto- - ri
aMk k‡ k k
‚ j k k k k k kz k‚ k k kz k‡ d k d k jz J
gli - a Red - de pro - vi - cto - ri a.-
bk j j k j k k k k k k k k jz J
Owre Kynge went forth to Normandy With grace and myght of chyvalry Ther God for hym wrought mervelusly; Wherefore Englonde may call and cry Chorus Deo gratias! Deo gratias Anglia redde pro victoria! He sette sege, forsothe to say, To Harflu towne with ryal aray; That toune he wan and made afray That Fraunce shal rewe tyl domesday. Chorus Then went hym forth, owre king comely, In Agincourt feld he faught manly; Throw grace of God most marvelsuly, He had both feld and victory.
Chorus Ther lordys, erles and barone Were slayne and taken and that full soon, Ans summe were broght into Lundone With joye and blisse and gret renone. Chorus Almighty God he keep owre kynge, His peple, and alle his well-wyllynge, And give them grace wythoute endyng; Then may we call and savely syng: Chorus[3]
6
Tenor 1
Tenor 2
Tenor 3
A Rob yn,- gen til- Rob yn- tel me how thy
F =90
aMf E j j j m j k k j m kz k‚ k k
aMf E l l l l l
aMf E l l l l l
6
le man- doth and thow shalt know of myne. A Rob yn,- gen til- Rob-
aMf kz k‡ k k k k k k j m j f j j m j k k
A Rob yn,- gen til- Rob-
aMf l l l j j j m j k k
aMf l l l l l l
12
yn- tel me how thy le man- doth and thow shalt know of myne. A Rob-
aMf j m k k k k k k k k k k k k j m j j
yn- tel me how thy le man- doth and thow shalt know of myne. A Rob-
aMf j m kz k‚ k k kz k
‡ k k k k k k j m j f j
A Rob-
aMf l l l l l j j
18
yn,- gen til- Rob yn- tel me how thy le man- doth and thow shalt know of
aMf j m j k k j m kz k‚ k k kz k
‡ k k k k k k
yn,- gen til- Rob yn- tel me how thy le man- doth and thow shalt know of
aMf j m j k k j m k k k k k k k k k k k k
yn,- gen til- Rob yn- tel me how thy le man- doth and thow shalt know of
aMf j m j k k j m kz k‚ k k k k k k k k k k
A Robyn, Gentle Robyn William Cornish 1468-1523 3V
7
24
myne. A Rob yn,- gen til- Rob yn- tel me how thy
aMf j m j f j j m j k k j m k k k k
myne. A Rob yn,- gen til- Rob yn- tel me how thy
aMf j m j j j m j k k j m kz k‚ k k
myne. My la dy- is un kynde- I wis, a lac- why is she so, she lov'th an oth- er-
aMf e j n k kz k
‡ k k kz k‡ k k f k k k k j n k kz k‚ k k
30
le man- doth and thow shalt know of myne. A Rob yn,-
aMf k k k k k k k k j m j j j m
le man- doth and thow shalt know of myne. A Rob yn,-
aMf kz k
‡ k k k k k k j m j f j j m
bet ter- than me and yet she will say no. A Rob yn,-
aMf k k‚ k‚ k k k k k k j m j j j m
35
gen til- Rob yn- tel me how thy le man- doth and thow shalt know of
aMf j k k j m kz k‚ k k kz k
‡ k k k k k k
gen til- Rob yn- tel me how thy le man- doth and thow shalt know of
aMf j k k j m k k k k k k k k k k k k
gen til- Rob yn- tel me how thy le man- doth and thow shalt know of
aMf j k k j m kz k‚ k k k k k k k k k k
40
myne. A Rob yn,- gen til- Rob yn- tel me how thy
aMf j m j f j j m j k k j m k k k k
myne. A Rob yn,- gen til- Rob yn- tel me how thy
aMf j m j j j m j k k j m kz k‚ k k
myne. I can not thynk such doub yl- nes,- for I fynd wo men- trew, in faith my la dy-
aMf e j n k kz k
‡ k k kz k‡ k k kz k
‡k k j n k kz k
‡ k k
8
46
le man- doth and thow shalt know of myne. A Rob yn,-
aMf k k k k k k k k j m j j j m
le man- doth and thow shalt know of myne. A Rob yn,-
aMf kz k
‡ k k k k k k j m j f j j m
lov'th me well she will change for no new. A Rob yn,-
aMf kz k‚ k k k k k k e j m j j j m
51
gen til- Rob yn- tel me how thy le man- doth and thow shalt know of myne.
aMf j k k j m kz k‚ k k kz k
‡ k k k k k k i
gen til- Rob yn- tel me how thy le man- doth and thow shalt know of myne.
aMf j k k j m k k k k k k k k k k k k i
gen til- Rob yn- tel me how thy le man- doth and thow shalt know of myne.
aMf j k k j m kz k‚ k k k k k k k k k k e i
9
10
Alle Psallite Anonymous C13th 3V
Soprano
Soprano 2
Tenor
Al le-
F.=120
a 64 lz lz lz jz jz
A!
a 64 lz lz lz jz mz
Al le- lu- ia!- Al le- -
aM64 jz j k jz jz jz mz jz j k
5
Psa lli- te- cum lu ia!- A -
a j k j k jz k k j jz mz jz j z
A! - - Al le- Psal li- te- cum
a jz jz jz mz jz jz j k j k
lu- ia!- Al le- lu- -
aM jz jz jz mz jz j k jz j z
9
A! Al le- con- cre- pan- do- psa lli- te- cum
a jz mz jz j k j k j k j k j k
Lu ia.- A!
a jz k k j jz mz jz jz jz j z
ia!- Al le- lu- -
aM jzmz jz jz jz jz jz j z
13
lu ia.- A A!-
a jz k k j jz mz jz jz jz j z
Al le- con- cre- pan- do- psal li- ti cum
a jz mz jz j k j k j k j k j k
ia!- Al le- lu- -
aM jzmz jz jz jz jz jz j z
11
17
Al le- cor de- vo to- De o- to to-
a jz mz jz j k j k j k j k j k
lu ia.- A - - - - - -
a jz k k j jz mz jz j k j k j k
ia!- Al le- lu- -
aM jzmz jz jz jz jz j k j k
21
psa lli- te- cum lu ia!- A - -
a j k j k jz k k j jz mz jz j k
- - - - - Al le- cor- de- vo to-
a j k j k jz mz jz j k j k j k
ia!- Al le- -
aM j k jz jz mz jz jz jz jz
25
- - - - - - - - - Al le- -
a j k j k j k j k jz mz jz j k
De o- to to- psal li- te- cum lu ia!- Al-
aj k j k j k j k jz k k j jz jz
lu- ia!- Al le- -
aM jk j k j k jz jz mz jz jz
29
lu- ia!-
ajz k k k k iz
le- lu- ia!-
a j k k k k iz
lu- ia!-
aM iz iz
12
Soprano
Alto
Tenor
Bass
A pril- is in my mis tress- face, A pril- is in my mis tress-
a f 22 k k k k k k k j m k k k k k f k k
A pril- is in my mis tre- - - - -ss face, A pril- is in my
a f 22 k k k k k k k k d k k k j m k k k k k
A pril- is in my mis tre-
aMf 22 l l m k k k k k k k
A pril- is in my mis tress-
b f 22 l l m k d k k d k k k f k
5
face, my mis tre- ss- face, A pril- is in my mis tress- face, and
a f j j j k k j k k k k k k k j n k
mis tress- face, A pril- is in my mis tress- face, and
a f j d j j m m k k k k d k k k d j n e k
-ss face, A pril- is in my mis tress- face, my mis tress- face,
aMf i j k k k k k k k k k k f k i
face, A pril- is in my mis tress- face, my mis tress- face,
b f i m k k k k d k k k k k k k i
10
Ju ly- in her eyes ha- th- place, and Ju ly- in her eyes, her eyes
a f k k k k k k j j n k k k k k j k f k
Ju ly- in her eyes ha- th- place, and Ju ly- in he - r eyes, her
a f k k k k k k d j j n k k k k k k k k k
and Ju ly- in her eyes hath place, her eye-
aMf l mz k k k k k k k j k k
And Ju ly- in her eyes hath place, her eyes
b f l n k f k k k k j j j k f k
April is in my Mistress' Face Thomas Morley 1557-1603 SATB Published 1594
13
14
ha - - th place, With in- her bo som,- with in- her bo sum- is
a ff k k k k j j n k k k f j j n k k k j j j
eyes hath place, With in- her bo som,- with in- her bo sum- is
a f jz k j n k k j k j j k k j j j
s- ha th- place, With in- her bo som,- with in- her bo sum- is
aMf k k j k j n k k k j j j k j k j j
hath place, With in- her bo som,-
b f i i l m j f k k j i
20
Sep tem------- -- ber, But in her heart, but in her heart her heart,
a f j j k k k k i k k k k i n k k k
Sep tem- - - - - ber, But in her
a f j j k k k d k i di l n k k k
Sep tem-------- mber,- But in her heart, her
aMf j j i i j n k k k j j j
is Sep tem- ber,- But in her heart,
b f j j i i i n k k k i
26
a cold De cem- ber,- but in her
a ff j j k k k k i i e i
heart, her heart, a cold De cem- - - - -ber, but in her
a f j j j j k k j k d k k j k k k k
heart, a cold De cem- ber,- but
aMf i m j j j i j n k
but in her heart, a cold De cem- ber,-
b f n k k k f jz k jz k i i
14
31
heart, but in her heart, her heart a cold De cem- ber.-
a f n k k k i n k k k f j j k k k k
heart, her heart, but in her heart her heart a
a f j j i n k k k j j j j
in her heart, but in her heart, a
aMf k k j j j j j i m j
but in her heart, but in her heart, a
b f i n k k k i n k k k f jz k
36
a f i i e i
cold De cem- - - - ber.
a f k k j k d k k j i
cold De cem- ber.-
aMf j j i i
cold De cem- ber.-
b f jz k i i
15
Im ma- cu- la- ta- ca sti--A ve- ve ra- vir gi- ni- tas;- -tas; cu ius- pu ri- fi- -
a ff 34G =112J k k k j k j k 1.
j n J 2.
j k j k j k
Im ma- cu- la- ta- ca sti--A ve- ve ra- vir gi- ni- tas;- -tas; cu ius- pu ri- fi- -
a ff 34 J k k k kz k‚ k k j k j
n Jj k j k j k
-tas; Im ma- cu- la- ta-(tacet) A ve- ve ra- vir gi- ni;- ca sti- tas;- cu ius- pu-
aMff 34 J j n k k k j k j k J j k j k j k
Im ma- cu- la- ta- ca sti--A ve- ve ra- vir gi- ni- tas;- -tas; cu ius- pu ri- fi- -
b ff 34 Jk k k j k j k j n J j
k j k j k
ca- ti- o,- nos tra- fu it- pur ga- ti- o.- O ma ter-
a ff kz k
‡ k k j k j k k k k k j k jz 44G =90j k k
ca- ti- o,- nos tra- fu it- pur ga- ti- o.- O ma ter-
a ff j k j k kz k‚ k k k k k k j jz 44 j k k
ri- fi- ca- ti- o,- nos tra- fu it- pur ga- ti- o.- O ma ter-
aMff j k kz k
‡ k k j k k k k k k k jz 44 j k k
ca- ti- o,- nos tra- fu it- pur ga- ti- o.- O ma ter-
b ff j k j k j k f k k k k j jz 44 j k k
De i,- me men- to- me i!- A men.-
a ff j j n k k k j j j j
De i,- me men- to- me i!- A men.-
a ff j j n k k k k k j j j
De i,- me men- to- me i!- A men.-
aMff kz k‚ j n k k k j j j j
De i,- me men- to- me i!- A men.-
b ff kz k k j n k k k j j j j
Ave Vera Virginitas Josquin des Prez 1450/5-1521 SATB
16
Soprano/Alto
Tenor/Bass
The Boar's Head in hand bear I, all be decked- in rose mar- y,- And I
a 22 k‚ j kz k‡ k k kz k‚ k k kz k‚ kz k‚ k k k
b 22 o l l l l
pray you my mas ter- s- be mer ry,- quot es tis- in con vi- vi- o!- Ca put- ap ri-
a k k k k k k k k k k k k kz k‚ k k j J kzkz kk‚ kk kk
b l l l l Jkzkz
kk‡kk kk
de fe- ro,- red dens- lau des- Do mi- no.-
a kk kk jj kk kk kzkz kk‚ kk kk jj J
bkkkk jj kk kk kzkz kk
‡kk kkjj J
The Boar’s Head Carol Anonymous 1521 SATB Published 1521 in Wynkyn de Worde's Christmasse Carolles
The boar's head in hand bear I
All bedecked in rosemary
I pray you, my masters, be merry
Quot estis in convivio.
(However many are at the feast)
Chorus:
Caput apri defero, Reddens laudes domino.
(I bring the boar's head, giving praises to the Lord)
The boar's head, as I understand,
Is the rarest dish in all this land,
Which thus bedecked with a gay garland
Servitur cum sinapio.
(It is served with mustard)]
Chorus
Our steward hath provided this
In honor of the King of bliss
Which, on this day to be served is
In Reginensi atrio
(In the Queen's hall).
17
Soprano
Alto
Bass
And af ter- new loves ran geth-Change then, for lo she chan geth- Fa la la, fa la la la.
F.=75
a f 34 k k k j k j k kz k‡ k
k k k jz J
And af ter- new loves ran geth-Change then, for lo she chan geth- Fa la la, fa la la la.
a f 34 k k k j k j k j k k k k k jz J
And af ter- new loves ran geth-Change then, for lo she chan geth- Fa la, fa la la.
b f 34 k k k j k j k j k k j jz J
7
Ay, change and 'quite her; No, no, no, love and spite her. Fa la la
a f J kk k kz k
‡k k k k k k
‡ k d k‡
kz k‡k k
Ay, change and 'quite her; No, no, love and spite her. Fa la la
a f J k k k kz k‡k k k k k k k k d kz k‚ k k
Ay, change and 'quite her; No, no, no, no, love and spite her. Fa la la
b f J k k k j k k k k d k k k k kz k‡k k
12
la, fa la, fa la la la.
a f kz k‡ kk k k jz J
la, fa la la la la.
a f j k k k k k jz J
la la, fa la la.
b f j k k j jz J
Change then, for lo she changeth William Holborne SAB Published in 1597
18
Soprano
Alto
Tenor
Bass
Come a gain!- Sweet love dothad F =11222 m kz k
‡i m j j j
Come a gain!- Sweet love doth now
ad 22 jz k i m j k k j
Come a gain!- Sweet love dothaMd 22 j
z k i m j j j
Come a gain!- Sweet love dothb d 22
j j i m j j j
5
now in vite:- thy grac es- that re-ad jz k i m j j j j j
in vite:- thy grac es- that re-
ad j j i m j j kz k‚ jz k
now in vite:- thy grac es- that re-aMd jz k k i m j j j j j
now in vite:- thy grac es- that re-b d jz k i m j j j j j
10
frain,- to do thee due de light,-ad i m j j j jz k i
frain,- to do thee due de light,-
adi m j jz k jz k i
frain,- to do thee due de light,-aMd i m j jz k j d j i
frain,- to do thee due de light,-b d i m j j j jz k i
Come Again John Dowland 1563-1626 SATB First Booke of Songes or Ayres" 1597
19
15
to see, to hear, to touch, to kiss, to die-ad J n k j n k j n k j n k j n k j
to see, to hear, to touch, to kiss, to
ad J i j n k j n k j n k j n k
to see, to hear, to touch, to kiss, toaMd J i j n k j n k j n k jz k
to see, to hear, to touch, to kiss, tob d J i j n k jz k jz k jz k
20
with- thee a gain,- inad i i n k k k j n k
die with- thee, with thee a gain,- in
ad i j j k e k k k jz k
die, to die with thee a gain,- with thee a-aMd k k k k j j j n k jz k
die, to die with thee a gain,- inb d
jj j j j j j j
24
sweet est- sym path- y.-ad k k j k k k j i J
sweet e- st- sym path- y.-
adj k k jz k i
J
gain- in sweet est- sym path- y.-aMd k k k k k jz k i J
sweet est- sym path- y.-b d k k j jz k i J
20
Come again! sweet love doth now invite
Thy graces that refrain
To do me due delight,
To see, to hear, to touch, to kiss, to die,
With thee again in sweetest sympathy.
Come again! that I may cease to mourn
Through thy unkind disdain;
For now left and forlorn
I sit, I sigh, I weep, I faint, I die
In deadly pain and endless misery.
All the day the sun that lends me shine
By frowns do cause me pine
And feeds me with delay;
Her smiles, my springs that makes my joy to grow,
Her frowns the Winters of my woe.
All the night my sleeps are full of dreams,
My eyes are full of streams.
My heart takes no delight
To see the fruits and joys that some do find
And mark the storms are me assign'd.
Out alas, my faith is ever true,
Yet will she never rue
Nor yield me any grace;
Her eyes of fire, her heart of flint is made,
Whom tears nor truth may once invade.
Gentle Love, draw forth thy wounding dart,
Thou canst not pierce her heart;
For I, that do approve
By sighs and tears more hot than are thy shafts
Did tempt while she for triumph laughs.[2]
21
22
Soprano 1
Soprano 2
Alto
Tenor
Bass
Fa la la la la la la la la la la la la la, fa la la la la la
a 34 k k k kz k‡k k k k k k k k k k k k kz k
‡ k
Fa la la la la la la la la la la la la la, fa la la la la la
a 34 k k k kz k‚ k k k k k k k k k k k k kz k‚ k
Fa la la la la la la la la la la la la la, fa la la la la la
a 34 k k k kz k‚ k k k k k k k k k k k k kz k‚ k
Fa la la la la la la la la la, fa la la la la la
aM34 k k k kz k
‡ kk k k jz k k k kz k‚ k
Fa la la la la la la la la la, fa la la la la la
b 34 k k k kz k‡k k k k jz k k k kz k‚ k
7
la la la la la la la la, fa la la la la la la la la la.
a k k k k k k k k k k k kz k‚ k k k k jz
la la la la la la la la, fa la la la la la
a k k d k jz k k k kz k‡k k k k jz
la la la la la la la la, fa la la la la la la la la la.
a k k k k k k k k k k k kz k‚ k k k k jz
la la la la, fa la la la la la la la la la.
aMk k k jz k k k kz k
‡ k k k k jz
la la la la, fa la la la la la la la la la.
b k k k jz k k k kz k‡k kz k
‡k jz
Contrapunto bestiale alla mente Adriano Banchieri 1568-1634 SSATB Never trust a hunchback; the same goes for a cripple. If a braggart be good, write about it in the history books.
23
13
Cu cu,- cu cu,- cu cu,-
a ECucco l m n o k
‡ k o k‡ k n m o k‡ k
la la la
a EChiu (overo zivetta)l m j m j m j
Gna u,- gna u,- gna u,- gna u,- gna gna- gna- gna- u,- gna-
a EGatto
m n k k n k k n k k n k k n o k‚ k k k k n o k‚
Ba bau,- ba bau,- ba bau,- ba bau,-
aME
Canem o k‡k m o k
‡k m o k
‡k m o k
‡k
Nul la- fi des- go bis;- si-
b EBase al contraponte
j j j j j j j j
17
cu cu,- cu cu,- cu cu,- cu cu,- cu cu,-
a m o k‡ k m o k k k k o k‡ k n m k k
la. Chiu, chiu, chiu,
a m j m j m j m j
gna- gna- gna- u,- gna gna- ra- gna- u,- gna gna- ra- gna- u,- gna gna- ra- gna- u,- gna u,-
a k k k k n o k‚ k k k k n o k‚ k k k k n o k‚ k k k k n k‚ k‚
ba bau,- ba bau,- ba bau,- ba bau,-
aMm o k
‡k m o k
‡k m o k
‡k m o k
‡k
me- li- ter- ets zop pis.-
b j j j j j j j j
24
21
cu cu,- cu cu,- cu cu,- cu cu,- cu cu,-
a n o k‡ kk k m o k‡ k m o k‡ k m o k‡ k
chiu, chiu, chiu,
a l m j m j m j
gna gna- ra- gna- u,- gna u,- gna u,- gna u,- gna u- gna gna- ra- gna- u,- gna-
a o k k k k k k k n k k n k k n k k n o k‚ k k k k n o k‚
ba bau,- ba bau,- ba bau,- ba bau,-
aMm o k
‡k m o k
‡k m o k
‡k m o k
‡k
Si sguer zus- bo nus- est, su-
b j j j j j j j j
25
cu cu,- cu cu,- cu cu,- cu cu,- cu cu,-
a m o k‡ k m o k k k k o k‡ k n m k k
chiu, chiu, chiu, chiu,
a m j m j m j m j
gna- ra- gna- u,- gna gna- ra- gna- u,- gna gna- ra- gna- u,- gna gna- ra- gna- u,- gna u-
a k k k k n o k‚ k k k k n o k‚ k k k k n o k‚ k k k k n k k
ba bau,- ba bau,- ba bau,- ba bau,-
aMm o k
‡k m o k
‡k m o k
‡k m o k
‡k
per- an na- li- a- scri be.-
b j j j j j j j j
25
29
Fa la la la la la la la la la la la la la, fa la la la la la la la la
a 34 k k k kz k‚ k k k k k k k k k k k k kz k‚ k k k d k
Fa la la la la la la la la la la la la la, fa la la la la la la la la
a 34 k k k kz k‡k k k k k k k k k k k k kz k‡ k
k k k
Fa la la la la la la la la la la la la la, fa la la la la la la la la
a 34 k k k kz k‚ k k k k k k k k k k k k kz k‚ k k k k
Fa la la la la la la la la la, fa la la la la la la la la
aM34 k k k kz k‡ k
k k k jz k k k kz k‚ k k k k
Fa la la la la la la la la la, fa la la la la la la la la
b 34 k k k kz k‡k k k k jz k k k kz k‚ k k k k
36
la la la la la, fa la la la la la
a jz k k k kz k‡k k k k jz
la la la la la, fa la la la la la la la la la.
a k k k k k k k k kz k‚ k k k k jz
la la la la la, fa la la la la la la la la la.
a k k k k k k k k kz k‚ k k k k jz
la, fa la la la la la la la la la.
aMjz k k k kz k‡ k
k k k jz
la, fa la la la la la la la la la.
b jz k k k kz k‡k kz k‡
k jz
26
Soprano
Tenor
Tenor
Bass
De o- Gra ti- -
ad 44 J l l j j j j
De o- Gra ti- as,- De o- Gra ti- -
aMd 44 J kz k
‡k k k k k k k k d k k k k e j k
De o- Gra ti- as,- De-
aMd 44 J m kz k
‡k k j k kz k‚ j m kz k
‡
De o- Gra ti- as,- De-
b d 44 J l j k k k k j n kz k‡k k
5
as,- De o- Gra ti- as,- De-
adj n k k k k k j k j k j n k k k k k j
as,- De o- Gra ti- as,- De o-
aMd j m j j kz e k
‡ k k k k k k j j d j
o- Gra ti- as,- De o- Gra ti- as,- De o- Gra ti- as,- De-
aMd k k j k k k k k k kz k‚ k n j k k k k k
o- Gra ti- as,- De o- Gra ti- -
b dj k k k k j m n k k k k k j j kz k‚
10
o- Gra ti- as.-
ad 24 k k 44 k k j k i J
Gra ti- as.-
aMd 24 k
z e k‡ 44 k k k kz k‚ i J
o- Gra ti- as.-
aMd 24 k k 44 j
z k k i J
as,- Gra ti- as.-
b d 24 j 44 jz k i J
Deo Gratias William Byrd 1539-1623 SSATB
27
Soprano
Alto
Tenor
Bass
Din di- rin,- din di- rin,- din di- rin- da- na,- din di- rin- din.-Din di- rin,- din di- rin,- din di- rin- da- na,- din di- rin- din.-Din di- rin,- din di- rin,- din di- rin- da- na,- din di- rin- din.-
F =120
a f 34 k k k k k k k k k j k k k k jz
Din di- rin,- din di- rin,- din di- rin- da- na,- din di- rin- din.-Din di- rin,- din di- rin,- din di- rin- da- na,- din di- rin- din.-Din di- rin,- din di- rin,- din di- rin- da- na,- din di- rin- din.-
a f 34 k k k k k k k k k d j k e k d k k jz
Din di- rin,- din di- rin,- din di- rin- da- na,- din di- rin- din.-Din di- rin,- din di- rin,- din di- rin- da- na,- din di- rin- din.-Din di- rin,- din di- rin,- din di- rin- da- na,- din di- rin- din.-
aMf 34 k k k k k k k k k j k k k k jz
Din di- rin,- din di- rin,- din di- rin- da- na,- din di- rin- din.-Din di- rin,- din di- rin,- din di- rin- da- na,- din di- rin- din.-Din di- rin,- din di- rin,- din di- rin- da- na,- din di- rin- din.-
b f 34 k k k k k k k k k j k k k k jz
7
3.Rui se- nor,- le rui se- nor,- fac teme.a- ques- ta- em ba- xa- ta,-2.En con- tre- le rui se- nor- Que can ta- ba- so la ra ma.-1.Je me le veun- bel ma tin,- Ma ti- na- ta- per la pra ta;-
a f 22 k k k k k k j k k k k k k k k j j
3.Rui se- nor,- le rui se- nor,- fac teme.a- ques- ta- em ba- xa- ta,-2.En con- tre- le rui se- nor- Que can ta- ba- so la ra ma.-1.Je me le veun- bel ma tin,- Ma ti- na- ta- per la pra ta;-
a f 22 k k k k k k j k k k k k k kz k‚ j j
3.Rui se- nor,- le rui se- nor,- fac teme.a- ques- ta- em ba- xa- ta,-2.En con- tre- le rui se- nor- Que can ta- ba- so la ra ma.-1.Je me le veun- bel ma tin,- Ma ti- na- ta- per la pra ta;-
aMf 22 k k k k k k j k k k k k k i j
3.Rui se- nor,- le rui se- nor,- fac teme.a- ques- ta- em ba- xa- ta,-2.En con- tre- le rui se- nor- Que can ta- ba- so la ra ma.-1.Je me le veun- bel ma tin,- Ma ti- na- ta- per la pra ta;-
b f 22 k k k k k k j k k k k k k j j j
Dindirrin (Je me levé) Anonymous 1500 SATB Cancionero de Palacio
28
13
Y de ga- lo.a- mon a mi- Que je ya so ma ri- ta- ta.-Rui se nor- le rui se nor- Fac temea- ques ta- em ba- xa- ta.-En con- tre- le rui se- nor- Que can ta- ba- so la ra ma-
a f 34 j k j k j k jz j k j k j k j k
Y de ga- lo.a- mon a mi- Que je ya so ma ri- ta- ta.-Rui se nor- le rui se nor- Fac temea- ques ta- em ba- xa- ta.-En con- tre- le rui se- nor- Que can ta- ba- so la ra ma-
a f 34 j k j k j k jz j k j k j k d j k
Y de ga- lo.a- mon a mi- Que je ya so ma ri- ta- ta.-Rui se nor- le rui se nor- Fac temea- ques ta- em ba- xa- ta.-En con- tre- le rui se- nor- Que can ta- ba- so la ra ma-
aMf 34 j k j k j k jz j k j k j k j k
Y de ga- lo.a- mon a mi- Que je ya so ma ri- ta- ta.-Rui se nor- le rui se nor- Fac temea- ques ta- em ba- xa- ta.-En con- tre- le rui se- nor- Que can ta- ba- so la ra ma-
b f 34 j k j k j k jz j k j k j k j k
21
Din di- rin- din.-Din di- rin- din.-Din di- rin- din.-
a f k k k jz J
Din di- rin- din.-Din di- rin- din.-Din di- rin- din.-
a f e k d k k jz J
Din di- rin- din.-Din di- rin- din.-Din di- rin- din.-
aMf k k k jz J
Din di- rin- din.-Din di- rin- din.-Din di- rin- din.-
b f k k k jz J
29
Do na- no bis,- pa cem- pa cem,- do na- no bis,-
a f 341
k‚ k‚ j k‚ k‚ j k k k k j k k‡ k‡ k
‚ k‚ kz k‡ k
pa cem.- Do na- no bis,- pa cem,- do na- no bis,-
a f k‚ k‚ k k jz2jz jz k k k k j k j k j
pa cem.- Do na- no bis,- pa cem,- do na-
a f k‡ k‡ k k jz3
jz jz kz k‚ k‚ k‡kj k j
no bis,- pa cem.-
a f k j k‚ k‚kk jz
Dona nobis pacem Anonymous Round 3
30
Soprano
Alto
Tenor
Bass
1.En Nat tus- est Em man- u- el- Dom i- nus,-
a f 22 j k k k k k k j j j i
1.En Nat tus- est Em man- u- el- Dom i- nus,-
a f 22 n k k k k k k k k k k j j i
1.Dom i- nus,-
aMf 22 l l j k k j j
1.Dom i- nus,-
b f 22 l l j j i
5
quem prae di- xit- Gab ri- el,- Dom i- nus,- Do mi- nus- sal-
a fk k k k k k k j j i D.S.k k kz k k k
quem prae di- xit- Gab ri- el,- Dom i- nus,- Do mi- nus- sal-
a f k k k k k k k j j j jD.S.
k k kz k‚
Dom i- nus,- Do mi- nus- sal-
aMf l j k k j j D.S.k k kz k k k
Dom i- nus,- Do mi- nus- sal-
b f l kz k‡ k k i D.S.k k kz k
‡
9
va- tor- nos ter- est, sal va- tor- nos ter- est.
a f k k k k kz k k k k k k k i Fine
va- tor- nos ter- est, sal va- tor- nos ter- est.
a f k k k k k k k k k k k k k k k k iFine
va- tor- nos ter- est, sal va- tor- nos ter- est.
aMf k k k k kz k k k k k kz k k k k k k i Fine
va- tor- nos ter- est, sal va- tor- nos ter- est.
b f k k k k kz k‡ k k k k i Fine
En Natus Est Emmanuel Michael Praetorius 1571-1621 SATB
31
12
Do mi- nus,-
a f l l jz e k i l
Do mi- nus,-
a f l l j j i l
2.Hic ia cet- in prae se- pi- o,- Do mi- nus,- pu er- ad mi- ra- bi- lis,-
aMf j k k k k k k j j j i k k k k k k k
2.Hic ia cet- in prae se- pi- o,- Do mi- nus,- pu er- ad mi- ra- bi- lis,-
b f n k k k k k k k k k k j j j kk k k k k k k k k
17
Do mi- nus.- 3.Ha ec- lux est or ta- ho di- e,- Do mi- -
a f j j i D.S. n k k k k k k k k j j j
Do mi- nus,- 3.Ha ec- lux est or ta- ho di- e,- Do mi- -
a f jz k iD.S. n k k k k k k k k j j j
Dom i- nus,- 3.Ha ec- lux est or ta- ho di- e,- Do mi- -
aMf j k k j j D.S. n k k k k k k k k j j j
Dom i- nus,- 3.Ha ec- lux est or ta- ho di- e,- Do mi- -
b f kz k‡ k k i D.S. n k k k k k k k k j j j
22
nus.- Ex Ma ri- a- vir gi- ne,- Do mi- nus.-
a f ik k k k k k k j j i D.S. al Fine
nus.- Ex Ma ri- a- vir gi- ne,- Do mi- nus.-
a f i k k k k k k k jz k iD.S. al Fine
nus.- Ex Ma ri- a- vir gi- ne,- Do mi- nus.-
aMf i k k k k e k k k j k k j j D.S. al Fine
nus.- Ex Ma ri- a- vir gi- ne,- Do mi- nus.-
b f i k k k k k k k kz k‡ k k i D.S. al Fine
32
Alto
Alto
Bass
Fi ma ris- de vostre' a mour,- car j'ai a mi.-
a 34D.S.G =128
j k k j k k j k k k j k k k k k k j Fine
Fi ma ris- de vostre' a mour,- car j'ai a mi.-
a 34D.S.
j k k k j k j k k k j k k k k k k jFine
Fi ma ris- de vostre' a mour,- car j'ai a mi.-
b f 32D.S.j k j k j k j k
‡k‡j k j Fine
7
Biaus est et de noble' a tour,- Fi ma ris- de
a j k k j k k j k k k 24 j 34 j k k j k k
Biaus est et de noble' a tour,- Fi ma ris- de
a j k k k j k j k k k 24 j 34 j k k k j k
Biaus est et de noble' a tour,- Fi ma ris- de
b f jk j k j k 24
j 34 j k j k
13
vostre' a mour,- il me sert et nuit et jour, pour
a j k k k 24 j 34 j k k j k k j k k k j k k
vostre' a mour,- il me sert et nuit et jour, pour
a j k k k 24 j 34 j k k k j k j k k k j k k
vostre' a mour,- il me sert et nuit et jour, pour
b fj k 24
j 34 j k j k j k j k k
19
che l'aim si.-
a k k k k j D.S.
che l'aim si.-
a k k k k jD.S.
che l'aim si.-
b fj k j D.S.
Fi Maris Adam de la Halle 1237-1288 AAB
33
- - - - - - - - - - - - - - - - - - - - -Gau de- te,- Gau de- te- Christ us- est na tus- ex Mar i- a- vir gi- ne- Gau de- te!-- - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - -
a 22 JF =128
Chorus
jj jj jj kk kk 64 jj kk jj kk 22 jj jj jj jj jzjz kk 64 jj kk jj kk 22 jj jj(2)J
b 22 Jj jj jj kk kk 64
jjkk
jj kk 22jj jj jj jj jzjz kk 64
jj kd k j kk 22jj jj J
9
Er go- nos tra- can ti- o- psal lat- iam in lust ro;- Be ne- di- cat- Do mi- no-E ze- che- e- lis- por ta- clau sa- per trans si- tor;- un de- lux est o r- ta-De us- ho mo- fac tus- est, na tu- ram- er an- te;- mun dus- re no- va- tus- estTem pus- ad est- gra ti- ae,- hoc quod op ta- ba- mus;- car mi- na- lae ti- ti- ae,-
a k k k k k k j k k d k k j j k k k k k k j
15
sa lus- re gi- nos tro.-sal us- in ve- ni- tor.-a Chris to- reg nan- te.-de vo- te- re- da- mus.-
a k k d k k j j
Gaudete Anonymous SATB Piae Cantiones, 1581
Hey ho Thomas Ravenscroft 1582-1635 Round 9 Pammelia 1609
Hey, ho what shall I say, Sir John hath car ried- my wife a way.-
a 22F =60
1.j k k2.k k k k 3.k k k k k 4.k k j
They were gone ere I wist, she will come when she list, hey trol ly- trol ly- lol ly.-
a5.
k k k k k k6.
k k k k k k 7.
k k k k k k8.j m
Come a gain,- ho!
a9.k k k j
34
Soprano
Alto
Tenor
Bass
If ye love me keep my com mand- ments- and I will pray the Fa-
a f 44 jz k j j k k k k j j n k k k j k k
If ye love me, keep my com mand- ments,-
a f 44 jz k j j k k k k j j j m l
If ye love me, keep my com mand- ments,- and I will pray the
aMf 44 jz k j j k k k k j j j n k k k kz k
‡
If ye love me, keep my com mand- ments,-
b f 44 jz k j j k k k k j j i l
7
th- er,- and he will give you a noth- er- com for- -
a f k k k j l n k k k jz k k k k k k j k
and I will pray the Fa ther,- and he shall give you a no- ther- com fort- -
a f n k k k j k k k k k k k k j k k k k k k kz k‚
Fa ther,- and he shall give you a no- ther- com fort- -
aMf j j j m m n k k k j k k j k k k kz k‚
and I will pray the Fa ther,- and he shall give you a no- ther- com fort- -
b f m j k k kz k‡ j j n k k k j k k k k k k
13
ter,- and he may bide with you for e- -
a f j m J l l n k j k k k k k k j
er,- that he may bide with you for ev- er,- with you for ev- -
a f j m J m j jz k k k k k j k k k k j
er,- that he may bide with you for ev- er,- with you for ev- er,- e'en the spirit
aMf j j J j z k k k k k k k k k k k k k k k e j
er,- that he may bide with you for ev- er,- with you for ev- er,- e'en
b f j m J j j k k k k k k j k k k k k k j
If ye love me Thomas Tallis 1505 –1585 SATB
35
Soprano
Alto
Tenor
Bass
19
ver,- e'en the spirit of truth,
a f j m l n j k k k j
er,- e'en the spirit of truth, e'en the spirit of truth,
a f j j k j k k k k n k k k k k
of truth, e'en the spirit of truth, e'en the spirit of
aMf k j k k k k k i k j k
the spirit of truth, e'en the spirit of truth, e'en
b f j n k k k k k j k k k k k j
23
e'en the spirit of truth, e'en the spirit of truth, truth.
a f k k k k k j k k k j
1.
i J 2.
i
e'en the spirit of truth, e'en the spirit of truth, truth.
a f k j k k k k k k k j k i J i
truth, e'en the spirit of truth, truth.
aMf k k k k k k k k k k k k j j J i
the spirit of truth, e'en the spirit of truth, truth.
b f m n k k k k k k k k k i J i
36
In Dulci Jubilo 83 Michael Praetorius 1571 –1621 SATB
Soprano
Alto
Tenor
Bass
O Je su- par vu- le,- nach dir ist mir soIn dul ci- iu bi- lo,- nun sin get- und seid
ad 34F.=54
k j k j k j k j k j k j k
O Je su- par vu- le,- nach dir ist mir soIn dul ci- iu bi- lo,- nun sin get- und seid
ad 34 k j k k k k jz j k j k j k
O Je su- par vu- le,- nach dir ist mir soIn dul ci- iu bi- lo,- nun sin get- und seid
aMd 34 k j k k k k k k k k d k j k k k k j k
O Je su- par vu- le,- nach dir ist mir soIn dul ci- iu bi- lo,- nun sin get- und seid
b d 34 k j kj k j k j k k k k k
j k
8
weh, troest mir mein Ge mue- te,- O Pu er- Op ti- -froh, un sers- Her zen- Won ne- leit in prae se- pi- -
ad j k jz j k j k jz j k j k j k
weh, troest mir mein Ge mue- te,- O Pu er- Op ti- -froh, un sers- Her zen- Won ne- leit in prae se- pi- -
adj k jz j k j k jz j k j k j k
weh, troest mir mein Ge mue- te,- O Pu er- Op ti- -froh, un sers- Her zen- Won ne- leit in prae se- pi- -
aMd j d k jz j k j k jz j k j k j k
weh, troest mir mein Ge mue- te,- O Pu er- Op ti- -froh, un sers- Her zen- Won ne- leit in prae se- pi- -
b dj k jz j e k j k jz j k j k j k
16
me,- durch al le- dei ne- Gue te- O Prin ceps- Glo ri- -o,- und leu chtet- als die Son ne- ma tris- in gre mi- -
ad j k j k j k j k jz j k j k j k
me,- durch al le- dei ne- Gue te- O Prin ceps- Glo ri- -o,- und leu chtet- als die Son ne- ma tris- in gre mi- -
adjz d j k j k j k jz j k j k j k
me,- durch al le- dei ne- Gue te- O Prin ceps- Glo ri- -o,- und leu chtet- als die Son ne- ma tris- in gre mi- -
aMd j k j k j k j k jz j k d j k j k
me,- durch al le- dei ne- Gue te- O Prin ceps- Glo ri- -o,- und leu chtet- als die Son ne- ma tris- in gre mi- -
b d kz k‡ k j k j k j k jz j k j k j k
37
24
ae,- Tra he- me post Te, tr a- he- me posto,- Al pha- es et O, A l- pha- es et
ad k k k jz j k j k jz jz k k k j k
ae,- Tra he- me post Te, tr a- he- me posto,- Al pha- es et O, A l- pha- es et
adk j jz j k j k jz jz k j k k k
ae,- Tra he- me post Te, tr a- he- me posto,- Al pha- es et O, A l- pha- es et
aMd j k jz j k j k jz jz k k k k k k
ae,- Tra he- me post Te, tr a- he- me posto,- Al pha- es et O, A l- pha- es et
b d k kk k jz j k j k jz jz k k k k k k
32
Te.O.
ad jz jz
Te.O.
adjz jz
Te.O.
aMd jz jz
Te.O.
b d jz jz
38
Soprano
Alto
Tenor
Bass
Mein Trost ob al len- Wei ben,- dein tu ich e-Gross Leid muss ich jetzt tra gen,- das ich al lein-Inns bruck,- ich muss dich las sen,- ich fahr da hin-
a f 44 m j k k j j j j n k kz k‡ j
Mein Trost ob al len- Wei ben,- dein tu ich e-Gross Leid muss ich jetzt tra gen,- das ich al lein-Inns bruck,- ich muss dich las sen,- ich fahr da hin-
a f 44 i k k j k j k j n k k k j
Mein Trost ob al len- Wei ben,- dein tu ich e-Gross Leid muss ich jetzt tra gen,- das ich al lein-Inns bruck,- ich muss dich las sen,- ich fahr da hin-
aMf 44 m j k k j j j j n k kz k
‡f j
Mein Trost ob al len- Wei ben,- dein tu ich e-Gross Leid muss ich jetzt tra gen,- das ich al lein-Inns bruck,- ich muss dich las sen,- ich fahr da hin-
b f 44 i k k k k k k k j j n k k k f j
6
wig- blei ben,- stet treu, der Eh ren- fromm. Nun muss dich Gotttu kla gen,- den lieb sten- Buh len- mein. Ach Lieb, nun lassdein stras sen,- in frem de- Land da hin.- Mein Freud ist mir
a f j j j n k k k k k j n k k k j
wig- blei ben,- stet treu, der Eh ren- fromm. Nun muss dich Gotttu kla gen,- den lieb sten- Buh len- mein. Ach Lieb, nun lass
dein stras sen,- in frem de- Land da hin.- Mein Freud ist mir
a f k j k k jn k k k k k j
n k k k j
wig- blei ben,- stet treu, der Eh ren- fromm. Nun muss dich Gotttu kla gen,- den lieb sten- Buh len- mein. Ach Lieb, nun lassdein stras sen,- in frem de- Land da hin.- Mein Freud ist mir
aMf k j k j n k k k k k j n k k k j
wig- blei ben,- stet treu, der Eh ren- fromm. Nun muss dich Gott be-tu kla gen,- den lieb sten- Buh len- mein. Ach Lieb, nun lass michdein stras sen,- in frem de- Land da hin.- Mein Freud ist mir ge-
b f j j j n k k k e k k j n k k k k k
Innsbruck Heinrich Isaac 1450 –1517 SATB
39
11
be wah- ren,- in al ler- Tu gend- spah ren,- bismich Ar men,- im Her zen- dein er bar- men,- dasge no- men,- die ich nit weiss be kom- men,- wo
a f j j j n k kz k‡ j j j j n k
be wah- ren,- in al ler- Tu gend- spah ren,- bismich Ar men,- im Her zen- dein er bar- men,- dasge no- men,- die ich nit weiss be kom- men,- wo
a f k j k j n k k k j k j k k jn k
be wah- ren,- in al ler- Tu gend- spah ren,- bismich Ar men,- im Her zen- dein er bar- men,- dasge no- men,- die ich nit weiss be kom- men,- wo
aMf j j j n k kz k
‡f j k j k j n k
wah- ren,- in al ler- Tu gend- spah ren,- bisAr men,- im Her zen- dein er bar- men,- dasno- men,- die ich nit weiss be kom- men,- wo
b fk k k j j n k k k f j j j j n k
16
dass ich wie der- komm, bis komm.ich muss dan nen- sein, das sein.ich im Er lend- bin, wo bin.
a f J k k j kz k‚ k k k k k j k 1.
j n k J 2.
i
dass ich wie der- komm, bis komm.ich muss dan nen- sein, das sein.ich im Er lend- bin, wo bin.
a f J k k j kz k‚ k k k k k j j n k J i
dass ich wie der- komm, bis komm.ich muss dan nen- sein, das sein.ich im Er lend- bin, wo bin.
aMf J k k j k kz k‚ k k k k j j n k J i
dass ich wie der,- ich wie der- komm, bis komm.ich muss dan nen,- muss dan nen- sein, das sein.ich im Er lend,- in Er land- bin, wo bin.
b f J kk j j n k k k j j n k J i
40
Soprano
Alto
Tenor
Bass
Las! je m'y plains, maul di- cte- soit for tu- -
ad F =55
22 j k k k k k k j n k k k k k kz k k
Las! je m'y plains, maul di- cte- soit for-
ad 22 j k k j n k k k k k k k j k
Las! je m'y plains, maul di- cte-
aMd 22 l n k k k j n k kz k
‡ kk
Las! je m'y plains, maul-
b d 22 l j k k j m m n k
5
ne,- quant pour ay mer-
ad k k k k k k k k j m j k k k k k k
tu- ne,- quant pour ay mer,- quant pour ay-
ad kz k‚ k k j j k k k k n k kz k‚
soit for tu- ne,- quant pour ay mer,- quant
aMd j k k k k j k k k k j m n k
di- cte- soit for tu- ne,- quant pour ay mer-
b d kz k‡ k k j j m n k kz k
‡j
9
je n'ay que des plai- sir.- Ve nez,- re gretz,- ve-
ad k k k k k k k k k k k j m j k k jz k
mer- je n'ay que des plai- sir.- Ve nez,- re gretz,- ve nez-
adk k j k k k k j n k k k k k k k
j
pour ay mer- je n'ay que des plai- sir.- Ve nez,- re gretz,- ve nez,- ve-
aMd kz k
‡k k k k k k j j k k kz k‚ j n k
je n'ay que des plai- sir.- Ve nez,- re gretz,- ve nez,- ve nez- mon
b dj j k k k k k j k k j k k k k k
Las! Je me Plain Claudin de Sermisy 1490 – 1562 SATB
41
14
nez- mon cueur sai sir,- et le mon strez- a
ad k k k k j J n k k k k k k k j n k
mon cueur sai sir,- et le mon strez- a ma dame
ad k k e k k j J j k k j n k k k
nez- mon cueur sai sir,- et le mon strez,- et le mon strez-
aMd k k k k j J n k k k k k k k j
cueur sai sir,- et le mon strez-
b dk k e k k j J m m j k k j
19
ma dame im por- tu- ne.- ne-
ad k k k k kz k k k k k k k j k
1.
j J 2.
i
im por- tu- ne.- ne-
adk j k k k kz k‚ k k j j
Ji
a ma dame im por- tu- ne.- ne-
aMd n k kz k
‡ k k j k k k k j j J i
a ma dame im por- tu- ne.- -ne.
b d l n k kz k‡ k k j j J i
42
Soprano
Alto
Tenor
Bass
Lau da- te- No men- Do mi- ni- vos ser vi- Do mi- -
ad E J m j jz k j j jz k j j j j j k k
Lau da- te- No men- Do mi- ni- vos ser vi- Do mi- -
ad E J m j jz k j j jz k j j j j j j
Lau da- te- No men- Do mi- ni- vos ser vi- Do mi- -
aMd E J m j jz k j j jz k j j j j j j
Lau da- te- No men- Do mi- ni- vos ser vi- Do mi- -
b d E J mj jz k j j jz k j j j j j j
8
ni,- ab or tu- so lis- us que- ad oc ca- sum-
adi l l m j j j j j j j j j j j
ni,- ab or tu- or tu- so lis- us que- ad oc ca- sum-
adi
l m j k k j j j j j j j jz k j j
ni,- ab or tu- so lis- us que- ad oc ca- sum- e ius,- oc ca- sum-
aMd j j j j j j j j j j i j j j k k jz k
ni,- ab or tu- so lis,- or tu- so lis- us que- ad oc ca- sum-
b d i m j j j j j j j j j j j j j j j17
e ius.- De cre- ta- De i- ius ta- sunt et cor ex hi- la- -
ad j j i
(2)J J m j j j j j jz k j j jz k jz k
e ius.- De cre- ta- De i- ius ta- sunt et cor ex hi- la- -
adjz k i
J J mj j j j j j j j j jz k jz k
e ius.- De cre- ta- De i- ius ta- sunt et cor ex hi- la- -
aMd i i J J m j j j j j j j j j jz k jz k
e ius.- De cre- ta- De i- ius ta- sunt et cor ex hi- la- -
b d i i J J m j j j j j jz k j j jz k j j
Laudate Nomen Domini Dr Christopher Tye 1505-71 SATB
43
26
rant,- Lau da- te- De um-
adi l l l m j jz k i j j
rant,- Lau da- te- De um- prin ci- pes,- lau da- te-
adi
l m j jz k j j jz k j j j j
rant,- Lau da- te- De um- prin ci- pes,- lau da- te,- lau-
aMd j j jz k j j jz k j j i i m j
rant,- Lau da- te- De um- prin ci- pes,- lau da- te-
b d j m m j jz k j j j j i m j jz k34
prin ci- pes- et om nes- po pu- li.-
ad jz k j j jz k jz k i (2)J
prin ci- pes- et om nes- po pu- li.-
ad j kz k‚ j j jz k j j i J
da- te- om nes- po pu- li.-
aMd i i jz k j j i J
prin ci- pes- et om nes- po pu- li.-
b d jz k j j jz k j j i J
44
Lo how a rose e'ver bloom ing,- From ten der-
F =80
a f D j k k j kz k‚ k k j2
k k k k
stem hath sprung! Of Jes se's- Lin eage- com-
a f k k k k k k k k j3
k k k k j k k
ing- As men of old have sung.
a f k k j k4
k k k k kz k‚ k k k j j
Lo how a Rose Melchior Volpius 1560-1615 Round 4
45
Soprano
Alto
Tenor
Bass
Mil le- re - - - - - - grets de vous a-
a E i j j jz k k kz k‚ j kk k k
Mil le- re grets- de vous a-
a E i j j i l n k k k
Mil - le re grets- de
aME l l jz k j j j n k
Mil le- re - - - - - - grets,
b E i j j jz k k kz k‚ j i
6
ban- don- ner,- Et d'e lon- - - ger, Et
a k k j m j j j k k d k j m j
ban- don- ner,- Et d'e lon- ger,- Et
a j j j j j j i i
vous a ban- don- ner,- Et
aMk k k k i l l i
Et d'e lon- ger,-
b l i j j i l
11
d'e lon- - - - ger vo tre- fa ce.a- mou- reu- se;-
a j j k k d k j k k k k k k j i
d'e lon- ger- vo tre- fa ce.a- mou- reu- se;- vo tre- fa-
a j j j j jz k k k j k k k k
d'e lon- ger,- vo tre- fa-
aMj j i l l n k k k
vo tre- fa ce.a- mou- reu- se;- vo tre- fa-
b l m j jz k k k j kk k k
Mille Regretz Josquin des Prez 1450 – 1521 SATB Published 1549
46
Soprano
Alto
Tenor
Bass
16
J'ai si grand ducil et pei ne-
a l i j j j j jz k
ce.a- mou- reu- se;- J'ai si grand ducil et pei ne-
a k k j j j j j j n k jz k
ce.a- mou- reu- se;- J'ai si grand ducil
aMk k j j j j j i l
ce.a- mou- reu- se;- J'ai si grand ducil
bk k j j j j j i l
21
dou lou- reu- se,- Qu'on me ver-
a k k d j i l m j j j
dou lou- reu- se,- Qu'on me
a k k j il l j j
et pei ne- dou lou- reu- - se,
aMm j jz k k k d j i i
et pei ne- dou lou- reu- se,- Qu'on
b m j jz k k k j i m j
26
ra- brief mes jours def fi- ner,-
a i n k k k i j j l
ver ra- brief mes jours def fi- ner,-
a j j i n k k k j j i
Qu'on me ver ra- brief mes jours def fi-
aMm j j j i m j k k k k
me ver ra- brief mes jours def fi-
bj j i l m j k k k k
47
Soprano
Alto
Tenor
Bass
31
Qu'on me ver ra- brief mes jours def fi- -
a m j i j j n k k k j j
Qu'on me ver ra- brief mes jours def fi- -
a li j j k k k k j j
- - - ner, brief mes jours def fi- ner,- brief mes jours def ni- -
aMk k j d k j n k k k k k k k k k j kz k‡
- - ner, brief mes jours def fi- -
b k k j i l n k k k j j
36
ner,- brief mes jours def ni- ner,- brief mes jours def fi- - ner
a k k k k j j k k k k j kz k‚ i
ner,- brief mes jours def ni- ner,- brief mes jours def fi- ner-
a k k k k j j k k k k j j i
-ner, brief mes jours def fi- - ner, brief mes jours de fi- ner-
aMk k k k j kz k‡
k k k k j j i
ner,- brief mes jours def ni- ner,- brief mes jours def fi- ner,-
b k k k k j j k k k k j j i
48
Soprano
Alto
Tenor
Bass
2.She ne ver- wan ders- far a broad,- but is at home when I do call -1.Of all the birds that I do know, Phil lip- my spar row- hath no peer, for
ad 68G.=88k‡
k k‡
k k‡
k k‡ kz k k k k k
‡ k d k‡k k
‡
2.She ne ver- wan ders- far a broad,- but is at home when I do call -1.Of all the birds that I do know, Phil lip- my spar row- hath no peer, for
ad 68 k‚ k k‚ k k‚ kz k k kz k k k k k‚ k k‚ k k‚
2.She ne ver- wan ders- far a broad,- but is at home when I do call -1.Of all the birds that I do know, Phil lip- my spar row- hath no peer, for
aMd 68 k‡
k k‡
k k‡
k k‡ kz k k k k k
‡ k k‚ k k‚
2.She ne ver- wan ders- far a broad,- but is at home when I do call -1.Of all the birds that I do know, Phil lip- my spar row- hath no peer, for
b d 68k‡
k k‡ k k
‡ k k‡ kz k k k k k‚ k k
‡ k k‡
6
my com mand- she lays on low, with lips, with teeth, with tongue and all. She cha nts,- she chirps, shesit she high or sit she low; be she far off or be she nea r.- There is no bird so
ad k k
‡k k‡
k k‡ kz k k k k k
‡ k d k‡k k‡
k k k k k‡
my com mand- she lays on low, with lips, with teeth, with tongue and all. She cha nts,- she chirps, shesit she high or sit she low; be she far off or be she nea r.- There is no bird so
ad k k‚ k k‚ kz k k kz k k k k k‚ k k‚ k k‚ k k k k k‚
my com mand- she lays on low, with lips, with teeth, with tongue and all. She cha nts,- she chirps, shesit she high or sit she low; be she far off or be she nea r.- There is no bird so
aMd k k
‡k k‡
k k‡ kz k k k k k
‡ k k‚ k k‚ k k k k k‡
my com mand- she lays on low, with lips, with teeth, with tongue and all. She chants, she chirps, shesit she high or sit she low; be she far off or be she near. There is no bird so
b dk k‡ k k
‡ k k‡ kz k k k k k‚ k k
‡ kz k k k k k‚
Of all the Birds John Farmer 1570 – 1601 SATB
49
11
makes such cheer, that I be lieve- she hath no peer:fair, so fine, nor yet so fresh as this of mine. For when she once hath felt the fit:
ad k k
‡kz
k k k k k‚ k k‡kz kz n k
‡ J k k‡ k k
‡k k‚ kz
makes such cheer, that I be lieve- she hath no peer:fair, so fine, nor yet so fresh as this of mine. For when she once hath felt the fit:
adk k‚ kz k k k k k‚ k k‚ kz kz n k‚ J k k‚ k k‚ k k‚ kz
makes such cheer, that I be lieve- she hath no peer:fair, so fine, nor yet so fresh as this of mine. For when she once hath felt the fit:
aMd k k‚ kz k k k k k
‡k k‚ kz kz n k‚ J k k
‡k k
‡ k k‡ kz
makes such cheer, that I be lieve- she hath no peer:fair, so fine, nor yet so fresh as this of mine. For when she once hath felt the fit:
b d k k‡ kz
k k k k k‡
k k‡ kz kz n k
‡J k k
‡ k k‚ k k‡ kz
17
Phil lip- will cry still: "yet yet yet yet yet yet yet yet yet yet yet yet yet yet." For
ad k k k k k
‡k k k kz k k k k k k k k k kz 1.kz n k‡ J
2.jz
Phil lip- will cry still: "yet yet yet yet yet yet yet yet yet yet yet yet yet yet." For yet."
ad k k k k k‚ k k k k k k k k k k k k kz k k kz kz n k‚ J jz
Phil lip- will cry still: "yet yet yet yet yet yet yet yet yet yet yet yet yet yet." For yet."
aMd k k k k k
‡k k k k k k k k k k k k k k‚ kz kz n k‚ J jz
Phil lip- will cry still: "yet yet yet yet yet yet yet yet yet yet yet yet yet yet." For yet."
b dk k k k k
‡ k k k k k k k k k k k k k k‡ kz kz n k‡
J jz
50
Soprano
Tenor
Bass
O my heart and O my heart, my
a f E kz k‡
k k k k k k k k k kz k‚ k k
O my heart and O my heart, my
aMf E kz k
‡k k f k k k k k k k jz k
O my heart and O my heart, my
b f Ekz k
‡ k k k k k k k jzk
4
heart it is so sore since I must needs from my love de part- and
a f kz k‚ k k jz k kz k‚ k k k kz k‡k k
heart it is so sore since I must needs from my love de part- and
aMf kz k
‡ k k jz k kz k‡
k k k kz k‡k k
heart it is so sore since I must needs from my love de part- and
b f k k k k k jzk kz k
‡k k k kz k‚ k k
8
know no cause where fore.-
a f k k k k d k k i
know no cause where fore.-
aMf f k k k k k k i
know no cause where fore.-
b fk k k k i
Oh my heart Henry VIII 1491 –1547 STB
51
Soprano
Alto
Tenor
Bass
Pa se.el- a goa,- ma Ju li- e- ta,- Da ma,- pa se.el- a goa:- Ve ni- te- vous- a
G.=96
a 68dd kz kz k z k z k k k k‚ k kz kz k z k z k z k k‚ k k‚ k‚ k
Pa se.el- a goa,- ma Ju li- e- ta,- Da ma,- pa se.el- a goa:- Ve ni- te- vous- a
a 68dd kz kz k z k z k k k k‚ k kz kz k z k z k z k k‚ k k‚ k‚ d k
Pa se.el- a goa,- ma Ju li- e- ta,- Da ma,- pa se.el- a goa:- Ve ni- te- vous- a
aM68dd kz k z k z k z k k k k
‡ k kz kz k z k z k z k k‡
k k‡ k k
‡
Pa se.el- a goa,- ma Ju li- e- - ta, Da ma,- pa se.el- a goa:- Ve ni- te- vous- a
b 68 ddkz kz k z k z k k k k k k kz kz k z k z k z k k
‡k k‡k‡ k
8
moi. Ju me'n- a nai- en un ver- gel,- Tres ro se- tas- fui co lier;- Ma
add jz J k k k k k‚ 34 k k d k 38 kz J 68 k k‚ k k‚ k k‚ k k‚
moi. Ju me'n- a nai- en un ver- gel,- Tres ro se- tas- fui co lier;- Ma
add jz J d k d k d k d k k‚ 34 k k k 38 kz J 68 k k‚ k k‚ k k‚ k k‚
moi. Ju me'n- a nai- en un ver- gel,- Tres ro se- tas- fui co lier;- Ma
aMdd jz J k k k k k
‡34 k k k 38 kz J 68 k k
‡k k‡
k k‡k k
‡
moi. Ju me'n- a nai- en un ver- gel,- Tres ro se- tas- fui co lier;- Ma
b dd jz J k k k k k‡ 34 k k k 38 kz J 68 k k
‡k k‡
k k‡k k
‡
14
Ju li- o- le- ta,- Da ma,- pa se.el- a qua:- Ve ni- te- vous a moi.
add k k k k‚ k kz kz k z k z k z k k‚ k k‚ k‚ k iz
Ju li- o- le- ta,- Da ma,- pa se.el- a qua:- Ve ni- te- vous a moi.
add k k k k‚ k kz kz k z k z k z k k‚ k k‚ k‚ d k iz
Ju li- o- le- ta,- Da ma,- pa se.el- a qua:- Ve ni- te- vous a moi.
aMdd k k k k‡ k kz kz k z k z k z k k
‡k k‡ k‡
k iz
Ju li- (o- l)e- - ta, Da ma,- pa se.el- a qua:- Ve ni- te- vous a moi.
b dd k k k kk k kz kz k z k z k z k k
‡k k‡k‡ k iz
Pasa el agoa, ma Julietta Anon SATB
Cancionero Musical de Palacio, Early C16th
52
Soprano
Tenor
Bass
Com pa- ny- with ho nes- ty- isYouth must have its dal li- ance,- ofPas time- with good com pa- ny,- I
a fF =108
42 jz k jz k kz k‚ k k jz k
Com pa- ny- with ho nes- ty- isYouth must have its dal li- ance,- ofPas time- with good com pa- ny,- I
aMf 42 j
z k jz k kz k‡ k k jz k
Com pa- ny- with ho nes- ty- isYouth must have its dal li- ance,- ofPas time- with good com pa- ny,- I
b ff 42jz k jz k jz k jz k
3
vir tue,- vi ces- to o- flee. Com pa- ny- isgood and ill some past a- ance.- Com pa- ny- me-love and shall un til- I die. Gruch who lust, but
a f jz k jz k k k d k k k jz n jz k jz k
vir tue,- vi ces- to o- flee. Com pa- ny- isgood and ill some past a- ance.- Com pa- ny- me-love and shall un til- I die. Gruch who lust, but
aMf jz k jz k k k j jz n jz k jz k
vir tue,- vi ces- to o- flee. Com pa- ny- isgood and ill some past a- ance.- Com pa- ny- me-love and shall un til- I die. Gruch who lust, but
b ff jz k jz k k k j jz n jz k jz k
6
good and ill, but ev 'ry- man- haththinks- then best, all thoughts and fan cies-none de ny;- so God be pleased, thus
a f kz k‚ k k jz k jz k jz k
good and ill, but ev 'ry- man- haththinks- then best, all thoughts and fan cies-none de ny;- so God be pleased, thus
aMf kz k
‡ k k jz k jz k jz k
good and ill, but ev 'ry- man- haththinks- then best, all thoughts and fan cies-none de ny;- so God be pleased, thus
b ff jz k jz k jz k jz k
Pastime with Good Compay Henry VIII 1491 –1547 STB
Written circa 1513
53
8
his free will. The best en sue,- the worst es chew,- myto di gest.- For i dle- ness- is chief mis tress- oflive will I. For my past ance:- hunt, sing and dance, my
a f k k d k k k j n k j j jz k j j jz k
his free will. The best en sue,- the worst es chew,- myto di gest.- For i dle- ness- is chief mis tress- oflive will I. For my past ance:- hunt, sing and dance, my
aMf k k j j n k j j jz k j j jz k
his free will. The best en sue,- the worst es chew,- myto di gest.- For i dle- ness- is chief mis tress- oflive will I. For my past ance:- hunt, sing and dance, my
b ff k k j j n k j j jz k j j jz k
11
mind shall be; vir tue- to use, vice to re fuse:- thusvi ces- all: then who can say but mirth and play isheart is set, all good ly- sport for my com fort,- who
a f kz k‡ k k jz k j j jz k j j jz k
mind shall be; vir tue- to use, vice to re fuse:- thusvi ces- all: then who can say but mirth and play isheart is set, all good ly- sport for my com fort,- who
aMf kz k
‡ k k jz k j j jz k j j jz k
mind shall be; vir tue- to use, vice to re fuse:- thusvi ces- all: then who can say but mirth and play isheart is set, all good ly- sport for my com fort,- who
b ff jz k jz k j j jz k j j j n k
14
shall I use me.be st- of all?sha ll- me let?
a f k k k k k d k i
shall I use me.be st- of all?sha ll- me let?
aMf k k j i
shall I use me.be st- of all?sha ll- me let?
b ff k k j i
54
Soprano
Alto
Tenor
Bass
Singt und klingt! Je su- Got tes- Kind,Psal li- te!- U ni- ge- ni- to;-
ad 44 l k k k n k k k k j
Singt und klingt! Je su- Got tes- Kind,Psal li- te!- U ni- ge- ni- to;-
ad 44 l n k k k k k k k j
Singt und klingt! Je su- Got tes- Kind,Psal li- te!- U ni- ge- ni- to;-
aMd 44 k k j j m k k k k j
Singt und klingt! Je su- Got tes- Kind,Psal li- te!- U ni- ge- ni- to;-
b d m k k i k k k k j
4
und Mar i- en- Soeh ne- lein.- Singt und klingt! Un serm- lie ben- Je su- lein- imChris to- de i- Fi li- o.- Psal li- te!- Re demp- to- ri- Do mi- no- pu-
ad k k k k k k k k k k n k k k k k k k k
und Mar i- en- Soeh ne- lein.- Un serm- lie ben- Je su- lein- imChris to- de i- Fi li- o.- Re demp- to- ri- Do mi- no- pu-
adk k k k k k k l k k k k k k k k
und Mar i- en- Soeh ne- lein.- Un serm- lie ben- Je su- lein- imChris to- de i- Fi li- o.- Re demp- to- ri- Do mi- no- pu-
aMd j m k k k k k k k k k k k k k k k
und Mar i- en- Soeh ne- lein.- Un serm- lie ben- Je su- lein- imChris to- de i- Fi li- o.- Re demp- to- ri- Do mi- no- pu-
b dj m k k k k k k k k k k k k k k k
7
Krip pe- lein- beim Oechs lein- und beim Ae se- lein.- Ein fei nes- Kin de- lein- liegter- u- lo- ia cen- ti- in prae se- pi- o.- Ein fei nes- Kin de- lein- liegt
ad 24 k k k k 44 kz k‚ k k k k j m k k k k k k k
Krip pe- lein- beim Oechs lein- und beim Ae se- lein.- Ein fei nes- Kin de- lein- liegter- u- lo- ia cen- ti- in prae se- pi- o.- Ein fei nes- Kin de- lein- liegt
ad 24 k k k k 44 kz k‚ k k k k j
m k k k k k k k
Krip pe- lein- beim Oechs lein- und beim Ae se- lein.-er- u- lo- ia cen- ti- in prae se- pi- o.-
aMd 24 k k k k 44 kz k
‡ k k k k i l
Krip pe- lein- beim Oechs lein- und beim Ae se- lein.-er- u- lo- ia cen- ti- in prae se- pi- o.-
b d 24k k k k 44
kz k‡ k k k k i l
Psallite Michael Praetorius 1571-1621 SATB
55
11
in dem Krip pe- lein.- A le- lie ben-in dem Krip pe- lein.- A le- lie ben-
ad k k k k j l l l kz k‚ k k
in dem Krip pe- lein.- A le- lie ben-in dem Krip pe- lein.- A le- lie ben-
adk k k k j l l l kz k‚ k k
A le- lie ben- Eng e- lein- die nen- dem Kind e- lein- sing en- ihm garA le- lie ben- Eng e- lein- die nen- dem Kind e- lein- sing en- ihm gar
aMd l kz k‚ k k kz k
‡ kk k k k k k kz k
‡ k k
A le- lie ben- Eng e- lein- die nen- dem Kind e- lein- sing en- ihm garA le- lie ben- Eng e- lein- die nen- dem Kind e- lein- sing en- ihm gar
b d l kz k‡ k k kz k
‡k k k k k k k kz k
‡k k
16
Eng e- lein- die nen- dem Kind e- lein.- Singt und klingt! Je su- Got tes- Kind,Eng e- lein- die nen- dem Kind e- lein.- Psal li- te!- U ni- ge- ni- to;-
ad kz k
‡ k k k k k k k k k k n k k k k j
Eng e- lein- die nen- dem Kind e- lein.- Singt und klingt! Je su- Got tes- Kind,Eng e- lein- die nen- dem Kind e- lein.- Psal li- te!- U ni- ge- ni- to;-
adkz k‚ k k k k k k k n k k k k k k k j
fein! Singt und klingt! Je su- Got tes- Kind,fein! Psal li- te!- U ni- ge- ni- to;-
aMd j n k k jz j m k k k k j
fein! Singt und klingt! Je su- Got tes- Kind,fein! Psal li- te!- U ni- ge- ni- to;-
b d j m n k k k i k k k k j
20
und Mar i- en- Soeh ne- lein.- Singt und klingt! Un serm- lie ben- Je su- lein- imChris to- De i- Fi li- o.- Psal li- te!- Re demp- to- ri- Do mi- no- pu-
ad k k k k k k k k k k n k k k k k k k k
und Mar i- en- Soeh ne- lein.- Singt und klingt! Un serm- lie ben- Je-Chris to- De i- Fi li- o.- Re demp- to- ri- Do mi- no- pu-
adk k k k k k k l k k k k k k k k
und Mar i- en- Soeh ne- lein.- Un serm- lie ben- Je su- lein- imChris to- De i- Fi li- o.- Re demp- to- ri- Do mi- no- pu-
aMd j m k k k k k k k k k k k k k k k
und Mar i- en- Soeh ne- lein.- Un serm- lie ben- Je su- lein- imChris to- De i- Fi li- o.- Re demp- to- ri- Do mi- no- pu-
b dj m k k k k k k k k k k k k k k k
56
23
Krip pe- lein- beim Oechs lein- und beim Ae se- lein.-er- u- lo- ia cen- ti- in prae se- pi- o.-
ad 24 k k k k 44 kz k‚ k k k k i
su- lein- im Krip pe- lein- beim Oechs lein- und beimer- u- lo- ia cen- ti- in prae se- pi- o.-
ad 24 k k k k 44 kz k‚ k k k k i
Krip pe- lein- beim Oechs lein- und beim Ae se- lein.-er- u- lo- ia cen- ti- in prae se- pi- o.-
aMd 24 k k k k 44 k
z k‡ k k k k i
Krip pe- lein- beim Oechs lein- und beim Ae se- lein.-er- u- lo- ia cen- ti- in prae se- pi- o.-
b d 24k k k k 44
kz k‡ k k k k i
57
58
Soprano
Alto
Tenor
Bass
Si cut-
ad 44 l l l m j j j
Si cut- cer vus- de si- de- -
ad 44 l l i j j k k k k k
Si cut- cer vus- de si- de- rat- ad fon tes- a qua- -
aMd 44 i j j k k k k k k k j k k k k k
b d 44 l l l l l
6
cer vus- de si- de- rat- ad fon tes- a qua- - - - - rum, A - - - -
ad j k k k k k k k j k k k k k k k k k j kz k
‡ k k k
rat- ad fon tes- a qua- - - - - - - rum, si-
adk k j j k k k k k k k k j j l i
- - -rum si cut- cer vus- de si-- de- rat- ad
aMd k k j j m m j j j j k k kz k‡
k k
Si cut- cer vus- de si- de- rat- ad fon tes- a qua- rum,-
b d mj j j j k k kz k
‡k k j k k j j
12
- qua - rum, si cut- cer vus- de-
ad k k j k i l m j j j j k k
cut- cer vus- de si-- de- rat- ad fon tes- a qua- rum;- de-
ad j j k
k kz k‚ k kz k‚ k k k k j k k j jz k
fon tes- a - - - qua - - - - - - - - - - - rum,
aMd j j kz k
‡k k j kz k
‡k kz k
‡k k k k k k k k j
si cut- cer vus- de si-- de- rat- ad fon tes;-
b d l i j j j j kz k‡ k k j j
Sicut Cervis Giovanni Pierluigi Da Palestrina (1525-1594) SATB
Published 1584 Like as the hart desireth the waterbrooks, so longeth my soul after thee, O God.
59
Soprano
Alto
Tenor
Bass
18
si-- de- rat- ad fon tes- a - - - - - - - qua - - - - -
ad kz k‚ k k j k k k k k k k j k kz k‚ k k k k j
si- de- rat- ad fon tes- a qua- - - -
adkz k‚ k k j j j j k k j i
di si- de- rat- ad fon tes- a qua -
aMd j m n k kz k
‡k k j kz k
‡ kk i
de si- de- rat- ad fon tes- a qua- - rum
b d nk k k k k k k j j j k k k k i
23
rum; I ta- de - - Si
ad i l l m j j j kz k‚ k k
- - - - - - - - rum I-
adkz k‚ k k k k k k j i
l li
rum; I ta- de - - si - - de ra, -
aMd j m i j kz k
‡k kz k
‡k k d k j j m
I ta- de - - - - si - - - - - - - - de-
b d mj j j kz k‡
k k k kz k‡ k k j j kz k‡
k k
29
- - - - - - de ra,- I-
ad k k j k k k k k i l l m j
ta- de - - si - - - - - de rat,- I ta,-
adj kz k‚ k kz k‚ k k k k j k k j i j j
I ta- de si- de- rat,- I ta- de si- de- rat,- I-
aMd mz k k k k k j m i j k k k k k k k
rat,- I ta,- de - - si - - - -
b dj j l m j j j kz k‡
k k k k j k k
60
Soprano
Alto
Tenor
Bass
35
ta- de - - si de- rat,- - - - - - -
ad j j kz k‚ k k k k j k k k j kz k‚ j
I ta- de - - si de- rat,- - -
adj m i j kz k‚ k j k jz k k
ta- de si- de- rat,- I ta- de - - si
aMdk k k k j m m j j j kz k‚ k k
- de rat,- I-
b d jj i l l i
40
a ni- ma- me a- ad te De - -
ad m j k k j i i n k k k k k j
- - a ni- ma- me a- ad te De-
adj j m j k k j j j j kz k‚ k k j
- - de rat- a ni- ma- me - a
aMd k k j k kz k‚ kz k
‡j m n j k j j j j
ta- de si- - - de rat,- de si- de- rat,- a ni- -
b d j j kz k‡k k jz k k k j j m n j k
46
us, a ni- ma- me a-
ad j kz k‚ k k k j l jz k j j j j
us,- a ni- ma- me a- ad te de - us.
adj n k k k j j j kz k‚ k k k j k i
ad te De - - - - - - - - - - - - us, a ni- -
aMdk k k k k
k k k k k k k kz k‚ k k k j l n j k
ma- me a- ad te De - - us, a ni- ma- me a-
b d j j j j k j k j jj k k j j
61
Soprano
Alto
Tenor
Bass
52
ad te de - - - - - - - us.
ad n k k k k k kz k‚ k k j k i i
ad te De - - us, ad te de - - - - -
adj kz k‚ j k k k k j n k k k k k k k k k
ma- me a- ad te de - - us. ad te De -
aMd j j k k k k k k j j n k k j k
ad te de - - - us. ad te De - - - - -
b d j kz k‚ k k k kz k‚ k k k k k kz k‡ k k jz k
57
ad i i
- us
adi i
- us.
aMd i i
- us.
b d i i
62
Soprano
Alto
Tenor
Bass
Now foot is as I do Tom Boy Tom, Now foot is as I do Swithen-
ad 34 k kz k‚ k kz d k‡
d k j k j k kz k‚ k j k k j
The cramp is in my purse ful sore, No mo ney- will bide there in- -
ad 34 k j k j k kz k‚ k j k kz k‡ k j k jz
Ro bin- Hood, Ro bin- Hood said Lit tle- John, Come dance be fore- the Queen-
aMd 34 n kz k‚ k kz k‚ k kz k‚ k j k j k j k jz
Sing af ter- fel lows- as you hear me, A toy that sel dom- is seen-
b d 34 k j k kz k‡k j k j k j k j k k j
9
a,- Now foot is as I do Tom Boy Tom, Now foot is as I do Swithen a,- And
adj k kz k‚ k kz d k‡
d k j k j k kz k‚ k j k k j j k
a,- And if I had some salve there fore- A light ly- then would I sing a,-
adj k j k j k kz k‚ k j k kz k‡ k j k jz j n
a,- Ro bin- Hood, Ro bin- Hood said Lit tle- John, Come dance be fore- the Queen a,-
aMd j n kz k‚ k kz k‚ k kz k‚ k j k j k j k jz j n
a,- Sing af ter- fel lows- as you hear me, A toy that sel dom- is seen a,- Three
b d j k j k kz k‡k j k j k j k j k k j j k
Sing After Fellows (3 Country Dances) Tom Ravenscroft 1582-1635
Round 4
Pammelia. Mvsicks Miscellanie. (1609)
63
18
Hick so must trik it all a lone,- Till Ro bin- come leap ing- in be tween- a,- And
ad kz k‚ k j k k d j j k kz k‚ k kz k‚ k d k j d j k
Hey hoe, the cramp a,- Hey
ad l l l jz j k jz j n jz
In a red pe ti- coat- and a green jack et,- A white horse and a green a,-
aMd kz k‡ k kz k‚ k kz k‚ k kz k‚ k j k d kz d k‚ k jz j n
coun try- danc es- in one to be, A pret ty- con ciet- as I ween a,- Three
b d j k kz k‡ k k j j k kz k‚ k j k d k j j k
26
Hick so must trik it all a lone,- Till Ro bin- come leap ing- in be tween- a.-
ad kz k‚ k j k k d j j k kz k‚ k kz k‚ k d k j d j
hoe, the cramp a,- Hey hoe, the cramp a,- the cramp a.-
adj k jz j n jz j k jz kz k‚ k j
In a red pe ti- coat- and a green jack et,- A white horse and a green a.-
aMd kz k‡ k kz k‚ k kz k‚ k kz k‚ k j k d kz d k‚ k jz j
coun try- danc es- in one to be, A pret ty- con ciet- as I ween a.-
b d j k kz k‡ k k j j k kz k‚ k j k d k j j
64
Soprano 1
Soprano 2
Alto
Tenor
Bass
All things in vite- us Now to de light- us. Fa la la la laSing we and chant it While love doth grant it. Fa la la la la
F.=60
add 34 k k k j k kz k
‡ k j k k‡z kˆk‡k‡ k
All things in vite- us Now to de light- us. Fa la laSing we and chant it While love doth grant it. Fa la la
add 34
k k k j k k k k d j k k k d k
All things in vite- us Now to de light- us. Fa la laSing we and chant it While love doth grant it. Fa la la
add 34 k k k j k
k k k‚ k‚ j k k k k
All things in vite- us Now to de light- us. Fa laSing we and chant it While love doth grant it. Fa la
aMdd 34
k k k j k k k k j k n k k
All things in vite- us Now to de light- us. Fa la la la laSing we and chant it While love doth grant it. Fa la la la la
b dd 34k k k j k k d k k j k k
‡z kˆk‡k‡ k
6
la la la la la la la. Hence, care, be pack ing,- No mirth bela la la la la la la. Not long youth las teth,- And old age
add k‡k‡j k k k j n J J k k k j k k k k
la la la la la la la la. Hence, care, be pack ing,- No mirth bela la la la la la la la. Not long youth las teth,- And old age
add k‚ k‡
k k k‡ k‚ k d k j n J J k k k j k k k k
la la la la la la la. Hence, care, be pack ing,- No mirth bela la la la la la la. Not long youth las teth,- And old age
add kz k‚ d k k k k j n J J k k k j k k k k
la la la la la la la. Hence, care, be pack ing,- No mirth bela la la la la la la. Not long youth las teth,- And old age
aMdd kz k‚ k k k k j n J J k k k j k k k k
la la la la la la la. Hence, care, be pack ing,- No mirth bela la la la la la la. Not long youth las teth,- And old age
b ddk
k k k‡ k‚ k k j n J J k k k j k
k k k
Sing we and Chant it Thomas Morley 1557-1602 SSATB
Published 1595 First Booke of Balletts
65
12
lack ing:- Let spare no trea sure- To live in plea sure.-hast eth:- Now is best lei sure- To take our plea sure.-
add j k k k d k j k k k k j k l
lack ing:- Let spare no trea sure- To live in plea sure.- Fa lahast eth:- Now is best lei sure- To take our plea sure.- Fa la
add j k k k k k kz k‚ j d k j k j k
lack ing:- Let spare no trea sure- To live in plea sure.- Fa la lahast eth:- Now is best lei sure- To take our plea sure.- Fa la la
add j k k d k k d j k k k k j k kz k‚ d k
lack ing:- Let spare no trea sure- To live in plea sure.- Fa lahast eth:- Now is best lei sure- To take our plea sure.- Fa la
aMdd j k k k k k j k k k j k j k
lack ing:- Let spare no trea sure- To live in plea sure.- Fa lahast eth:- Now is best lei sure- To take our plea sure.- Fa la
b dd j k k k k j k k k k j kj k
18
Fa la la la la la, fa la la la la. la.Fa la la la la la, fa la la la la. la.
add j k kz k‡ k j n k j k j
1.
j n J 2.
jz
la la la la la la fa la la la, fa la la la. la.la la la la la la fa la la la, fa la la la. la.
add k‡z kˆk‚ k‡ d k j n j k k k d k j d k j n J jz
la, fa la la la la la la la, fa la la la la. la.la, fa la la la la la la la, fa la la la la. la.
add k n n j k k‚z kƒ k‚ k‚ d k k k k k j j
n Jjz
la la la, fa la la la la la la la la la la la la. la.la la la, fa la la la la la la la la la la la la. la.
aMdd k k k k k k k‚ k‡
k k k j k‡k‡j j n J jz
la la la la la la, fa la la la la la la la la. la.la la la la la la, fa la la la la la la la la. la.
b ddk‡z kˆk‡k‡ k k
k k kz k‚ k k k k jz j n J jz
66
Soprano
Tenor
Stel - la splen dens- in mont - - - - e Ut so lis- rad - -i-
a 24 kz k‚ k k k k j d k e k k k k k k k k k k
Stel la- splen dens- in mon t- e- Ut so lis- ra di- -
aM24 j k k k k j j k k k k k k
9
um- Mi - ra cu- lis- se r- a- - - - to Ex au di- po - -pu - - lum.
a j kz k‚ k k k k j d k e k k k k k k k k k k k k j
um- Mi ra- cu- lis- se r- a- to- Ex au di- po pu- lum.-
aMj j k k k k j j k k k k k k j
19
Con cur runt- u ni- ver- - -- si- Gua den- tes- po - pu - lis Di vi- tas-
a n k k k k k k k k k k k k k k k k j n k k k
Con cur runt- u ni- ver- - -si Gua den- tes- po pu- lis- Di vi- tas-
aMn k k k k k k k k k k k k k j n k k k
29
et e ge- - - ni Gran des- et par - vu - li Ip - sum in- gre- di- un-
a k k k k‡ k‚ k k k k k k k k j kz k‚ k k k k j
et e ge- - -ni Gran des- et par vu- li- Ip sum- in- gre- di- un-
aM k k k k k k k k k k j j k k k k j39
- - - - tur Ut cer nunt- oc - cu li- Et - In de- re ver- tu ri- - - -
a dk e k k k k k k k k k k j kz k‚ k k k k j d k e k k k
- tur Ut cer nunt- oc cu- li- Et In de- re ver- tu ri- -
aM j k k k k k k j j k k k k j j
49
tur gra ti- is- re - ple - - ti
a k k k k k k k k k j
tur- gra ti- is- re ple- ti-
aMk k k k k k j
Stella Splendens Anonymous Late C14th SB
Llibre Vermell de Montserrat
67
Melody
Ground
Per spi- ce- Chri sti- co- la- quae di gna- ci- -o!Sum er- is i cu- men- in, lhu de- sing, cuc cu,-
a fff 68
1k k‡ k k
‡k k‡ k k k 2k k‚ k k‚ kz nz
Per spi- ce- Chri sti- co- la-Sing cuc cu- nu, sing cuc cu.-
b fff 681kz kz kz k k
‡2kz kz kz nz
Ce li- cus- a gri- co- la- pro vi tis- ci ci- o.- Fi li- -Grow eth- sed and blow eth- med And springth the w(o) de- ne. Sing cuc-
a fff
3
k k‚ k k‚ k k‚ k k‚4
k k‡k k
‡ kz nz 5kz k z
Per spi- ce- Chri sti- co- la- Per spi- -Sing cuc cu- nu, sing cuc cu.- Sing cuc-
b fff3kz kz kz k k
‡4kz kz kz nz 5kz k z
o- non par cens- ex spo- su- it- mor tis- ex i- ci- o-cu.- A we- ble teth- af ter- lomb, Lhouth af ter- cal ve- cu.-
a fff kz nz 6k k‚ k k‚ k k
‡ k k k7
k k‚ k k‚ kz nz
ce- Chri sti- co- la- Per spi- ce- Chri-cu- nu, sing cuc cu.- Sing cuc cu- nu,
b fff kz k k‡
6kz k z kz nz 7kz kz kz k k‡
Qui cap ti- vos- se mi- vi- vos- a sup pli- ci- o,- Vi tae-Bul lec- ster teth,- bu cke- ver teth- Mu rie- sing cuc cu.- Cuc cu-
a fff 8k k‚ k k‚ k k
‡k k‡
9k k‡ k k
‡kz nz 10kz kz
sti- co- la- Per spi- ce- Chri sti- co- -sing cuc cu.- Sing cuc cu- nu, sing cuc-
b fff8kz kz kz nz 9kz kz kz k k
‡10kz kz
do nal- et se cum- co ro- nat- in cae li- so li- o.-cuc cu- Wel sin ges- thu cuc cu- ne swik thu na ver- nu.
a fff kz k k‚ 11
k k‚ k k‚ kz k k‡
12
k k‡ k k‚ kz nz
la- Per spi- ce- Chri sti- co- la-cu.- Sing cuc cu- nu, sing cuc cu.-
b fffkz nz 11kz kz kz k k
‡12kz kz kz nz
Sumer is icumin in Anonymous 1250 Round 12
68
- - - - - - - - - - - - -- - - - - - - - - - - - -- - - - - - - - - - - - -- - - - - - - - - - - - -Ther is no rose of such ver tu,- as is the rose that
a 34F.=40
k j k k kz k‚ kz d k‚ k k j k k e j kz k‚ k k
- - - - - - - - - - - - -- - - - - - - - - - - - -- - - - - - - - - - - - -
Ther is no rose of such ver tu,- as is the rose that
b 34kk kk jj kk jj jj kk jj kk kk jj jj kk
- - - Leave we a ll- this world ly- mirth, and- - - The an gels- sung en- the shepherds to: Glo-- - - By that ro se- we may well see that- - - For in this rose con tain- ed- was,- hea-bare Je su.- Ther is no rose of such ver tu,- as
a kz k‚ k k j k kz k‚ k k k j j k k kz k‚ kz o k k
- - - The an gels- sung en- the shepherds to: Glo-- - - By that ro se- we may well see that- - - For in this rose con tain- ed- was,- hea-bare Je su.- Ther is no rose of such ver tu,- as
bjk k kk jj
k k k k k j j k k k k kz o k
fol low- we this joy ful- Birth. Tran se- -ri- a- in ex celsis- De o.- Gau de- -he is God in Per sons- Three. Pa ri-ven- and earth in lit tle- space. Res mi-is the rose that bare Je su.- Al le- -
a kz k‚ k k kz k‚ k j k jz kz k‚ k k k k k k
ri- a- in ex celsis- De o.- Gau de- -he is God in Per sons- Three. Pa ri-ven- and earth in lit tle- space. Res mi-is the rose that bare Je su.- Al le- -
bkz k
‡k k j k j k jz
kz k‡k k k k k
a- mus.-a- mus.-for ma-ran- da.-lu- ia.-
a 32 j k k k k34 k k k k k k kz k‚ k k jz
a- mus.-for ma-ran- da.-lu- ia.-
b 32k k j j 34
j k k k k jz
Ther Is No Rose Anonymous ATB
C14th English
69
70
s
a
t
b
Weep, O mine
a E l l l l m j j k k
Weep, O mine eyes, Weep, O mine eyes and
a E l i j k k jz k k k j j j
Weep, O mine eyes and cease not, Weep, O mine
aME m j j k k d j j k d k d k j j j j d k k
Weep, O mine eyes and cease not, Weep,
b E i j k k i j j i j j
7
eyes, Weep, O mine eyes, Weep, O mine eyes, and cease
a dj j k k j j j k k j j j i i
cease not, and cease not, Weep, O mine eyes and cease
a i jz k j j j j k k j j j i
eyes and cease not, Weep, O mine eyes, Weep, O mine eyes and cease
aMkz k‡ j j j k k j j j k k j d j j j d j
O mine eyes, Weep, O mine eyes, Weep and cease
b jz d k d j j d j j i j j i i
14
not. A las- these your spring tides,-
a i l i i j j j j i
not. A las- these your spring tides,- A las-
a dj j j j j j j j j d j jj i
not. A las- these your spring tides,-
aMi m j i j j i i l
not, and cease not. A las- these your
b jz k d j j i l i i j j
Weep Oh Mine Eyes John Bennet 1570 – 1610 SATB
71
21
A las- these your spring tides- me thinks in crease- not,
a m j i j j j k k d j j j j i i
these your spring tides- me thinks in crease- not me thinks in crease- not,
a j j j j kz k‚ k k i j j j j i d i
A las- these your spring tides- me thinks in crease- not,
aM i i jj j j j j k k j j d j i
spring tides- in crease- not me thinks in crease- not,
bj d j i m j i jz k j j i i
29
O when, O when be gin- you, To swell so
a m j j k k i m j j j k k j j m n k k k
O when, O when be gin- you, To swell so
a m j j d k d k d i m j j j k k j d j m n k k k
O when, O when be gin- you, To swell so high that I may
aMi i i i jz k i k k k k kz k
‡ k k
O when, O when be gin- you, To swell so high that I may
bi i i i jz k i k k
k k kz k‡ k k
37
high that I may drown me in you, That I may drown me in you.
a kz k‡ k k k k j j j k k j j j i i
high that I may drown me in you, That I may drown me in you.
a kz k‚ k k k k j jz k jz k j j i d i
drown, that I may drown me in you, That I may drown me in you.
aMk k k k k j k jz k j j d j j j d j i
drown me in you, That I may drown me in you.
b j j i jz k j j j j i i
Top Related