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Page 1: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

JOHANN SEBASTIAN BACH

DIE KUNST DER FUGE

THE ART OF FUGUE BWV 1080 (1750)

Arrangement for Guitar Quartet Serban NICHIFOR (2006)

Copyright © 2006 by Serban NICHIFOR (SABAM)

Page 2: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

JOHANN SEBASTIAN BACH

DIE KUNST DER FUGE BWV 1080 (1750)

1.) Contrapunctus I a 4 voci – p. 032.) Contrapunctus II a 4 voci – p. 083.) Contrapunctus III a 4 voci – p. 144.) Contrapunctus IV a 4 voci – p. 195.) Contrapunctus V a 4 voci – p. 286.) Contrapunctus VI a 4 voci (in Stile francese) – p. 347.) Contrapunctus VII a 4 voci (per Augmentationem et

Diminuationem) – p. 428.) Contrapunctus VIII a 3 voci – p. 499.) Contrapunctus IX a 4 voci (alla Duodecima) – p. 5910) Contrapunctus X a 4 voci (alla Decima) – p. 6811.) Contrapunctus XI a 4 voci – p. 7612a.) Contrapunctus XII a 4 voci (rectus) – p. 8712b.) Contrapunctus XII a 4 voci (inversus) – p. 9213a.) Contrapunctus XIII a 3 voci (rectus) – p. 9713b.) Contrapunctus XIII a 3 voci (inversus) – p. 10214.) Canone I per augmentationem in motu contrario – p. 10715.) Canone II all’ ottava – p. 11216.) Canone III alla decimal (in contrapunto alla terza) – p. 11617.) Canone IV alla duodecima(in contrapunto alla quinta)- p.12218.) Contrapunctus XIV a 4 voci - “NB. Über dieser Fuge, wo der Nahme B-A-C-H im Contrasubjekt angebracht worden, ist der Verfasser gestorben” (Im Autograph von der Hand Philipp Emanuel Bach’s) – p.128

NB. Guitar with 6 strings (E4, A4, D5, G5, B5, E6 – sounding E3, A3, D4, G4, B4, E5): transpose 1 octave up D4 (sounding D3) and Eb4 (sounding Eb3.)

Page 3: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

Copyright (c) 2006 by Serban NICHIFOR (SABAM)

DIE KUNST DER FUGEarrangement for Guitar Quartet

01Johann Sebastian BACH (1750)

arr. Serban NICHIFOR (2006)

&44

d = 130

r r r rc c c c c+ d d c d d d d- d

dc d+

A @

& 44cc c c c+ d d c d d d d d d d d

dd d d d

d dd d d

d d d d d+ c d d c

&44 r r r r r r r r r

&44 r r r r r r r r

cc

&A@ d d d d d d- d

d c` d

m

d dmc d

dd d d d d d d+ c c d d

A F

& d ` dmd ` d

m

d ` dmd d d d+ d c

d d ` dmd `

d+ic ` d d d d d d c

& r r r c c c c c+ d d

& c c c+ d d c d d d d btd d d d

d dd d d d d d

&A F d d- d d d d d d d d d

c- d d dc d d d

c d d d d d d d d d d-

& r r r r r r

& c d d d d- c d d dc d d d

c d d+ d c d d d d ` dm d

` dm

&d d d+ d c c ` d d d d d d+ d d d+ d d d d- d d d d d+ d

d+ c d d d

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2

&BB c

d d d d ddc d d

c d br r

BH

& r cc c c c+ d d c d d d d d d d d d

& d+ d d d ` dm

d c ` c c- udid d d- d d d d c d d d- d d

& d d d d d d c d d d+ d ` dic- d ` d

i

d d d d d d d dd ` d

id `- d

id ` d

i

&BH

rc

c c c c+ d d c d d d d- c ` d

CD

& d d d d+ d d `+d

mc+ d `

did d d d d d d

cd d d d d d d

& d d d d d dd d d d d d d d d d d d d c d d+ d d d+ d d. d d d d d d d d d

& d `di

c

sc c c d d d d d d d d c c c- c

&CD d d d- d d d d d+ d ` d-

m d` d+

md ` d

md `-

dm d ` d

md `

dmd ` d

md `

d

md ` d

md `

d

m

& b d d d d dd d d d- c d d d

c d d dc d d+ d c

&b

r r r r r

&

c+ d d c- d d d d c d d dc- d d d

c d d dc d d d

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3

&D@ c+ d d d d+ d d ` d

m

d d d d d d d d- d d. d d d d d- cr

DF

&d d d- c c d d d d ` d-

md d d d d

d ` dm

d+ d d d d d. d d d d d d

&c c c c c+ d d c d d d d c `

d d d `- did ` d

i

&d `

did d d d+ d `

d

ic- b d ` d-

id d d d `- d

ic d c d

&DF

r r r

c c c c c+ d d

EB

&d d d- d d d d d c d d

c c d d- d d+ d. dd d

d d

udm

d- dd d d d d d

& dd d

d d-d c d d d d+ d+ d. d ` d

id d d d+ d d d

d- d d d `dm d

d+

& d ` did ` d+

id ` d

id- d d. d d d d c b

r r

&EB

c d d d d d ` d

md+ d d c- d d d d c c- c `

d d d+ d d d d d

& dd d d d d

d d d- c d ` dmc d d d+ d d d ` d

md ` d

m

c ` d d-

& d d d d d d d- d d d d d d d d d c+ d d d- d d d d dd d d d d d- d d d d+ d. d- d

& r r r rc

c c c

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4

&EH

d d d d d d d d+ d d d- d c d d d dc d d+ d d- c d d d- d d- d

FC

&c d d d d c ` d

c `d- c ` d+ d d+ d

td-

&c d d c d d+ c `

d+ d d d- t d c u d di

&c+ d d c d d d d c d d- d d c- d d d d c ` d

&FC d-

d dd. d d d- d d d. d d d+ d d d d. d d- d ` d

m

d d d d d d d d

m

d d

m

d d d

FI

&d d

d d d. d d- d d d d `- dmd ` d

md ` d

md+ d d d d d. d

d d d ` dm

d- d d+ d ` d.m

&b

t d d d`

d-id ` d

icd

c d d c- d d+ d c d d d

&b b c ` d d `- d

ic d d- d c d d d

c

&FI d d d d d `

d

m

d d+ d d-c+

s

c

s

c c d d d+ d ` dmd `- d

m c ud d d

&d d d ` d

md c `

sc

sc c d ` d

md+ d d d d d d

d+ d d- c-

&c d d d- c c s

csc d d d c c c c- c

& d d dc d d c `- s c s c+ c `

d b b

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&GF d d- d d- d d d+

d d d d d-d+ c b

r r

& d d d- d dd d

d- d d d d+ d d c b b

& c+ d d c- d d d d b r r

&b b b

r r

Page 8: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

1

02

&44 r r r r r r r r

I

& 44 r r r r r r r r

&44 r r r r c c c c c+ d d c d ` d d ` d-

& 44 c

c c c c+ d d c d ` d d ` d d ` d d ` d d ` d d ` d d ` d d ` d d` d d ` d d ` d d ` d d ` d d ` d+ d `

d d `+ dd d.

&I

r r r rc c

A D

& cc c c c+ d d c d ` d d ` d d ` d d ` d

c

& c d `d d ` d d ` d d `- d d ` d d ` d c

u ` d d ` d+ c ` d+ d d ` d c

& d ` d d ` d c+ dd d ` d d- d ` d d ` d d d d `

d d ` d d` d- d ` d d ` d d ` d d ` d d ` d

&AD c c c+ d d c d ` d d ` d b b

&d ` d d ` d d ` d d ` d d ` d d ` d d d d d d d d ` d+ d ` d d d d ` d d ` d+ d d.

& d c d c u `d d `+ d+ c ` d+ d d ` d+ d

d d ` d d ` d d d+

& c c d ` d d ` d d du `

d d ` d dd c d ` d d ` d+ c d ` d d `- d

Page 9: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&AI

b b d ` d+ d ` d d ` d d`+ d d ` d d ` d d d d d `+ d c- s

BD

& d d `- d d d d ` d+ d ` d d- d c+ s s c d `d d ` d c

& d ` d d ` d d d d ` d d `- d d ` d+ d cs s c+ c

u ` d d ` d+

&c- d ` d d ` d+ c d d ` d b c

cc

s

&BD

r rc c c c c+ d d

BI

&c c c+ d d c d ` d d `+ d+ c d `

d d` d c u ` d

d `+ d+

& d c d- d ` d d ` d c d ` d d `+ dd+ d d `

d d` d c d c

t

& u `d d ` d d

` d d ` d d `d- d ` d d ` d d ` d+ d d

d dc c d ` d d

` d d d

&BI c d ` d d ` d d

d d ` d d ` d d ` d d ` d d ` d d ` d+ b

r

&c ` d+ d ` d d ` d d d c c b u `

d- d ` d d ` d d ` d+

& u `d d ` d d+ d

c d d+ b u ` d d ` d+ d ` d d ` d dd d d

&c

s rc

c c c c+ d d

Page 10: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&CD

u `

d d `+ dd d. d ` d d ` d d

dd d

d d dd d ` d d ` d d ` d d d ` d d ` d

CI

& dd d d+ c

td d ` d- d ` d c d+ d

d+ d. d ` d- d ` d d ` d d ` d

& c s t d d ` d d `- d d+ d d+ d d ` d d ` d dd

c c

& c d ` d d ` d cs t d d ` d d ` d b

r

&CI

c

s r u `

d d `+ dd d. d ` d d `- d c d ` d d ` d c

DD

&d ` d d `+ d+ d ` d d ` d c d ` d d `+ d d `-

dc d. d d d d

d ` d d ` d d ` d d ` d+

& c c c+ d d c d ` d d ` d c d ` d d ` d d d-d d

& r u ` d d ` d d d d c+ d+ b r

&DD d ` d d ` d d

`- d d ` d cc c c c d d c d ` d- d ` d

& c ` dc d ` d- d ` d d `

d d ` d d`- d d ` d d

d-c c d d ` d-

&d d ` d d ` d

d- d ` d d ` d c c t d- d ` d d ` d d ` d d ` d d `d d ` d d- d-

& r r r r r

Page 11: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&DI

c+ d d d `d d

` d d `- d d ` d- br r

ED

&c c c- c c+ d d c- d ` d d ` d d d- d d

& d ` d d ` d d `- d d ` d+ d ` d c- d ` d d d- c d d d d d ` d d `- d d ` d- d ` d

& r r u `d- d ` d d `- d d ` d+ d `

d d `+ dc c c

&ED

r u `

d d ` d- d ` d d `- d c- c- d ` d d `+ dd d. d d- c

EI

&d `d d ` d d

`- d d ` d cc d ` d- d ` d d d. b-

u `d d `+ d d d.

& c s td d d- d c- d- c

u ` d d `- d dd- d+ d

&c c- c d- d c d ` d- d ` d d `-

d d ` d d d+ c d ` d d ` d

&EI d `

d d ` d d ` d d `+ d d `-d d `- d d ` d d ` d d ` d d ` d d ` d d ` d+ c

td- d ` d d ` d d ` d d ` d+

&d ` d d `+ d c d d d d c

s u `d- d ` d d ` d d ` d d

d c-

& c s t c d+ c cd d ` d+ c t

d d d

& b- c sc

c c c c+ d d

Page 12: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&FD

d `d d ` d c d d ` d d d

c d d+ c ` d d ` d d ` d d ` d d ` d-

FI

& dd d d+ c

s u `d d ` d- c d d `- d d d c c

& b u ` d d ` d+ dd+ c s r r

& c d ` d d ` d c d ` d- d ` d c- d ` d d ` d d `d d ` d+ d ` d d ` d. d d

d d

&FI d ` d d ` d d `

d d ` d d+ d ` d d d ` d d ` d d c d ` d d `+ d d ` d+ d. d c d ` d

GD

& c d d d ` d d d ` d d t u `d

nd ` d d ` d+ c `

d d `d d

` d d `- d d ` d

& t c d d c d d d+ d d c d ` d d `- d c c-

&c+ c c c

c c d d c d d c

&GD d- d

c ct

d d ` d- d ` d d ` d d ` d d ` d d ` d d ` d d ` d d ` d d `- dd `

d d ` d

& c d ` d d ` d d ` d d `- d c c ` d c-c+ c ` d+

& d ` d d ` d d ` d d ` d d d ` d+ d ` d. d ` d c+ c c c c ` d

& dd+ d d c `- d b b c d ` d- d ` d

Page 13: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

6

&GI

cc c c c+ d d c d ` d d ` d b

HD

& d ` d d ` d d `- d d ` d+ d c d- d ` d d ` d d d c d- d d ` d+ d ` d c-

& b u `d d ` d d

` d d ` d d ` d d ` d c d+ c d d d ` d+ c

&

d ` d d ` d d ` d d ` d c

u `

d d ` d cu `

d- d ` d d ` d d ` d dd d `- d d ` d d ` d d ` d

&HD

b b b b

& d ` d d ` d c b b b

& d ` d+ d ` d c b b b

&c

c b b b

Page 14: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

<copyright>

03

&- 44

d = 100

r r r r r r r r

c c

A @

&- 44 r r r rcc c c c d d c d d d d d c d- d

&- 44c c c c c d d c+ d d d. d d c d- d d d+ d d. d d+ d d d d d d

d d. d+ d d d d d d d d+ dd

&- 44 r r r r r r r r r

&-A @ c c c d d c+ d d d. d c d d d d d

d. d+ d d d

A E

&- d d+ d d+ d d- d+ d d. d d dd d d d d d d+ d d d d c d d d d

&- d d. d d d d d d.d d d d

d- d- d d d d d dd d d+ d d. d d d+ d

&- r r r r r

&-A E

u

d-

mc d- d d d+ d d. d d+ d d d d d

ud d. d+ d ` d

md+ d d ` d

m

&-d ` d

md- d d c d d d d d d d d c u d+ d d d d

d d d c d- d

&- c c d d d. c t d d d. d+ dc s r

&- cc c c c d d c d d d d d

dud d d d. d+

Page 15: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&-B@ d c d- d d d. d- d ` d

md c d- d d d

cd d d d d d d

BE

&-d d- d d `. d

m d c d- d d d d- d ` dm d

c d- d d d+ d d. d d+

&- r r r r r

&-dd

ud d- d d. d+ d

d

u

d d- d d. d. dd

ud d- d d. d d

d

u d d+ d u

d d d dd d

d d d

&-BE

d d c d d c d d d+ d dd d d d+ d d d d d c

BI

&-d d d d d d d

d d. d+ c

ud d d c d d d d d+ d

&- r r r r

&- d d d d d d+ dudidd d d d d+ d d d d- d d d. d. d d d d+ d d d d d. d d d. d d

&-BI

u

d d d d ` d

m

c

s r r r

&-c. d d d- d- d d d+ d d+ d d- d+ d d. d d d d

d d- d+ c d d d d d- d

&- t cd d d. d d d d d d c d d c d d. d+ d c d

d d. d

&-d-

d+ d.d d. d

udid d d d d d. d d d d+ d d d

d d d d d+ d d. d d d d d.

Page 16: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&-CD

r r r r r

CI

&-d d d d d d- d d d d d ` d.

md d d d d d d d d d d d d d d

d d d d d d

&- c dd d d d d c d d d d d d d d d c d d c d d d d.

&-d. d d d d

d d d- d d d d d d dd d ` d

id ` d

id ` d

id d d d d d c

&-CI

r r r r

cc

DD

&- u d d dd ` d

m dc d- d d d- d d+ d `. d

m dc- d d d d- c d- d

&- d d c d- d d dd d ` d

m d c d- d d d.d d ` d-

m d `. d+md ` d

m

&-d

udid- d d. d d

d

u dd d d. d+ d

d

ud d- d d. d+ d

d

u dd d. d+ d+ d ` d

id d d

&-DD c c c d d c d d d. d+ d d d. d d d d d. d d d d d d- d d d d d d

&- d d+ d d+ d d- d+ d d. d du d

d- d+ d d. d d d d+ d d d d d. d d dd d. d

d d d d d d- d d dd d

&- d d. d d d ` dm

dmd d.

mdmd d+ic s u

d d d+ d d d. dd d d d

d d d d d d- dd d d

&- d ` did d- d d d d d d d

cs r r r

Page 17: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&-E@ d d d d- c

ud+ d d d d d d

d d d d dd- d+ d d d d

u

d d d+ c

EE

&-dd d- d

d d. d d d- d d d d d+d d d d d d d d d d d d c c d d+ d d

&- dd d d d-

d d d d d d d+d u

d-id

u did d d d d d d d- d

d d+ d d d t

&- rc c c c c- d d c d d d. d+

&-EE

d d+ d d d d d

r r

c d ` d.md ` d

m

d ` d

m

c d

m

d d

m

FA

&-c

d ` dmd ` d

md ` d

m

c dmd dmc d d d- d+ d d. d d d+ d d- d d d d d.

&- u d d- d d d d- d d d+ d d. d d+ d d d d d u d d. d+ d dd d d+ d d+ d ` d+

ic t d

&-d d d+ c c d d d d d d d d d+ c d

id d.

ic d d d d d

d d d d+

&-FA d- d d d d. d+ c d d d d d ` d+

m

d ` d+

m

c d d d d d d d d d+ d d

&-d d d- d

c ud+ d d d d. d+ d d d d- d d d d d d d. d

d d d d d+ d d d d

&- c s r cc c c c d d

&- d d d d d+ d d d d d d d d d d d- c d- d d d+ d d. d d+ d d d d d

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5

&-FF

d d d d d d d c dd+ d d c c d d+ d d d d- d d+ d d c

GA

&-c d d d d d+ d d c c d d- d d d d d+ d d d d d d ` d

mc

&- c d d d+ d c dd d d+ c d d+ d d d d d c c d d d d+

&-dd d. d+ c d d d d c d d d d

c b b

&-GA

d ` d+mc b

&- d d c ` d d d d c

&- b d d+ d d c

&-c d d d d

b

Page 19: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

<copyright>

04

&- 44

d = 110cc c c c d d c d d d d c d d d d+ c d d d d+ d d d d d

d d d d d c d d c

A A

&- 44 r r r r c c c c c d d c+ d d d. d c d d d d c d d d d

&- 44 r r r r r r r r r r

&- 44 r r r r r r r r r r

&-A A d d c d d d c

u

d d d d d d dc

td b d

d c

A G

&-c d d d d c d d d d+ d d

d+ d dd c u d- d d+ d

d d d d. d d d d

&- cc c c c d d c d d d d c d d d d+ c d d d d+

&- r r r rc c c c

&-A G

ud d. d d d+ d c d d+ d d c ` d c ` d c ` d

&- d d d d d d d d d d c d d d c d d c d d c

&- d dd d d

d d d d d d d cud d d c

ud+ d d c

&- c d d c+ d d d. d c d d d d c d d d d c d d d d

Page 20: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&-BB c ` d c

s r r r

BG

&- d d c+ c ud d d c d

d d d c dd- d d c d d d d

&- ud. d+ d c

u d d d c u d. d d c u d+ d d c ud d d c

&-

c d d d d dd d d d

d d d dd d d d

d d d

&-BG c

c c c c d d c d d d d. cs t

d c

CC

&-d d- c d

d- d d c dd d d d d d d d d d c c

c c c

&- c ` d d d c u d d d d d d d d d d d d d d d d d d d d c d d

&-d d d d d

d d d c d d- d d c c c+ c ct

d dd d d d d-

&-CC d d. d c

ud d d. c d d c

t

d dd d d d d d d- d

c

t

d

&-c d d c d d d d+ c d d- d d+ c d d- d d+ d d d- d d d- d d+ c

&- c s r cc c c c- d d c d d d d

&-d d d d d. d d d d d c d d d

d cr r r

Page 21: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&-CI d ` d

mc

t

d c

t

dd+ d d d

d d. d+ c

ud. d d c

u

d d d c

DE

&- ud+md d d d. d c t

d d dd `

dmd d d d c

ud+md

u dd d. c

u d dd

&- d d- d d+ dd. d d d

dd d d- d d+ d d d d

dd+ d d d c d d c d d c.

&- c c c c c d d c d d d d c t d c t d

&-DE

u

d d d cu

d d d c. d d d- d d. d d d d. d d d d d d d d. d d d d d d d+ d d d d

EA

&-c

u d d dc d d d d c d ` d

md d d ` d.

md- d. d ` d

mc ` d+ d

&- d d c d d. c- c+ t d c td

c. t d+ dd

d d

&-c

t d c d d d. d d ` d.id d d ` d

id d. d ` d

id d d ` d

id d

&-EA

d c d dc d+ d d c

td c

t

d c

&-d. d d- d d d d

u

d d d d d d d. cud d d c

u

d d d c

&- d d d. d d d d d+ d ` d.md d d d d d d d c u d d d c u d d d c u

d d d

&- c- td d d d d

ct d c t d c

t d

Page 22: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&-EF

t

d c

u

d d d d d d d d d c dd c

u

d d d d d d d

FA

&- u

d- d d cs `

d c d d d d dd d d d d d

d dd c

&- c u d- d d dd c u d d d c c u d d d c u d d d

&- c t d c u d d d cu d d d c

s r

&-FA d

d d d+ c

u

d d d+ c

u

d d- d d+ d. dc ` d c d d- d d+

FF

&- dd- d

d- d d. c d d- d d. c d ` dm

d d d d cud- d d+ c

&- d d. d d c t d c t d-c s c

c

&- c c c c c d d c- d d d d+ d d c

&-FF c d d- d d+ c

s r r r

&- ud- d d+ d d d+ d d d c. d- d d d c `

dc `

d

&- c c c d d c+ d d d. d d dc d

dc

&- td c

ud d. d d- d d- d+ d

d d d d d d d d d d d d d d d d d d d dd d d

Page 23: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&-GA

r r r r r

GF

&-c ` d c d d d d c

c c c c d. d

&- d d c ud d d c+ d d- d d d

d d d. d d- d d+ d d d d. d+ d d d d- d d d-

&- d d d d d d d d d d d+ d. d d d d d

d d dt

d d d

u d d- d d- d+ d d.

&-GF

r

cc c c c d- d c- d d. d+ d+

HA

&-c- d d d- d+ d d d d+ d d d d. d d d d+ d d d d- d

d- d d d+ d- d d+ d+ d d d d d-

&- d. d d d d d dd c t d d d d d t d+ d c t d.

&-d

dd. d c

t d c- t d d-d+ d d

td.

d- d

&-HA c d d d d d d d d d d d d d d d d d- d d d d. d d d d b

&- dd. c

ud- d- d. d+ d d. d d+ c d d d+ c

td- d+ d. d d

&- d d d d d d+ c ` d d. d d d d d d d- d dd. d d c-

&- d d+ c d d. d d d d d- d d d- d+ c d- d+ d d d. d- d

Page 24: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

6

&-HF c c. c

td c

t

d c

t

d c.t

d

I A

&-d d d- d d d d d d d d

ud d d c t

d d d d d d d+ c

&- dmd ` d

d d d d d. d t t d c u d d. d+ c t d c.

&- cc c

ud d d c u d d d c

ud d d c u d d d

&-IA

b c d d d d c

u

d d d dd d- d c d d

u

d. d+ d

I F

&- t

d d+ d d d. d+ d c

u

d d d+ c

s ud d d d

d d d c

&- u d. d+ d dd-

d d d c+ t d c t d d d t d c

&-c

ud d d c t d

cud d d c

t dc

ud d d

&-IF

dd d d c

ud d d- c d d d c- d d d c d d- d c

&- s ud d- d c u

d d d c- ud d d d-

t ud d d- d

t ud d d

&- t d d- d d d d+ c u d+ d d c u d d d c u d d d c

&-

c-

td

d d d d d d- d d d d- d d d- d d. d

Page 25: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

7

&-A @A

d d d c dd c d+ c

t

d c

u

d d d ct

d

A @F

&-d

s ` s u

d- d d cud d d c

td c u

d d d

&- d d d d- d d d d d ` dmd d d d d d d d d

d- d d c u d d d c u d d d c

&- d d d- d d d- d d d d c t d ct d c

&-A @F c

u

d d d d d- d d+ c

u

d- d d+ c

u

d- d d+ d ` d.

m

d d c d c d

A A B

&-c

td c d d d d d d d d d d d d d d d.

d+ d d d d c c

&- u d d d c cc c c c d d c d d d d d d d d+ c

&- t d c d cd d c d d d d

id d

ic d d+ d d c d d d d

&-A A B d c d d c d d d+ d d d. d c

t

d cs u

d d d d d d d

&- cc+ c d d c d d+ d d d

d c-ud+ d d d d. d d c s

&- u d d d d d d d d d+ d d d dd s ` u d d d- d d d d d

d c u d d d d d d d

&-c d

id- dib d

d d d d d d d c- td

c

t d ct

d

Page 26: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

8

&-A A H b d d c d d c d d. c d d d d d+

d d d

A BC

&- u dd d d d- d d+ c t d d s

d- d sd- d s `

&- b u d d d d d d d- d d d d d- d- d d. d- d c

&- d d d d c d d d d d d. d d d d d d. d+ d d d d d d+ d d d d d d

&-A BC

b d d d c d d d+ c d d d c c d d d d

A BH

&- u

d d+ d d d. d d d d d d d d d d d d d d d d d d d- d d+ d d. d+ d d c

&- d d d d d d d dt d d d

t d d- d c d d d d+

&-d d d d c t

d c t

d c d d d d d d d d+ c

&-A BH d d d- d d

d d d d d d d- d d d d d d+ dt

d c+ cs u

d d d

&- r t d d d c t d c. td d d s

&- c s cc c c c d d c+ d d d. d

&-

d d+ d d d d dd b d d d d d d d d d

d d d. d d d d+ dd d d c

Page 27: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

9

&-ACC

d d d d+ c d d d d d+ d d. d d ` d+m

d ` dm

d ` d-

mc

u

d d d c+ b

&-c

c c c c d d c- d d d d+ c d d+ d d b-

&- d d d d d d+ dd. d+ d d d d d d- d d. d d- d u d

ic d. d d- c d d b

&- cc b b b b b

Page 28: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

<copyright>

05

&- 44

d = 110

r r r r r r

cd ` d

m

d ` d

m

c

I

&- 44cd ` dmd ` dmc c d ` d

mc d d d d d d d d d d d d d d d d d d d d d d d d. d+ c d d d d

&- 44 r r r r r r r r

&- 44 r r rcd ` d

id ` d

ic c+ d ` d

ic d d d d d d d

d c

&-I c+ d ` d

m

c d d d d d d+ d d. c

u

d d d c

u

d d d c

A D

&-d d d d

d d d d d.d+ d d d c

s s u

d d d c d d d d

&- r c d ` d.m

d ` dmc c d ` d

mc+ d d d. d

&- d `did `. d+

id ` d

id d

c d d d d cc u d d d c

&-A D

d d c c ` d c

s

c d ` d.md ` d

m

c c d ` d

m

&-

c c

ud d. d+ d d d

u

d d+ d. cu d d. d+ d d d d d d d d d d d

c d d.

&- c d d d+ d. d+ d d d d d dd d c

r r r

&- u d d d cb c d d d d c ` d

d dc u d d. d c+

Page 29: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&-B@ c d d. d d d d- d d- d. d+ d d d d. d ` d

mc d d d d d d d

d d d d

BE

&-d d d- d+ c d d+ d d. c c. d d d d+ d d d d d ` d

m c s

&- cd ` d

md ` d.

mc c+ d ` d.

mc d d d d c u d d d+

&- c d d d b cs c

d ` did ` d

ic

&-BE

d d d d d d d d+ d d d. d+ c d d d d c c d d d cs

C@

&- r cd ` d

md ` d

mc c+ d ` d

mc d d d d-

&- c d d+ dc ` d d ` d

mc u d d d d ` d

id d c

&- c d ` dic d d d d c u d d d c c

ud d d c

&-C@

r r r sc

d ` dmd ` d

mc c

&- b u d- d d c c d d d d d `dmd d d c u

d d d d d d d d d

&- u d d d d d c d d d d d d d d d d c d d d d d ct `

did ` d

i

&-c d d d d c+ c

u

d d d d d cd ` d

id ` d

i

c c d ` d

i

Page 30: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&-CF d ` d

mc

ud d d c

u

d d d dd d c d d c d d ` d

m

d d. d

DB

&-d d c

u dd d c

ud d d d d c c c c c

c

&- d dc ` u d d d c u

d d d cr r c d ` d

i

&-c d d d d c d d d

d c d d d d d. d d d d d d d d d d dd d d d d d c d-

&-DB d d d d

d dd ` d

m

c

s `d c ` d d- c d d- d d

d d d- d d dd

DH

&-

d ` dmd ` d

mc c+ d ` d

mc

ud d d d d d d d d

d ` dmd d- d d c

&- d ` dmc c- d ` d

mc d d d d c d d d d c d

d d d d c

&-b d

d d d d d d dd d d+ c d d c-

ud- d d d ` d

ic

d ` di

&-DH d d d d d d d d d d d d- d d d- d d d ` d

m

d d c d d d d c d d d ` d

m

&- u d d d d dd- d d d d d

d d d d d d d d d d d d d d d c d d d d ds

d

&- sc

d ` dmd ` d-

mc c d ` d-

mc u d d d

c dtd d

&-d ` d-

ic c d ` d-

ic d d d d- b b d s

`

Page 31: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&-ED d `- d

m

d d d d d d d d d d d d d d c d ` d

m

d ` d

m

c c+ d ` d

m

F@

&-d ` d

md ` d

m

d d d d d d c d d d. d d+ cs c

d ` dmd ` d

m

&- d d d- d d d d ` dmd ` d

md d d d d d d d+ d. c d d d d d d

d dd d d d. d+

&- d d d d d d d d d ` dmd d d d d d c d d d d c

t d d d c `

&-F@

c d d d d c ` d d dc

ud d d c c d d d+ d d+

d d` d

m

FF

&- c c+ d ` dmc

ud d d- c c d d d d c ` d+ d s

d

&- c td d

d d d d d c d d d d b u d d d c ds `

&- ud d d c

u d+id c c c c. c c+ c d

t d d

&-FF

d ` d

m

d d d d d d d d d d d d d d cd ` d

m

d ` d

m

c c d ` d

m

&-

d ` dmd ` d

md d d d d d d d d d d d d d d d d d d+ d d c

u

d d d d d d

&- dd d d d d d d d ` d

mc ` d u d d

d+ c cd ` d

md ` d

mc

&- d d d d d d d ` dmd ` d

id d d d d d c c c

ud d d c ` d+

Page 32: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&-GB

c d d d d d d d d c d d c d c dd d

dc ` d

GG

&-

c

s r r r r

&-c d ` d

mc d d d+ d d d d- d

d d. dd+ d d c d d d d c

&- dd d d d

d d d d d d d d d d d- d dd d d d d d d d d d d d+ d d d d d. d d

&-GG

d d+ d d. d dd d d d d d d d d d d d d d d d d d d d d

d d d d d d.d+ c

HB

&- r cd ` d

md ` d

mc c+ d ` d

mc d d d d

&-c d ` d

id ` d

ic c+ d ` d

ic d d d d d d d

d c

&-

d+ d d. d dd. d d c d d d d d d d d d c ` d. d+ c d d+ d d

&-HB d d- d d d d d.

d+ c d d d d d d+ d d ` d

md+ c d c

u

d d d

&- b ud d d c c d d d d d d d ` d

md d d- d ` d.

m

&- d d d d d d dd c- d d d d d d d d d d d d d d c u

d d+ d

&- d d+ c d d+ d d d ` d.m

d+ d d d. d. d d- dmd d+

id

dcc d ` d

i

Page 33: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

6

&-HG d d d d d+ d d- d d d d d d-

m

d `d ` cc dd d dd d+dbb-

&-d `- d

mc c+ d ` d

m

c- d+ d. d- d b

&- d d d d d d d d+ d d d d d d d- d c d d+ d d b-

&- d `+d ` dic c

cd ` d

id+ d d d d

d d d bb

Page 34: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

<copyright>

06

&- 44

d = 80

r

dd ` d d ` d

d d d ` d d d d d d d ` d d d d d d d d d d d d d d d ` d. d d ` d d `+ d

F

&- 44 r r s dd ` d d ` d d d+ d ` d d d d d d d d ` d

&- 44 r r r r r

&- 44 cd ` did ` d

ic c+ d ` d

ic d ` d d ` d d `

d d ` d d ` d d ` d

&-F d d d d d d+ d ` d d ` d d ` d c d ` d d ` d. d `

d d ` d c

s

A @

&-d d d ` d d ` d c d ` d. d d d d+ c

d ` d

md ` d.

mc

&- r d d ` d. d ` d d d d ` d d d d. d d c ` d

&-

d `d d ` d d ` d d ` d d d

c b d ` d d` d d ` d d ` d

&-A @

sd

d ` d d ` d. d d+ d ` d d d d d d. c d ` d d. d c

&-c+ d ` d.

mc d ` d d ` d. d d ` d+ d ` d. d d c d ` d d d

&- d ` d. d ` d d ` d d ` d d `d d ` d+ d ` d. d ` d+ d ` d d d d d d d d

d d d d` d d ` d d v d

&-d ` d

id ` d d `- d+ d ` d d c

r r

Page 35: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&-A D d ` d d d c d ` d d d ` d d ` d d d ` d+ c d

d ` d d ` d d d d ` d

A H

&-c d ` d. d

md+ d d d d d ` d d+ d d ` d. d ` d d ` d d `

d+ d d ` d. d `+ d d ` d d ` d

&- dd d d d

` d d ` d d ` d d+ c t cd ` d

md ` d

mc

&- r dd ` d d ` d d d d ` d d d d d d c t ` d

m

&-A H

d d d d d c

r r

BA

&-d d ` d d `

d d d d d+ d d d d. d d ` d d d ` d. d d d d d d d d ` d- d d d d d d

&- c+ d ` dm

c d ` d d ` d c c

&- d ` d d d d d d dud d d d d d d d d

` d d ` d d ` d d d d d d` d-

&-BA

s u `d d ` d d ` d d d

d d d d` d d ` d d d ` d d

` d d ` d d ` d d ` d d ` d d

&-d ` d d ` d d d ` d d ` d d ` d- d d d ` d d d ` d d ` d d d

dt

&- d ` did ` d

mc c d ` d

mc d ` d d ` d. c

&-d ` d d ` d d

` d d ` d d ` d d d d` d d ` d d ` d d d ` d d ` d c d

d d d d` d

Page 36: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&-BE d ` d d+ d d. d d d ` d d ` d d d d d d+ d u `

d

nd d d d d d d d.

d+ d

BH

&-c

d ` dm

d ` dm

c c- d ` dm

&- r dd ` d d ` d d d d ` d d d d d d

&- d ` d d ` dd ` d d d d ` d d d d d d d d d d d d d d d

` d+ d d d d d

&-BH

vd d d d

` d d c d ` d d

vd c d ` d d

vd c d ` d d d ` d d ` d d d d `

CB

&-c d ` d d ` d c d ` d d v

d c d ` d d v d c ` d+

&- d d d. d d d t r rc

d ` di

&- vd d d d d ` d d ` d d `

d d d d` d d d d `

d d d d` d d d c c

&-CB

d ` d d+ d d ` d d ` d dd d d d ` d d ` d d d

s `c

d ` dm

&-d

d ` d d ` dd d d ` d d d d d d d ` d d ` d d `

d-d ` d d d `- d

d d ` d d ` d+

&- d ` dic c+ d ` d

ic d ` d d ` d- d ` d+ d ` d d d

&-b d ` d

id ` d d d ` d d ` d

c d ` did ` d

i

Page 37: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&-CF d ` d

m

c c- d ` dm

c d ` d d ` d

CI

&-d ` d+ d ` d d ` d d d d d d d ` d d d ` d+ d ` d d

d ` d cs

&- d d d d d c s dd ` d d ` d d d- d ` d

&-

dd ` d d ` d d d+ d ` d d d d d d d

id d d- d d ` dd ` d

&-CI d d d- d d d d d

d d

v

d- d d d- d d d d. d d d d d d dvd d d d d

d d d ` d- d d d d

DB

&- r r r

&- d d d d d d dd d d. c s r

&- d ` d d d ` d d- d ` d d ` d d d d d d d d d d ` d d ` d d d d d dd d d-

&-DB d ` d d d `

dd d d d d d d d d d

u `dn

d d d d d ` d d d d d d. d ` d d

&-d

d ` d d ` d- d d d ` d- d d d d d. d ` d c d d d d+

&- r r r

&-d d- c v

d- d d d d d d d d d d d d `d d ` d d `

d d `- d d `d d ` d

Page 38: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&-DE d d. d d d+ d ` d d d ` d d ` d d `+ d d d ` d d. d d ` d- d d

vd d d d d ` d d ` d

DI

&-d ` d c d d d

d dc d ` d d d ` d d ` d d ` d+ c d ` d d ` d

&- r r rd

d ` d d ` d d

&-

d `d d ` d d

d d. d+ d ` d. d ` d d ` d cc

d ` d

i

d ` d

ic

&-DI d

v

d d d ` d+ d ` d d d d d d d d ` d d ` dd ` d d d c d ` d d ` d

EB

&- d u `dnd ` d d d

t u v

d d+ d d ` d d d. c

&-d+ d ` d d d d d d d ` d+ d ` d d

t ud d- d+ c t

&-c d ` d

i

c d ` d d ` d c d d d. d d d d d

&-EB

d ` d d d c d ` d+ d ` d d ` d d d c d ` d d` d

&- u

d d d. d d ` d d- d cud d d d d ` d d d c

&- s ud d d+ d d s ` u

d d d d d d d d d d dd

&-

d ` d d ` d c d d d d d d d d d ` d d ` d c `

t

Page 39: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

6

&-EE d ` d d d `

d d` d d ` d+ d ` d d ` d. d `+ d d d ` d d ` d d

EH

&-d `

d d` d d ` d d+ c d d d d d d d+ d. d+ d d d. d d ` d d

` d

&- d d d d d d d d d+d d d d d d d d

d d d d d d d+ c v d d d c d

&- r r r

&-EH d+ d ` d d d d d d c

s r

FA

&-c

d ` dm

d ` dm

c c d ` dm

&- c dd ` d d ` d d d+ d ` d d d d d d d d d d d+

&- u `

d d `. d+ d ` d d d d d d d`d d

d d d d d d d+ dd d d d d d d d+

d d d. d d d d

&-FA

r r r

&-c d ` d d ` d d d

d d d dd d d d d d

d d d d d dd d d d

d d d d d d d

&- d ` d d d d d d ` d d c s s dd ` d

&-d d d d d d d d d

d d d d d d d dd d d d

d d d d d dd d d d d d

d d d dd d d d d d d d

Page 40: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

7

&-FD

sc

d ` dm

d ` dm

c c

FG

&- d d d.d+ d d ` d d ` d c d

d ` d d ` d d d+ d ` d

&- d ` d d d d ` d d d d d d d d d d d `d d ` d d ` d d t

&-

d ` d d d dd d d d d d

vd d d d d d+

d d d d d d d d dd d d d

d dvd d d d d d d+

&-FG d ` d

mc d ` d d ` d c d

d d d c`

G@

&-d d d d d d ` d d ` d c d ` d d

` d d ` d d d ` d d ` d

&- vd d d d d d d d d v

d d d+ cu `djd ` d d ` d d d ` d

&-c d d d- d d d d d d d c+

t u `

d

jd d d d d

&-G@ d

d d d d d ` d d ` d d ` dd ` d d ` d

d ` d- d `

v

d

nd `+

v

d

ndu

d d d d d d d+ d

&- d ` d c d `d d ` d d

` d d ` d d d ` d+ d ` d d `vdn d u

d+m

d

u ` dn

&- d ` d d ` d+ d d ` d d u `djd ` d d `

d d ` d d ` d d ` v dj

d u di

d u ` dn

&- t u `

d

jd d d d d ` d. d ` d d ` d

d ` d d ` dd ` d d ` d d ` d d ` d d+

udi

d ` d d ` d

Page 41: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

8

&-GD d ` d d+ d d d d d c

s

cd ` d

md `d ` d

m

d dd

d-d+

dd

GH

&-d ` d d ` d d d d- d d ` d d ` d d ` d- d

d d d d d d d+ d ` d d ` d-u `d d`.d ` d+d

d `d `ddd ` d d ` d d d d d d-

d

&- d ` d d d d ` d d ` d d d+ d ` d d d d d d d ` di

d ` d d ` d d ` d d ` d

&- d ` d d `d c b b b

&-GH

d `d ` dm

cc

d `d ` d d

vd+ c

&-d d d d d d d d d d- d v

d+ d

v

ddd

c-cc

&- dd d d+ d ` d d ` d d d d d d u ` d

ndcc-

&-b b

Page 42: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

<copyright>

07

&- 44

d = 60

r

cd ` d

m

d ` d

m

c c d ` d

m

E

&- 44 r r

d d ` d. d ` d d d d ` d d+ d d d. d

&- 44dd ` d d ` d d d+ d ` d d d d d d d d+ d d d d. d. d d+ d d d d d+ d d d d d d+ d d d d d d `. d

&- 44 r r r r

&-E

c d d d d d d d d d d d d d d d d d d. dv

d d d d d d d

H

&-

d d d d d d d d.d+ d

v

d d d. d d d d d d+ dd ` d d ` d. d

&-d d

d d. d+ d d d d d d d ` d d ` d d d d d d d d- d+ c

&-b c ` d. c ` d

&-H c.

v

d d d d

v

d d d d d d d d d

v

d d d d+ d d d d d

&-d+ d ` d. d d d d d- d d d d. d+ d d d. d- d d d d d d d d d d d.

&- v d. d d d d d d+ d t dd ` d d ` d d d d ` d d d d d d

&-b b c ` d

Page 43: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&-A A

v

d d d d d d d d d d- d d+ d. dd d- c d d ` d

A D

&-d d d d d d d- d d

v

d d d d d d d d d d d- d d d+ d. d d d- d d

&- d d d d d d`

d d` d d d

d d d+ d d d d d d d d d d d d d d d

&-b d d d d c

s

&-A D d ` d d d+ d ` d d d d d d d d d- d d

A F

&-d ` d d- c

d ` di

d ` d d

&- d d d d d c r

&- v

d d d d d d d d d d d d+ d d d d d- d d d d d d. d d d d d d

&-A F

d- d d d d d d d d d d dd d d- d d d d d d d d. d d d d ` d

md d d d d d. d

&- c- d ` dm

c d d d d c t `d-m

&- r dd ` d- d ` d d d d ` d d d d- d d

&-d d d d- d d d ` d d d d- d d d d

d d d dd d d d d- c

Page 44: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&-A I d d. d d d

d- d ` d.

m

c d ` d- d

vd d d d d d- d d d d d

BB

&-d

udm

d d d d dvd d d d d d d d d d

d d d d d d d d d d d

&- d. d d- d d d d d d d d- d d ` d- d ` d d d ` d d d d d- d d

&- d d d- d dc c d

d ` d d ` d- c d

&-BB d d d d d d

d- d dvd d d d d d

d d d. d d c dd ` d

BE

&- vd d d d d d d d d d

d ` d d ` d d d d ` d d d d d d

&- d d d d d d d d d d d d d d d c `c ` d

&- d d d- d d d d d. d d vd d d d d d

d dv

dd d d d d d d

d d d d

&-BE d ` d d d d ` d d d d d d d d d d d. d d d d

d d d d d d+

&-d d d d d- d d. d d d d v d d d+ d d. d d d d d ` d d

d d+ d. d vd- d d

&- c ` d b b

&- vd d d d ` d d ` d. d ` d+ d ` d d ` d d ` d d ` d

d s `

Page 45: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&-BH d

vd d. d+ d d d d

m v

d d d d d d d+ d d d d d d d d dd d d d d d d

dd d d

dd

CA

&-d d d d d v

d d d d d d d d t dd ` d d ` d d d+ d ` d

&- c ` d b d d d d

&-d

d ` d d ` d d d+ d ` d d d d d d du d

idid d

i

&-CA d d

d d d ` dd d d d d d d

d d d d d dd d d d d d- d d d d. d d d- d d d d

CD

&-d d d d d c r r

&- d u did d d d d d d d d d d d

d d d d. d d+ d d d. d d- d- d d d. d dd

&-d d d d `. d+ d d- d d d d d d d d d d d

d dd d

&-CD d d- d d d d d

d d d. d `+ d d ` d d d d d d d d d d d d d d dd d d d d d d

d d d+

&- rb

c ` d

&- vd d d d d- d d+ d d d d d d d+ d

d udi

dt

c

&-d

d d d d d+ d d d d d d d d d d ` d d vd d d d d d d+ d

v d d d

Page 46: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&-CG d

v

d d d dvd+ d d d d d d d

d ` d

m

d ` d

m

c

D@

&-c ` d b b

&- d ` did ` d

ic c+ d ` d

ic

&-d d+ d d d

v

d d d d dddd d d

d d d d d d d d d d d d d d d d d d d+ d d. d d d d d d

&-D@ c+ d d c d d d d d d d d d d d+ d

dd ` d

DC

&-c ` d b d d d d

&- u d d d c du

d+id d d d d d d

d d d d d d v d- d d d d d

&-d d d d d

d d d d dd d d d d d d d d d d d d d d d d

s `

&-DC

d ` d d d d ` d d d d d d d d d d dr

&-d

d ` d d ` d d d d ` d d d d d d d d ` d d ` d d

&- d u dmd d+ d d d d d d d c ` v d- d d d ` d d u d

m

&- v d d d d d ds v d d d d

d d d d d d- vd d d+ d. d d d. d- d d d

Page 47: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

6

&-DF

r r r

DI

&-d+ d ` d d d d d d d d d+ d d d d d d d d. d d d d d d d d

m d d d

&- d dd ` d d ` d d d- d ` d d v d d d d d d d d d d d d

&-d d- d d d d d d+ d

d d d d d d d d d d dd

d u

d

id ` d d ` d d d

&-DI

r

bc ` d

EB

&- d d dd d d d

d dd- d d d d c v

d d d d d d d dd

d ` d. d `+ d d

&-c

t d vd d d+ d t v

d. d d d+ d d dd d d d d

&-

d ` d d d d d d dd- d d d

v d d d d- d d. v d d d d ` dd v

d d. d+

&-EB

c ` d b b+

&-

d d ` d d+ d d d. d d d d d d d dvd d d d d d d d

dd

&- v d d. d+ d v d d d dd d d c

vd d d+ d d d d d d

t d d t

&-d

vd d d c

v d d d d d d d c dv d d d d d d d d

d d d

Page 48: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

7

&-EE c ` d b d d d d

EH

&-d ` d d ` d d d+ d

d d d d d d d d dd d d d dd d+ ddd d d

d d dd

&- d d ` d d ` d d d d d d d dd d d d d d d d t v

d. d+ d d d d d

&- d d d d d d d d d d d d d d d cs v d d d d d d+ d

c

&-EH c d d d d+ d d d d d d d d d d+ d d d c d- d d d- d. d

FA

&-

dd d d d d d d- d.

t t `d

md- v d d

d d d. d d d+ d d du d

md

dd dd d

&- d u di

ddi

d t ` t `d d d d

dd

dd d d d d d+ d d d

&- v d d d d d d d c-t `

dic b

&-FA d d d d d d d d c+

&- d d+ c

&- dd dd c

&-c c

Page 49: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

1

08

&44 r r r r r r r

H

&44 s c d d

d d- d dd d d d d d d d d d d d d d

dd d d d d d d+ c u d d d

&44 r r r r r s c d d d- d

&H

r r r s

c d d d d-

A C

& c u d d d- d d ddd+d d d d d d d

dd d- d d d d d d d d

d d d dd

&d d d d d d d d d d d d d d d d d

d d d d d- d d+ c u d d d

&AC d d d d d d d d d d d d d d d d d

d d d- dd d d c-

td+ d. d

A H

& d d dd

d d d- d c d d- d d d d d d d

d d- d d d d d dd- d d

& c ud d d+ c

ud d- d c- c

d d d d d d d ddd d d d d d d+

&AH d d d d- d d d d b d d d d d d d

dd d d ` d u

d+m

d d d d d d d d-

&d

d d d dd d d d d d d+ b d d-

c d d d- d

&b d-

dd. d

d- d d d dd d d d d d d c d d

Page 50: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&BC d d+ d+ d d d d d. d d d d c d d- d d d d- d d b- d d d d d d d d

BH

& d dd d d d d d d d d d d d d d d d d d d

d d d+ d d d. d d d d d

&d- d d d

ct d d d+ d d d

d d d- d d d d d

&BH d d d- d d d-

d d- d d d- d d d d- d d d dd- d

d d d+ d d- d d

CC

&d d

u d d- dd

du d d d d

d ud d+ d

d d+ d d d- d d d

&

dd d d d d d d+ d d- d d d d- d d d- d d d d d d d+ b b

&CC c- d d d d c ` d+ d

d d d d d dd- d d d d+ d d d d d d d d d d d- d

CH

& d d d d d+ d d d d- d d d d

d+ dd-

d c dd c d

&

d d d d d d d dd- d- d d d d d d d d c d d

d d- d dd d d d d d d d d

&CH

d d d d d d d d- d+md `c d d

d d- d dd d d d d d d d d d d d d d

& c t d did ` d

d- d d+ d d d d+ d. d d d d d d d d d+ c ` d

&

d d d d d b

r r u d- d d d+ d d d

Page 51: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&DC

c `d- d d+ d d d d d. d d d d- d d d d d+ c ` d d d d d- d d d d

DH

& d d d- d d d d d cc d d c- d d d d- d d d d d c d-

& d d c d d-d d- d d

d d d d d d d d d d- d d d d c `d

&DH

dd d- d d d d d d d d d d d d d d

d d d- d+c

t u

d d d d d d d

EC

& d d d d d d d d c

c d d d- d d dd d d d d d d d d d d d d d

&c ` d

c `d d d+ d d d d+ d. d d d d d d d d d+ c `

d

&EC d+ d d d d d d- d d d d d

d d d d dd d c ` d d

d d d d dd d

EH

& c ` d d d d d d- d d d c ` d dd d d- d d d d c `- d

& d d d d d+ d d d. c ` d dd d d d d d- d

d+dd d d d+ d d d

&EH c `

d d c d- d d c dd d d c d d

d d-

& d d+ d d d d d d c c d c d c `d d d d d d d d- d

&d d d d

d d d- d d d d d d d d d d d d dd- d d d d d d d d

dd d b

Page 52: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&FC d d

d- d d d d d d d d d d- d d d ct

d- d d d. d d d d d d dd d d d d

FH

&d- d+ d d d d. d d c ` d- d d d. d d d d d d d d d d c t d

&c ` d+ d

d d d- d d d d d- d d d d d d d d d d d d d d d- d d d dd d d- d

&FH

d d d d d d d- d d- d+ d d d d. d- d d- d c d d-d d- d d d d d d c d+

GC

& dd d-

d dd d

d dd d- d d d d- d c s t

d- c

& d dd d- d d-

d- d d d d d d d d d d- d d d d-c d d- d d d d d

d d

&GC

d d d d- d d d d c- c dd c c- d d d+ d c

GH

& d c d+ d d d d d d d d d d d- d d d+ d d d d d d d d- d d c d d+

& d- d- d dd d- d+ d d d d d- d d+ d+ d. d d d d d d d d

&GH d d d d d d d ` d

md+ d d c d- d+ c d d d

d d-

& d d d d d d d d d d- d dd d d d- d d d

dd d d+ d d d d+ d. d

&

c

s t d d d d d d d+ d d d d+ d. d d d d d d d d d+ c ` d

Page 53: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&HC d d

d d+ d d d d d d d d+ d d d d d d d+ d d d d- d d d d d- d d. d d d d d- dd

d

HH

&d d d d d d- d d c ` d d d- d d

d d d+ d c td+

&d- d d d d d- d d d+ d d d d

c d+ d d d d d-d- d d d d d d

&HH

d dd d d d d d+ d d d d+ d. d d d d d d d d- d d- d

d- d dd

d d

IB

&

c

td d- d d d d d d d d d d d d d d c t

d d

&d d d d d- d d d d d d- d d d

d

d d d d d+ d d d d d d- d d d d d. d- d d d

&IB d d+ d

vd. d- d d

d d d c-

ud d d+ d d- d d. d

d- d d d dd- d

d+d

IF

&d d d t

d bt

dd d t

d d d

&

d

v

d

j

d d d d d d d d d d d d d dd d d d d d d c u

d d d+ cud d- d

&IF d- d d- d d d d. d- d+ d

dd d d+ d c d d d d c d d d d d d+

& td- d d

td d d d c d d+ d d d d d d d d u

d d d

&

dd d

d c-u d d d d d d d d d d d d

d d d t d d d

Page 54: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

6

&A@A

dd d d d c

s t

d d d d+ d d+ d+

m

d `

s t

dd d

td d d

A @G

&d d d d

md d+md d d d+ d d d d d d d d d d d d d d d- d+ d ` d

md- d d d d t

d

& td d d t d d d d b d

d+ddd d d d d d d d d d+ d ` d

id d d d

&A@G

t

d d d

td d d d b d

d dd- d d- d d d `-

d

m

d- d

A A B

&d d+

dd d d d d d d+ d s u d

d+ d d d+ d. d d d+ d ` dm

d `d

md d d d-

&d

d d+ d+ d ` d+

id d d d c ` d+ d d d- d

dd d

d- d d d. d

&A A B

u

d- d d d d d d d+ d d. d+ d d d d d d d d d- d d- d+ d d d d d. d d d d- d d d d+ d

A A G

&d d+ d- d. d+ d d c- d d d d- d d d-

d d- d d d- d

&d- d d d+

d d d d d+ d d d-c-

b b b

&A A G d+ d+ c. d. c d+ d d d d d d d d d d- d d d d d- d

& d d- d d d d d d d d d dd d d d- d d d d d- d d d d d d d d d-

d d

&

dd d d d d d d d d- d

dd d d d d- d d d d. d d d d d+ d d d

d d. d d

Page 55: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

7

&ABA d d d d d d d d d d+ d+ d d

d d+ b

t

d d d d d d

A BF

&d d d d d d d d d+ d d d d d d

d d d d d d d d bs c

&d+ d d. d d d+ d d. d d d

d d d d

d dd

dd d d d d d d d d d d d d

d-

&ABF

d d d d d d d d+ d d d d d+ d d d d d d- d d d d d d d d+dd+ d d d d d+ d

dd d

A CA

& d dd d- d d

d d d d d d d d d d d d d d dd d d d d d d

& d d d- d d d-c d d d ` d+

ic

s r

&ACA d d d d d-

dd. d

d d dd d d d

d dd d d d d d d d d d d d d

A CF

& d d d d d d+ d d d d+ d. d d d d d d d d d+ c ` d+ d d d d d+ d d+ d.

& s c d d d- d d dd d d d d d d d d d d d d d c

td

&ACF d d d d+ d d d d d d d d d d d

d d d- d c+ d d. d d d d d d d b

& dd c d d d d d d+ d d d c t d+ d d d- d d d d d d d d d

d- d d d

&d d d d d d

d d d d c d d d d d+ d c ` ddd d- d d d d d

Page 56: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

8

&ADA

u

d d d d d d- d d d d- d d d d d c c c c c s r

A DG

&c

s ud d d d d d d d d c d d d d d d- d

d d d+ d d d d d d d+ d+ d d d d d

& d d- d d d d d d dd- d

d d d d d-d d. d d+ d

d d+ d d d d d d d d d d+ d d d d d d d d+ d d+ d

&ADG

s

c d d d- d d dd- d d d d d d d d d d- d d d d

d d d d d

A EB

&

d d d d d d d d d d d d d d+ d d d d+ d d d d. d d d d d d d d d d d dd d- c

&d

c d+ d dd+ d+ t d d- d t d d d- t d d d d

&A EB d d d+ d

d+ d dd+ d

t

d d d

t

d d d

t

d d d d+

A EG

& sc d d d- d d d

d d d d d d d d d d d d d d dd d d- d d

& d d d d d dd+ d d d+ d d d d d. d d d+ d d d d. d d d d d d d d d d d d d d- d d

&A EG

d d d d+ d d d d d- d d d d- d d d d- d+ d d d d d. d d d d- d d d d d+ d d- d d d+ d d d.

&d- d d d+ d d d- d c t d

d d t d d d t d- d d

&d

d d- d c u d- d d d d-d d- d d

d d- d d d d d d d d- d d d d

Page 57: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

9

&AFB d d d d d- d d b- d d d d

d d d d d d+ d d d d d- d d. d d

A FG

& t d- d d d d d- d d+ d d d. d d d d d d d d d d+ d d d. d d d d d d d d d

&

b

t d d dd+ d

d d d d- d d ` did d d-

d- d ` did d d

d

&A FG

d d d d d d d- d d- dd d. d- d

dd d d d+ d d d d d d d d d d d

dd d

A GB

&d+ d c d d d d d d d d+ d d d d d d d d d- d

d d d d d- d d+ d d d d+ d. d

& d ` did+ d

d b b sc d d

d d-

&A GB

td d d

td- d d

td d d d d d d+ d

dd d d d- d

d d

A GG

& d d d d d d- d d+ d d d d d+ d d d d d d dd d- d+ d d d d ` d

md d-

&d d

d d d d d d d d d d d d d d dd d d d- d d

d d d- d d d-d d d d d

&A GG d d- d d d d

vd d- d d d d

d d- d d d d+ d d. d d d d d d d d dd- d d d d d d+ c ` d+

& d d d d d d d d- d d d d d d- dc

ud d d d d d d+

&d

d d d d+ d d d d d d d d d- d ct d+ d

d

Page 58: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

10

&AHA d d d

d d d+ d+ d d d d d. d- d d- dd d- d d

d d d d d d d d d d d d d d

A HF

&d+ d d d d d- d d d- d d d d+ d d d d+ d. d d d d d d d- d d+ d d d d d+ d d d

&b b

t dd d

t d d d td- d d

&AHF

b v d d+ d d d d d d d d d d d d d d d d d dmb

& d d- d d dd d d d d d d d d d d d c `+

& t

d d d d b b

Page 59: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

<copyright>

09

&- 44

d = 170

r r r r r r

G

&- 44 t dc d d+ d. d d d d d d+ d d d d d d d d+ d d d d d d d d d d d d ` d

ud d d d d d d d d d d

&- 44 r r r r r r

&- 44 r r r r r r

&-G

r td

c d d- d- d d d d. d d+ d d. d d d d d d+ d d d d d d

A B

&-d d d d d d d d d d d d d d d d d. d d- d d d d d. d

d d d d d dd

&- r r r r r

&- r r r r r

&-A B

d d d d d d ` d

u

d d d d d d d d d d d d d d d d d d d d d d d d d d d+ dd c+

&-d+ d d. d d c

td+ c

t d ct

d c td

&- r r r r r

&- r r r td

c d d+ d. d d d d

Page 60: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&-A G c

td d d d

d d c+t

d d d d d d d d d d+ d dd

BB

&-d d d c c t

d d d d d d d s d ds d+

&- r r r r r

&-d d+ d d d d d d d d+ d d d d d d d d u d d d d d d d d d d d d d d d d d d d

&-BB c

td c.

td+ b b d. d d d c

BG

&- c t d d d ud d d d d. d d d d d d c

s r

&- t dc d d- d- d d d d. d d+ d d. d d d d d d+ d d d d d d d d u d d d

&-d d d d d d d d d d. c

cs u d d d d d d. d d d+ d d d d- d- d+ d. d. d d

&-BG c c c c d d d d d d d d d d d d d d d d d d c

&- r r r r s `d

&-d d d d d d d d d d d d d d d+ d. d d d c d d d c c s

&-

dd d d d

d. d+ d ct

d ct

d d d d d d d d d

Page 61: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&-CB

c c c c c c+ bb b

CH

&-d d d d d d d d d d d d d d d d d

d d d d d d d dd d d d d d d d d t

d+ d d d d

&- r r r td

c d d+ d. d d d d d d+ d d d d d d

&- d d d d d d d d c t d d d dd d d c c s r

&-CH b b+ c c b d d d d b

DD

&-d d d d d d d d d d d c d d d

d d d dd d d+ d d. d d d d d d

&- d d+ d d d d d d d d u d d d d d d d d d d d d d d d d d d d cud d d d d d d d d d d

&- r r r r r r

&-DD

u

d d d d d d d d

d d d d d d d d d d

t

d d d

ud d d d d d d. d d d c

&-c

s t dc d d d d d d d d d d d d d d d

d d d d d d d d d dud d d

&-d d d d d d d d b

b b b b

&- r r r r r r

Page 62: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&-E@ d

d c d d d d d d d d d d d dc

ud d. d c

ud d d c

EE

&-d d d d d d d d d d d d d d d d c u d d d

c d d d- d+ c d d d d.

&- c c b d d d d dd d d. d

d d d

&- r r r r r

&-EE

u

d d d d d d d. d d d d d d d d d d+ d dd d d d d d d d d

d d d d d d d dd

u

d d d+

FA

&-d

d d- d+ dd d d d d d d+ d+ d s b

b

&- c c. c c d d d d d d d d d d d d d d d d+ cs r

&- r r r r t

dc d d+ d. d d d d

&-FA d d d d d d d d d d d d d d

d d d d d d d d d d d d d d d

&-b b b+ c c b

&- r r r r r

&-

d d+ d d d d d d d d+ d d d d d d d dud d d d d d d d d d d d d d d d d d d

Page 63: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&-FF d d d d d d d d b

ud d d d d d d b d

d d d d d d d

GA

&-d d d d d d d d+ d d. d. d b. u d d d. d d d d+ c s

&- r r r r r

&-

c

s t

d d d dd d d

dd d d d

dd d

&-GA b

u

d d d d d d d. d d d d d d d. d d.s ` t d

c

GF

&- ud d. d d d d- d- c-

s t dc d d d d. d d- d- d d d d-

d- d d d+

&- r r bb b

&-d. d d- d

dd d- d+ b d d+ d d- d- d. d. d t

d

&-GF d d-

t

d+ d d d d d d d d. dd

d d d d d d d d d. d c+ d d.

&-d d+ d d. d d d d d d.

ud d d d d d d d d d. d d d d. d d d d- d- d d c

&- b b+ c c. b d d d d.

&- b br r u

d d d. d d d d+

Page 64: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

6

&-HA b d d d d b. d d d d- b

HF

&- d d d d c-s t d d d c s u

d d d d d d. d

&- d d+ d d. d d d d d d+ d d d- d d dd d+ d d d. d d d d d. d d d d d d

d d d- d

&-c

s r r r r

&-HF b d

d d d d d d d d+ d d d d d d. d d dc d d d d d d+ d.

I A

&-d. d d d d d d- d- b b d d d d d d c

s

&- d d- d- d d d d d d dd d d d d d d+ d

d d d d d dd. d+ d. d d d d d

&- r r rb

b

&-IA d d d d. d d d d+ d d+ d d d d d d d d d d d d ` d

u

d d d d d d d d d d d d d d d d d d d

&- s u d d dc

ud d d d d d d c d c d d d d d d

&- d d c d d d dd d

d d d d cs t d c

&- b b b+ c c b

Page 65: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

7

&-IF d d d d d d d d d d d d d d d d b u

d d d d d d d cs s

c

A @B

&-c

t d+ c s r t dc d d d d d d- d d d+ d d d- d d d+

&- c t d d d d d d d d d d d d d+ bb b

&- d d d d b d d- d d d d d d ct d d- d d d c c

&-A @B d d. d d+

u

d d d d d dc d d- d d- c

r

A @G

&-d d+ d d d d d d d d

ud d d d d d d d d d d d d d- d d d d d- c d- d

&- b b+ c c b d d d d-

&-d- d d. d- c

ud d d c

s td- d d d d- d d d d d- d

&-A @G

r r r r r

&- d d. d d b- ud d d- d d d d

bud d d d d d d+

&- b d d d d b u d- d d d d d d c d d

&-d- d d d d d d d. d d d d d d d d d d d d d d d- d c-

t d+ d d- d d

Page 66: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

8

&-A A B

u d dd+ d d d d d d d d. d d d d d- d d d d d d d d d d. d+ d

c d

A A G

&-c

s r u d. d d d- d d d. b c c

&- d d d d c d d. c s r u d d d d d d d

&-

c

s t d d- d cs u

d d d d d d dc s

&-A A G d d c d d d d d d d d d d d d d d d d d c t

d+ c d d d d b

A BC

&- d ` dmc c s b

b b b

&- c s r td

c d d+ d. d d d d d d+ d d d d d d d d+ d d d d d d

&- u d d d d d d d d+ d d d d d c ct

d b cud d d

&-A BC b c

td c

td+ d d d d d d d d+ b

&- b+ c c b d d d d- c t d

&- d d u d d d d d d d d d d d d d d d d d d d ct d c t d

&-dd d d d d c

td+ c

td c

td d d d d d d d d

Page 67: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

9

&-A BH d d d d d d d d d ` d

md d d d d d ` d d b

&- d d+ c c c+ b

&-d+

d d d c ` d b-

&-

dd d d d d d

d b

Page 68: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

<copyright>

10

&- 44

d = 120

r r r r r r r

H

&- 44 t d+ d d td d d d d d d

d d d d d d d d- d d. d d d- d cud d d+

c

ud d d d d d

&- 44 r r s ` d+ d dt d d d

d d d dd d d d d d d d d c d+ d.

&- 44 r r r r r r t d d d

&-H

s `d d. d

td+ d d d d d d d d d. d d+ d d d d d d d d+ d d

A C

&-d ` d

md d d- d+ d d. d d c

s r r

&- d+ d d d d d c ` d c udid d d d+ c d d d d.

c

&- td+ d d

d d d d. d d d d d d d.d d d. d d

d d d+ c d d d d+

&-A C d d d d d

d d d d d. d d+ dd d d d ` d

m

d d d d d d d d d

&- r td+ d d t

d d dd d d. d+ d d d d d d d d d d

&- d d d dc d d d d d d d d t d+ d d

d d d d d d d d d d d

&- c d d d dc d d d d d d d d+ d d d. d d. d+ c

d c ` d d

Page 69: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&-AH b d

d+ d d c c cu

d d+m

c d d+s

cd ` d

m

BD

&-d d d d d d d- c ` d d d d d d d d c d d+ d d+ c

s r

&- d d c d d c d d d d d d d dd

ct d c s r

&-c ` d d d d d+ d d. d d d d d d d d d d

d d dd d

d d d d d d d d d d d d d d+

&-BD

d ` d

m

c c d ` d

m

c d d d- d+ d d d d d d d d. d d+ d d. d+ d d d d d d d d d d d

C@

&-

c d ` d.m

d `+ d

m

cc

s r r r

&- r r c d ` d.md ` d

mc c d ` d

mc+ d d d. d

&-ddd d d

d dd d d d d d+ d d d d

ds r r r

&-C@

d d d d d d d d d d d d d ` d

m

d ` d

m

d d d d+ c d d. d+ d d d d dd d d d- d+ c

&- r r r r

c d ` d.md ` d

m

c

&- d dd d d d d d+ d d d

d d d d d d d d d d d d d dd d. d+ c d ` d.

mc

&- r cd ` d

id ` d

ic c d ` d

ic d d d d c d d d d

Page 70: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&-CF

c d d d d d c d c c d d+ d dd

D@

&-

c d ` d

mc+ d d d. d c d d d d. c d d d d

&- u d d d d ` d d c s r r

&-c c u d d d c d d d d c d d d d d d+ d d d d- d d

&-D@ d d d d d d d. d+ d d d

ud d d+ c d d c+ d d d d d d

DE

&-c d d d d c d d d d c ` d c ` d c

d ` dm

&- r r r r t d+ d d

&- d d d d d d d d d d d d d d d d d+ d d d d d. d c dd d d d d d d d d d d d d d d- d d.

&-DE

udm

d d d+ d d d+ d d d ` d

m

c d d+ d d d+s ` r

&-d ` d

mc c d ` d

mc d d d d d d d d d d d d d d d d

&- t d d dd d d d

d d d d d d d d d d d d d d d c ` d d d d c d d

&-d ` d

id ` d+

ic d d d d c d d d d d c d d d c

Page 71: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&-E@

t

d d d dd d d d d d d d d d d d d d d. d d d d d d d. d d d d d. c

s

EF

&-d c d

c

s t d d d td d d

d d d d.d d d d d d d. c

&- d d d d d dd

d c d d d d d d d ` d.md d d d c ` d+ d d

d d d

&-d d d+ c c c+ c d ` d.

id ` d

ic c d ` d

ic d d. d d

&-EF

r r td d. d+ d d d d d d d d d d d d d d d d d d d

FA

&-d d- d-

s r r r t d d d dd d.

&- d.d d- d+ d d d d d d d d. d d d d+ d d d d

d c d+ ds `

&-d d+ d

td d- d+ c d- d+ d d d d d+ d d d d

d

s `

&-FA d d+ c d d d c d d d d d c ` d c d d d d

&-d d d- d d d d d d d d d d d d d d d. c d- d

d c d dc

&- r r r r r

&- r t

d d d dd d d d d d d d d d d d d d d d d d d d d d d. d d d

Page 72: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&-FF d

d d dt

d d dd d d d

d d d d d d d c c d d d d c d d+ d d

GB

&- ud d d d d d d+ d d d d d d d

d d+ d d d dd d

d d d d d d d` d

md d d

d c

&- cd ` d

id ` d

ic c d ` d

ic d d d d d d d

d d ` dmd ` d

md ` d

i

&-c+ c d d

d ` did ` d

id ` d

id ` d

ic

c s s ud d d+

&-GB

c

u

d d d c d d+ d d. c

u

d d d cd ` d

m

d ` d

m

c c d ` d

m

GH

&-

d ` dmd ` d

md d. d d c d ` d

md ` d

mc

d ` dmd ` d

mc c d ` d

m

&- dd d d+ d ` d.

md ` d

md ` d.

mdd d- d+ d ` d.

md d d d d d d d d d d d d d d d d d d d ` d

m

&- c s s ud d- d+ c s t d d d t

d d dd d d d

d d d

&-GH

c d d d d d d d d d d d c cud d d

c dd. c

&-c d d d d c

s u dd d d d d ` d

md d d d

c d d d d

&- c `d d d d d

d ` dm

c d d dd

c t d dd d d d `+ d

i

&- d d d d c cs r r r

Page 73: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

6

&-HC d d

u

d d d c c d d d. d+ d dt

d d dd d d d

d d d d d d d c

HI

&-c

s ud+ d d d d d d+ d d d.

t

d d dd d d d

d d d d d d d c

&-d d d

d d` d

mc d d d

dd

d d d d d d+ d dd d d d d+

d d u d d d d ` d+md d

&- r r c d ` did ` d

ic c d ` d

ic d d d d

&-HI c

s s ud d d c

s u

d d d d d d d d d dd

ID

&-c+

s ud d d d- d

ud d d d d d

d dd

cu

d d- d

&-d d d d d d+ d d d

d+ d d u d d d d d d d+ d d d d

&- c u d d d d d- dd d+ d c s u

d d d d c d-

&-ID

d d

t

d d c- d d c d d d d dd d d d- c

&-d d

d dud d d d d

u d-d d d d

u d d d dd d d d d d d d-

&- d d d d d d d d d d d d d d u d d d d- d ud d d+ d

t d ` dm

&-d d

u d d d dd c d-

d c dd+ c c

s

Page 74: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

7

&-II

d d- d c d d d d d d d d d d d d d d d d dd d- d d d

d ` dm

A @D

&- d d d d d- d d d d d- d d d ` did d d d

d d s ud d d d d+ d d

&- d. d d d ` d-m

d d d d ` dib d ` d

id d d d d d d d

&- r r r r td d- d

&-A @D d ` d

m

c c d ` d-

m

c d d d d dd d d d

d d d- d d d d d d d

A @I

&-d d d d d

d- d d d d-

u

d d d d d d d d d d d ds

d d d c d

&- t d d dd d d d

d d- d d d- d d c dd d- d c c

&- t d d dd- d d d d

d d d d d d c c s r

&-A @I d d- d d d d

d d c d+ d d d- d d+ d c dd d d b

&-d

d ud d d d d d- d d d d d c d d d d d d c d d d d d d

&- d d d d d- d d d d d d d dd d

d d d d d d+ d d d d d. d d d d d d dd d d

&- r r r r r

Page 75: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

8

&-A A D

ud d d d ` d

mdm

d dmd d d d d d d d d

d d- d c d d d d ` d+m

c c ` d+

A B@

&- d+ d d d d d d d+ d d td d d

d d d dd d d d d d d d d d b

&- b t d d d t d d dd d d d

d d d d d d d d ` dmd d d d d d

&- r cd ` d

id ` d

ic c d ` d

ic d d d d b

&-A B@ c

s

&-c

s

&-d d-

s

&-c

s

Page 76: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

<copyright>

11

&- 44

d = 110

r r r r td

d d

td d. d

td+ d d.

td d d d.

I

&- 44 t dd d

td d d t d+ d d t

d d d d d d d. d d dd d

d d d d ` d d d d. d d+ dd d d

d d

&- 44 r r r r r r r r

&- 44 r r r r r r r r

&-I d d. d d+ d d+ d. d d d d d d d

d d. d+ c d d. dd d d d d. d d+ d d t

d.

A G

&-d d d d d d d d d d d d d d d d d d d d d d d

m

d d+md d- d- d+ d.

d d d d d d d d d d

&- r r r r t dd d t d d. d t d+ d d. t d d d d.

&- td

d d t d d dtd+ d d

t d d d d ctd d d d d d d. d d d d d

dd d

&-A G d+ c d

dd d d d d d+ d

t r t

d d d d d+ d d d

t

d d d

td+ d d

&- d d c d d d d d d d dd- d d d d d d d d d d d

d+ td d

m

d dmdmd dm d+

d d d

&- c d. d+ c t d d+ d d d d+ d ` d+md d d d

d d d c dd d

d d d dmd dm did d+m

&- d d d d d cs t

d d d d dd

d d+ c ` d d d d d d d d+ ds

dd d d d

Page 77: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&-BE

t

d d d d c ` d+ c

s t d d+ d d d+ d d+ d d. d dd ` d d d+ d c

CB

&-d

c d- d d- d c cc d d

d d+ d dc d d d d d

d ` dmd. d d d+

&- dd d

d c d d d d ds r r r r

&- d d d d d d d+ d d dd c

s r r t c d- d d- d d

&-CB

d d d d d d d d d d+ d d d d. d d+ d d+ d d d d d d+ d d d d d d+ d d d d-c d-

CH

&-

d d d d- d d- d d d- d d. d. d d d d ct `

dmd d d d- d d- d- d c.

&- r r sc d d

d d+ d dc. d d. d d d

&-c

s r r td d d. d d+ d d+ c c

&-CH d d- d d. d d

u

dd d d d+ d

u

d

m

d d d d+ ddd d- d d d d d d

&-d- d d. d d d d- d d d c d d d d. d d

d d d- d

&- d d d- d d+ c d c s t ` did d d d. c s

&-dudid- d d d+ c s t

d d- d d. c d dudid d d d

Page 78: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&-DC d d d d- d d d d. d d- d

ud.md d d d+ d d

m

d d+m

d

md d+mc

t `dmd d. c

DI

&-d d d d d d d d d+ d d- d ` d

md d d+ c t

d d- d d u dmd d+ c d d d

&- r td d+ d d d+ d d+ d u d

id d. d d+ d d- d d. c

d d d

&- d d d d dd d d

d d+ d dc d d d d d

c t ` did d d d d d d

&-DI d d d d d d d d d d d. d d d d d d d+ d d d d+ d d c

ED

&-d c d+ d c d+ d d. d

d d d dd- d d d

u

d

m

d d d d+ d d. d- d

&- d dd d d d d d. d

d d d d d d d. d d d dd d d+ d t r

&-d d d u

di

d d+ d udi

d- d+ d u d.id d d d d d d d d d d d d

d d

&-ED

dd d d- d d- d d d- d ` d+

m

d ` d

m

d d+ d d- d d d c

&-d+ c d

dudmd d d d+ d d+ d d. d

u d+md d d d d u d

id d d d

&- t ` did. d d d+ d d d s u

d+ d d d d d d d d- d d- d d d-

&- d d- d dt

d d- d d- d d d+ ct `

d+i

ct `

di

Page 79: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&-EI d d d d d d d d- d d d d d

d udm

d d d d dd d d- d d

u

d d d d d

FE

&- d d d- d d d d d d d. c dc s t

d d- d d dud d d d d d d d

d d d. d d

&-c

s t ` did d d d. d

dd d- d d d d. d d d+ d d c d d

d d- d

&-d d c d- d d d- d d

udid d d d d d c d c

s t d d d-

&-FE

d

u

d

m

d d+ d d. d- d.d d- d d+ d d d+ d d d- d d- d d- d

G@

&-d. d

d d- d d ud+md d d d. d u d

md- d d.

d d d+ d d d d d- d d- d

&-d d d- d d d- d d. d d t `

d-m

d d d d. d d d d+ d d d. d+ dd+

&- c s t `did- d d d+ d d d d d+ d d- d d- d d d

c

&-G@ c ` d+ c

t

d d dtd d d d. d d d d d d d d d d d. d+ d

dd d

&- d d c c td d d t

d d dtd- d+ d

td d+ c d. d d c d

&- d d. d c d d d d. t d d d td d d t d d. d d c t d d d d d- d

&-d d d d d c

t d+ c td+ c

td c t

d. d d. d d ddd d d+ d

d+

Page 80: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&-GG

t

d d d

t

d d d

t

d d d d d ` d

m

d- d d d- d d- d d. d+ d

HC

&-d d d

d d- d d. d+ d d. d- cs t

d. d d d- d d d d d d d- d d. d d-md d.mdm

d dm

&- dd d d d d+ d d- d d d

d+ d dmd d+mdm

d dmd d d t

d+ dd d d d d

c d d

&-d

s ` td d+ d d d d d

dd d d.

td d d

t d d d

&-HC b d d d+ d d d. d d d d d d d

m

d d+

m

d d d d d d d d c d d d d d c d

HI

&-dmd dmd d d d d d

d d td d d

td d d

td d d d d d c d

&-d d t d d d u d

id d d d d d d d- d d d d d d d c s t

d d d d

&- td+ d d. d d d d d d d

c c c d d. d+ d d-d

d d dd

&-HI

c

s r r r s `d d d d d d d. d d

&-d d

s s ` d d d d d d d. d d d d+ d d d d d d d d d d d d d dd d+

&-c

td- d d d d d d. d d d d- d d d d- d. d d. d d d+ d

d+ d d d ` dmd d d d d d

c

&-

c c d dd d+ d d

c d d d d dd d c d d ` d d d d d

Page 81: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

6

&-IE d d+ d d d d d d d d d- d+ d d d d d+ d d d d d. d c d- d d d. d d d d d d+ d d d d d+

d

A @A

&-d d

c. d d. d d dc

t

d d d. d d d d d d d. d+ d d d- d c d- d

&- d d d+ ct d d- d d d. d

d ct

d d d+ d d d d+ d. d d d. d d d

&-d

c d+ c td+ c d d. d

d d- d+ b d d d d+ d d

&-A @A d d+ c d d d d

d d d d d d d d d d d d d d dd d. d+ d d d- d

A @F

&-d

dd d

td d d t d+ d d t

d d d d dd d d+ d d

&- d ` did. d+ c t

d dd d d+ d

d dd c

c

&- d d d d d d d d d d+ d d d d d d c+t

d d d+ d d d d d. d d d d- d+ d. d

&-A @F d d d d d. d+ d d

d d d d. d d d d d d d dd- d d d. d d d d- d d d d d

&-d d d d d d d d d d+ d t d. d d d- u

dm

d d d d d d d- d d ` dmd `+ d

m

&- d+ d d- d d dc d d d d d d d

d ` d d d. d d d d- d

&-d

d d- d d- d d d- d d- d dc

s r

Page 82: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

7

&-A A A d d+ d d- d+ d d. d. d c d d d

d d+ d dc

A A F

&- dd d d d d c c c d d d d- d d d d d d d d d d- d d d d. d. d

&- d d d d dd d c d d d d d d d ` d

id d d d d d d d. d+ d

&- s `

d d d d d d d d- d d- d d d d d dd d c- d d+ d d+

&-A A F

d d d d dd d d d d d d d+ d d d d+ d. d d d. d d d d d d d. d

d d d d d

A BA

&-d d. d+ c

s `d d d. d d d d d d d. d+ d d d d- d- d d+ d d. d- d c

&- d d+d d d d d d d+ d d d

d d. d d- d d u di

d- d d- d c ` d+

&- d u did d. d d+ d

d dd d

d. dudid- d d- d d. d d

&-A BA d- d. d. d d. d d d d- d d- d d d d d. d d d d

d d d d d d d d d d d dd d

&-d d d- d d d d. d d d- d. d d d. d d d d. d d d d+ d d d d d- d d d d d d d d d d

d d

&-d

c d+ dd+ c s ` d d d+ d d+ c d d d d

&-

c

s td d d+ d d+ c t d d d. d d+ c

Page 83: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

8

&-A BF d+ d d. d

d d d c d

m

d d

md d. d d d c

td+ d ` d

md. d d+ d

A CA

&-d d d d+ d d. d- d- d d. d. d d. c d+ d d d- d d ` d

md d d d

&-d d d d d d d d d d d d c d d d

d. d d d d d d+ d d d d. d d d d d- d

&- d d d d d. d d d d d. d d d+ d d d+ dd d

b dd d d d d d

&-A CA d+ d d d d d d d d d d d d d d d d d+ d d d d d d d d d d d d d d+ d c d

A CF

&- d d d d d d d d d d dd d d. d+ d d+

d d dc d ` d

md d d d d c

&- d d d d d d d d d d dt d c c d d d d d ` d

md d d d

&- d d d d d d d d d d+ dd d t d d d

td+ d d

t d d d d

&-A CF d d d d d d. d d d d d d d d d d d d d d. d d d d+ d d d d d d d d d d

&-d d d d d- d d d d d d. d d d d- d d d d- d. d d. d d d+ d d d d d- d d- d

&- c t d d dd d+ d d

c d d d d dd d d d d d+ d d

&-d d+ d d d d+ d d

c b b c s

Page 84: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

9

&-A DA d+ d

s t

d d d+ d d d d d d d d+ d d d+ d d. d+ d d. d. c d

A DF

&-d d d. d d+ d c- d d+ d d d d. d. d d `- d

md ` d-

md ` d

md- d d d

&-d d d d d d- d d d d d

c c td d- c d c s

&- td d d d d d d d- d d d d. d d d d d c d d+ d d d d d. d d d d- d d

d

&-A DF d d

d d+ d d.c+ d d- d d d

d.d+ d d d+ d. d d d. d d d d d- d

A EA

&-d d d d d d- d d d d- d. d d d. d d d d. d d d d c.

s td d d+ d d

&- td

d. d t d d- dt

d+ d d+ t d d d d- ct d

&-c

t d c d- d dc d. d d d d d. d+ d c

&-A EA d d d+ d d d d+ d d d d d d d d d d d d d d d d d d

d d d d d

&-d- d d t s `

d d d d d d d d d d d d d d d+ d d d. d d dd d- d

&- d d+ d d d d. d. d d- d d ` d.m

d d d t d d. d+ d. d- t d. d. d d d c

&- s ` d d d+ d d d d d dd+

td

d d t d- d dt

d-

Page 85: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

10

&-A EF d d+ d d d d

d- d d d d d. d d+ d d+d

d d

t

d d d

t

d d d

A FA

&-d- d d d d. d- d d- d d. d d d d d

d d dt

d d d t d+ d d

&- d d d d d d d d d d+ d d d d d. d d dd+ t

d d d d d d d d cu d d+ d

&-d d-

td d- c d d+ d

u did d d d+ d

udid d+ d d d d c

&-A FA

t

d d d d dd d d d d c d d- d d c

t

d d d d d c

A FF

&- td d d d- d d+ c d d d c d d d-

d d d d d d d d d. d d

&- d ` d+md ` d.

md d d d c d d d- d c d d d

d d t d d d

&- u did d d d d- u

did+ d d u

did+ d d-

dd. d+ t d d d.

&-A FF

d d d- d d ` d

m

d d d d d d d d- d d d d d. d d d d. d d d d+ d d+ d d d d d d d

&-c

udmd- d+ d

u d- d d d ` dmd d d d d- d d d c. d d d d d

d d d

&- t d+ d d t d d d d c s t d d d d d d d d d d d d d

&- t d d d t d d+ d d d.d d d+ c

t d d d d d d d d d

Page 86: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

11

&-A GA c

t

dd+ d d d d d d d d d d d d d d d d d d d d d d d d

td

A GF

&- d dc d d c c

td d ` d

md d d d d d

d d

&- d+ dc d d t d c+ t d d+ d t

d d d d d d d d d

&- d d d d d d d d d d+ dd

d d d d d d d ` did

d d dd d+

&-A GF d d d d d d.

d d d d d dd d

d+ d d d d. d. d d d d. dd d- d d- d

dd d

A HA

&- td d d t d+ d d t

d d d d c d- d dm

d dmd d

d d

&- d d d d d d d d d d d d d ` did d d

c d c d d dd d+

&-d d

c d d d d dd d d ` d

id- d d d- d d d d d d. d d

&-A HA

t

d d d

td+ d d

t

dd dd dd dd+ b

&-d d d- d d- d d d+ d d d d d d

d+d d d d b-

&- d dc d d d d d

dd c b

&- d d d d d d d d c d ` d+ic `

d b

Page 87: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

1

12a

&32 r r r r r r r r

I

& 32 r r r r r r r r

& 32 r r r r c b c b c+ c c c ` d d d

& 32 c

b c b c+ c c c ` d d d c ` d d dc ` d d d

d d d d d d+ d d d d d d d d d d d d d d d d d d

&I

r r r

A B

& r cb c b

& c ` d- d d d d d d dd d d+ c ` d d d

& d d d d+ d d d d d d d d d d d d- d d c `d d d d- d d d d d d d d d d d d d d d d d

&AB

r rc b c b c+ c c c ` d d d-

& c+ c c c ` d d d c ` d d d c ` d d d d d d d d d+ c ` d- d d

&d d d d d d+ c ` d+ d d d d d d d d d d d d+ d d d d b d

d c dd

&b` d d d d d d- d d d d c d

d- d d d d c dd d d d d c d d d d d d

cc

Page 88: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&AH c ` d- d d c ` d d d d d c d d d+ d d d d

c d d- d d d d c d d- d

BC

&c ` d d d c ` d d d+ d d c d d d d d

d d d d+ d d d d+ d d d dc

& dd c d

d- d d d d d+ dd c ` d d d c d d d d

c ddd d d d d d d

d

&

d d d d-c c

d d d dc d d- d d d d c

r rd d d d

&BC c+ c d d c ` d d d- b

u

d d d+ d d+ d d c-

s

BG

&c ` d- d d d d d d d d d d

c d- d d b sd d d- d c d d- d d

& c c d d cb d d d d+ d d- d d d d- d d d d d+ d d d d

d d-

& d d- d d d d d d+ d d d-r

d- dc

ud d d d- d d d- d d d+

&BG

r

c d d d- d d d+ d d- b d d- d d d d d c d d d- d d d- d d

&d- d c d d+ d c+ c d d c `- d d d c ` d- d d c `- d d d

& b s r r r r

&

d d d- d d d c c-ud d d d- d d d+ d d d d d

d d d d- d d d c d+ d. cud d- d s

Page 89: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&CB

c- d d d d- c cd d- d d d d d d- d d c d d d d-

CE

& c d d- d d d d d d d- d d c d d d d c d d- d d c-

& d- d d d- c d d d d d d c- d d d c c- d d

& d d d- d d d- d d- d d d- c d d d d- c d d d d

&CE

d d d+ d b d- d d d d d dd- d d d d d- d- d d+ d c d d

CH

& d- d d d- d d d dd c c d d d- d d d- d d d d d- d d

& c ` d- d d c- d d d d d d c- d d d d d d

&d- d d d+ d d d d d d d d d d d d d d d d-

b-r

&CH b`- d- d d d d c b d d d d d d+ d d d c

& c- u d d d- d d d d d d d- d d d+ d d d- d d d d d d d d d- d d d+ d d d

& d d- d d d d d d d d d d d- d d d d- d d d+ d d d d d d d d- d d

& r r r r

Page 90: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&DB d

c d d d d d d d d+ d d c d d d d d d d d- d d d d c d d+ d d d d. d- d d. d+ d d

DF

& c d d d d c+ c d d d dc d d d d

sd d d d d d c d+

& d d d d d d+ d dd d d d d

c s ud+ d d d

d d d- c ` d- d d

&d d d d

c d d- d d d d c d d- d c+ c d d c ` d d d

&DF

d d d d d d d d+ d d d d d- d d d d d d d d d d d d d d d d d d d- d d+ d. d- dd c

E@

& d d ud d d

s b t d d d- d d d d d d d c `s

& d d d ct d d d d+ d

d- d d d d d d d c+ c d d d d d d c- d+

&c d d+ d d d d c d d+ d d d d. c d d d d d d c d d d d- d d

&E@ b`b` b`b` b`b`

& d d d d c d d d d c d d- d c+ c d d

& c d d d+ d d d d dc

d d d d c d d- d d c d d d d+

& c ` d d d- d d d+ d d+ d d c d d d d d td d d d c

Page 91: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&EC b`b`

b`-b`

b`-b`

EF

&d d d d d d c c u

d+ d d d- d d d+ c

&dd d d+ d d d d d

d d+ d- d d d d d d d d d d d d+ d d d- d d d d d d

& d d d d dd d d+ b` b`

&EF b` b`

& d d d+ d b b`

& d+ d db b`

&d

d d d d d+ d d c b`

Page 92: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

1

12b

&32cb c b c- c c c ` d d d c ` d d d c ` d d- d d d d- d d d- d d d+ c d d d d d d c- d d d

A @

& 32 r r r r c b c- b c- c c c `- d d. d+ c ` d d d

& 32 r r r r r r r r r

& 32 r r r r r r r r r

&A@ c `

d d d d d d+ d d d d d d d d d d d d- d d b` d d d d d d+ d d d d c dd+

A E

&d d d d d d d d- c ` d s

d d d dd d- c ` d- d d

d d d dd d

& cb c b c- c c c ` d d d c ` d d d

& r r r rc b

&AE d d d d c

td+ d d d- d c d d

d d d- d cc d d d d c-

c d d d d c d d+ d d d dc

&d d d d- d d d- d b d

d c dd d-

d c dd+ d d d d d- d

d c ` d d d

&c ` d d- d d d d- d d d- c ` d+ d d c ` d d d c ` d d d- d d c d d d

&c- b c- c c c `- d d. d+ c ` d+ d d c ` d s d d c d d d-

Page 93: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&BA

r rd d d d d d+ d d d d

d d- d d d+ c d d d

BE

&c d d d d c d

dd d d d

d d dd c c d d c

b

& d dd- d d s d d- d d d d c c ` d- d c+ d

c d d d

&d d d d c d d+ d d

c ` d- ds

c- c d d c ` d d d

&BE d d

cud d d d+ d d d d d d d d d d d d c c

ud d d

BI

&d d d d d d d d d d d d d d d d d d d d d+ b s r

& b sd d d d c d d+ d d d d c d d d c c d d

&b

ud d d

d d d d br

c d d d d d d

&BI d d d d d

d d d d d d d d d d d c d d d- d d dc

ud d d d d d d d- d d

& r r r d d- d d c d d d d

&c ` d d d c ` d d d+ c ` d d d c d d d d d d d d-

&d d+ b d d d d d+ d d c- d d d d d d d

d c d d- d d c

Page 94: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&CC d d- d d c d d d d c d d d d- d d d c d d d d d

b

CG

& d d- c d d d- c b c `c ` d s c d d d d- d d

& d d d c d d- d d c- d d d d c d d- d d d d. d dd c c d d d

& cd d d d- d d d- d d d c d d d d d d d d b d d d d- d d d d d d d d

&CG

r r r r

DA

& c d d d d d d d- d d d d d d d- d d d- d d- d d d d+ d d d d d

&d d d d d d d d d d+ c u d d- d d- d d d d- d d d d d d d d- d d d d. d d- d

&d d d d d c d- d b` d d d d d c b d d d

&DA

rd d d d c d d+ d d d d c d d- d c- c d d

&d d d d d d+ d d d d d d d d- d d d d d d d

c s ud- d d d d d d+

&d d+ d d d- d d d c d d d d c- c d d d d c

d-d d d

s

&

d d d- d d d cd

c d d d d d d d d- d d c d d d dd d d d- c

s

Page 95: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&DE c ` d d d c d d- d d d d c d d d d d d c d d d d d d

DI

& c ` d d d d d dc

t d d d d dd d d d d d

d d c- d d d

& d d d d d d cd- d d d d d d d d d

b t d d d- d d d d d d+

&d d- d d d d d

d d d d d d d d d d d dd- d d d d

d d d d d d d d d d d d d d d d d+ d d

&DI

c d d d d+ d d c ` d d d- d d d d d- d d c d d d d

EB

& d d d d dc- d c d d d- d d d d d

cd d d d c

& d c `s d d d d c d d d d c d d- d

&d- d d d d d

d d d d d d+ b` b`

&EB

c

d d d d c d d d d d d d d- b` b`

& d d+ d d c d d d d- dd d d- d d d d d

d d d- d+ d. d d d- d d d. d d d d d d d- d s

& c- c d d d d d d d d c c u d d d d+ d d d c

&b` b` d d d d d d+ d c d d d+ d d d d

Page 96: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&EF c d d

d d+ d dc b`

&d+ d d

b b`

& d d d+ d b b`

&b` b`

Page 97: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

1

13a

&44 r r r r r

F

& 44 s `

d dd d d d

C d d dC d d d

C d d d d-C d d d

C d- d dC d d d d

C d d dC d ` d

d ` d d ` d d ` d

& 44 r r r r s `

d

&F

r r r s `d

A @

&d d dC

d d dC

d-d- d d d d

C c d d d dC d `

d d ` d- c d ` d- d ` d

&d

d d d d

C

d d d

C

d d d

C

d d d d+

C

d d- d

C

d+ d dC

d d d dC

d d dC

d ` d d ` dd ` d d ` d

&A @

dd d d d

C d d dC d d d

C d d d dC d d d

C d d dC d d d d

C d d dC

A C

&c

td d d d

C d d dC

d d dC

d+ d dC c td

&d d- d

C

d+ d. dC

dd+ c

t d d d+ d d+

Cd d. d d d d d d

&AC d ` d

d ` d d ` d d ` d c ` d+ d d ` d dd d-

c d. d d ` d dd-

& d d d d ` d d d d d dc t t

d d- d dc t

& b d ` d d ` dd ` d- d ` d d ` d

d ` d d ` d d ` d+ d ` d d `- d d` d d ` d d ` d

d ` d d ` d d ` d

Page 98: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&AH

d ` d

m

d ` d d ` d d-d d d d `+ d d

d `d d ` d d ` d

m

d d dC d `

d-

BB

& r r s ` dd

d d d dC d d d

C

& d ` d d ` d d ` d d ` d d ` d d ` d d ` d d ` d d ` d- d ` d d ` d d ` d d ` d d ` d dd+

&BB

d d dC d d- d

C d d dC

d ` d d d dC d d d

Cd d+ dC d d d

C d d d d d `- dd ` d d ` d d ` d.

BF

&d d dC d d d d+

C d d- dC

d+ d dC d d d dC d d d

C d ` d d ` dd ` d d ` d d d ` d+ d d.

&d

c- d+ c t dc

td c t

d

&BF d d- d d d ` d

d ` d d ` d d ` d d-d d d- d

C d d dC d d d-

C d d d dC d d d

C

C@

& d `- d d ` dd ` d d ` d d d ` d- d d d ` d d `- d d ` d- d ` d d- d d d

C d d d-C d d d

C

&c

td c t

dc s s ` d

&C@ d d d d b- b

& d-d dC d d d

Cc d d d-

C d d dC

d d d- d dC d d d

Cd d

& d-d d d d

C

d d d-C

d d- dC

d d d dC

d d d-C

d d d-

C

d d d d

C

d d d

C

Page 99: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&CC c ` d d

d d d- dC d d d

C d d d-C d d d d

C d d dC

CF

&dd- dC d d dC d `

d d ` d d d- dC d d dCc b

&d ` d d `- d d ` d d ` d d d d ` d- d ` d d- d d d

C

d d d

Cd d d

C

&CF d d- dC d d d dC d d d-C d ` d- d ` d

d ` d- d ` d d- d dC d d dC d `- d d ` d

CI

&b c ` d d

d d d d-C

d d dC

&d d d-C

d d d

C

d d d-

C

d d d

C

d- d dd c- c

&CI d d- dC d d d

Cd d dC d d d

C d d- dC d d d

C d d dC d- d d

C dd d-C d d d

C d ` d+ d ` d d `- d d ` dd ` d d ` d

DC

& d- d dC d d d d-C d d d

C d- d dC d d d d-

C d d dC d `- d d

`d d ` d d ` d d d- d d ` d

& b b b c ` d

&DC

d d d d- d ` d d ` dd ` d- d ` d d d d d d d c-

u `d+n

d d d dd d `- d

& d ` dd ` d d ` d d ` d d

d d d ` d d ` dd `- d d ` d d `+ d c `

d- cu `

d

n

d d dC

& c ` d c ` d c `- d d ` dd `- d d ` d d ` d d `- d d ` d d `+ d. d `- d

Page 100: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&DH

u

d dC

d d dC d d d

Cd+ d dC c

td- d d d

C d d dC

d ` dm

EA

&

c-

t dd

d d d dC d d d

Cd d dC d d d d+

C d d- dC

&d ` d- d ` d d ` d- d ` d d d

dC

d d d

C

d d+ d

C

d d d d d-

C

d d dc- d+

&EA

c t

dc

td d `-

d d ` d d ` d d ` d c td d ` d

d ` d d ` d d `- d

EF

& d+ d dC d d d dC d d d

C d ` d d ` dd ` d d ` d d

d- d d d ` d d ` dd ` d d ` d d

d d d

& d ` d d d dC

d `-d d+ d d

C

d d dd c t d

dd d d c t d

&EF c

td d ` d

d `- d d ` d d ` d ct

d c-

u `

d d ` dc-

t u

dd+

C

FA

&d ` d d ` d

d ` d- d ` d c ` d d `- d d ` dd ` d d ` d c

u ` dd ` d c `- d

&d

d dd d- d d d+ d d- d d d ` d

d `- d d ` d+ d ` dc `

d

&FA d d d dC d d dC

d d dC d d dC

d d dC d d d d d d d d+ d d d d

&d d dC d- d d

C d. d dC d- d d+C d

d dC

d d dC

d d dC d- d dC

& d d d

Cd d d d

Cd

ct d

Page 101: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&FC

b d d- dC d d dC

d d+ dC d d dC d d d

C d d dC c

FF

&d d dC d d d

C d d- dC

d+ d. dC b d d d- dC

c+

& dd d d d

C

d d dC

d d dC

d d d d-C

d d dC d- d d

C

d d d d

C

d d d

C

&FF

s `d d

d d d dC d d d

C d d dC d d d d+

C d d- dC

FI

& u

d dC

d d dC

d ddC d d- d

C d- d dC

d+ d. dC d d dC d `

d d d d- dC

d+ d. dC d d dC

& d ` d d`

d d ` d d ` d b b

&FI d+ d dC d d d dC d d dC

d ` d d ` d d ` d d ` d

GA

&

d `d d d d

C d d dCd d dC d d dC

d d dC

cu `

d- d ` d

& d d- dd+ d d d

Cd d d

Cd

d

&GA d d d-

C d d d dC d d dC

b b

&d d dC d d d ` d d d-C b+ b

&d d d+ d

Cd d- dC d `

d b b

Page 102: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

1

13b

&44 s ` d d

d d d dC d d d

C d d dC d d d d+

C d d- dC

d+ d dC d d d dC d d d

C d ` d d ` dd ` d d ` d

F

& 44 r r r r s `

d

& 44 r r r r r

&F

d d dC

d d dC d-

d+ d d d dC c d d d d

C d `d d ` d+ c d ` d+ d ` d

A @

&

dd d d d

C d d dC d d d

C d d d d-C d d d

C d- d dC d d d d

C d d dC d ` d

d ` d d ` d d ` d

& r r r s ` d

&A @ c

td+ d d+ d

C d d dC

d d dC d- d d

C ct

d+

A C

&d d- dC d d d

Cd+

d- c

t d d d- d dC

c

&d

d d d d-C d d d

C d- d d

C

d d d d+

C

d d d

C

d+ d dC

d d d d-C

d d dC

&AC d d- d d ` d d- d d d d

ct t d d d d-

ct

& b d ` dd `- d d ` d d ` d d ` d d ` d

d ` d d ` d d ` dd ` d d ` d d ` d+ d ` d d `- d d

` d d ` d

& d `- d d ` dd ` d d ` d c ` d- d d ` d d

d c `d d- d ` d d

d+

Page 103: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&AH

r r s `d d

d d d dC d d dC

BB

&d ` d d ` d d ` d d ` d d ` d d ` d d ` d d ` d d ` d+ d ` d d ` d d ` d d ` d d ` d d

d-

&d ` d

id ` d d ` d

dd d d d `- d d

d `d d ` d d ` d

id d dC

d `d+

&BB d d d

C d d d d-C d d d

C d- d dC d d d d

C d d dC d ` d

d ` d d ` d d `+ d+ d d ` d+ d d

BF

&d

c- d- c t dc

td c t

d

&d d dC

dd- d

C

d d+ dC

d ` d d d d

C

d dd

Cd d- dC d d d

C

d d d d d ` dd `d d `

d d ` d

&BF d ` d

d ` d d ` d+ d ` d d d ` d d+ d+ d ` d d ` d- d ` d d ` d d d d d-C d d d

C d d dC

C@

&c

td c+

td

c s s `d

& d d d d d ` d d `+ d d `d. d ` d d

d d d dC

d d dC

d d dC

d d d dC

d d d-C

&C@ d

d d-C

d d dC c d d d

C d d dC

d d d d d-C d d d

Cd d

& dd d d- d

C d d dC d d d

C d d d dC d d d

C d d dC d d d d

C d d d-C

& d d d d b b

Page 104: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&CC d

d dC

d d dC

d `d d ` d- d d d-

C d d dC c b

CF

&d ` d

d `d d ` d- d ` d d d d ` d d `- d d d d d-C d d d-

Cd d dC

& c ` d dd d d d

C

d d d-C

d d- dC d d d dC d d dC

&CF b c ` d d

d d d dC d d d

C

CI

&d- d dC d d dC

d d dC d d dC d d d

d c c

& d d d-C d d d d

C d d d

C

d ` dd ` d d ` d d ` d d d d

Cd d dC

d `+ d d ` d

&CI d d d

C d d d d+C d d d+

C d+ d dC d d d dC d d d

C d ` d d ` d d ` d d ` d d d d d ` d

DC

& b b b c ` d

& d d+ d+

C

d d d

Cd d dC d d d

C d d dC d d d

Cd d dC

d+ d dC

dd dC

d d d

C

d ` d d ` d d ` dd ` d d ` d- d ` d

&DC d ` d d ` d

d ` d- d ` d dd d- d ` d d ` d d ` d

d ` d d `- d c `d+ c u ` d

jd d d

C

& c ` d c ` d c ` d d ` d d `- d d ` d d ` dd `- d d ` d d ` d d `. d+

&d d d d+ d ` d

d `- d d ` d d ` d d d d d d d c+ u ` dnd d d d d d `- d

Page 105: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&DH

c- td

dd d d d

C d d dC d d d

C d d d d-C d d dC

EA

&

d ` d- d ` d d ` d+ d ` d d d dC

d d dC c- d

cd-

& u d d

C

d d dC

d d dC

d- d d

C

c t d+ d d dC d d d

Cd d+ d d

m

&EA d- d d

C d d d dC d d d

C d ` dd ` d d ` d d `+ d+ d

d d d d ` dd ` d d ` d d ` d+ d

d- d d

EF

& d ` d d d dC

d `-d d- d d

C d d dd c t d

dd

dd c t d

&c

t dc t d d ` d d ` d

d ` d d ` dc

t d d `- d d ` dd ` d d ` d

&EF

d ` dd `- d d ` d d ` d c ` d d `- d d

`d d ` d d `+ d. c u `

d d ` dc `- d

FA

&

dd d- d d d d d d d- d d d ` d d `- d d `

d- d ` dc `

d

&c

t d- d ` d d ` dd ` d d `- d

c t d c- u `d d ` d c-

t udd-

C

&FA d d d

Cd- d d.C

d d dC

d- d dC

dd dC

d d dC d d d

Cd+ d dC d d d

Cd d dC

d d- dC d d d

C

&d d dC

d d d+ dC dc

t dd

d d d dC d d d

C

& d d d d+

C

d d d d

C

d d d d

C

d d d d

C

b

Page 106: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&FD

b d d d- dC c u d dC d d d

C d d dC

d d- dC

FG

&d d dC d d d d+

C d d- dC

d+ d dC d d d dC d d d

C d ` d d ` d d ` d d ` d

&d d- d

Cd d

dC

d d d

C

d d d.

C

d d dC

d+ d dC

c s ` d

&FG

d- d dC d d d

Cd+ d dC d `

d d d d- dC d d d

C

d+ d dC

d `d d d d

Cd d+ dC d d d

C d d dC

d d dC

G@

& b b d d- dd-

& dd d d d+

C

d d dC

d+ d dC

d d d d-C

d d dC d- d d

C

d d d d

C

d d d

C

&G@

c u ` d+ d ` d d+ d dC d d d ` d d d-C b+ b

&d d dC

d d dC

dd d d d+ d

Cd d d-C

d `d b b

& d ` d d`

d d ` d d `+ d d d- dC d d d dC d- d. dC b b

Page 107: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

1

14

&84 d

d- c d d d d c- d d+ d d c d ddc d d d d d d

iddddddd d d d-

dd

&84 r r d

d+ b c

& dd- d d

md-dddddd. d d d-

dd d

m d did d d d

dddddd+ d d

& d+ d d b c d- d d b c

& d d d d- d dd d d d d- d d. d d. d

d d d d d d+ cdid- d d d d d d d d d d+ d d

& dd

b d d d d c d dd

dd

& d d ddmd+ d d d+ d d+ d d- d d d. d d d d d d d d

m

d d d d d d d d d d d+ d d

&d

dd d d d

dd+ d

d+ c d dd

dd

& d d ddid+ d d d+ d d+ d d d d d. d d d d d

u dm d

d-dd d d d d d d d+ d. d d d d+ d

d

&d d d d d+ d d d+ d

c d d d d d

&d d d-

udid d d.

u did d d

dmd d+ d d

d d d d d d d d d d dd d d d d- d d d+

&d

dd

dd

d- d dd d d d d d

d d+ d d

Page 108: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

& dd d+ d d

md. dmd d- d d d d d d d d d+ d d- d d d+ d d. d+ d d. d d d- d d d d+ d

d+ d d d d d.d d d d

&d- d d d. d+ d

d d d d d d- bd

c+ d d

& d d d d d dd d d- d d d d+ d. d d d d d d d d

d- d d d d d d d d dmd d d d

m

d d d+ dmd d+md.md dm

&d d c d d d d c- d d d+ d+ c

d d- d. d- d.

& dmd did- d d d d d d+ d

i

ddid d. d d d- d d d

d d d d d- d d d+ d d d d d d d dd-md d

m

&

d d- dd- d

d. d. d d d+ d+ c d- d d c d d

& d- d d d d+ d ddmd d

md d d d d

d- d d d d d d d d d d d d d d d d. d

&

d d- c d d d d c- d d

&d d d d d d d d d- d d- d d+ d

dd. d+

d.dd d

ddd d

ddd d+ d d- d d d. d

mdmd- d

i

&d d+ c

d d- d. d d- d d- d d+ d d d. d d

& did d d d d- d d d d d d+ d d

udid d d d d d d d

& d d+ d td-

dd- d d

& d- d d d+ d d d d d d d d d d dd d d d- d. d d

d d d d d d+ d d- d dd- dmd d- d. d d d d

d. d.m

&d+ d d d d d d- d. d d d d- d

d d c- d d+ c d

Page 109: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

& d d d d d d d d d- d-d d d d. d. d- d+ d. d d d d-

d- d d

& d+ cd d d- d d

d

& d d d d d+ d d d d d d d d d d d d d d d cs r

&dd- c d d d d c- d d+ d d c d d

dc d d

&d

d+ b c d+ d d b c d- d d b c

& d d d diddddddd d d d-

dd d

d- d dmd-dddddd. d d d-

dd d

m d did d

d ddddddd+ d d

&d

db d d d d c d d

dd

d

& d d d d- d dd d d d d- d d. d d. d

d d d d d d+ cdid- d d d d d d d d d d+ d d

& dd

d d d dd

d+ dd+ c d d

dd

d

& d d ddmd+ d d d+ d d+ d d- d d d. d d d d d d d d

m

d d d d d d d d d d d+ d d

& dd

d d d+ dd

d+ dc d d d d d

& d d ddid+ d d d+ d d+ d d d d d. d d d d d

u dm d

d-dd d d d d d d d+ d. d d d d+ d

d

& dd

dd

dd- d d

d d d d d dd d+ d d

&d d d-

udid d d.

u did d d

dmd d+ d d

d d d d d d d d d d dd d d d d- d d d+

Page 110: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

& d- d d d. d+ dd d d d d d- b

dc+ d d

& dd d+ d d

md. dmd d- d d d d d d d d d+ d d- d d d+ d d. d+ d d. d d d- d d d d+ d

d+ d d d d d.d d d d

& d d c d d d d c- d d d+ d+ cd d- d. d- d.

& d d d d d dd d d- d d d d+ d. d d d d d d d d

d- d d d d d d d d dmd d d d

m

d d d+ dmd d+md.md dm

&d d- d d- d+ d. d. d d d+ d+ c d- d d c d d

& dmd did- d d d d d d+ d

i

ddid d. d d d- d d d

d d d d d- d d d+ d d d d d d d dd-md d

m

& d d- c d d d d c- d d

& d- d d d d+ d ddmd d

md d d d d

d- d d d d d d d d d d d d d d d d. d

& d d+ cd d- d. d d- d d- d d+ d d d. d d

&d d d d d d d d d- d d- d d+ d

dd. d+

d.dd d

ddd d

ddd d+ d d- d d d. d

mdmd- d

i

&d d+ d

t d-d

d- d d

& did d d d d- d d d d d d+ d d

udid d d d d d d d

& d+ d d d d d d- d. d d d d- dd d c- d d+ c d

& d- d d d+ d d d d d d d d d d dd d d d- d. d d

d d d d d d+ d d- d dd- dmd d- d. d d d d

d. d.m

Page 111: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&d+ c

d d d- d d d

& d d d d d d d d d- d-d d d d. d. d- d+ d. d d d d-

d- d d

& dd- c d d d d c- d

& d d d d d+ d d d d d d d d d d d d- d d d `. d. d d d- d dd d+

& d+ d d c d dd

c d d a a

& d` d d d d d d-d d+ d d. d d- d d. d

d a a

Page 112: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

1

15

& 916

d `m d d+ d d d d d d d d d d d d d

d-m v

dn u

dm v

d d d d d d d dd d

d dd

F

& 916 r r r r d `

i

d d+ d d d d

&F d

d dd d-

d d d d+ d d d dd d- d- d d d d. d+ d d d d d d d d+ d d d d. d d d- d d d d d d

A A

& d d d d d d d d dd-m

v div div d d d d d d d d

d dd d

d dd d

d d-d

&A A d d d d d d- d d

d d- d+ d. d d d d d `+

m

d `

m

d `

m

d `

m

d

vd+ d d

d d d+ d d dd `m

A F

&d d d+ d d d d

d d- d- d d d d. d+ d d d d d d d d+ d d d d. d d d- d d d d d d d d d d d d- d d

&A F

v

d d d d d+ d `

m vd d+ d d d d d d d+ d d d `

md d- d d d d d d

d d d- d d- d d d- dd d d d

BA

& d d- d d d d d d. d `+m

d `m

d `m

d `m

dn v d+

nd d

d d d+ d d dd `i

vd d d d d+ d `

m

&BA d d d d

dd d d d d d d d d+ d d

C d d dC

d d dC d `

md d d

iv r

BE

& v d d+ d d d d d d d+ d d d `i

d d- d d d d dd d d- d d- d d d- d

d d d d

&BE d `

md d+ d d d d d d d+ d d d d d d d

m v

d

n u

d

m v

d d+ d d d d d d d dd d+ d

& d d d ddd d d d d d d d d+ d d

C

d d d

C

d d d

C

d `idju u ` r d `

md d+ d d d d

Page 113: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&C@ d d d d d d-

d- d d d d d d d d d- d- d d d d+d d d d d d d d d d d d d d d d d d d d d

d

CE

& d d d+ d d d d d d d `m

dm

v dm

v d d+ d d d d d d d dd d+ d d d d d d d-

d-

&CE

d ddd- d d

d dd

d d+dd d d d- d d

d d d d d+ dC d d dC d d d

Cd d dC d d d

Cd d dC

CH

&d d d d d d d d d- d- d d d d+

d d d d d d d d d d d d d

&CH d `

md

vd d d d d d d d d d d d `

md `m u `

DA

& d d d d d d d d d d dd

d- d dd d d

d d+ dd d d d- d d

&DA d `

m

d d d d d d d d d d d d d d d d+m v

dn u

dm v

d d d d d d d

DE

& d d d d d+ d

C

d d d

C

d d d

C

d d d

C

d d d

C

d d d

C

d `i

d v d d d d d d d d d d d d `m d `

iu `

&DE d d d

d d dd

d+ ddd

dd

ddd d d d d d+

d d d d d d d d+ d dd d d d

d `

m

dd d

E@

& d `i d d d d d d d d d d d d d d d d+

iv div d `m

d d d d d d d d d dd d d

dd+

&E@ d d

dd d

dd d

dd d+ d

d `m

u ` u `d `

m

d d d d d d d d d dd+ d+ d d d d

dd d

dd

EE

& ddd

dd

ddd d d d d d+

d d d d d d d d+ d dd d d d

d `m

dd d d d

dd d

dd d

d

&EE d d d d d d d d d+ d d+ d+ d d d d d d d d d d `

m

d d d dm v

d

n u

d

m v

& d d+ dd `i u ` u ` d `

md d d d d d d d d d d+ d+ d d d d d

d d dd

Page 114: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&EI d

d+ d dd d dC

d d dC d d d

Cd `m

dnu u ` v d d

d d d d `m

vd d d d- d d d d

FC

& d d d d d d d d d+ d d+ d+ d d dd d d d d d d

`m

d d d d `m

dm v d

`m

&FC d d d d d d d d d d+

mv dm

v dmv

d `m

d d d d d dC d d dC

dn

FF

& dd+ d d

d d d

C

d d d

C

d d d

C

d `i

dju u ` v

d d d d d d `i

&FF d d d

d d+ dC d d dC d d d

Cd d dC d d d

C d d dC d- d-

dd d

dd d

dd d

dd d

dd d

d+

FI

& v d d d d- d d d d d d d d d d d d d d `+i

d `i

d `i

&FI d d d d d d d d d d `

md d d d d d d

m v dnu d

mv

GB

& d `i

d d d d d d

C

d d d

C

djd d d

d d+ dC d d dC d d d

Cd d dC d d d

Cd d d-C d- d-

dd d

dd d

d

&GB

d+m

v dnu d

mv

d d dd- d d

d-

m v vd d d+ d d d d d d

d d- dd d d d d d

d d dd d d- d d

GG

& d ddd d

dd d

d+ d d d d d d d d d d `i

d d d d d d divdi v

di v

d+i v

di v

d `i

&GG d `

m d d+ d d d d d d d d d d d d dd-m v

dn u

dm v

d d d d d d d dd d

d dd

HB

& d d dd- d d

d `-m

v d d d+ d d d d d dd d- d

d d d d d dd d d

d d d- d d d `i

d d+ d d d d

&HB d

d dd d-

d d d d+ d d d dd d- d- d d d d. d+ d d d d d d d d+ d d d d. d d d- d d d d d d

& d d d d d d d d dd-m

v di

v di

v d d d d d d d dd d

d dd d

d dd d-

d

Page 115: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&HG d d d d d d- d d

d d- d+ d. d d d d

HI

&d d d+ d d d d d d- d- d d d d. d+ d d d

&HI

d d+ dC d d dC d d d

Cd d dC d d d

Cd d dC d d d

Cd d dC d d d

C d `

m

d

vd+ d d

I A

&d d d d d+ d d d d. d d d- d d d d d d

&IA d d d+ d d d

d `m v

d d d d d+ d `

m

IC

& d d d d d d- d dd d- d+ d. d d d d

&IC

vd d+ d d d d d d d+ d d d `

md d- d

IE

&d d+ dC d d d

C d d dC

d d dC d d d

Cd d dC d d d

Cd d dC d d d

C d `m

dv d+ d d

&IE d d d d d

d d d- d d- d d d- dd d d d d d d d

dd d d d d d d d d `+

md `m

d vd- d

d

A @@

& d d d+ d d dd `i

vd d d d d+ d `

mv d d+ d d d d d d d+ d d d `

id d- d d d d d d

d d d- d

&A @@ d d d- d d-

d d d d dd+ d d d d- d- d d+ d d d

m v divd `id `id `id `id `id `id `id `id `id `id `id `i

& d- d d d- dd d d d d d d d

dd d d d d d d d d `+

id `id `id `id `id `id `id `id `id `id `id `id `i

Page 116: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

1

16

&84 r r r r c

b c c b c

G

&84 c

b c c b c- c b c c c d ` did ` did d d

Cd- d d

C

d d d

C

d d d+

C

dd dC

d d d-C

d d d

C

d d d

C

&G

c b c- c c d ` did ` d.

md d- dC d d d

Cd d d

C

d d d

C

A @

& d d d

C

d d d

C

d d- dC

d d d+C

dd d

d ` d d- d d ` d. d dC d d dC

cb c

&A@

dd dC

d d dC

d d d-C

d d d

C

d d d

C

d d d-C

d d dC d d d

Cdd d

d ` d d d d ` d d dC d d d

C

A C

& c b c c b c- c c d ` did ` d.

m

&AC

cb c c b c c b c

A F

& d d d d ` d d d d` d d d

C d d dC d d d

C d d d-C d d d d ` d d d d ` d- d d d ` d

d dd ` d d d d ` d

d dd `

&A F

c c d ` dmd ` d

md d d d ` d d d d ` d d dC d d d-C

A H

& d d d d ` dd d

d ` d d d d ` d d d d ` d ` di

cs c

&AH d d- dC d d dC d d d d ` d d d d ` d d d d ` d

d- dd ` d d d d ` d

d dd `

& d d- d d d

Cc d ` d

m

c c c c- c

Page 117: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&B@

d- d d d ` dd d

d ` d d d d ` d d d d ` d `- di

cs c

BB

& c- c d ` dm d d+ d.C d d- d d

d- d d d d d dC d d d.C

d- d dC

&BB

d d d- d dC c d ` d

m

c c c- c c-

BD

& d d- d d ` u dmd+ d `. d d d d ` d d d d d d

Cd d dC

d+ d ` d d- d d ` d d dC

d d `. d d d d `

&BD c c d ` d

m d d dC d d d dd d d- d d d dC d d d

Cd d dC

BF

& d d d

C

d d `- d d d d `+ c d `dm

d `dic d d+ dC c

&BF

d- d d d ` u dmd d ` d d d

d `- d d d d d dC

d d dC

d d ` d d d d `+ d d. dC d d `- d d d d `+

BH

&d d d d d-

C c- d `d.md+ d dC d d

dC

c d `dic

&BH

d d d-C d d `- d d d d `. c d `

dm

d `dm

c d d dC c-

C@

&d `

dic d d d

C d d dC dm d ` v

d- d d d dC

c d d dC d d dC

&C@ d- d d d d

C c d `dmd d dC d d

dC

c- d `dm

c

CB

& d+ d dC d d dC d d ` d d d d `- d d d d ` d d d

Cd d ` d d d d ` d d d d ` d d d d- d

C

&CB d `

d-m

c d d dC d d d

C dm

d `- v

d. d- d d dC

c d d d-C d d d

C

& d d- d+ d `. d d d d ` d d dC

d d- dC

d+ d dC d d dC

d d d d d ` d d dC

d d- dC

d d dC

Page 118: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&CD

d d dC d d dC d d ` d d- d+ d `. d d. d d ` d d d

Cd+ d ` d d- d d ` d. d+ d d ` d d. d d d-

C

CF

&b d d d

Cc d ` d

m c d `d-m d- d dC

&CF d d d d ` d d d d ` d d d

Cd d dC d d d

C d d- dC

d d d d d ` d d dC

d d dC

d ddC

CH

& d ` dmc- d d d

C

c dd d

d- d ` d d d d d d d ` d d d d

&CH b d d- d

Cc

CI

& d d- dC d d dC d d dC d+ d d

Cd d d

C d d dC d d dC

d. d dC

&CI d ` d

mc d `

d

m d dd-C

cb c

DA

& d ddC d- d d

C d d dC

d d dC

d d dC

d d d

C

d d d

C

d d d

C

d d d

C

d d dC

d- d d

C

d d d

C

d d d+

C

&DA

c b c- c b c

DC

&d d dC

d d d-C

d d dC

d d d

C

d d d

C

d d d-C

d d dC d d dC

d d+ dC d d dC

&DC

c c d ` di

d ` di

d d d

Cd- d d

C

d d d

C

d d d+

C

DE

& d- d d+C d. d d d `. d d- d d d d d d d d d d d d d d c

b c

&DE

dd dC

d d d-C

d d d

C

d d d

C

d d d

C

d d d

C

d d d+C

d d dC

dd d

d ` d d- d d ` d. d dC d d dC

& c b c- c b c c c d ` did ` d

i

Page 119: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&DH

cb c c b c c b c-

EA

& d d d

Cd- d d

C

d d d

C

d d d+

C

dd dC

d d d-C

d d d

C

d d d

C

d d d

C

d d d

C

d d- dC

d d d+C

&EA

c c d ` did ` d.

md d d d ` d d d d

` d d dC d d d

C d d dC d d d-

C d d d d ` d d d d `

ED

& dd d

d ` d d- d d ` d. d dC d d dC

cb c c b c

&ED

d- d d d ` dd d

d ` d d d d ` dd d

d ` d d d d ` dd d

d ` d d d d ` d d d d `

EF

& c b c- c c d ` did ` d.

m

&EF

d ` di

cs c d d- d d d

Cc d ` d

m

c

EH

& d d d d ` d d d d ` d d dC d d dC d d dC d d d-C d d d d ` d d d d `

&EH c c c- c c- c d ` d

m d d d.C

F@

& d- d d d ` dd d

d ` d d d d ` dd d

d ` d d d d ` dd d

d ` d d d d ` d d d d `

&F@

d d d d ` ud-md d dC

d d dC d d d

Cd d

dCd d d

d ` u dmd d ` d d d

d ` d d d d d dC

FB

& d ` di

cs c d d- d d d

Cc d ` d

m

c

&FB d d d

Cd+ d ` d d. d d ` d d d

C d d ` d d- d d ` d- d d

C

d d ` d d d d `+ d d ` d d `dm

&c c c- c c- c d ` d

m d d+ d.C

Page 120: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&FD d `

dic d d+ dC c d d d d d-

C c- d `d.md+ d dC

FF

& d d- d d ` ud-md d dC

d d dC d d d.

Cd- d dC

d d- d d ` u dmd+ d `. d d d d ` d d d d d d

C

&FF

d dd

Cc d `

dic d `

dic d d d+

C d d dC

FH

&d d dC

d+ d ` d d- d d ` d d dC

d d `. d d d d ` d d d

C

d d `- d d d d `+ c d `dm

&FH

dm d ` d

d- d d d dC

c d d dC d d dC

d+ d dC d d dC d d ` d d d d `- d d d d `

G@

&d `

dic d d+ dC c d d d d d-

C c- d `d.md+ d dC

&G@ d d d

Cd d ` d d d d ` d d- d+ d `. d d. d d- d

C d d- d+ d `. d d d d ` d d dCd d- dC

GB

& d dd

Cc d `

dic d `

dic d d d+

C d d dC

&GB

d+ d dC d d dC

d d d d d ` d d dC

d d- dC

d d dC b d d d

Cc

GD

& dm d ` u

dmd d dC

c d d dC d d dC

d+ d dC d d dC d d ` d d d

d `- d d d d `

&GD

d ` dm c d `

d-m d- d dC

d ` dmc- d d d+

C

c

GF

&d d dC

d d ` d d d d ` d d d d ` d d d- d dC d d- d+ d `. d d d d ` d d dC

d d- dC

&GF

dd d-C

vd- d d d ` d d ` d d d d d d d d.

C

& d+ d dC d d dC

d d d dd ` d d d

Cd d- d

Cd d d

C

Page 121: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

6

&GG

d- d dC

d d+ d.C d d dC d d dC

d d dC d d dC d- d d

Cd d d

C

GH

&b d d d

Cc

&GH

d- d dC d- d d

C d d dC

d d. dC

d d dC

d d d

C

d d d

C

d d d

C

d d d d dd- d d d

d d- d. d d d d.

H@

& d ` dm c d `

d-m d- d dC

dc d d c d-

&H@

d d d d d d d+ d d dd d-

d d- d d. d c c `d d d d d d d d d d d d d d d d d d a a

& d c d d d d d d d bb a a

Page 122: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

1

17

&24 r r r r r r

G

&24 d d d

C

d+ d dC

d d d

C

d d dC

d d d d d d d d d d+ d d d dd d- d-

d-vd d. d+ d d- d d

d d d d

&G

r rd d dC

d+ d dC d d dC

d d dC d d d d d d d d d d+

A B

& d d dv d- d d+ d d d d d d d d+ d d d d

C

d+ d d

Cd d d d d

d d+ d+ d d d d d ` d

&AB d d d d d

d dd+

v dd+ d d d+ d+ d

d d d dd d d

v

d d d+ d d d d d d d d+

A G

& d d d d d d d d d+ d d dd d d d

d+ d d d+ d d d d dd d d d d d d d d

&A G d d d d

Cd+ d dC d d d d d

d d+ d d d d- d d ` d- d d- d d d d d d d d d d-d d d d

BB

& d d d

C

d d dC

d ` d d d d d d` d d- d

vd. d d- d d d

dd d d

v

d d d

&BB

d d dd d d-

d d d d- d d d d d d d d d d dC

d d dC d ` d

BF

&d d d d d- d d d d d- d d d

d d d d d d dd+ d d+ d d

d d d

C

d d dC

&BF d d d d d ` d d d v

d d d d d dd

d+ d d v d d+ d d d d- d d d d. d

& d d d d d d d

C

d d dC

d d d d d ` d d d- d d d d d d d- d d d d

ud

d dd-

Page 123: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&CA d d d d d

d d- d d- d d d d- d d. d dd d dC

d d d+C d d d

Cd+ d dC d d d

Cd d dC

CE

&

d dd

vd d d+ d

id d-

id-d. d d d d d

C

d d

C

d dd d d

C

d+ d dC

&CE

d d d d d d d d d d+ d d d d dd- d-

d-

vd d. d+ d d- d d

d d d d

D@

& d d d

C

d d dC

ddd d d d- d d v d d d d d d d d+ d d d

d d d dd d

d d- d d

&D@

d d d

v

d- d d+ d d d d d d d d+ d d d dC

d+ d dC d- d d d+ d. d d d d d d d d ` d

DE

&d d d

d d- d d d d d- d dd d d

C

d+ d dC

d d d

C

d d dC

d d d d d d d d d d+

&DE

d d d d d- d d d d d d- dd d+ d d

d dd

d d-d

d d+ d d d d d- d d- d d. d

E@

&d d d d d

d- d-d-

vd d. d+ d d- d d

d d d dd d d

v d- d d+ d d d d d d d d+

&E@

d d dC

d d dC d ` d d d+ d d d ` d d- d

v

d. d d- d d dd

d+ d d v dd d

EE

&d d d- d

C

d d d

Cd- d d d+ d. d d d d d d d d ` d d d d d d- d d d d d d- d

d d+ d d

&EE d d d d d- d d d d d- d d d

d d d d d d dd d d d- d

d d dC

d d dC

&

d d dd d- d

d d d d d d d d d d d d d d d

C

d d dC

d ` d

Page 124: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&EI

d d d d d d dC

d d dC d d d- d d ` d- d d- d d d d d d d- d d d d u

dd d

d-

FD

& d d d d d ` d d- dvd. d d- d d d

dd+ d d

v

d d+ d d d d d d- d d d

&FD

d dd

vd d d+ d

md d-

m d+ d d d dd dC

d d dC d- d

d d dC

d+ d dC

FH

&d d- d d d

d d- d d- d d d d+ d d d- dd d d

C

d d dC

d d d

C

d d dC

d- d

&FH

d d d d dC

d+ d dC d+ d d-C d d d.C d

dd d d d d d

v

d d d d- d d d

GB

&d d d

C

d+ d dC

d d d

C

d d dC

d d d d d d d d d d+ d d d d dd-

&GB d d d- d

d d+ d dd d

dd d-

dd d+ d d d d d- d d- d d. d

d d dC

d+ d dC d d dC

d d dC

GG

& d-d-

vd d. d+ d d- d d

d d d dd d d

v d- d d+ d d d d d d d d+ d d d d

C

d+ d d

C

&GG d d d d d d d d d d+ d d d d d

d dd+

v dd+ d d d+ d+ d

d d d d

HB

&d d d d d

d d+ d+ d d d d d ` d d d d d d d d d d+ d d dd d d d

d+ d d d+ d d

&HB d d d

v

d d d+ d d d d d d d d+ d d d dC

d+ d dC d d d d dd d+ d d d d- d d ` d-

&d d d

d d d d d d d d d d d d

C

d d dC

d ` d d d d d d` d d- d

vd. d d-

Page 125: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&HG d d- d d d d d d d d d d-

d d d dd d

dd d

d-d d d

d- d d d d d d d d

IB

&d d d

dd d d

v

d d d d d d d d- d d d d d- d d dd d d d d d d d+ d d+ d

&IB d d d

Cd d dC d ` d d d d d d ` d d d v

d d d d d dd

d+

I F

&d

d d d

C

d d d+C

d d d d d d d

C

d d dC

d d d d d ` d d d- d d d d d d

&IF

d d v d d+ d d d d- d d d d. d d d d d dd d- d d- d d d d- d d. d d

d d dC

d d d+C

A @A

&d- d d d d

ud

d dd-

d dd

vd d d+ d

id d-

i

d+ d d d dd d

C

d d d

C

&A@A d d d

Cd+ d dC d d d

Cd d dC d d d d d d d d d d+ d d d d d

d-

A @E

&d- d

d d d

C

d+ d dC

d d d

C

d d dC

ddd d d d- d d v d d d d d d d

&A@E

d-d-

vd d. d+ d d- d d

d d d dd d d

v

d- d d+ d d d d d d d d+ d d d dC

d+ d dC

A A @

&d+ d d d

d d d dd d

d d- d d d d dd d- d d d d d- d d

d d d

C

d+ d dC

d d d

C

d d dC

&A A @ d- d d d+ d. d d d d d d d d ` d d d d d d- d d d d d d- d

d d+ d dd d

dd d-

d

& d d d d d d d d d d+ d d d d dd- d-

d-vd d. d+ d d- d d

d d d d

Page 126: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&AA E d d+ d d d d d- d d- d d. d d d d

Cd d dC d ` d d d+ d d d ` d d- d

v

d. d d-

A B@

& d d dv d- d d+ d d d d d d d d+ d d d- d

C

d d

Cd- d d d+ d. d d d d d d d d ` d

&AB@ d d d

dd+ d d v d

d d d d d d d- d d d d d- d d dd d d d d d d d d d d-

A BE

& d d d d d- d d d d d d- dd d+ d d

d dd

d d-d

d d dd d d d d d d d d

&ABE d

d d dC

d d dC d d d d d d d

Cd d dC d d d- d d ` d- d d- d d d d d d

A BI

& d d d

C

d d dC

d ` d d d d d d ` d d- dvd. d d- d d d

dd+

&ABI d- d d d d u

dd d

d-d d

dvd d d+ d

md d-

m d+ d d d dd dC

d d dC

A CD

&

d d

v

d d+ d d d d d d- d d d d d- d d dd d- d d- d d d d+ d d d- d

d d d

C

d d dC

&ACD d- d

d d dC

d+ d dC d d d d dC

d+ d dC d+ d d-C d d d.C d

dd d d d d d

A CH

& d d d

C

d d dC

d- d d d d

C

d+ d dC

d d d

C

d d dC

d d d d d d d d d d+

&ACH

v

d d d d- d d d d d d- dd d+ d d

d dd

d d-d

d d+ d d d d d- d d- d d. d

&d d d d d

d- d-d-

vd d. d+ d d- d d

d d d dd d d

v d- d d+ d d d d d d d d+

Page 127: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

6

&ADC

d d d

v

d- d d+ d d d d d d d d+ c c c

&dd d d d- d d d d d- d d c c c

Page 128: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

1

18

&44 r r r r r r r r r r r r r r

A E

& 44 r r r r r r r r r r s c

c ` d b b

& 44 r r r r r s c c ` d b b b

c c c c+ d d c- d- d c

& 44 s

cc ` d b b b

c c dd c d

d d d d dd- d d d d+ d d d d d d- d d c c `

d c ` d d

&A E

r sc c ` d b b b

c ` d c ` dc c+ c c+

BE

&b

b c c d d c d d c d d d d d d d c d d d c d c- d d d c d d

& d d d d d d- c d d d c c ` d c `+ d c c+ d d c b b cc

& c c+ c ` d+ d c+ c+ b b b cc c ` d b b-

&BE d

m

d dmc d d d c d d- d d c `+ d d c ` d d- b d d- d c d d d+ c

& d d c c ` d d d d c d d d- c d d d+ c d d+ d c c ` d b

& c ` d b b bc ` d d d d d d+ d d d d c d d d c-

&b b d d c- d-

d d d c c- c- c c ` dc ` d d

Page 129: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

2

&CC d d d c+ d c d c+ c c c+ c c c ` d b b b

DB

& b bb c ` d d d d c c c

c ` d b b

& c- c c dd d d d d c d d c d d d c d d d c d

d d d dd d d d- d d c

& c ` d+ d d+ d c c d d cc c ` d d- d c b d-

d d d d d d d d

&DB d d c c ` d d d c c ` d b d

d d d- d d c c d d d d c- c- c

EB

&b

d d c d d d c d d c d d d d d d c- c- d d d d c- c- d d d+ d d d

& d d d- d d d b b d d d c d d d c- c- d d b b b b

& c c+ cc c ` d- b b- b

c c+ d d d dd d d d- d d d+ d

&EB

c ` d d d d dc ` d d d d d c c+ c ` d d d c d d c d d c d-

& d- d c+ c c d dc d d d ` d

md d d c d+ d d d- d d c ` d- d c `- d d c+ c

& b b b cc

c ` d b- b bc ` d d

&

dd d d d d d d- d d

d d d d c d c d- d d d+ c dd c d d- d c b

Page 130: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

3

&FA b c c c ` d b- b b

c d d- d d d d- d d c-

G@

&d d d d d d c ` d d d d d d- d d d+ c c c d d d d d d d c d d d c- c- c

& d- d c. d d- d d+ d. d c c d d-d- d d d d- d d d d c- c- c d d- d d b

&c c

c ` d b b bb b b c ` d-

&G@ c- c c- c+ d- d d d d. d- d c d d- d d d- d d d+ c ` d d- d d- d c d- d d c

GH

& b bc `- d b b b-

c ` d- d c ` d+ d

& b b c c- c ` d b b bc ` d d-

& d d d d- d d d- d d d- d- c d- d d d d. c d d d- d- c d- c d d d d+ d d d

&GH d d d c- c

cc ` d b b b b c c+ d d d- d d

&c ` d d c- c c c c c

c ` d b b bb

& c ` d- d d d d d d d- d c c c d d- d c+ c ` d+ d c `- d d d d- d d d- d d d

& d+ d c c c+ c `d+ d d d d

c ` d- d d- d c d- d d d d d c b

Page 131: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

4

&HG

c ` d- d d d d- d d d d- d d d c ` d d- b d d- d d d- dd d d d-

ID

&d- d d d d d d- d d d d d c- d- d d c d d- d d d d d+ c

c ` d

& d d d d- d d- d d d d- d d d- d d d d d-c

c ` d b b

& b b cc-

c ` d- b b- b

&ID d- c d d- d d c b- d- d d c d

dc d d c c c d d d+ c

A @B

&b- b b

c ` d+ d d d d- d d d d d cc ` d b

& b- dd c d d- c c c c ` d b b+ b

&d- d d c- d- d d d d d d- d d d d d+ d d d d+ d c c ` d+ d d- d d d d- d d

d

&A@B c c c c c d d c+ c c c+ d d d d b- d- d

d d d

&b b

d d d dd d- d c d d d d c d d d d d

d d d d+ d d- c `d

& d d d- d d d d d+ d d. b- b b d d d+ c d d- d- d d d- d c+

&c+ c c ` d d b d d d d d

c ` d b b b

Page 132: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

5

&AA @

d d d d db-

c c c c+ d c d b

A A F

&

dd c d d d d d d- c d d d d d d d d d d d d d d+ d d d

d d d d d

& c c dd c d d d d d d d d c b b

&c d d d- d c d d d- d b b b b

&A A F b b b b b d

d d d d d d+

A BB

& ddd d d d d d d d d d d c d d d+ d d c- d- d d d d d d d d d d d d d d d d d d d+ d d

& b b b b b b

&b b b b b b

&ABB d d d

d d d d d ddd d d d d d d d d d d c d d d+ d d c d d d d d d d d

& d ` dmd d+ d c+ d d d d d d d d d d

d d d d d d d d+ c d

& b b b b b

&b b b b b

Page 133: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

6

&ABG d

d d d d d d d d d d d+ d dc ` d d c+ d d d d- d d d d d d

A CB

& d d d d+ dc d d d d d d d d d d d- d d d d

d+ d d d- d d

& b b b b b

&b d d d d d d d+ d d d

d d d d d ddd d d d d d d d d d d c

&ACB d-

d d d d d d d d+ c d d d c d d d d d d d d d

A CG

& c dd d d d d d d- c ` d+ c ` d c ` d

& b b b d d d d d d d+ d d dd d d d d

& d d d+ d d c- d- d d d d d d d d d d d d d d d c ` dc `

d

&ACG

d c d d b b b b

&

d ` dmd d d+ c ` d c ` d+ d d d c d+ b

& ddd d d d d d d d d d d c d d d+ d d c d d d d d d d d c c+

& d c+ d d d d d d d d d dd d d d d d d d+ d

dd d

d d d d d d d

Page 134: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

7

&ADB d

d d d d d d d d+ c d. d d d d d d d d d c d d b

A DG

&b d d d d- d d d d d c d- d- d d d d d d d d d d d d

& c ` d d d- d dc d d d d

c dd d- d d d d d d ` d

id d d

& d d cc ` d c ` d

c ` d d+ c d

&ADG d d d d d d d+ d d d

d d d d d ddd d d d d d d d d d d c d d d+ d d c-

A EB

&d d c ` b b b b

&d

d c- d d d+ c d d+ d c dd d d d d- d d- d d- d d d+ d

&c ` d c c

c ` d b b

&AEB

d- d d d d d d d d d d d d d d d d d d d+ d+ d d d c d+ dc d

& b b b b dd d d d d d+

& d+ c d. d d d d+ d+ d d dd d d d d d d d d d d b

& bc c

b dd d d d d d d d d d d+ d d

Page 135: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

8

&AEG d d d d d+ b b b b

A FB

&d d d

d d d d d ddd d d d d d d d d d d c d d d+ d d c d d d d d d d d

& cc

c ` d d b b b

&d c d+ d c+ d d d d

d d d d d d+ d d d+ d d. d d d+ c d

&A FB b b b b b

A FG

&b d d d d- d d d d b- d- d d d d d d d d d- d d d d d d

& dd d d d d d d b d d d d d d d d b b

& d d d dd d d d d d d- d

d d d d d d d d

&A FG b b c

cc ` d- b

& d d d d dd- d- d d d d d d d d c d d d d d d d d c

& dd d- d d d d d d d

d d d d d ddd d d- d d d d d d- d d c d d- d d d c

&c- c

c `d d d- c

c d d d d c d d d d

Page 136: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

9

&AGB b- b

c d d+ d d c- d+ d. d d b-

A GG

&d d- d d d d d d ` d

mc- d- d d c d d d d+ c d

d d d- d d d d

& d d d- d d d d d b d d d d c- d- d d d c d d c

& d d c- d- d d d d d- d d c d d d d+ c d d d- d c ` d

&A GG d-

d c c c+ c c d d- d dd- d d d+ c

A HB

&c `+ d d d d d d d d d d+ c d d d d+ d d d

d d d- dd+ d- d

& d d- d d d- d d d d d- d d d d dd d d- d d d d d- d- c ` b

&c ` d d+ c

d b d d- d d d d d+ d d dd d- d d d

&AHB

d d d d- d d d d dc c ` d b- b

&d d d d c

c ` d b b b

& c `d d d- d d d d d+ d c d d d

d d d- d- d d `+ dm

d+d. d d- d d d d

&ddd d d d d d d d d d d c d d d d d c- d- d d d- d d d d d c d-

Page 137: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

10

&AHG

bb d

d+ d d d- d d db- d- d d d d- d d d

A IB

&d d c- d- d d d+ d d d b d

d d d- d d d d b+

&b b+ d d d d c d d d d- d d d d b

&d- d d d d d+ d d d d d d- d d d d c `- d c ` d d d d- d d d- d d

&A IB d ` d

md `+ d

md c ` b b b b b b b c c-

B@B

&d d d- d d d c `- b c

c c c d `+ d+mc d ` d+ d+ c d d d d c ` d+ d d d d

& d d- d d d c c- c c d ` d+mc d ` d- d c+ c ` d+ d d d d c ` d+ d d d d d `- d

id d d d

&d- d c

b b b b b b b b b

&B@B c c d ` d+

m

c d ` d- d c+ c ` d+ d d d d c c+ d d c

& d d+ d c d d dd d ` d

mc b c `

d dd d d c ` d d

& d d- d d d+ d d d d d d d d d- d d d dd d d c d d c

` b b

&

b cc c c d `+ d+

ic d ` d+ d+ c c ` d d- d d d

Page 138: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

11

&B@I d d d c d d- d d d d

cd d d c c d d+ d d c ` d d+ b

BA F

& c d d d- d c ` d d d- d c dd c

` c c c c d `- dmc-

& b c c- c c- d ` d+mc d ` d- d c+ d ` d

md d c- d d d d

& d+ d d d. d+ d c c c+ c ` d+ d d d d d d c d d d d c

&BA F c d d d c

c- c c d ` d+m

c d ` d- d d d+ d d- d- d+ d d d d

BBB

& c+ c d d+ d d d d d c d d+ d d c c d d+ b

& c d d- d d+ c ` d- d d d d d c d d+ d d+ d d c d b

& d d d d c dc d c c c d `+ d+

ib d ` d+ d+ c

&BBB c c+ c d d d- d d

d d d- d d d- d- d c d d ` d- d d dd d d d+ d d. d c

& d d d d d d+ d d d+ d c ` d d- d ` d-mc c c- c c

& d ` d d d ` d d d d d+ d d. d- d d d d d- d d d d d d c d d d+ d d+ d

& cc c- c d `- d

i

c+ c+ c c ` d+ c ` d+

Page 139: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

12

&BBH b c `

d d d d d- dd d d d d d d+ d d d d d d

BCB

&d ` d+

m

c d ` d- d c+ d d d c d+ d d d- c

& c d d+ d+ d d+ d d d d- d d. d d- dd d d d d d d d c d

&d d d d d

d d d d- d c d b d d d d d d- d d. d

&BCB d ` d+

m

d d d d d c- d d d d d d d d+ c d d+ d c d d d d dd d

BCG

&d d d d c d d d d d d d d+ d d d

d d d d d ddd d d d d d d d d d d c

& d d dc d b b c c- c c

&d- d c b c c

c ` d b

&BCG d d d+ d d d- d b

r

&d d d+ d d c- d- d d d d d d d b

& d ` d+mc d ` d+ d c d d d d d d d d

& b bb

"NB. Über dieser Fuge, wo der Nahme B-A-C-H im Contrasubjekt angebracht worden, ist der Verfasser gestorben" (Im Autograph von der Hand Philipp Emanuel Bach's)

Page 140: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS
Page 141: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

1

Choral BWV 146Werde munter, mein Gemüte

Arr. for Guitar Quartet J. S. Bach

&- 44R

d d d d d d d d d d d d d d d d d c

Q

d d d d d d d d d d d d d

H

&- 44R

d d d d d d d d d d d d d d d d cQ

d d d d d d d d d d d d d d

&- 44R

d d d d d d d d d d d d d d d d cQd d d d d d d d d d d d d

&- 44Rd d d d

d d d d dd d d d d

d dc Qd d d d

d d d d dd d d d d

&-H d d d d c

R

d d d d d ` dmc

S

d d d d d d d- d c

T

d d d d

A D

&-d d c

R

d d+ d d d d+ c

S

d d- d d d d d d d- c

Td d d

d d d

&- d d d cR

d d d d d- d d c

S

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2

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File: BachChoral_Wenn_4G

<copyright>

Choral: Wenn wir in hoechsten Noethen.Canto fermo in Canto

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arr.S.Nichifor

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3

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File: BachChoral_Wenn_8G

<copyright>

Choral: Wenn wir in hoechsten Noethen.Canto fermo in Canto

(Nicht im Autograph, nur im Erstdruck) J. S. BACHarr.S.Nichifor

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4

&+BFr r r s

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5

&+CFr r r r

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6

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u d d- dd = 60

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Repartition for the concerts: 23-III-2007 (Bucharest, NationalUniversity of Music, “George Enesco” Concert Hall) and 29-IV-2007(Bucharest, “George Enesco” Philharmony, Romanian Athenaeum)

- Guitars Ensemble 1: Calin Grigoriu (Master), Gabriel Brostenu(Master), Radu Miculita (Master), Hanelore Mocanu (Master);

- Guitars Ensemble 2: Radu Corbos (Student IV), Andra Stanciu(Student III), Zsolt Bara (Student III), Tudor Niculescu-Mizil(Student I).

- Contrapunctus I: Guitars Ensemble 2- Contrapunctus II: Guitars Ensemble 1- Contrapunctus III: Guitars Ensemble 2- Contrapunctuys IV: Guitars Ensemble 1- Contrapunctus V: Guitars Ensemble 2- Contrapunctus VI: Guitars Ensemble 1- Contrapunctus VII: Guitars Ensemble 2- Contrapunctus VIII: Guitars Ensemble 1- Contrapunctus IX: Guitars Ensemble 2- Contrapunctus X: Guitars Ensemble 1- Contrapunctus XI: Guitars Ensemble 2- Contrapunctus XII – rectus: Guitars Ensemble 1- Contrapunctus XII – inversus: Guitars Ensemble 2- Contrapunctus XIII – rectus: Guitars Ensemble 1- Contrapunctus XIII – inversus: Guitars Ensemble 2- Contrapunctus IV (unfinished): Guitars Ensemble 1- Coral BWV 146, “Werde munter, mein Gemute” – x 1: Guitars

Ensemble 2- Coral BWV 146, “Werde munter, mein Gemute” – x 2: Guitars

Ensembles 1 & 2

Page 162: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

UNIVERSITATEA NATIONALA DE MUZICABUCURESTI

Vineri 23 Martie 2007, ora 16 Sala ENESCU

JOHANN SEBASTIAN BACH

DIE KUNST DER FUGEBWV 1080 (1750)

- versiunea integrala pentru ansamblu de chitare -

Interpreteaza

Calin GRIGORIU, Gabriel BROSTEANU,Radu MICULITA, Hanelore MOCANU,

Radu CORBOS, Andra STANCIU,Zsolt BARA, Tudor NICULESCU-MIZIL

Clasa Conf. Dr. Serban NICHIFOR

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Page 166: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

Links on YouTube: Bach, “The Art of Fugue” - Concert29-IV-2007. Bucharest, “George Enesco” Philharmony,Romanian Athenaeum.

http://www.youtube.com/watch?v=6avz1W8jW7U

http://www.youtube.com/watch?v=ZfKyU_e0OTE

http://www.youtube.com/watch?v=pfRYjJep8QA

http://www.youtube.com/watch?v=53z4gyJrmeY

http://www.youtube.com/watch?v=JXXxGGilpAo

http://www.youtube.com/watch?v=vjGJcYsglkk

http://www.youtube.com/watch?v=3sC8OmcPlxU

http://www.youtube.com/watch?v=4gvLSjh3CoM

http://www.youtube.com/watch?v=XP_0V8a40QQ

http://www.youtube.com/watch?v=njYvcY4hONY

http://www.youtube.com/watch?v=AqGdpNogpVU

Page 167: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

from tas3 <[email protected]> hide details Mar 24 (1 day ago)

to Serban Nichifor <[email protected]>date Mar 24, 2007 7:54 PMsubject RE: Contrapunctus 8mailed-by nau.edu

Dear Prof. Dr. Nichifor,

I enjoyed listening to the mp3 of Contrapunctus 8. Thank you!

Tim Smith

fromFrederic Rossille<[email protected]>

hide details12:20 am (23 hours

ago)

to Serban Nichifor <[email protected]>date Mar 25, 2007 12:20 AMsubject Re: Contrapunctus 8

>I have the pleasure to send You a short fragment from the concert:>"Contrapunctus 8" (in mp3 format) - performers Calin GRIGORIU, Gabriel>BROSTEANU and Hanelore MOCANU.

Merci infinimment cher Maître,C'est très beau et très reposant !Avec toute mon amitié,Frédéric

fromSerban SOREANU<[email protected]>

hide details Mar 24 (1 day ago)

to Serban NICHIFOR <[email protected]>date Mar 24, 2007 9:11 PMsubject ...multumesc...mailed-by clicknet.ro

Maestre Serban Nichifor,Va multmesc pentru darul pe care mi l-ati oferit: Contrapunctus 8 din Arta Fugii de J.S.Bach, in 'versiunea' pe careati realizat-o pentru chitare. Ceea ce se aude este pur si simplu, FRUMOS! Daca ar fi de remarcat fie si numaiaplicatia pe care au dovedit-o studentii Dumneavoastra in aceasta realizare muzicala, se poate aprecia admirativefortul benefic de a gandi si suna muzica lui Bach. Desigur, Dumneavoastra si studentii chitaristi veti realiza, intr-obuna zi, si o versiune integrala si deplin rafinata a acestui demers artistic de exceptie.Succes!Cu respect,S-D.Soreanu

Page 168: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

fromBoudewijn Buckinx<[email protected]>

hide detailsMar 26 (13 hours

ago)

to Serban Nichifor <[email protected]>date Mar 26, 2007 6:04 PMsubject Bachsigned-by yahoo.commailed-by yahoo.com

bravo! C'est difficile, les guitares!!!Vous pouveztout, je pense, et d'une manière parfaite!AmitiésBoudewijn

Raoul De Smet<[email protected]>

hidedetails

Mar 24 (3 daysago)

to Serban Nichifor <[email protected]>date Mar 24, 2007 1:21 PM

subjectRe: Johann Sebastian BACH - "DIE KUNST DERFUGE" - version for 4 Guitars

Cher Maître et Ami,Je vous remercie de votre envoi et je vous félicite pour cet admirabletravail et resultat. Je suis convaincu que le concert a été un grandsuccès artistique.Je vous souhaite à vous deux une joyeuse fête de Pâques et un beauPrintemps. Raoul.P.S. si le quatuor de guitares serait intéressé dans la musique plusrécente, j'ai écrit il ya quelqueq années un morceau pour quatrequitares comme oeuvre imposée de mon concours. J'aurai le plaisrde la leur envoyer.

Sue McClellan<[email protected]>

hidedetails

Mar 24 (3 daysago)

to Serban Nichifor <[email protected]>date Mar 24, 2007 7:11 PM

subjectRe: Johann Sebastian BACH - "DIE KUNST DERFUGE" - version for 4 Guitars

signed-by yahoo.commailed-by yahoo.com

Dear Serban,This is a wonderful gift! Thank you so much for sharing it with us--- withfriendship, Sue & Rich

Page 169: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

----- Original Message ----From: Serban Nichifor <[email protected]>To: Rich and Sue McClellan <[email protected]>; Sue McClellan <[email protected]>; Sallie Webb<[email protected]>Sent: Friday, March 23, 2007 3:16:36 AMSubject: Johann Sebastian BACH - "DIE KUNST DER FUGE" - version for 4 Guitars

Johann Sebastian BACH: "DIE KUNST DER FUGE" - version for 4 GuitarsConcert at the National University of Music from Bucharest, 23.04.07

From: Prof.Dr. Serban NICHIFORComposerEmail: [email protected]://www.geocities.com/serbannichifor/classic_blue.html

Page 170: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

The Art of Fugue From Wikipedia, the free encyclopedia

The Art of Fugue or The Art of the Fugue (original German: Die Kunst der Fuge), BWV 1080, is an unfinished work by the German composer Johann Sebastian Bach. The work was probably started in 1742. Bach's first version, which contained 12 fugues and 2 canons was copied in 1745. This manuscript has a slightly different title, added afterwards by his son-in-law Altnickol: Die Kunst der Fuga. His second version was published after his death in 1750. It contains fourteen fugues and four canons. The piece demonstrates Bach's complete mastery of the most complex musical expression in European classical music known as counterpoint. The work consists of particularly elaborate and ingenious combinations of relatively simple themes to develop into compositions of highest musicality. Die Kunst der Fuge or (The Art of the Fugue) is considered to be among the pinnacles of European music due to its unique complexity of form and structure.

Each of the fugues except the final unfinished one (see however below) use the same, deceptively simple, subject in D minor:

The sources

In the 1751 printed edition, the various movements are roughly arranged by increasing order of sophistication of the contrapuntal devices used. The Arabic number in the title indicates the number of voices in the fugue, with the exception of the last one, where a 3 Soggetti means "with 3 subjects":

Simple fugues:

1. Contrapunctus I, and2. Contrapunctus II: Simple monothematic 4-voice fugues on main theme.3. Contrapunctus III, and4. Contrapunctus IV: Simple monothematic 4-voice fugues on inversion of main theme, i.e. the theme is "turned upside down".

Contents1 The sources2 The unfinished fugue

2.1 The permutation matrix3 Some notable performances of the Art of Fugue4 Notes and references5 Media6 See also7 External links

Page 1 of 7The Art of Fugue - Wikipedia, the free encyclopedia

5/2/2007http://en.wikipedia.org/wiki/The_Art_of_Fugue

Page 171: Serban Nichifor: J. S. BACH - "KUNST DER FUGE" ("THE ART OF FUGUE") - ARRANGEMENT FOR 4 GUITARS & ANALYSIS

Counter-fugues, in which a variation of the main subject is used in both regular and inverted form:

5. Contrapunctus V: Has many stretto entries, as do Contrapuncti VI and VII.6. Contrapunctus VI, a 4 in Stylo Francese: In dotted rhythm, known as "French style" in Bach's day.7. Contrapunctus VII, a 4 per Augmentationem et Diminutionem: Uses augmented (doubling all note lengths) and diminished (halving all note lengths) versions of the main subject and its inversion.

Double and triple fugues, with two and three subjects respectively:

8. Contrapunctus VIII, a 3: Triple fugue. 9. Contrapunctus IX, a 4 alla Duodecima: Double fugue10. Contrapunctus X, a 4 alla Decima: Double fugue.11. Contrapunctus XI, a 4: Triple fugue.

Mirror fugues, in which the complete score can be inverted without loss of musicality:

12. Contrapunctus XII, a 4: The rectus (normal) and inversus (upside-down) versions are generally played back to back.13. Contrapunctus XIII, a 3: The second mirror fugue in 3 voices, also a counter-fugue.

Canons, labeled by interval and technique:

14. Canon alla Octava: Canon at the Octave. The two imitating voices are separated by an octave.15. Canon alla Decima in Contrapunto alla Terza: Canon at the tenth, counterpoint at the third.16. Canon alla Duodecima in Contrapunto alla Quinta: Canon at the twelfth, counterpoint at the fifth. 17. Canon per Augmentationem in Contrario Motu: Augmented canon in inverted motion.

An arrangement of Contrapunctus XIII, see below.

18. Fuga a 2 (rectus), and Alio modo Fuga a 2 (inversus)

Unfinished quadruple fugue:

19. Fuga a 3 Soggetti (Contrapunctus XIV): 4-voice triple, possibly quadruple, fugue, the third subject of which is based on the BACH motif, B –A–C–B .

The order of the fugues and canons has been debated, especially as there are differences between the manuscript and the printed editions appearing immediately after Bach's death. Also musical reasons have been invoked to propose different orders for later publications and/or the execution of the work, e.g. by Wolfgang Graeser in 1927.

The 1751 printed edition contained — apart from a high number of errors and other flaws — a four-part version of Contrapunctus XIII, arranged to be played on two keyboards (rectus BWV 1080/18,1 and inversus BWV 1080/18,2). It is however doubtful whether the printed indication "a 2 Clav.", and the fourth added voice, that is not mirrored according to Bach's usual practice, derive from him, or from his

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son(s) that supervised this first edition.

The engraving of the copper plates for the printed edition would however have started shortly before the composer's death, according to contemporary sources, but it is unlikely that Bach had any real supervision in that preparation of the printed edition, due to his illness at the time.

The first printed edition also includes an unrelated work as a kind of "encore", the chorale prelude Vordeinen Thron tret Ich hiermit (Herewith I come before Thy Throne), BWV 668a, which Bach is said to have dictated on his deathbed.

A 1742 fair copy manuscript contains Contrapuncti I–III, V–IX, and XI–XIII, plus the octave and augmented canons and an earlier version of Contrapunctus X.

The unfinished fugue

Contrapunctus XIV breaks off abruptly in the middle of the third section at the 239th measure:

The autograph carries a note in the handwriting of Bach's son Carl Philipp Emanuel Bach saying “Über dieser Fuge, wo der Nahme B A C H im Contrasubject angebracht worden, ist der Verfasser gestorben.” (“At the point where the composer introduces the name BACH in the countersubject to this fugue, the composer died.”) However, modern scholarship disputes this version, in particular because the musical notes are indisputably in Bach's own hand, written in a time before his deteriorating vision led to erratic handwriting, probably 1748–1749. See e.g. the discussion in Johann Sebastian Bach, the Learned Musician by Christoph Wolff, ISBN 0-393-04825-X.

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Many scholars, including Gustav Nottebohm (1881), Wolff and Davitt Moroney, have argued that the piece was intended to be a quadruple fugue, with the opening theme of Contrapunctus I to be introduced as the fourth subject. The title Fuga a 3 soggetti, in Italian rather than Latin, was not given by the composer but by CPE Bach, and Bach's Obituary actually makes mention of “a draft for a fugue that was to contain four themes in four voices”. The combination of all four themes would bring the entire work to a fitting climax. Wolff also suspected that Bach may have finished the fugue on a lost page, called “fragment X” by him, on which the composer attempted to work out the counterpoint between the four subjects.

A number of musicians and musicologists have conjectured completions of Contrapunctus XIV, notably music theoretician Hugo Riemann, musicologist Donald Tovey, organist Helmut Walcha, and Moroney. Ferruccio Busoni's Fantasia Contrappuntistica is based on Contrapunctus XIV, but is more a work by Busoni than by Bach. Moroney's completion (a midi file can be found here (http://mypage.direct.ca/a/abartel/midi.htm)) is the shortest, and regarded as the most convincing by some. Glenn Gould's recording deliberately stopped at full volume on the first beat of bar 233, the end of the 1751 print edition; the manuscript continues until the first beat of bar 239 and the tenor voice untilthe end of that bar. Most performers add these bars, and execute a fade out on the last few notes.

The permutation matrix

In 1991 an astonishing discovery was published by Zoltán Göncz answering the question with fairly great certainty how Bach planned the appearance of the fourth subject, the main subject of the cycle:

In the course of the exposition of the first three subjects (first subject: mm. 1–21, second subject: mm. 114–141, third subject: mm. 193–207), Bach applied a serial sequence of voice entries decided in advance, by which he determined the space and time parameters of the subject entries. The superimposition of the three exposition matrices foreshadows and develops as a negative the sequence ofthe voice entries of the fourth subject. The copying of the four subjects onto each other displays a characteristic construction of Bach’s oeuvre occurring mainly in the vocal fugues: that of the permutation fugue.

However paradoxical, it follows from the logic of composing a quadruple fugue that the combinations joining all four subjects and rendered the latest when performing the work were already completed in the very first stage of composition because the possibility of overlapping the four subjects (1+2+3+4) is the sine qua non of writing a quadruple fugue.

One of the striking features of Contrapunctus XIV is that in this movement Bach applied the stretto of whole expositions. In the exposition of the first three subjects he “programmed” the later permutation stretti, then applied the expositions as “programs”, “algorithms”. The permutation matrix, apart from originating authentically with Bach, can be proved to have been ready at the time of the genesis of the

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work (that is, earlier than the surviving section).

The discovery of the permutation matrix was one of the most essential conditions to achieve that the reconstruction of Contrapunctus XIV could come near to the original form planned by Bach. (Göncz, Z.: Reconstruction of the Final Contrapunctus of The Art of Fugue, in: International Journal of MusicologyVol. 5, pp. 25–93. 1997 ISBN 3-631-49809-8; Vol. 6, pp. 103–119. 1998 ISBN 3-631-33413-3) Score published by Carus-Verlag [CV 18.018] (see External links).

Some notable performances of the Art of Fugue See here (http://www.jsbach.org/1080.html) for a more complete list.

Harpsichord:

Davitt Moroney (1985) [1]

Menno Van Delft (1999)Sébastian Guillot (2006)

Piano:

Charles Rosen (1967) Tatiana Nikolayeva (1992) Walter Riemer (2006), using a fortepiano of Mozart type

Organ:

Helmut Walcha (1956, 1970) [1]

Glenn Gould (1962) incomplete [2]

André Isoir (1983[?])Marie-Claire Alain (1993)

String quartet:

Italian Quartet (1985)Juilliard String Quartet (1989)Keller Quartet (1997) Emerson Quartet (2003)

Orchestra :

Milan Munclinger with Ars Rediviva (1959, 1966, 1979)Hermann Scherchen with Orchestre de la RTSI (1965) [3]

Karl Ristenpart with Chamber Orchestra of the Saar (1965)Jordi Savall with Hesperion XX (1986)Erich Bergel with Cluj Philharmonic Orchestra (1991) [1]

Karl Münchinger & Stuttgarter Kammerorchester (2001)

Other:

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Musica Antiqua Köln (director Reinhard Goebel) for string quartet/harpsichord and various such instrumental combinations (1984)Berliner Saxophon Quartett for saxophone (1990) József Eötvös for two eight-string guitars (2002) Amsterdam Loeki Stardust Quartet for recorder quartet (1998)Fretwork for Consort of Viols (2002)

Notes and references

1. ^ a b c The recordings by Walcha (1970) and Moroney include both their completion of Contrapunctus XIV and the unfinished original, while Bergel's includes only his attempt.

2. ^ Partial performances on organ (Contrapuncti I–IX) and piano (I, II, IV, IX, XI, XIII inversus, andXIV).

3. ^ Except the canons, which are played by harpsichordist Kenneth Gilbert on the recording.

Dr. Serban Nichifor: "The Art of Fugue" version for 2 guitars quartets; performers:Calin Grigoriu, Gabriel Brosteanu, Radu Miculita,Hanelore Mocanu, Radu Corbos, Andra Stanciu, Zsolt Bara and Tudor Niculescu-Mizil; National University of Music Bucharest (Romania), 23.03.2007

MediaContrapunctus I (file info) — play in browser (http://tools.wikimedia.de/~gmaxwell/jorbis/JOrbisPlayer.php?path=The+Art+of+Fugue%2C+Contrapunctus+I.ogg&wiki=en) (beta)Problems listening to the file? See media help.

Links Bach:The Art of Fugue (new guitars ensemble version), 29.04.07, YouTube http://www.youtube.com/watch?v=6avz1W8jW7U http://www.youtube.com/watch?v=ZfKyU_e0OTEhttp://www.youtube.com/watch?v=pfRYjJep8QA http://www.youtube.com/watch?v=53z4gyJrmeYhttp://www.youtube.com/watch?v=JXXxGGilpAo http://www.youtube.com/watch?v=vjGJcYsglkkhttp://www.youtube.com/watch?v=3sC8OmcPlxU http://www.youtube.com/watch?v=4gvLSjh3CoM http://www.youtube.com/watch?v=XP_0V8a40QQ http://www.youtube.com/watch?v=njYvcY4hONYhttp://www.youtube.com/watch?v=AqGdpNogpVU

See also List of compositions of Johann Sebastian BachBach compositions printed during the composer's lifetimeUnfinished symphony

External links Web-essay on The Art of Fugue(http://pipedreams.publicradio.org/articles/artoffugue/index.shtml)Introduction to The Art of Fugue (http://jan.ucc.nau.edu/~tas3/introaof.html)Die Kunst der Fuge (http://www.mutopiaproject.org/cgibin/make-table.cgi?searchingfor=kunst+der+fuge) (scores and MIDI files) on the Mutopia Project website

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This page was last modified 18:40, 1 May 2007.All text is available under the terms of the GNU Free Documentation License. (See Copyrights for details.)Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a US-registered 501(c)(3) tax-deductible nonprofit charity.

The Art of Fugue (http://www.kunstderfuge.com/bach/canons.htm#Art) as MIDI files Image of the ending of the final fugue at external site (http://www.jsbach.net/images/unfinishedfugue.html)The Art of Fugue: Free scores (http://www.imslp.org/wiki/Art_of_the_Fugue,_BWV_1080_(Bach,_Johann_Sebastian)) at the International Music Score Library Project.Contrapunctus XIV (the reconstructed quadruple fugue) – Carus-Verlag (http://www.carus-verlag.com/index.php3?selSprache=1&BLink=KKArtikel&ArtNummer=1801800)

Retrieved from "http://en.wikipedia.org/wiki/The_Art_of_Fugue"

Categories: Compositions by Johann Sebastian Bach | Musical compositions completed by others

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Serban Nichifor Composer Born: August 25, 1954, in Bucharest, Romania Marriedto Liana Alexandra <AlexandraLiana.htm>, composer Studies

National University of Music, Bucharest, Doctor in Musicology Theology Faculty, University of Bucharest International courses of composition at Darmstadt, Weimar, Breukelen and

Munchen USIA Stipendium (USA)

Present Position Professor at the National University of Music, Bucharest (Chamber Music

Department); Member of UCMR (Romania), SABAM (Belgium), ECPMN (Holland) Vice-president of the ROMANIA-BELGIUM Association Cellist of the Duo INTERMEDIA <../general/duointermedia.htm> and co-

director of the NUOVA MUSICA CONSONANTE-LIVING MUSIC FOUNDATION INC.(U.S.A) Festival, with Liana ALEXANDRA

Selected Works OPERA, SYMPHONIC, VOCAL-SYMPHONIC AND CONCERTANTE MUSIC:

"Constellations" for Orchestra (1977) Symphony I "Shadows" (1980) Cantata "Sources" (1977) Cantata "Gloria Heroum Holocausti" (1978) Opera "Miss Christina" (libretto by Mircea ELIADE,1981) Symphony II "Via Lucis" (1985) Symphony III "American Symphony - I" (1986) Symphony IV "American Symphony - II" (1987) Symphony V "Pro Patria" (1987) Symphony VI "Time Archways" (1988) Cantata "Remember" (1988) "Missa da Requiem" (1990) Chamber-Opera "Talaria" (libretto by Etienne DE SADELEER, 1994) Cantata "Per CHRISTUM" (1997) "Concerto GRIEGoriano" for Piano and Orchestra (1997) Chamber-Opera "Le Martyre de Saint Claude DEBUSSY" (libretto after Claude

DEBUSSY and E.A.POE, 1999) "Un Certain Instant" for Cello and Orchestra (2001)

CHAMBER, CHORAL AND VOCAL MUSIC "Postludium" per Organo (1975) "Sorcova" per Coro Misto a capella (1995) Quartetto per Archi I - "Anamorphose" (1976) "Carols" per Trombone e Percussione (1978) "Invocatio" per Flauto e Celesta (1979) "Canto di Speranza" per Flauto,Violino,Viola,Cello e Pianoforte (1981) "Onirophonie" per Fl., Vn.e Pf. (1982) "Chanson d'Antan" per Vn.e Pf.(1983) "Carnyx" per Clarinetto (1984) "Tango for Yvar" per Pf.(1984)

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Quartetto per Archi II - "Vallons de l'Oubli" (1984) "Aprite le porte di questo castel" per Coro Maschile (1984) "Morendo" per Cb. e Pianoforte (1985) "6 Melodies Irlandaises d'Amerique" per 2 Ob.,C.i. e 2 Fg. (1985) "Czarna Rosa" per Mezzo-Soprano e Pf. (1986) "7 Canti Rumeni di Natale" per 4 Trombe, 4 Tromboni ed Organo (1986) "Horn Call Rag" per Corno e Pf. (1986) "AVE MARIA" per Soprano ed Organo (1987) "Isola di Euthanasios" - Sonata "sopra acqua e pietra" per Pianoforte (1988) "Transgressio" per Fl.,Ob. e Fg. (1989) "Battuta" per Percussione (1989) "Lacrimosa" per Tenore e Pf. (1989) "Meditatio"per Organo (1990) Missa "Actio Gratiarum Oecumenica" per Coro Misto a capella (1991) "NATALIS DOMINI" per Coro Misto a capella (1992) "Isihia" per Cello (1992) "Epiphania" per Cello e Pianoforte (1993) "Rorate Caeli" per Soprano ed Orchestra da Camera (1994) "Medium per Arpa" (1995) "Medium per Flauto" (1995) "3 Christmas German Chorals" for Organ (1997) "Hommage a DEBUSSY" per 2 Pf. - ossia Pf. e Nastro Magnetico (1998) "La Nuit Obscure" per Orchestra da Camera (1998) "Invocation a Themis" per Sax.Alto (2001) "Isihia" for violoncello and tape (2002)

Works published at Musical Publishing House, Bucharest Edition Modern, Munchen "Pro musica Studium", Roma "Quadrivium Music Press", New York "Dohr Verlag", Koln a.s.o. Edition SCORE-ON-LINE (France)

Works played and recorded in Romania, Belgium, Holland, USA, Italy, France, Spain, Germany, Poland,

England, Austria, Japan, Greece, a.s.o. Affiliations

Member in good standing of the Research Board of Advisors of the American Biographical Institute, USA

Member of the European Conference for Promoters of New Music <http://www.ecpnm.com> (see Nuova Musica Consonante)

Member of Living Music Foundation Inc., USA <http://www.e-universe.com/lmfhome/>Prizes and Awards

1977 - First Prize GAUDEAMUS, Amsterdam 1977 - International Prize, Tours, France 1978 - "Press Prize", Evian

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1979 - International Prize ISCM, Athens, Greece 1980, 1982, 1988 - Prizes of the Romanian Composers and Musicologists' Union 1980 - "Diego ORTIZ", Toledo 1982 - "George Enesco" Prize of the Romanian Academy 1983 - Urbana-Illinois 1984, 1993 - Trento 1985 - "Valentino BUCCHI", Roma 1986 - "Musica Antiqua Europae Orientalis", Bydgoszcz 1988 - ISCM, Hong-Kong 1994 - Jihlava 1996 - Karlsruhe 1997 - Koln 1998 - Newtown-Wales 1998 - Birmingham-Alabama 1998 - Bourges 2002 - "Man of the Year", American Biographical Institute, USA

PRESS REVIEWS SUNDAY TIMES (London, 18.08.1977) - "The First Prize went to a 22-year-old

Romanian Serban NICHIFOR, for his <Anamorphose>, played by the Gaudeamus String Quartet in the smaller hall of the Amsterdam Concertgebouw. Its virtually silent beginning, seemingly addressed to the eye rather than the ear, already hinted at a spatial element which later furnished a valid and charming feature of its ending. The visual gradually became audible, and the mosaic of sound soon acquired continuity as a few folk-tune motifs were set in relief. This innocuous, inextravagant, musically and visually direct essay in quartet-writing deserved recognition and won an ovation !" (Felix APRAHAMIAN)

FRANKFURTER ALLGEMEINE ZEITUNG (09.06.1978) - "Die Presse-Jury bedachte das rumanische Quartet <Lyra> mit einem Preis fur die ausgezeichnete Interpretation der attraktiven <Anamorphose> des jungen Komponisten Serban NICHIFOR" (Bernd LEUKERT)

SUDDEUTSCHE ZEITUNG (27/28.05.1978) - "...Sein <Anamorphose> betiteltes Stuck exerziert die verschidensten technischen Affekte und Effekte auf den vier Instrumenten und zerfasert den Streicherklang schliesslich auf augenfallige Weise..." (Albrecht ROESELER)

DIE PRESSE (Wien,26.05.1978) - "...die originelle <Anamorphose> von Serban NICHIFOR..." (Olga OBRY)

LA VOIX (11.05.1978) - "...le Quatuor <Anamorphose> du Roumain Serban NICHIFOR,oeuvre d'une redoutable complexite, mais d'une indeniable valeur..." (Georges BERNAND)

NRC HANDELSBLAD (Amsterdam,13.09.1977) - "...Serban NICHIFOR,in sijn strijkwartet - een brok onstuimig muziek maken - integreert hij vijf Roemeense melodieen uit Transsylvanie en past hij als een soort van harmonische basis evenees vijf Roemeens-orthodoxe hymnes toe. Let wel: hij doet dat in een uit gespreken avant-gardistisch klanggemiddelde ! Resultaat hat grootste applaus en de eerste prijde van den jury." (Ernst VERMEULEN)

DARMSTADTER ECHO (04.08.1980) - "Das absolute Gegenteil dazu wurde in der Streichquartett-Komposition <Anamorphose> des Rumanen Serban NICHIFOR geboten. Komplexe polyphone Schichtungen, vorwiegend mit wisperndern Spiel am Steg und scharrenden Flageolett-Tone aufgebaut, zeugten von einer ausgesprochen raffinierten Schreibweise..." (Jo TRILLIG)

MUSICULTURA (Breukelen, II-1980) - "...NICHIFOR's final example was a 1980 cantata <Sources>. The work deals with the peoples who lived in Romania in the most ancient times. In this energetic composition one can find a montage of folk materials and contemporary idioms..." (William P. MALM)

LIVING MUSIC (USA, Fall '93, Vol.11, No.1) - "...NICHIFOR has been active as a composer, performer, and musicologist. He has won numerous awards and is performed frequently in his own country and abroad. During the past years he has been especially active in Bucharest organizing

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concerts of music by Amarican composers. NICHIFOR did visit the United States in 1982, so he has a good sense of musical life in this country." (Rodney OAKES)

THE WHITE HOUSE - WASHINGTON D.C. (01.10.1992) - "Dear Mr. NICHIFOR, thank you for the beautiful recordings of your Third and Fourth Symphonies, which I recently received through the U.S.Information Agency. I appreciate your having dedicated them <to the glory of America> and I am delighted to know that our cities have inspired you in this uniquely creative way. The recordings have been donated to the Library Of Congress so that they may be preserved for the people of the United States. Your thoughtful gift will bring many hours of pleasure to all who come to enjoy them." George BUSH, The President of the United States of America

RHEIN-NECKAR-ZEITUNG (Karlsruhe,31.10.1996) - "...Und mit der <Meditation> des rumanischen Komponist Serban NICHIFOR wurde man dann doch noch hineingefuhrt in die versunkene Welt der stillen Gebete, des Archaischen, der ruhig brutenden Fauxbourdon-Klange, die zuweilen die innigen religioso-Harmonien eines Cesar FRANCK herbeizitieren. Doch dann noch gesprochene lateinische Gebetformeln - da gab es alles, war die Glaubensseele begluckt. Dass davon gleichwohl ein subtiler Reiz ausging, blieb unbestritten."(Rainer KOHL)

LE JOURNAL DE ST-GERMAIN (24.09.1999) - "...C'est pour honorer la memoire de Claude DEBUSSY que le compositeur Serban NICHIFOR a compose en 1999 , <Le Martyre de Saint Claude DEBUSSY>, drame lyrique evoquant les dernieres annees du musicien. Il vient d'adresser au Musee Claude DEBUSSY sa piece pour piano et bande magnetique. Dans cette piece,on retrouvera tout l'univers debussyste: de la poesie enchanteresse,a l'appel du lontain... Cet enregistrement vient enrichir le fonds du musee (en cours de constitution) et devrait s'integrer au projet d'ecoutes musicales." (Jacques BERLIE)

LUXEMBURGER WORT (23.02.2000) - "...Finalement, c'est <La Nuit Obscure> de Serban NICHIFOR qui nous impressionna le plus. Concue comme un veritable <concerto pour percussion>,l'oeuvre surprend par son originalite et sa beaute intrinseque, mais aussi par la virtuosite qu'elle exige du soliste. Pas de bavardage, pas de fioriture, rien que de la tres belle musique, fracassante certes, mais tellement vraie !" (Pierre SCHWICKERATH)

LA LETTRE DU HAUTBOISTE (France, No 5/2000) - "...Dans les <6 Melodies Irlandaises d'Amerique> de Serban NICHIFOR, les nantais, deja nombreux, s'etaient associes aus messins. Cette musique franche et limpide, se pretait bien a un effectif hors norme concu pour le plaisir de jouer tout ensemble."

CORALITA (Trento, Nr.6/1985) - "...<Aprite le porte di questo castel> di Serban NICHIFOR - vivace e scherzoso elaborazione, tessuto su uno scheletro armonico in cui le tre strofe vengono variamente presentate... una <coda> precipitosa si conclude in un buffo <portamento>, che sfoncia nel <quasi parlando> (e <quasi grido>) dei due accordi finali."

KOLNER STADT-ANZEIGER (08.12.1997) - "...der Anhang umfasst 135 Kompositionen... Zweiter wurde Serban NICHIFOR aus Bukarest..." (Claudia FREYTAG)

LIVING MUSIC (USA, Spring 2000, Vol.17, No.3) - "Serban NICHIFOR himself turned in some splendid performances of our american cello music, and ensembles of student performers who are sure to develop technical and professional polish with experience filled the remaining concert-and-a-half with vibrantly enthusiastic renditions of chamber works..." (Aaron J. RABUSHKA)

THE NEW GROVE DICTIONARY OF MUSIC AND MUSICIANS 2002, vol.17, p. 865-866 – “Nichifor, Serban (b Bucharest, 25 Aug 1954). Romanian composer. After studying the cello with Serafim Antropov at the Bucharest Academy, graduating in 1972, he took private composition lessons with Stroe and Walter Mihai Kleper. Nichifor continued his composition studies in Darmstadt and Breukelen with Ton de Leeuw (1978, 1980) and in Munich with Celibidache. Musical secretary of the George Enescu Philharmonic, he has also taught in the chamber music class at the Bucharest Academy, where he took the doctorate in music (1995) and in theology (1996). Developing from a neo-romantic stylistic basis, Nichifor has remained firmly convinced of the continuing relevance of conventionally composed music. He has experimented with new techniques of sound organization and structure, notably in his opera Domnisoara Cristina, which includes tape recordings. His eclectic compositonal language extends to jazz elements in his Third and Fourth Symphonies. In his compositions after 1990 he has

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developed a simplified style employing themes reminiscent of Byzantine chant. Further information is given in G. Tartler: Melopoetica (Bucharest,1984).“ (Octavian COSMA)

Address Serban NICHIFOR, Str.Principatele Unite Nr.2,Vila I, Ap.7, Sector 4, RO-70512

BUCHAREST, ROMANIA, Tel.(0040-1)336.13.99. and (0040-1)772.30.29, E-mails: [email protected] <mailto:[email protected]>

[email protected]

Sites:http://www.romania-on-line.net/whoswho/NichiforSerban.htm http://www.score-on-line.com

Copyright © 2000 Ronline.Net. Last modified: October 14, 2002