Download - Photography. View Camera 8 x 10 4 x 5 Camera is usually referred to by the size of film.

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Page 1: Photography. View Camera 8 x 10 4 x 5 Camera is usually referred to by the size of film.

Photography

Page 2: Photography. View Camera 8 x 10 4 x 5 Camera is usually referred to by the size of film.

View Camera

8 x 104 x 5 Camera is usually referred to by the size of film

Page 3: Photography. View Camera 8 x 10 4 x 5 Camera is usually referred to by the size of film.

Twins Lens Reflex TLR

Page 4: Photography. View Camera 8 x 10 4 x 5 Camera is usually referred to by the size of film.

Rangefinder Camera

Viewfinder Camera

Page 5: Photography. View Camera 8 x 10 4 x 5 Camera is usually referred to by the size of film.

Single Lens reflex camera

SLR

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Focal Plane Shutter

Leaf Shutter

Found in most film and digital SLR Cameras.

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Reading the light meter

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Shutter Speed

1/30 of a second 1/500 of a second

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Panning

1/30 of a second

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Shutter Speeds

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Using the shutter Speed to express Movement.

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The Aperture acts like an iris

The Aperture controls amount of light entering the Camera and the Depth of Field

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Aperture Controls the Depth of Field

Depth of Field - Area of the picture that is in focus

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Depth of FieldArea in the picture that is in focus

Controlled by distance from subject

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Controlled by Distance

Controlled by Aperture

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Depth of FieldControlled by the focal length size (type) of lens

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A given type of film always needs an exact amount of light for a proper exposure.

As a photographer you determine the way the film receives the light by combining fstops and shutter speedsto give the picture the effect you want.

Page 27: Photography. View Camera 8 x 10 4 x 5 Camera is usually referred to by the size of film.

Combining Shutter Speed and Aperture for desired effect

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Time andTemperature

Greatly affectthe results when developing a negative

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Full Tonal Range

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MeteringA light meter always wants to give you an average reading or

middle grey.

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Backlighting

Take the meter reading from the subject

F11 @ 1/250 F11 @ 1/60

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Light meters

Incident Reflective

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Example of glass in a wide angle lens

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Example of "wide angle" distortion by an 18 mm lens on a 35 mm camera.

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Telephoto lens300mm

Compresses space

http://en.wikipedia.org/wiki/Perspective_distortion_%28photography%29

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500 mm telephoto lens with extension tub

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Focal Length

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Polarizing Filter

Reduce reflections on water, glass or any smooth surface exceptMetal or mirror.

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Focal length and distortion

Long lens, moderate distance from subject

Short lens, close to subject

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24mm 35mm

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50mm 100mm

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200mm

800mm

400mm

1200mm

Focal LengthThese eight photos were taken from the same place with different lenses.

Longs Peak from Upper Beaver Meadows in Rocky Mountain National Park

http://www.paragon-press.com/lens/lenchart.htm

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Polarizing Filter and the sky

Mid day 90° to the sun

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Subtractive Color - determined by the reflection of light waves to the eye

Mixing paint pigments is a subtractive color system

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Each secondary color is composed of equal amounts of adjacent primary

colors. G + R = YR + B = MG + B = C

Each color is complementary to the color opposite.

Primary colors of light

Additive Colour R G B

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In 1666, Isaac Newton passed a beam of sunlight through a glass prism breaking it into a rainbow of colors that form the visible spectrum. He then passed the rainbow through a second prism converting the colors back into white light.

When light is refracted each wavelength is bent to a different degree separating the light into different bands of color.

It is the wavelength of light that determines

its color.

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Colour is determined by the lighttemperature.

Film must be balanced for the light source or coloured filtersmust be used to achieve realistic colour.

Daylight film is balanced for5500 K

Indoor film or tungsten colour film is balanced for 3400 K type A or 3200 K type B

Page 50: Photography. View Camera 8 x 10 4 x 5 Camera is usually referred to by the size of film.

Time of day determinescolour and drama of image.

Sunrise One hour later

Midday, sunny Midday, overcast Late afternoon

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Tungsten Film

Daylight Film

Daylight/daylight film

Tungsten/Tungsten film

Daylight/Tungsten film

Tungsten/Daylight film

85B

80A

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Use FL-D /daylight film

Use FL-B /tungsten film

Florescent light is very difficult to balance, as currently there are many types offl. bulbs on the market. Turn off all fluorescents whenever possible !

Old fashioned, standardflorescent bulbs.