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THE
ESSENTIAL
1ft
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from Invitation
AmerikaBy Jaco Pastorius
np aeeel.Hann.-- - - - - - -i
" Chord symbols ref lect imp lied harmony .
J
A E7IDeo
8va ,8va-- - - - - - - --
rHann. - - - - -i
B9 E7
8va ~'
IDeo 11M- -
-----------------------------
87a ~--------------------
1:1
""R.H. Hann.-- - - - - -i
""Righ I hand.
4Copyright @ 1984 Mowgli Publishing
Ali Rights Reserved Used by Permission
- --
00Rubato
"A E7
8va------------------, IDeo
/J.,
/- .h J n.h
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A E7 H.H. - - - - - - - - -
J.J. ,
8va ~15ma-------------------
loeo
r.-----Harm.-- - - - - - - -I
A AlG# E~7#9
HR I
15ma ,
loeo 8vau u u u
1
r r rHarm. H.H.
D D#m7~5 E F#m D
J 1
N.c.(A) A5>
L-- 3 ---'ffresco
5
D A
8va, loeo8va- u u _ u u,
J --} __J } 1r--r==; J. loeo )
.. .... ,...
:l''- ,...
.....
I I
.
I
..
I'"
1._I I
.,v
IV.- I . I
l- - l
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fromWeatherReport-Heavy Weather
BirdlandMusic by Josef Zawinul
[K]Moderately fast J =157
N.C.
(Kybd.)
G7#91B
j'
G/C G/D
12
fH.H.----------------------------------------------------
1/2 1/2
j j--t---" ~ ~
G7#91B
j'
H.H.----------------------------------------------------------------------------------------------------------------------------1/2 1/2
~ j f ,~~~ ~
H.H.--------------------------------------------------------------------------------------------------------------------------m m
__ft-. ~~~ ~ ~ f--.
H.H.--------------------------------------------------------------------------------------------------------------------------m m m
~~~~~ j j ~ ~~~ J--
H.H.--------------------------------------------------------------------------------------------------------------------------1/2 In In
f -.~~,~~ j J-t---'
6@ 1977,1978 MULATTOMUSIC
International Copyright Secured Ali Rights Reserved
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H.H ~
1/2
f- - - -1---'
w/heavyreverb---------------------------------------------------------*--------------------------------------
*Notes are plucked lightly while maintaining wide vibrato.
N.C.
10
:~~e~~:~:~e~~==================================~=~~=~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
G/B G/C
*The bottom note is plucked.
7
Gm71]] F/G F/B
[oca
'f m'---'"
E/B Dm7 DrnlG F/C Cm7 F/B G6 GrnlC F/E
I I 1----1r I
,
[[]G6 F F# G G6 Gm F/C
-----
... ...----... --------" -----.. ---. -.... ..--------.. .....----...90-------- ----- .... . .
L-- r*
"',.,
"'''''''.I , IVI
" I
I
"I "I ,/
p Iv I
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G/D G/E G/C G
AmlG Gadd2 G7
klri~ ~
ì
-&- ..~
Bm7~5 N.C.
lI]G7
8va---, 8va--------------------------------------------------
- -
8va ,
loco>
8
...-::2,--- ------..::2.-------- Il. !: - !:"- ..,...-..........--..... - p.....-...:
r l..-gradoslide
""""'"n /n' '" /"" n
, Il \ u Il
..- n I\'- n n IllUI
I
" Il
-----1 I I -=n
----of:=::iJ
----..n
-----.:Y ".
......-.......,..
---
-
-n
..
--------n
leIring- - - - - - - - - - - - - -
-
. ..2. .. - -1 .1
...\.
...o.-
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G8va ,
loco
- -
BmEm G/B Cmaj7 C#m7~5 Bm7 Bm7fE Am7 C6 C/C# G
. -
ft4- ft ft
~-a- -4-
-&t
-a-.
.. I2 2
4-
Bm Em C6 C#m7~5 C/D G/C C/D G
3
Bm Em G/B Cmaj7 C#m7~5 Bm7 E7~9 Am7 C6 C/C# G
I I ,
v -ft
4-
H-a-
. t.. ..
.. ..
~ -3- . ~t
1a}-v
Bm Em C6 C#m7~5 C/D G/C Em C/D G
9
.. , ... .....
r J I I r r '-"
n . ft ftU ,
ft I ft ft I u u u I U - ft ft
ft ft I . I I Uft I I I ..
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G7
Play 9 times
10
Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 cro G
v
Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 cro G5
L...-JI 1"- I - '-'
nn . n ..
I I I I I I I I l",.
V
n110 oli .,.
u
Il Il
.n. n n .. .. .. 110.. .. .. .. .. .. .. .. .. .. .. .. 011.. .. n n n
[TIF#7 F7 E7 E7 D7 C#7 G7 F#7 F7 E7 E7 D7 C#7 G7 F#7 F7 E7
'-'"
..
11..2.,3. 114.
E7 D7 C#7 G7 F#7 F7 E7 E7 D7 C#7 G7 E7 D7 C#7 C7 G7
I I "--"
letring- - - - - - - - - -
o o
o o n
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rnG7
3
H.H.- - - - - - - - - - - - - - - - - - - - - - - - - -
~ In ,~~let r ing - - - - - - - - - - - - - - - - J - - r ~
3
RR--------------------------------------------------------------
1/4 1/2
~ .J J - -t ~ ~~~
L- 3 ---'RR--------------------------------------------------------------
1/2 In 1/2
J-f~ .J-t--. ~ ~ J
*Played behindthe bea!.
G/B
H.H.- - - - - - - - - - -i' 3 ' ' 3 1
HR---------------------------------------In I 1/2
_f- -r-) '"'"' ~~-, J - - -
RR--------------------------------------------------------------In 1/2 In
0 ,-~,--, J J-0 ~ ~
11
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Gm
loco
,1;---------------
H.H J
[K] F/G F/B~ E~/B~ Dm7 DrnlG F/C Cm7 F/B
I
v-___ I
"
+=f
"" "
-3-" 4 "
-3-
--- --- -
+ =F
"
" ~" "
G/B
.
G
letring - - - - - - - - - - - - - - - - - - - -i
" "-..
letring-- - - - - - - - - - - - - - - - --i
"
12
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Bm Em GIB Cmaj7 C#m7~5 Bm7 Em7 Am7 C6 C/C# G
Bm7 Em7 C6 C#m7~6 cro G/C Em cro G
3
Bm7 Em7 EmID C#m7~5 C7 B7 E7#9 Am7 C6 cro G
13
l,.
- "
.'--"...J-
n JJ
ft ft
n n- - -
.ft
ft -- n-
Bm7 Em7 C6 C#m75 cro G/C cro Gl I I
..
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Bm7 Em7 EmID C#m7~5 C7 Bm7 E7~9 Am7 C6 C/D G
3
Bm7 Em7 EmID C#m7~5 C7 Bm7 E7~9 Am7 C6 C/D G
Play 3 times3
14
Bm7 Em7 EmID C#m7#5 C7 Bm7 E79 Am7 C6 C/D G
3
. .
. .. . .. .
Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 C/D G
.. .. ..
Begin fade Fade out
Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 C/D G
..
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from Invitation
The ChickenMusic by Alfred James Ellis
[K] .
Moderate Funk J =110
B~ N.C.
>
mi
-00B~7.. - I .
. .4- . O O 1
O 3 ~30 . O 1 3 *v pft ft
E~7
D7 G7
C7
22
Copyright @ 1969 by Golo Publishing Co.Copyright Renewed
Al i Rights Administered by Uniehappel l Musie Ine.Intemational Copyright Secured Ali Rights Reserved
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N.C.(B~7)
>
..
-
~ ~ ., ., v . .~ °567811
~
., .,0.,56535° °-4 t-
ori ft n-9-3-
> .>.
E~7
C7
23
N.C.(B7) B7
. .>
.. .,
;, .
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B~7
E~7
D7 G7 C7
.. - - :jt-,-", 3
(5t-~
-a--a- ft .-, x 213 3 2t ft ft
....-.....
. 2 2 3 2 Ov ... V A ~ ~.. ..
N.C.(B~7) B~7
8va ,loeo
24
-- -
- .. -
> -
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- ..-. .v
o o 1 2'7à x x11__ ..
-6 3-
3 O ~ " ,.. ' " '"
~x 5 X 6 I
E~7 D7
A
..
N.C.(B~7)
.". .~. ~
I 2 2 31 2 çà O 2 2 3 X 3
4 4.' 5*-
25
B7
..
.
-' ""->
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B~7 -** " .
n n~
+ F " " ~~00123X
X X X~ ~
E~7
G7 C7
N.C.(B~7) B~7
~ --
. .
n ~ " ..3t-..3t-
~ ~ O O F4:
n n ,,~
122213335556667 ~
~
26
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E~7 D7
N.C.(B~7) B~78va ,
loeo
28
G7 C7
r-
n n v .. ft _ft ft
..--..1 I .. .. ..--....
---
ftft V ft n . V n ft V ft ft . . ;. v u v
n ft v ft ;. .. ft ft ,ft, v - .. v v .. .. ..ft v v v ,vI I
8va ---------,I I I I .. ..-.
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E~7
D7 G7 C7
N.C,(B~7)
.. ..
~o O O 1
~ F o O-t-
-&--3-3 O 4 4 .. ... -o a-
29
loeo.. - - I I
... ... 4 4 .. ...
4 4
B7
4
rnB7
.. - .. - ..
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Il]B~7
v
D7 G7
C7, ", ~I_~
-
" " ft-r~
.=.2 2 3 4--5 X
3 X .-, 3 9355~ 2 2.'3 X
N.C.(B~7)
30
E7 ... .
'"
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from Jaco Pastorius
Come on, Come OverByJaco Pastorius and Bob Herzog
Intro
Moderate Funk-Rock J =110Gm7 G7U F# 13(# 11) Fm7 N.C.
fletring- - -t letring- - -t
End Bass Fig. l
wl Bass Fig. l (2 times)
~ VersewlBassFig. l (7 1/2times)
Cm7
Mm, _ hmm. l. Come on,2. Come on,
3. Come on,
come ocome o
come o
ver
ver,ver,
as fast as youev-'ry-one's wait-in' on_
the plea-sure's all
can._
you,_mine.
yeah.You're a - fraid_
We're won-der- ingMu-sic play-in',
that
when
the
you won'L like ityou'll get tired_
door just o-pened,
of
you
but you don 't un - der - standowon-der-ing what to do._don't have to stand in line._
One thing,_ my bro -Thereis some-thin' here_
Peo-ple of_ the world._
ther, I can tell _ yoube de
much too
true:nied;long. While you're
that
ya been
can-not
up-tight,mov - ing
the more time
get on the phone
bus - y mak-in' a stand,
you spend_ feel- ing hap - py,and get on_ down.
ev- ry-bo-dy's mak-in' plan8-
the lessDon't
to move_ on,
time_ you'll be_knock it 'till youmove 'em all_
blue.try.-a
Copyright @ 1976 Pastorius Music and Bob Herzog Pub/ishing
1>:'Rights Reserved Used by PerrT"ission 35
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To Coda l-@-Chorus
C9 C#9 D9.110
long. ~
I ,<
,~Come on, come on o -
- - 1,\i - -
T-s imile on repeat
.-a-
.=tt=&
...,~-
.:t-v _ ~5 7 X
I
* wl vocal ad libs 3rd time.
ver, huh._ Come on, ya got _ to come
".,
To Coda 2 -@-
o vero Why_ don'L you come on,_ comeon,_ comeon 0-
....
36
AJ.L - - - -11 -
.., r ,
- vero Comeon, comeon o -
.. - b... - -I
- . .v . v u .. :r .. v - .." .. n n . .. 110. ; I ;. . . . V V - .
;, .:, .. ."- I " .;,." V
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D.S. al Coda l
InterludewlBassFig. l (2Iimes)Cm?
ver?
-$-Coda 1ChorusD9
A.II. - -r
----
Comen, comeon o vero
... ... .l I T
544777 7 X
5 5 vP~v4'
..
45 5 X
X X 7 74 4
X 5 7 X
37
.Il. --- .k ,..., .. fI. ..' 'o.. ...l += Il- t::
.Come on, come on o - ver, huh._ Why don't you
b.. ... ... IL ....- T I
'" . - ... w .. p v . v . .. v . p - -- . . p p
n n .,- - pW
p PW W
W .
, -- ,...... r ,
tJ
come on, come on o - ver?
b... . . !IL .- I I I I
p . .W - v I . v v,p, - - . . I p " " n . .\' u u
.. V I UW U
V p.
. n n w . .
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Come on,_ oh, come on o vero_
Keyboard SoloD9
D.S. al Coda 2
Interlude
wl Bass Fig. l (2 times)
Cm?
38
b... ,.- I. -.- L......J
. .- . " ";, " .. . . '" '" " . .
, , v v " .. " ,"
b... - - ...
- I T - -
. . .v .. .. I , ", . . . .. .;,. - - .... . v " . . I - -. .. " v . . " " l
..I v
v l. .
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-$-Coda2
come on, comeon o ver, _ uh, huh.
*Outro
D9
- ~...
.
i .J:,..- -
+---*
* Lead vocal continues ad lib.
-. 2-4- " -3- ft " " .. . ~=t-;-
Beginfade
.
.. . .. v .. ..
..
Fade OUl
I
;. " v
39
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from Jaco Pastorius
Donna LeeBy Charlie Parker
l!] Fast J =218
A~ B~7
3
f
B~m7 A~
3
E~m7
B~m7
' 3---..
E~7
Copyright@1947 (Renewed1975)AtlanticMusicCorp.A. Righis!or tl1eWo~ exdud;.,g lt1eU.S. Controlled and A.dministered bj Screef' Gems-EMI Music lne.
~ Cop-,..;g"t Secured ~ R'g':s ~ea 47
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Bb7I L
C7..
3-- -
ft
Frn C7#9 Frn
C7
q
Frn
Bbrn7 Eb7 Ab
48
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B~7 B~m78va ,
3---, loeo
~ _ ,_o, _ 3--.,~
8va-- -
Harm.
letring- - - - - - - --i
E~7 A~ E~7 D78va------------------------------------------------------------------------------------------------------------------------
I..~ ~ .. I . I 1._ L
..~!! n", . ,
-11 13- - 14 16 1316 17
~.r>
43-
~
D~7 D~m7 A~ F7
B~7 B~m7
8va------------------------------------------------------------------------------------------------------------------------
3 3
E~7 A~ F78va-----------------------------------------------------------------------------------------------------------------------
I _ ~ ~ 3_ o _ ~---,L_ I ...
.J... (1. ... ,--, ,'" '3
14 11H "
18 16 15 11 12 11 I I19 16 14
49
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B~7 C78va------------------------------------------------------------------------------------------------------------------------
>. - ~
Frn C7#9 Frn C78v~-----------------------------------------------------------------------------------------------------------------------
~
Frn C7#9 A~ F78va------------------------------------------------------------------------------------------------------------------------
.. _.. .. 1._ I L
~B~rn7 E~7 A~ F7 B~rn7 E~7#9 A~8va ,
::-....
,-.., ~3~
3
50
-g .li -3 3
4..
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B~rn7 E~7 A~
E~rn7 D~rn7
8va- - -- ------
3
A~ F7 B~78va ~ , wco
. . L
,
B~rn7 E~7 A~15ma , 8va-------------------------
'...' ~ "
Harm i
let ring - - - - - - - - - - - - - - - -I
F7 B~7 C7
8va-----------------------------~3~ -E ,
loco/T'\
o 3 --' '--- 3 ' '--- 3 '
Frn C7#9
51
33
15 I 14 112713
-11 11 11 11 11 15
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C7 Frn
3
F#rn7 B7 E C#7
B7 E Brn7 A#7
3' 3 '
Arn7 E C#7
52
F#rn7#7
- '---/"
3
". "
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B7 E
#C#7
F#7 G#7
3
C#m G#7#9loeo
C#m
Harm.
leIring- - - - - - - - - - - - - - - - - - - - -i
C#m EO E C#78va------------------------------------------------------------------------------------------------------------------------
IL ,I .. _.u. _ I.._ JJ,_ ... . L.. ~
13 13 1416 15 .-., "I! I~
F#7 B7 E N.C.
8va------ ,0 loeo lSma-u---'-
lelring - - - - - - - - - - --i Harm.
53
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from Jaco Pastorius
Portrait of TracyByJaco Pastorius
Free tirne
*05 D5 A5 E o/c **15ma , wco
fHarm. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ....
letring - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - .... let ring throughout
*Chord symbols reflect implied harmony. ** Ali upstemmed notes are harmonics. Pitches
sound two octaves higher than written except
where indicated at IID .
Cmaj9 o/c Emaj7 E~7#9maj9***
***H.H. H.H.
*** D# harmonic is produced by fretting a B on the 2nd fret of the H string with the index finger,
then playing the harmonic on the 6th fret of the A string with the pinky finger (while stili holding the B).
tHarmonic located 3/10 the distance between 2nd & 3rd frets.
ttHarmonic is located directly over 2nd fre!.
DIF# F6(#4) E13 E13 Esus ~ E13
,-
Esus ~ E13 Esus~ ogo C~ttt 8va - - - - - - - - - - - - - - - - - - - - - - - - - - - ~~?- - - - - - - - - - - - - - - - - - - - - - - - - - -. - - - --
ttt Appl ies to upstemed notes only .
78Copyr ight @ 1976 Pastorius Music
A" Rights Reserved Used b}-Perm'ssioP
[[]Moderately J =98
Emaj9 Cmaj9 Emaj9 E7#9 Eadd2/0# * ** O
,-- 3---, t:\
t:\ I----------------.-.
r ì
H.H. t it
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B~m~7 Bm7 C~8va , ,
Bm9 B~maj7 E~maj(#4) N.C.
J/-,) J.~ ,-
G#m7~5(add6)8va--"
/ _ ,,) /oeo
G D/G NG D/G G#m7~5(add6)
G D/G NG D/G G#m7~5(add6) G D/G
G#m7~5(add6) G/C D/G B~maj7 F6maj7[I]A Tempo
G/C D/G
Emaj9 Cmaj9.-3 'o/c D/O Emaj9 E~7#9 Emaj7(#4) *
t:\
\:I ~r
L-3--.JH.H. H.H. **H.H.
**Harmonicsareproducedby barringthe 9thfre!of theG. D.andA ~
withthe indexfinger.thenplayingtheharmonicsODhe 13thfretof thesalDe
stringswiththe~. finger'wbile stillboldingtheoores00the9Ihfret
79
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fromWeatherReport-Heavy Weather
Teen TownByJaco pastorius
[!] [!]Moderately J =128
Cl3 Al3
Fl3 Dl3 Cl3
Al3 Fl3 Dl3
Cl3 Al3
I
,.
Dl3 8va---, Cl3.. ..
Al3IDeo
liiiiiiI
.. -5--4- "7
,
"5 2,1 ~~ I. 5 3
-5-."7
"7
Copyright e 1977 Haapala MusicA Rights Reserved Used b') Perm $Son 91
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Fl3
Al3
Cl3
Dl3
Dl3
92
Dl3
F13
Al3
Cl3
8va ,
Fl3
Cl3
Cl3 A13
D13
Al3
Fl3
Fl3
D13
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8E13 A13
wl octaver
E13 A13 12
F#13 E13 C#13
r.i:'
>
..
.... ... I
93
m è.: OD r-=-O11è l'''
E13 I I C#13 A13
... JJ._ * JJ._ ,
octaver off
f
ft ,
"7 , .
A13 F#13Play 3 times
r. iiiiiiiiiiii
.,
.
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Bass Notation LegendBass music can be notated two different ways: on a musical statt, and in tablature.
Notes:G AE fC DA R
Strings:
high : ~ow E
THE MUSICAL STAFF shows pitches and rhythms and is divided by bar lines into
measures. Pitches are named af ter the first seven letter s of t he alphabet.
I
TABLATUREgraphically represents the bass fingerboard. Eachhorizontalline
represents a string, and each number represents a fret.
HAMMER-ON: Strike the first (Iower) note with
one finger, then sound the higher note (on the
same stringI with another finger by fretting it
without picking.
=RILL:Veryrapidlyalternatebetweenhenotesindicatedbycontinuouslyhammering
onandpulling011.
a
~NATURALHARMONIC: trikethe notewhile
thefret handlightlytouchesthestringdirectlyoverthefret indicated.
RIGHT-HANDAP:Hammer("tap") the fret
indicatedwiththe "pick-hand"indexormiddlefingerandpull 011o thenotefretted
by the fret hand.
~
+
PULL-OFF:Piacebothfingerson thenotesto besounded.Strikethefirst noteand
withoutpicking,pullthefinger011o sound
the second (Iower) note.
=REMOLOPICKING:Thenoteis pickedasrapidlyandcontinuouslyas possible.
==UFFLEDSTRINGS:Apercussivesoundis
producedby layingthefret handacrossthestring(s)withoutdepressinghemandstriking
themwiththepickhand.=EFT-HANDAP:Hammer("tap") the fretindicatedwiththe "fret-hand"indexor
middlefinger.
ED
ft ~2nd string, 2nd fretrd string, open
LEGATOSLlDE:Strikethefirst noteand
thenslidethesamefret-handfingerup ordownto the secondnote.Thesecondnote
isnotstruck.
=IBRATO:Thestringis vibratedby rapidlybendingandreleasinghenotewiththefrettinghand.
BEND:Strikethenoteandbenduptheintervalshown.
1/2
SLAP:Strike("slap")stringwith right-handthumb.
Accentuatenote (playit louder)
Additional Musical Definitions
Accentuatenotewith greatintensity
Playthenoteshort
Downstroke
v Upstroke
D.S. al Coda 60 backothesign( ~ ), thenplayuntil themeasuremarked"ToCoda,"thenskipto thesectionlabelled"Coda."
D.C.alFIne
u ~
9
1st& 2ndstringsopen,playedtogether
SHIFT SLlDE: Same as legato slide, except
the second note is struck.
SHAKE:Usingonefinger,rapidlyalternate
betweenwonoteson onestringbysliding
eithera half-stepaboveor below.""'"
BENDAND RELEASE:Strike the note and
bend upas indicated, then releaseback to
the originai note.Only thefirst note is struck.
/' -;----...
1/2
POP:Snap("pop") stringwith right-hand
indexor middlefinger.
60 backto the beginning of the song andplay
unti! the measure marked "Fine" (end).
BassFig. Labelusedto recalla recurringpattern.
Fili Labelusedto identifyabriefpatternwhich
is to beinsertedntothearrangement.
tacet Instruments silent(dropsout).
. Repeatmeasuresbetweensigns.
Whenarepeatedectionhasdifferentendings,playthefirst endingonlythefirsttimeandthesecondendingonlythesecondtime.
NOTE: Tablaturenumbersin parenthesesmean:1.Thenoteis beingsustainedoverasystem(noteinstandardnotationistied),or2.Thenoteis sustained,but a newarticulation(suchasahammer-on,ull-oll,slideorvibratobegins), r3. Thenoteis a barelyaudible"ghost"note (notein standardnotationis alsoin parentheses).
103
>
(accent)
"
(accent)
(staccato)
r"1
8/8/2019 Pastorius - Essential
http://slidepdf.com/reader/full/pastorius-essential 40/40
Amerika
Birdland
Blackbird
Soullntro
The Chicken
Chromatic Fantasy
Come on, Come Over
Continuum
Donna Lee
Invitation
Liberty City
Opus Pocus
Portrait of Tracy
River People
TeenTown
Word of Mouth
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