16 rue St-Georges | St-Jorisstraat, 1050 Brussels, Belgium www.xavierhufkens.com +32(0)2 639 67 30

Roni HornNew York and Reykjavik, °1955 (New York, USA)

Biography Selected One-Person Exhibitions

2019 — Hauser & Wirth, Hong Kong, China

2018 — kurimanzutto, Mexico City, Mexico — Roni Horn. PI, Pinakothek der Moderne Kunst, Munich, Germany — Remembered Words, Kukje Gallery, Seoul, Korea — Wits’ End Sampler | Recent Drawings, Hauser & Wirth, Zürich, Switzerland

2017 — Roni Horn, Nasher Sculpture Center, Dallas, TX, USA — Hauser & Wirth, New York, NY, USA — Roni Horn, Glenstone, Potomac, MD, USA

2016-2017 — Roni Horn - The Selected Gifts, Fondation Beyeler, Basel, Switzerland

2016 — Roni Horn, De Pont Museum, Tilburg, The Netherlands

2015 — Roni Horn. Water Teller, Galleria Raffaella Cortese, Milan, Italy — Butterfly to Oblivion, Vincent Van Gogh Foundation, Arles, France — Butterfly Doubt, Hauser & Wirth, London, UK

2014 — Roni Horn. Water Teller, Peter Lund Gallery, Oslo, Norway — Roni Horn. Everything was sleeping as if the universe were a mistake, CaixaForum,

Madrid, Spain, travelled to Fundació Joao Miró, Barcelona, Spain — Kukje Gallery, Seoul, Korea

2013 — Everything was sleeping as if the universe were a mistake, Hauser & Wirth, New York, NY, USA — Roni Horn, Hauser & Wirth, Zurich, Switzerland — Roni Horn, Schirn Kunsthalle, Frankfurt am Main, Germany

2012 — Goetz Collection, Munich, Germany — Selected Drawings 1984 - 2012, Xavier Hufkens, Brussels, Belgium — Sammlung Goetz, Munich, Germany — Selected Drawings 1984 - 2012, Hauser & Wirth, Zurich, Switzerland

2011 — The World Belongs to You, Curated by Caroline Bourgeois,

Palazzo Grassi, François Pinault Foundation, Venice, Italy — i8 Gallery, Reykjavik, Iceland — Roni Horn. Recent Work, Hauser & Wirth, London, UK — Photographien / Photographic Works, Hamburger Kunsthalle, Hamburg, Germany — Double Mobius, FLAG Art Foundation, New York, NY, USA — The Wedding (the Walker Evans Polaroid Project) with Roni Horn,

Andrea Rosen Gallery, New York, NY, USA

2010 — Rat Hole Gallery, Tokyo, Japan — Kukje Gallery, Seoul, Korea — Centre of Contemporary Art, Ujazdowski Castle, Warsaw, Poland — Well and Truly, Kunsthaus Bregenz, Bregenz, Austria

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— Goetz Collection, Munich, Germany — Hauser & Wirth, New York, NY, USA

2009 — Roni Horn aka Roni Horn, ICA – Institute of Contemporary Art, Boston, MA,

USA, travelled to Tate Modern, London, UK; Collection Lambert, Avignon, France; Whitney Museum of American Art, New York, NY, USA

— The tiniest piece of mirror is always the whole mirror, The Common Guild, Glasgow, Scotland

2008 — Gagosian Gallery, Beverly Hills, CA, USA — CAC – Centro de Arte Contemporàneo, Malaga, Spain — Xavier Hufkens, Brussels, Belgium — Roni Horn, CAC Centro de Arte Contemporàneo Malaga, Malaga, Spain — Bird, Hauser & Wirth, London, UK — J’Embrasse Pas, Collection Lambert, Avignon, France — Circulo de Bellas Artes (Photo España), Madrid, Spain — This is Me, this is you? Rathole Gallery, Tokyo, Japan — Roni Horn, Portrait of an Image (with Isabelle Huppert),

Overbeck Gesellschaft, Lübeck, Germany

2007 — Roni Horn – Retrospective: My OZ, Reykjavik Art Museum, Reykjavik, Iceland — Vatnasafn / Library of Water, Stykkisholmur Library, Stykkisholmur, Iceland — A Kind of You, ACCA, Australian Centre for Contemporary Art, Melbourne, Australia — Xavier Hufkens, Brussels, Belgium — Kukje Gallery, Seoul, Korea

2006 — Portrait of an Image, Hauser & Wirth, Zurich, Switzerland — Relaxness, Safn, Reykjavik, Iceland — Roni Horn. Angie and Emily Dickinson, Museion, Bolzano, Italy,

travelled to Inverleith House, Edinburgh, UK

2005 — Portrait of an Image (with Isabelle Huppert), Matthew Marks Gallery, New York, NY, USA

2004 — Rings of Lispector (Agua Viva), Hauser & Wirth, London, UK — Some Thames, Art Institute of Chicago, Chicago, IL, USA — Roni Horn. In der Sammlung, Folkwang Museum, Essen, Germany — Roni Horn Dessins / Drawings / Disegni, Fondazione Bevilacqua La Masa, Venice, Italy — Her, Her, Her and Her, Reykjavik Art Museum, Reykjavik, Iceland

2003 — Xavier Hufkens, Brussels, Belgium — Some Thames, (permanent installation), University of Akureyri, Akureyri, Iceland — Raffaella Cortese, Milan, Italy — Roni Horn. Dessins/Drawings/Disegni, Centre Georges Pompidou, Paris, France. — If on a Winter’s Night. Roni Horn, Fotomuseum Winterthur, Winterthur,

Switzerland, travelled to i8 Galleri, Reykjavik, Iceland — Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland

2002 — Roni Horn. Clowndoubt, Matthew Marks Gallery, New York, NY, USA — Blah, Blah, Blah, part 1, Dia Center for the Arts, New York, NY, USA — Blah, Blah, Blach, part 2, Dia Center for the Arts, New York, NY, USA

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2001 — i8 Galleri, Reykjavik, Iceland — Some Thames, Museo Serralves, Porto, Portugal — Hauser & Wirth & Presenhuber, Zurich, Switzerland — Cabinet Of, Galerie Yvon Lambert, Paris, France — Jablonka Galerie, Cologne, Germany — Xavier Hufkens, Brussels, Belgium

2000 — Lannan Foundation and Site Santa Fe, Santa Fe, NM, USA — Whitney Museum of American Art, New York, NY, USA — Castello di Rivoli, Torino, Italy — National Gallery of Iceland, Reykjavík, Iceland

1999 — CAPC Musée d’Art Contemporain, Bordeaux, France — Musée d’Art Moderne de la Ville de Paris, Paris, France — Raffaella Cortese, Milan, Italy — Haus der Kunst, Bayrische Staatsgemäldesammlungen, Munich, Germany — Matthew Marks Gallery, New York, NY, USA — Zugspitze, Munich, Germany — Jablonka Galerie, Cologne, Germany

1998 — Xavier Hufkens, Brussels, Belgium — Patrick Painter Inc., Los Angeles, CA, USA — Museum für Gegenwartskunst, Basel, Switzerland — Galleri Stefan Andersson AB, Umea, Sweden

1997 — You are the Weather, Institut für Moderne Kunst in der SchmidtBank-

Galerie, Nuremberg, Germany, travelled to De Pont Foundation for Contemporary Art, Tilburg, The Netherlands (1998)

— Untitled (Flannery) and Pooling You, Matthew Marks Gallery, New York, NY, USA — Ingólfsstræti 8, Reykjavík, Iceland — Raffaella Cortese, Milan, Italy — Jablonka Galerie, Cologne, Germany — Fotomuseum Winterthur, Winterthur, Switzerland — Yous in You, permanent Installation, completed 2000, Bahnhof Ost, Basel, Switzerland

1996 — Earths Grow Thick: Works after Emily Dickinson, Wexner Center for the

Arts, Columbus, OH, USA, travelled to Davis Museum & Cultural Center, Wellesley, MA, USA; Henry Street Gallery, Seattle, WA, USA

— Five Installations, Matthew Marks Gallery, New York, NY, USA — Galerie Ghislaine Hussenot, Paris, France — You are the Weather, permanent installation at the German Meteorological Authority,

Helene Weber Allee 21-23, Deutscher Wetterdienst München, Munich, Germany

1995 — Gurgles. Sucks. Echoes, Matthew Marks Gallery, New York, NY, USA — Currents 61: Roni Horn, St. Louis Museum of Art, St. Louis, MO, USA — Jablonka Galerie, Cologne, Germany — Felix Gonzalez-Torres & Roni Horn, Sammlung Goetz, Munich, Germany — Making Being Here Enough. Installations, Drawings, Kunsthalle Basel, Basel,

Switzerland, travelled to Kestner Gesellschaft, Hannover, Germany — Roni Horn: Drawings, Museum für Gegenwartskunst, Basel, Switzerland

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— Alfonso Artiaco Gallery, Naples, Italy

1994 — Texas Gallery, Houston, TX, USA — Inner Geography. Books: To Place, Baltimore Museum of Art, Baltimore,

MD, USA, travelled to List Visual Arts Center, MIT, Cambridge, MA, USA; Yale University Art Gallery, New Haven, CT, USA

— De Pont Foundation for Contemporary Art, Tilburg, The Netherlands — Matthew Marks Gallery, New York, NY, USA

1993 — Jablonka Galerie, Cologne, Germany — Mary Boone Gallery, New York, NY, USA — Matthew Marks Gallery, New York, NY, USA — Margo Leavin Gallery, Los Angeles, CA, USA — Rare Spellings: Selected Drawings 1985-1992, Kunstmuseum Winterthur, Winterthur,

Switzerland. Travelled to Gemeentemuseum, The Hague, The Netherlands; Secession, Vienna, Austria; Kunstverein Köln, Cologne, Germany

— 2nd Floor, Reykjavík, Iceland

1992 — Galerie Annemarie Verna, Zurich, Switzerland — New Museum for Living Art, Reykjavík, Iceland — Jablonka Galerie, Cologne, Germany

1991 — Mary Boone Gallery, New York, NY, USA — Things Which Happen Again, Westfälischer Kunstverein, Münster, Germany — Courtyard Installation, Landesmuseum Münster, Münster, Germany — Städtisches Museum Abteiberg, Mönchengladbach, Germany

1990 — Margo Leavin Gallery, Los Angeles, CA, USA — Paula Cooper Gallery, New York, NY, USA — Temporary Contemporary of The Museum of Contemporary Art, Los Angeles, CA, USA — Leo Castelli, New York, NY, USA

1989 — Paula Cooper Gallery, New York, NY, USA — Galerie Annemarie Verna, Zurich, Switzerland — Jay Gorney Modern Art, New York, NY, USA

1988 — Winston Gallery, Washington, DC, USA — Pair Objects I, II, III, Detroit Institute of Arts, Detroit, MI, USA — Pair Objects I, II, III, Galerie Lelong, New York, NY, USA — Susanne Hilberry, Birmingham, MI, USA — Mario Diacono Gallery, Boston, MA, USA — Things that Happen Again, Permanent Installation, Chinati Foundation, Marfa, TX, USA

1987 — Galerie Maeght Lelong, New York, NY, USA — Galerie Maeght Lelong, Paris, France

1986 — Neuberger Museum of Art, Purchase, NY, USA — Burnett Miller Gallery, Los Angeles, CA, USA

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1985 — Burnett Miller Gallery, Los Angeles, CA, USA — Galerie Maeght Lelong, New York, NY, USA

1983 — Glyptothek, Munich, Germany — Kunstforum, Lenbachhaus Museum, Munich, Germany — Kunstraum, Munich, Germany

1980 — Kunstraum, Munich, Germany — Clocktower, Institute for Art and Urban Resources, New York, NY, USA

1978 — Yale University, New Haven, CT, USA

Selected Group Exhibitions

2018-2019 — 25 Years! Shared Histories, Shared Stories, Fotomuseum Winterthur, Winterthur, Switzerland — Space Shifters, Hayward Gallery, Southbank Centre, London, United Kingdom

2018 — Other Hats - Icelandic Printmaking, The National Gallery of Iceland, Reykjavik, Iceland — Dancing With Myself, Palazzo Grassi – Punta della Dogana, Venice, Italy — Picasso-Gorky-Warhol. Sculpture and Works on Paper. Hubert Looser

Collection’, Kunsthalle Krems, Krems an der Donau, Austria — That Obscure Object of Desire, curated by Philip Larratt-Smith, Fortes

D’Aloia & Gabriel, Sao Paulo / Rio de Janeiro, Brasil — Exchanges, The Whitworth Art Gallery, The University of Manchester, Manchester, UK — I Still Believe In Miracles - Works from Selvaag Art, Astrup Fearnley Museet, Oslo, Norway — Tacita Dean: STILL LIFE, The National Gallery, London, UK — Selves and Others. Gifts to the Collection from Carla Emil and Rich

Silverstein, SFMoMA, San Francisco, CA, USA — One Day at a Time: Manny Farber and Termite Art, MOCA - Museum

of Contemporary Art, Los Angeles, CA, USA — The Land We Live In - The Land We Left Behind, Hauser & Wirth, Somerset, UK

2017-2018 — J’aime Avignon, Collection Lambert, Avignon, France — Animals, Charles Riva Project, Brussels, Belgium — Proof of life, Weserburg Museum of Modern Art, Bremen, Germany — ReView, De Pont at 25, De Pont Museum, Tilburg, The Netherlands

2017 — Ex Situ. Samples of Lifeforms, Copenhagen Contemporary, Copenhagen, Denmark — Serialities, Hauser & Wirth, New York, NY, USA

2016 — Inside: Artists and Writers in Reading Prison, HM Prison Reading, Reading, UK — I still Believe in Miracles, Inverleith House, Edinburgh, UK — Invisible Adversaries : Marieluise Hessel Collection, Hessel Museum of

Art, Bard College, Annandale-on-Hudson, NY, USA — Don’t Look Back: The 1990s at MOCA, The Geffen

Contemporary at MOCA, Los Angeles, CA, USA

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— Illumination, Louisiana Museum of Modern Art, Humlebaek, Denmark — Group Show, Galerie Hussenot, Paris, France

2015-2016 — Maisons Fragiles, Hauser & Wirth, London, UK — Opening the Box: Unpacking Minimalism, Curated by Mark Godfrey,

The George Economou Collection, Athens, Greece — Drawing | THE BOTTOM LINE, S.M.A.K., Ghent, Belgium — Drawing Redefined, deCordova Sculpture Park and Museum, Lincoln, MA, USA

2015 — Tempo al Tempo. Art from Anno Domini to Roni Horn, Roman Road, London, UK — America Is Hard to See, Whitney Museum of American Art, New York, NY, USA — Choice Works, MANA Contemporary, Jersey City, NJ, USA — The Blue of Distance, Aspen Art Museum, Aspen, CO, USA — Slip of the Tongue, Curated by Caroline Bourgeois and Danh Vo, Punta

della Dogana, François Pinault Foundation, Venice, Italy — Gesichter, ein Motif zwischen Figur, Poträt und Maske, Neues Museum, Nürnberg, Germany — Books Beyond Artists: Words and Images, Ivorypress, Madrid, Spain

2014–2015 — playing by heart, KOLUMBA Art museum of the Archdiocese of Cologne, Cologne, Germany — Ladies First! Female Artists from the Schaufler Collection, Schauwerk, Sindelfingen, Germany

2014 — Performance: Contemporary Photography from the Douglas Nielsen Collection,

Center for Creative Photography, Tucson AZ, USA — The Hidden Picture, Cobra Museum of Modern Art, Amstelveen, The Netherlands — Beyond and Between, Leeum, Samsung Museum of Art, Seoul, South Korea — Picture Ballot! Monolithic Water, Kunsthaus Zürich, Zurich, Switzerland — Theatre of the Mind, Cranbrook Art Mueum, Bloomfield Hills, MI, USA — On the road, Curated by Gloria Moure, Pazo de Xelmirez & Park and Church

of San Domingos de Bonaval, Santiago de Compostela, Spain — KUB Collection Showcase. New Aquisitions from Ai Weiwei to

Zobernig, Kunsthaus Bregenz, Bregenz, Austria — À Corps Perdu, L’Espace de l’Art Concret, Mouans-Sartoux, France — TRAME / Copper Crossing in contemporary art, design, technology

and architecture, Triennale di Milano, Milan, Italy — Pure Water. The Most Valuable Resource of the World, LENTOS Kunstmuseum Linz, Linz, Austria — The Disappearance of the fireflies, Collection Lambert, prison Sainte Anne, Avignon, France — David Altmejd, Roni Horn, Didier Vermeiren, Danh Vo, Xavier Hufkens, Brussels, Belgium — L’imagine suivante: Choix dans les collections de la Fédération Wallonie-Bruxelles,

Musée des Arts Contemporains, Site de Grand Hornu, Belgium

2012 — Miroslaw Balka e Roni Horn, Galleria Raffaella Cortese, Milan, Itlay — Light and Landscape, Storm King Art Center, Mountainville, NY, USA — Through the looking Brain - A Swiss Collection of Conceptual Photography,

Kunstmuseum St. Gallen, Switzerland (Travelling Exhibition) — Parallelwelt Zirkus / The Circus as a parallel Universe, Kunsthalle Vienna, Austria — Für Hund und Katz ist auch noch Platz, Kunsthalle Recklinghausen, Fotografien

aus der DZ BANK Kunstsammlung, Recklinghausen, Germany — Drawn, Margo Leavin Gallery, Los Angeles, CA, USA — Von Horizonten / On Horizons, Winterthur, Switzerland — Dark Matters, Hirshhorn Museum and Sculpture Garden, Washington, DC, USA

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2011 — Light-Sensitive - Contemporary Photography from the Schaufler

Collection, Schauwerk, Sindelfingen, Germany — Nature - Contemporary Art from the Collection of the Altana

Kulturstiftung, Osthaus Museum, Hagen, Germany — The Last First Decade, Ellipse Foundation Art Centre, Cascais, Portugal — Volume!, Works from the Collections of La Caixa Foundation and

MACBA, Museu d’Art Contemporani, Barcelona, Spain — Text, Kuckei + Kuckei, Berlin, Germany — Faster and Slower Lines - From the Collection of Pétur and Ragna Robertsdottir,

Reykjavik Art Museum, Hafnarhus, Reykjavik, Iceland — Through the looking brain - A Swiss Collection of Conceptual Photography, Kunstmuseum

Bonn, Bonn, Germany, travelled to: Kunstmuseum St. Gallen, Switzerland — In Praise of Doubt, Punta della Dogana, François Pinault Foundation, Venice, Italy — The Dwelling Life of Man. Photographs from the Martin Z. Margulies

Collection, The Barrié Foundation, A Coruna, Spain — Circa 1986, Hudson Valley Center for Contemporary Art, Peekskill, NY, USA — If you lived here, you’d be home by now, CCS Bard Hessel Museum

of Arts, Annandale-on-Hudson, New York, NY, USA — Perspectives - On the Borders of Art and Philosophy, Reykjavik Art Museum, Reykjavik, Iceland — ATLAS. How to carry the world on one’s back?, ZKM Museum für

neue Kunst, Karlsruhe, Germany, travelled to Deichtorhallen Hamburg - Sammlung Falckenberg, Hamburg, Germany

— Contemporary Collecting: The Judith Neisser Collection, The Art Institute of Chicago, Chicago, MI, USA

— Le Mois de la Photo à Montréal. Lucidité. Vues de l’intérieur / Lucidity. Inward views, Galerie de L’ Uqam, Montréal, Canada

— Series of Portraits: A Century of Photographs, Museum für Kunst und Gewerbe, Hamburg, Germany

— Without Destination, Reykjavik Art Museum, Reykjavik, Iceland — Personal Tempest, Neue Galerie, Innsbruck, Austria — He Disappeared into Complete Silence: Re-reading a single artwork by Louise

Bourgeois, Museum de Hallen, Haarlem, The Netherlands — Wide Angle: Photography and its influence on contemporary art - A Selection,

Vanderbilt University Fine Arts Gallery, Nashville, TN, USA — Unforgettable: Selections from the Emily Fisher Landau Collection, Fisher

Landau Center for Art, Long Island City, NY, USA — Hertie Querty, Gallery of Modern Art, Glasgow, Scotland — Vision is elastic. Thought is elastic, Murray Guy, New York, NY, USA

2010 — I believe in Miracles. 10th Anniversary of the Lambert Collection,

Collection Lambert, Avignon, France — Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary

Drawings Collection, Institut Valencia d’Art Modern, Valencia, Spain — Haunted: Contemporary Photography / Video / Performance, Guggenheim Museum,

Biboa, Spain, travelled to Guggenheim Museum, New York, NY, USA — EXHIBITION EXHIBITION, Castello di Rivoli, Turin, Italy — Thanks for being with us: Contemporary Art from the Douglas Nielsen

Collection, Tuscon Museum of Art, Tuscon, AZ, USA — Languages and Experimentations. Young artists in a contemporary collection, Mart Rovereto

Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy — Contemporary Collecting: Selections from the Donna and Howard Stone

Collection, The Art Institute of Chicago, Chicago, IL, USA

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— Habiter poétiquement le monde. Exposition inaugurale’, Lille Métropole Musée d’Art Contemporain et d’Art Brut, Lille, France

— Hope! Une exposition d’art contemporain sur l’espoir, Palais des Arts et du Festival Dinard, Dinard, France

— 10.000 Lives, The Eight Gwangju Biennale, Gwangju Biennale Hall, Gwangju Museum of Art, Gwangju, Korea

— Not Cooperative, The Luckman Fine Art Complex, California State University, Los Angeles, CA, USA

— Presentation of the Collection. 20th and 21st Century, Folkwang Museum, Essen, Germany — Collection: MOCA’s First Thirsty Years, The Museum of

Contemporary Art, Los Angeles, CA, USA — Pictures by Women: A History of Modern Photography, The

Museum of Modern Art, New York, NY, USA — Che cosa sono le nuvole? Works from the Enea Righi Collection, Musei Bolzano, Bolzano, Italy — The Private Museum, Galleria d’Arte Moderna, Bergamo, Italy — Drawn / Taped / Burned: Abstraction on Paper, Katonah Museum of Art, Katonah, NY, USA — Unsettled Objects, Gallery of Modern Art, Glasgow, Scotland

2009 — Look at me. Faces and Gazes in Art 1969 - 2009, Museo Cantonale d’Arte, Lugano, Switzerland — Paired, Gold: Felix Gonzalez-Torres and Roni Horn, Guggenheim Museum, New York, NY, USA — Continuous Present, Yale University Art Gallery, New Haven, CT, USA — Retour de Rome. De la Villa Médicis à la Collection Lambert en

Avignon, Collection Lambert, Avignon, France — Holbein to Tillmans. Prominent Guests from the Kunstmuseum Basel, Schaulager, Basel, Switzerland — Rencontres d’ Arles 2009, Grande Halle, Arles, France — Espèces d’ Espaces (Species of Spaces), Yvon Lambert, New York, NY, USA — Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary

Drawings Collection, MoMA – The Museum of Modern Art, New York, NY, USA — Wall Rockets: Contemporary Artists and Ed Ruscha, Abright-Knox Art Gallery, Buffalo, NY, USA — Double Object, Thomas Dane Gallery, London, UK — Elles@Centrepompidou. Women artists in the collection of the National

Modern Art Museum, Centre Georges Pompidou, Paris, France — Isabelle Huppert: Woman of many Faces, Ullens Center for Contemporary Art, Beijing, China — Manmade: Notions of Landscape from the Lannan Collection, New

Mexico Museum of Art, Santa Fe, NM, USA — An die Natur III, Altana Kunstsammlung im Sinclair Haus, Bad Homburg, Germany

2008 — Collection Selection, Museum für Gegenwartskunst, Basel, Switzerland — The Sum of its Parts, Cheim & Read, New York NY, USA — Nina in Position, Artists Space, New York NY, USA — The Complexity of the Simple, L & M Arts, New York NY, USA — Always begins by Degrees, The Common Guild, Glasgow, Scotland — True North, Deutsche Guggenheim, Berlin, Germany — Cose mai viste, Terme di Diocleziano, Rome, Italy — Zeichnung als Prozess / Drawing as Process, Folkwang Museum, Essen, Germany — The Grand Tour. Exhibition of the Collection Lambert en Avignon at

the Villa Medici in Rome, Villa Medici, Rome, Italy — Many Kinds of Nothing, Montserrat College of Art Gallery, Beverly, MA, USA — An die Natur. ALTANA Kunstsammlung, ALTANA Kultur Stiftung, Bad Homburg,

Germany, travelled to Museum Frieder Burda, Baden-Baden, Germany — Mental Drawings, Galleria Alessandra Bonomo, Rome, Italy — Quiet Politics, Zwirner & Wirth, New York, NY, USA — Academia. Qui es-tu?, Chapelle de l’Ecole Nationale Supérieure des Beaux-Arts, Paris, France

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— pleinairism, i8 Gallery, Reykjavik, Iceland — Elements and Unknowns, MoMA – The Museum of Modern Art, New York, NY, USA — Wall Rockets: Contemporary Artists and Ed Ruscha, Flag Art Foundation, New York, NY, USA — Lines, Grids, Stains, Words, Museu de Serralves, Porto, Portugal,

travelled to Museum Wiesbaden, Germany, travelled to MoMA – The Museum of Modern Art, New York, NY, USA

2007 — Water, The Pulitzer Foundation for the Arts, St. Louis, MO, USA — Equal That Is, To the Real Itself, Marian Goodman Gallery, New York, NY, USA — Im Fluss, Neues Museum Weserburg, Bremen, Germany — Grey Water, The Institute of Modern Art, Brisbane, Australia — Richard Artschwager, Louise Bourgeois, Roni Horn, Raymond

Pettibon, Xavier Hufkens, Brussels, Belgium — Nina in Position, Artists Space NY, New York, NY, USA — Art for Yale: Acquisitions for a New Century, YUAG Yale

University Art Gallery, New Haven, CT, USA — Japan und der Westen. Die erfüllte Leere und der moderne

Minimalismus, Kunstmuseum Wolfsburg, Germany — From the Earth to the Moon, Castello di Rivoli, Turin, Italy — Die Kunst zu Sammeln, Kunstpalast Düsseldorf, Düsseldorf, Germany — Towards A New Ease – Set 4 from the Collection of the Fotomuseum

Winterthur, Fotomuseum Winterthur, Winterthur, Switzerland — Repeated Performances: Roni Horn and Ragnar Kjartansson, CS Bard College,

Hessel Museum of Art, Annandale-on-Hudson, NY, USA — Paint it Blue, Neues Museum Weserburg, Bremen, Germany — The Suspended Moment, Z33, Hasselt, Belgium — The Guggenheim. Matthew Barney, Douglas Gordon, Anna Gaskell, Roni Horn,

Inigo Manglano-Ovalle, u.a., Kunstmuseum Bonn, Bonn, Germany — Facade, Krannert Art Museum, Champaign, IL, USA — J’embrasse pas, Collection Lambert, Avignon, France — Works from Multiplex: Directions in Art, 1970 to Now, MoMA,

The Museum of Modern Art, New York, NY, USA — The Shapes of Space, Guggenheim Museum, New York, NY, USA — Sculpture, James Kelly Contemporary, Sante Fe, NM, USA — PURE, Sean Kelly Gallery, New York, NY, USA — Everstill, La Huerta de San Vicente. Casa-Museo Federico Garcia Lorca, Granada, Spain

2006 — Dedica – Vent’anni con Alfonso Artiaco, Palazzo delle Arti Napoli, Naples, Italy — Galerie Patrick Seguin invites Hauser & Wirth, Galerie Patrick Seguin, Paris, France — Wrestle, Hessel Museum of Art / CCS Galleries Bard

College, Annandale-on-Hudson, NY, USA — Against the Grain: Contemporary Art from the Edward R. Broida Collection, Curated

by Ann Temkin, Museum of Modern Art, New York, NY, USA — Time Frame, Curated by Neville Wakefield, P.S.1. Contemporary

Art Center - MoMA, New York, NY, USA — Helga de Alvear. Concepts for a collection, Exhibition Centre

of Centro Cultural de Belém, Belém, Brazil — Drawings. Roni Horn, Louise Bourgeois, Hauser & Wirth, Zurich, Switzerland — Medium Fotografie, Galerie Stampa, Basel, Switzerland — EROS, Fondation Beyeler, Basel, Switzerland — Le Paradoxe du Comédien. Les Figures de l’Acteur, Collection Lambert.

Musée d’Art Contemporain, Avignon, France — O Momento Suspendido. Colección H&F, MARCO, Vigo, Spain

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— III Naturale, Museo di Fotografia Contemporanea, Cinisello Balsamo, Italy — See into liquid, Museum of Contemporary Art, Denver, CO, USA — Photo Books Now, San Francisco Center for the Book, San Francisco, CA, USA — Roni Horn. Livres d’artiste et catalogues, Christophe Daviet-Thery, Paris, France — Recent Drawings: Robert Gober, Roni Horn, Jasper Johns, Ellsworth Kelly, Brice Marden,

Ken Price, Charles Ray, Terry Winters, Matthew Marks Gallery, New York, NY, USA — Plane/Figure, Kunstmuseum Winterthur, Winterthur, Switzerland — Artists for Chinati, Phillips de Pury & Company, New York, NY, USA — Skin is a Language, Whitney Museum of American Art, New York, NY, USA — Responding to Kahn: A Sculptural Conversation, Yale University

Art Gallery, New Haven, CT, USA

2005 — Isabelle Huppert: La Femme Aux Portraits, P.S.1 MoMa, New York, NY, USA — Zoo Story, Fisher Landau Center for Art, Long Island City, NY, USA — Looking at Words. The Formal Presence of Text in Modern and Contemporary

Works on Paper, Andrea Rosen Gallery, New York, NY, USA — Coleccion Fundacion, La Caixa, Barcelona, Spain — Over Sight, Bard College, Annandale-on-Hudson, NY, USA — Theorema, Collection Lambert, Avignon, France — Douglas Gordon’s The Vanity of Allegory, Curated by Douglas

Gordon, Deutsche Guggenheim, Berlin, Germany — Water, Water Everywhere... , Scottsdale Museum of Contemporary Art, Scottsdale, AZ, USA — Landscape, Whitney Museum of American Art, New York, NY, USA — Drawing from the Modern 1975-2005, The Museum of Modern Art, New York, NY, USA — Le Tableau des Eléments, MAC’s-Musée des Arts Contemporains

du Grand-Hornu, Grand-Hornu, Belgium — Offwhite: Carte grise à Geneviève Cadieux, Dazibao, Centre de

Photographies Actuelles, Montréal, Canada — Le temps suspendu, Crac Alsace – Centre Rhenan d’Art Contemporain, Altkirch, France — Cromosoma X, Galleria Sottopasso della Stua, Genova, Italy — Taking In Water, Art Gallery & Museum, The Royal Pump Rooms, Royal Leamington Spa, UK — Through the Looking Glass, Lewis Glucksman Gallery, Cork, Ireland — An Aside. Selected by Tacita Dean, Camden Arts Centre, London, UK, travelled to The

Fruitmarket Gallery, Edinburgh, Scotland; The Glynn Vivian Art Gallery, Swansea, UK — Felix Gonzalez-Torres, Roni Horn, Andrea Rosen Gallery, New York, NY, USA — Ocean 11212-W, Galleria Raffaella Cortese, Milan, Italy — Suspended Narratives, Lora Reynolds Gallery, Austin, TX, USA

2004 — Reykjavik Arts Festival 2004, Reykjavik, Iceland — Für die Konstruktion des Unmöglichen, European Kunsthalle, Cologne, Germany — L’Ombre du Temps, Centre National du Jeu de Paume, Paris, France — Fotografie und Video: Bill Viola, Gary Hill, Roni Horn,

Pinakothek der Moderne, Munich, Germany — I am the Walrus, Cheim and Read, New York, NY, USA — In Extremis, Les Abattoirs, Centre d’Art Contemporain, Toulouse, France — Cavebirds, Galleria Raffaella Cortese, Milan, Italy — Soft Edge, MCA - Museum of Contemporary Art, Chicago, IL, USA — The Big Nothing, ICA - Institute of Contemporary Art, Philadelphia, PA, USA — Le Printemps de Septembre, Toulouse, France — Vague II Hommages et digressions, Musée Malraux, Le Havre, France — Memoria y Paisaje. Memory and Landscape, La Casa Encendida, Madrid, Spain — Whitney Biennial, Whitney Museum of American Art, New York, NY, USA

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Roni Horn

— Singular Forms. Sometimes Repeated: Art from 1651 to the Present, Guggenheim Museum, New York, NY, USA

— A Fripon. Fripon et demi, Collection Lambert en Avignon, Avignon, France — Sand in der Vaseline. Künstlerbücher 1980 bis 2002, Neues

Museum in Nürnberg, Nürnberg, Germany — Lei-Donne nelle Collezioni Italiane, Fondazione Sandretto Re Rebaudengo, Turin, Italy — Beyond Tradition: Permanent Collection Photographs, San Jose Museum of Art, San Jose, CA, USA — Fresh: Works on Paper, James Kelly Contemporary, Santa Fe, NM, USA — Schriftbilder/Bilderschrift, Galerie von Bartha, Basel, Switzerland

2003 — Sand in der Vaseline. Künstlerbücher 1980 bis 2002, Kaiser Wilhelm Museum,

Krefeld, Germany, travelled to Hessisches Landesmuseum Darmstadt, Darmstadt, Germany; Neues Museum Nürnberg, Nürnberg, Germany

— L’Esposizione Internazionale d’Arte, La Biennale die Venezia, Venice, Italy — Game over, Grimm/Rosenfeld, Munich, Germany — Stretch, The Power Plant, Toronto, CA, USA — 50th Venice Biennale, Venice, Italy — Capp Street Project: 20th Anniversary Exhibition, CCA Wattis. Wattis

Institute for Contemporary Arts, San Francisco, CA, USA — Drawing Modern. Works from the Agnes Gund Collection, The

Cleveland Museum of Art, Cleveland, OH, USA — Stacked, D’Amelio Terras, New York, NY, USA — Talking Pieces, Museum Morsbroich, Leverkusen, Germany — In Natura – X Biennale internazionale di Fotografia, Fondazione

Italiana per la Fotografia, Turin, Italy — Ars photographica, Neues Museum Weserburg, Bremen, Germany — A Perspective on Contemporary Art: Continuity/Transgression,

The National Museum of Art, Osaka, Japan

2002 — Living Room, Jablonka Galerie, Cologne, Germany — Kleine Kleinigkeit, Kunsthalle Basel, Basel, Switzerland — Everyday Utopias, PAC Padiglione d’Arte Contemporanea, Milan, Italy — Art on Paper 2002, Weatherspoon Art Museum at University

of North Carolina, Greensboro, NC, USA — Transformer II, Air de Paris, Paris, France — Text Message, Galeria Helga de Alvear, Madrid, Spain — The Air is Blue, Casa Museo Luis Barragan, Mexico City, Mexico — Au Regard du Paysage, Centre des Arts Saidye Bronfman, Montreal, Canada — Limits of Perception, Fundació Joan Miró, Barcelona, Spain — Tempo, MoMA - The Museum of Modern Art, New York, NY, USA — Photographer to photograph., Museum Lambert. Musée d’Art Contemporain, Avignon, France — Regarding Landscape, Art Gallery of York University, Toronto, Canada — The House of Fiction, Sammlung Hauser & Wirth, St. Gallen, Switzerland — Between Language and Form, Yale University Art Gallery, New Haven, CT, USA

2001 — The Citibank Photography Prize 2001, The Photographer’s Gallery, London, UK — Tenth Anniversary Exhibition: 100 Drawings and Photographs,

Matthew Marks Gallery, New York, NY, USA — The Inward Eye: Transcendence in Contemporary Art,

Contemporary Arts Museum, Houston, TX, USA — The 1st Auckland Triennial, Bright Paradise, Auckland Art

Gallery Toi o Tamaki, Auckland, New Zealand

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Roni Horn

2000 — Voici, Palais des Beaux-Arts, Brussels, Belgium — Recent Acquisitions, Musée d’Art Moderne de la Ville de Paris, Paris, France — Lost, Ikon Gallery, Birmingham, UK — Szenenwechsel XVII, Museum für Moderne Kunst, Frankfurt, Germany — Drawing 2000, Barbara Gladstone Gallery, New York, NY, USA — The Inward Eye, Contemporary Arts Museum, Houston, TX, USA — 100 Drawings and Photographs, Matthew Marks Gallery, New York, NY, USA — Recent Acquisitions, Kunsthaus Zürich, Zurich, Switzerland

1998 — Everyday, 11th Sydney Biennale, Sydney, Australia — Maverick, Matthew Marks Gallery, New York, NY, USA — View 2, Mary Boone Gallery, New York, NY, USA

1997 — Fast Forward, Kunstverein Hamburg, Hamburg, Germany — XLVII Esposizione Internationale d’Arte, La Biennale di Venezia, Venice, Italy — Density of the Unimaginable Museum, Centre d’Art Contemporain

du Domaine de Kerguehennec, Bignan, France — Galerie Nächst St. Stephan, Vienna, Austria — Sleight of Mind: The Angle of a Landscape, with Gabriel Orozco, Hessel

Museum of Art / CCS Galleries Bard College, Reinbeck, NY, USA

1996 — Artist’s Books, Brooke-Alexander Gallery, New York, NY, USA — From Beuys to Trockel. Contemporary Drawings from the

Kunstmuseum Basel, Centre Pompidou, Paris, France — Thinking Print, The Museum of Modern Art, New York, NY, USA — Open Secrets, Matthew Marks Gallery and Fraenkel Gallery, San Francisco, CA, USA — Recent Acquisitions, The Museum of Modern Art, New York, NY, USA

1995 — Word for Word, Beaver College Art Gallery, Glenside, PA, USA — Untitled (Reading Room), Margo Leavin Gallery, Los Angeles, CA, USA — Summer 1995, Matthew Marks Gallery, New York, NY, USA — Corners, Paula Cooper Gallery, New York, NY, USA — Works on Paper, Matthew Marks Gallery, New York, NY, USA — In a Different Light, University Art Museum, Berkeley, CA, USA

1994 — Photography, Margo Leavin Gallery, Los Angeles, CA, USA — Das Américas, Galeria Luisa Strina, São Paulo, Brazil — Drawings, Firth Gallery, London, UK — Photographs, Firth Gallery, London, UK

1993 — 21st Century, Kunsthalle Basel, Basel, Switzerland — Drawn in the 90’s, Curated by Joshua Smith, I.C.A., Boston, MA, USA,

travelled to Illingworth Kerr Gallery/Alberta College of Art, Calgary, Alberta, Canada; Huntsville Museum of Art, Huntsville, AL, USA

1992 — DePont Foundation for Contemporary Art, Tilburg, The Netherlands — A Second Thought About Landscape Photography, Centre d’Art

Contemporain du Domaine de Kerguehennec, Bignan, France — Documenta IX, Kassel, Germany

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Roni Horn

— Drawn in the 90’s, Curated by Joshua Smith (Curating for I.C.A.), Katonah Museum of Art, New York, NY, USA

— Untitled, Rubin Spangle Gallery, New York, NY, USA — All Words Suck, Anders Tornberg Gallery, Lund, Sweden

1991 — Whitney Biennial, Whitney Museum of American Art, New York, NY, USA

1990 — Sculptor’s Drawings, Baltimore Museum of Fine Arts, Baltimore, MD, USA — Quotations, Annemarie Verna Gallery, Zurich, Switzerland — Drawings, Aargauer Kunsthaus, Aarau, Switzerland — Recent Drawings, Whitney Museum of American Art, New York, NY, USA — Margo Leavin Gallery, Los Angeles, CA, USA

1989 — AVA, Virginia Museum of Fine Arts, Richmond, VA, USA — A Decade of American Drawing, Daniel Weinberg Gallery, Los Angeles, CA, USA — Prospect 89, Frankfurt, Germany — Non-representation, Anne Plumb Gallery, New York, NY, USA

1988 — Susanne Hilberry Gallery, Detroit, MI, USA — Zola Lieberman Gallery, Chicago, IL, USA — The Inscribed Image, Lang-O’Hara Gallery, New York, NY, USA — AVA, Los Angeles County Museum of Art, Los Angeles, CA, USA — Works on Paper, Pamela Auchincloss Gallery, New York, NY, USA — AVA, Carnegie-Mellon University Art Gallery, Pittsburgh, PA, USA

1987 — Galerie Maeght Lelong, New York, NY, USA — Thomas Segal Gallery, Boston, MA, USA — Similia-Dissimilia, Düsseldorf Kunsthalle, Düsseldorf, Germany, travelled to Leo

Castelli Gallery, New York, NY, USA; Wallach Art Center, New York, NY, USA — Lead, Hirschl and Adler Modern, New York, NY, USA

1986 — XLII Esposizione Internazionale d’Arte, La Biennale di Venezia,Venice, Italy — Chris Middendorf Gallery, Washington, DC, USA — Barbara Krakow Gallery, Boston, MA, USA — Diane Brown Gallery, New York, NY, USA

1985 — Gallery Shimada, Yamaguchi, Japan — Jatta Vondran, Düsseldorf, Germany — Alfred Kren Gallery, New York, NY, USA — Lorence-Monk Gallery, New York, NY, USA — Burnett Miller Gallery, Los Angeles, CA, USA

1984 — XLI Esposizione Internazionale d’Arte, La Biennale di Venezia, Venice, Italy — Barbara Braatten Gallery, New York, NY, USA

1983 — Kunstraum, Munich, Germany

1980 — XL Esposizione Internazionale d’Arte, La Biennale di Venezia, Venice, Italy — The Material Object, Hayden Gallery, Cambridge, MA, USA

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Roni Horn

Awards and grands

2011 — Aspen Award for Art

2001 — The Citibank Private Bank Photography Prize (Short-listed)

1998 — Sculpture Award, Sculpture Center, New York, NY, USA — Alpert Award in the Arts, Los Angeles, CA, USA

1996 — Engelhard Foundation Artist Residency, Bequia, Iceland

1990 — NEA Artist’s Fellowship, Washington, DC, USA — Guggenheim Fellowship, New York, NY, USA

1988 — AVA 7, Awards in the Visual Arts, North Carolina, USA

1986 — NEA Artist’s Fellowship, Washington, DC, USA

1984 — NEA Artist’s Fellowship, Washington, DC, USA

1983 — Humanities Development Grant, Colgate University, Hamilton, NY, USA

1978 — Ford Foundation Grant, New Haven, CT, USA — Alice Kimball Traveling Fellowship, from Yale University, New Haven, CT, USA

Performances, lectures and broadcasts

2009 — Shenkman Lecture in Contemporary Art. Roni Horn, March 11, The

University of Guelph & The School of Fine Art and Music

2008 — Roni Horn Weekend. 1 Year of Library of Water, Library of Water, May 23-25, Reykjavik, Iceland

2005 — Public Art Fund, New School for Social Research, November 7, New York, NY, USA — Palais de Tokyo, with Helene Cixous, November 19, Paris, France

2004 — Roni Horn: Wonderwater (Alice Offshore), Artangel, Reading/Performance by Anne Carson,

Hélène Cixous, John Waters (live), Louise Bourgeois (video), November 2, London, UK — Roni Horn: Wonderwater (Alice Offshore), The Whitney Museum of American

Art, Reading/Performance by Anne Carson, Hélène Cixous, John Waters (live), Louise Bourgeois (video), May 5, New York, NY, USA

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Roni Horn

2004-2001 — Saying Water, Harvard University, December 10 2004, Cambridge, UK, travelled to Art

Institute Chicago, May 25, 2004 Chicago, IL, USA; La Casa Encendida, March 30, 2004, Madrid, Spain; Casa Museo Luis Barragan, November 2, 2003, Mexico City, Mexico; Saying Water, CCAC Wattis Institute, San Francisco, CA, USA; The Whitney Museum of American Art, September 2001, New York, NY, USA; The Tate Modern, London, UK

Selected Monographs and Exhibition Catalogues

2012 — HUSSLEIN-ARCO, Agnes, Zaunschirm, Thomas (eds.),

Gold, Vienna: Belvedere, p.74, ill. (exh. cat.) — SIBONY, Gedi, In The Still Epiphany, St Louis: The Pulitzer

Foundation for the Arts, p.46, ill. (exh. cat.) — IPPENDORF, Stefanie, Gunda Luyken and Beat Wismer (eds.), Aus Passion. Die

Sammlung Hanck im Museum Kunstplaat, Cologne: Wienland Verlag, ill. (exh. cat.)

2011 — NINACS, Anne-Marie (ed.), Lucidité. Vues de l’intérieur / Lucidity. Inward Views,

Montréal: Le Mois de la Photo à Montréal, pp. 34-37, ill. (exh. cat) — BIRNBAUM, Daniel and Hans Ulrich Obrist, Defining Contemporary Art -

25 years in 200 pivotal artworks, London: Phaidon, pp.432-433, ill. — GASSNER, Hubertus and Petre Roettig, (eds.), Roni Horn.

Photographien, Hamburg: Hamburger Kunsthalle, ill. (exh. cat.) — PETRY, Michael, The Art of not making. The new artist/artisan

relationship, London: Thames & Hudson, pp.42, 81, 185, ill. — The Soap Room (ed.), Personal Tempest, Innsbruck: The Soap Room, pp. 60-61, ill. (exh. cat.)

2010 — Kukje Gallery, Roni Horn, Seoul: Kukje Gallery, ill. (exh. cat.) — MORINEAU, Camille, ARTISTES FEMMES. DE 1905 A

NOS JOURS, Paris: Centre Pompidou, p.137, ill. — FAUPIN, Savinen, Christophe Boulanger, François Piron (eds.), Habiter

poétiquement le monde, Villeneuve d’Ascq: Le LaM - Lille Métropole Musée d’art moderne, d’art contemporain et d’art brut, pp. 175, 219, 233, ill. (exh. cat.)

— DIACONO, Mario, Iconography and Archetypes. The Form of Painting 1985-1994, Milano: Silvana Editorale, pp. 80,81; 328-332, ill.

— HORN, Roni, Roni Horn. aka, Göttingen: Steidl — POIVERT, Michel, L’expérimental comme expérience, La Photographie

Contemporaine, Paris: Flammarion, pp. 56-58, ill. — DZIEWIOR, Yilmaz, Kunsthaus Bregenz (ed.), Roni Horn. Well

and Truly, Bregenz: Kunsthaus Bregenz, ill. (exh. cat.) — Palais des Arts, Dinard, Hope! Une exposition d’art contemporain

sur l’espoir, Paris: Skira Flammarion, ill. (exh. cat.) — Museum Folkwang (ed.), Die Grafische Sammlung im Museum Folkwang. Ein

Themenbuch, Göttingen: Edition Folkwang/Steidl, pp. 122, 123, ill. — CLARKE, David J., Water and Art, London: Reaktion Books, p. 251, ill. — The Art of the 20th Century. 2000 and Beyond. Contemporary Tendencies, Skira: Milan, p. 93, ill. — DIMANT, Elissa, Minimalism and Fashion. Reproduction in the postmodern

ear, New York: HarperCollinsPublishers, p.178, ill.

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2009 — BONHAM-CARTER, Charlotte and David Hodge, The

Contemporary Art Book, London, p.113, ill. — MORINEAU, Camille and Annalisa Rimmaudo, Women Artists, elles@

centrepompidou, Paris: Centre Pompidou, p.133, ill. (exh. cat.) — WELZEL, Mark (ed.), 200 Artworks 25 Years Artists’

Editions for Parkett, Zurich: Parkett Publishers. — HORN, Roni, Roni Horn aka Roni Horn, Goettingen: Steidl and

Whitney Museum of American Art, New York, (exh. cat.) — LINGWOOD, James, Briony Fer, Adrian Searle, Roni Horn. Vatnasafn/

Library of Water, London/Goettingen: Artangel/Steidl — Collection Lambert en Avignon, Roni Horn, Paris: Edition Phébus (exh. cat.) — SELBY, Aimée, Art and Text, London: Black Dog Publishing, pp.237, 266, 278, ill. — HEBEL, François, Les Rencontres d’Arles Photography. 40 Years of recontres.

40 Years of disruption, Arles: Actes Sud, pp.205, ill. (exh. cat.) — MEZIL, Eric, Roni Horn, Avignon: La Collection Lambert, (exh. cat.) — FER, Briony, Elisabeth Lebovici and Thierry De Duve, Roni Horn, Avignon:

Collection Lambert en Avignon, Musee d’Art Contemporain, (exh. cat.) — The Museum of Modern Art (ed.), Compass in Hand: Selections from The

Judith Rothschild Foundation Contemporary Drawings Collection, New York NY: The Museum of Modern Art, pp. 138-139, ill. (exh.cat.)

— The Museum of Modern Art (ed.), The Judith Rothschild Foundation Contemporary Drawings Collection. Catalogue Raisonné, New York NY: The Museum of Modern Art, p.150; ill.

2008 — The FLAG Art Fondation (ed.), Wall Rockets, New York NY:

The FLAG Art Fondation, p.60, ill. (exh. cat.) — ELGARTE, Mercedes (ed.), Felix Gonzales-Torres. Somewhere/Nowhere,

Buenos Aires: Malba - Fundacion Costantini, pp.14-15, ill. (exh. cat.) — The Museum of Modern Art (ed.), Lines, Grids, Stains, Words, Minimal Art.

Drawings from the Collection of The Museum of Modern Art, New York, New York NY: The Museum of Modern Art, pp.92-95, ill. (exh. cat.)

— Museum Folkwang (ed.), Zeichnung als Prozess. Drawing as Process. Current Trends in Graphic Art, Heidelberg: Kehrer Verlag, pp.17, 18, 76-83, ill. (exh. cat.)

— LUCUIX, Luisa (ed.), Photo Espana. Lugar/Place, La Fabrica Editorial, Madrid, p.42-53, ill. (exh.cat.)

— CIXOUS, Hélène, A Kind of You. 6 retratos de Roni Horn, CAC, Malaga, (exh.cat.) — SAN MARTIN, Francisco Javier, Roni Horn, CAC, Malaga, (supplement to exh.cat.) — Hauser & Wirth (ed.), Roni Horn. Bird, Steidl Hauser & Wirth, Göttingen, — Sociedad Estatat de Commemoraciones Culturales. Fundacion Federico Garcia

Lorca (ed.), Everstill. Siempretodavia, Madrid (exh. cat., 2 volumes)

2007 — Centre Pompidou (ed.), La Collection du Centre Pompidou. Musée National d’Art

Moderne. Selected Works, Paris: Centre Pompidou, p.248, ill. (exh. cat.) — BADGER, Gerry, The Genius of Photography. How Photography has

changed our Lives, London: Quadrille, pp.158, 159, ill. — HELLMOLD, Martin, Kopf an Kopf. Serielle Porträtfotografie, Tuebingen:

Kunsthalle Tuebingen/Heidelberg: Kehrer Verlag, pp.50,51, ill. (exh. cat.) — BERNSTEIN, Joanne, The UBS Art Collection. Zeichnungen, Zurich: UBS AG, pp.132-135, ill. — YNGVASON, Hafpor and Frida Björk Ingvarsdottir, Roni Horn.

My Oz, Listasafn Reykjavikur, Reykjavik, (exh.cat.) — Australian Centre for Contemporary Art (ed.), A Kind of You. 6

Portraits by Roni Horn, Steidl Verlag, Göttingen, (exh.cat.) — Kukje Gallery, Roni Horn, Kukje Gallery, Seoul, (exh.cat.)

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— Artangel (ed.), Roni Horn. Vatnasafn. Library of Water, Stykkisholmur, Iceland, London: Artangel — Weserburg Museum für Moderene Kunst, Paint it blue. Act

Art Collection Siegfried Loch, Bremen, pp.62-63, ill.

2006 — Inverleith House, Edinburgh/Museion, Bolzano (ed.), Roni Horn. Angie and Emily

Dickinson, Edinburgh/Bolzano: The Royal Botanic Garden/Museion, (exh.cat.)

2005 — DEAN, Tacita (ed.), An Aside, Hayward Gallery Publishing, London, pp. 20-21, 26-27 — DEAN, Tacita and Jeremy Millar (ed.), Place, Thames and Hudson, London, pp. 58-60 — SOLLINS, Susan [et al.], Art:21—Art in the Twenty-First Century, Season 3, Abrams, p. 232 — SPECTOR, Nancy [et al.], Douglas Gordon’s The Vanity of Allegory, Berlin — KANTOR, Jordan [et al.], Drawing from the Modern 1975-2005,

The Museum of Modern Art, New York, pp. 126-127 — GIELEN, Denis, Le Tableau des Éléments, Musée des Arts

Contemporains du Grand-Hornu, Grand-Hornu, pp. 72-81 — NEFKEN, Han [et al.], The Suspended Moment, H&F Collection, Spain, pp. 51-62

2004 — ESKILDSEN, Ute (ed.), Roni Horn. To Place: Postcards from the 1st 8

Books, Museum Folkwang/Göttingen, Steidl Verlag, Essen — SPECTOR, Nancy [et al.], Singular Forms (Sometimes Repeated), Art from 1951 to the

Present, The Solomon R. Guggenheim Foundation, New York, pp. 12, 22, 154 (exh. cat.) — LECOINTRE, Yves, Prototypes 1990-2003, Fonds Regional d’Art

Contemporain de Picardie’, Amiens, France (exh.cat.) — ILES, Chrissie, [et al.], Whitney Biennial 2004, New York, p. 190 (exh.cat.) — PARAVINCINI, Camillo and Amedeo Martegani [et al.], Roni Horn Catalogs,

Artist’s Books and Monographs, Edizioni Perfiferia, Poschiavo/Luzern, Milan — RONDEAU, James, Roni Horn. Some Thames at the Art

Institute of Chicago, Chicago, IL (brochure) — KRUGER, Barbara and Eirikur Porlaksson, Again, Again, Again

and Again, The Reykjavik Art Museum, (brochure) — DURAND, Regis and M. Poivert, L’ombre du temps, Jeu de

Paume, Paris, pp. 70-71, 112-113 (cover) — GOULD, Claudia, The Big Nothing, Institute of Contemporary Art,

University of Pennsylvania, Philadelphia, pp. 67, 75 (exh.cat.)

2003 — CAMPANY, David, Art and Photography, Phaidon Press, London/New York, pp. 202-203, ill. — DE DUVE, Thierry and Paolo Herkenhoff [et al.], If on a Winter’s Night… Roni

Horn…, Fotomuseum Winterthur/Göttingen, Steidl Verlag, Winterthur (exh.cat.) — FOSTER, Carter E. and Jeffrey D. Grove, Drawing Modern. Works from the Agnes Gund

Collection, The Cleveland Museum of Art Publication, Cleveland, pp. 60-61, ill (exh.cat.) — HERKENHOFF, Paulo and Jonas Storsve, Roni Horn, Drawings,

Centre Pompidou Publication, Paris, (exh.cat.) — LINGWOOD, James and Frida Björk Ingvarsdottir, Roni Horn, Some

Thames/Haskólínn á Akureyri, Steidl Verlag, Göttingen — RUGOFF, Ralph, Roni Horn, Ann Veronica Janssens, Mike Kelley, Mike Nelson [segment

titled “Unflow”], CCAC Wattis Institute, San Francisco, pp. 22- 50, ill. (exh.cat.) — OBRIST, Hans Ulrich, Interviews. Volume I, Charta, Milan, pp. 431-442 — BECCARIA, Marcella, The Castle – The Collection, Castello di Rivoli Museum

of Contemporary Art/Umberto Allemandi & C., Turin, pp. 196-197

2002 — 100 Drawings & Photographs. Tenth Anniversary Exhibition, Matthew

Marks Gallery Publication, New York, pp. 54-55

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Roni Horn

— ANDERSON, Maxwell, American Visionaries. Selections from the Whitney Museum of American Art, Harry N. Abrams Inc., New York, p. 146

— UNTERDOERFER, Michaela, The House of Fiction, Sammlung Hauser and Wirth/Nürnberg, Verlag für Moderne Kunst, Zurich, pp. 50-51

— KURI, Gabriel, Roni Horn [brochure], La Colleccion Jumex Publication, Mexico City — FINCKH, Gerhard and Ute Riese [et al.], Talking Pieces,

Museum Morsbroich, Leverkusen, pp. 64-66 — NAKABAYASHI, Kazuo and Mika Kuraya [et al.], A Perspective on Contemporary

Art:Continuity/Transgression [two separate volumes], The Museum of Modern Art Publication, Tokyo, vol. 1: pp. 49-56, vol. 2: pp. 15-16

2001 — AVGIKOS, Jan and Kathleen Merrill-Campagnolo, Still

Water, Lannan Foundation Publication, Santa Fe — SPECTOR, Nancy, Guggenheim Museum Collection: A to Z,

Guggenheim Museum Publication, New York, pp. 142-143 — DE SALVO, Donna [et al.], Roni Horn, The Citibank

Private Bank Photography Prize 2001, London — SCHJELDAHL, Peter and Lynn Herbert [et al.], The Inward Eye: Transcendence in

Contemporary Art, Contemporary Arts Museum Publication, Houston, pp. 52-53

2000 — WATKINS, J., and T. Kovats, Lost, Ikon Gallery Publication/

Tania Kovats/Irit Rogoff, Birmingham, pp. 56-57 (exh.cat.) — COOKE, Lynne, Louise Neri and Roni Horn, [et al.],

Roni Horn, Phaidon Press, London, May — ROSENBLUM, R. and C. Schulz-Hoffmann, Food for the Mind. Die Sammlung Udo und Anette

Brandhorst, Staatsgalerie Moderner Kunst, Munich, Hatje Cantz Verlag, Cologne, pp.180-181 — VON SCHWARZ, Dieter, Edgar Degas bis Gerhard Richter, Kunstmuseum

Winterthur, Winterthur, Richter Verlag, Düsseldorf, pp. 320-325 — DE DUVE, Thierry, Voici, 100 ans d’art contemporain, Ludion/

Flammarion, Brussel, p. 68, pp. 206-207

1999 — SCHULZ-HOFFMANN, Carla, Roni Horn. Pi, Staatsgalerie Moderner

Kunst, Munich, Hatje Cantz Verlag, Cologne, (exh.cat.) — BONAMI, Francesco and Hans Ulrich Obrist, Dreams, Castelvecchi Arte, Rome, pp. 66-67 — BAETCKE, Franziska, Ein Stück Island in Basel, Bern [Catalogue for

a Permanent Installation in Bahnhof Ost, Basel], 28 pp., ill. — BOSSE, Laurence and Marie Laure Bernadac, [et al.], Roni Horn. Events of Relation,

Musée d’Art Moderne de la Ville de Paris, Paris, CAPC, Bordeaux (exh.cat.) — KVARAN, Ólafur and Carla Schultz-Hoffmann, Roni Horn. Listasafn

Íslands, National Gallery of Iceland Publication, Reykjavik — SEIDNER, David, Artist at Work, Rizzolli, New York,, cover and pp. 70-77, ill.

1998 — LEE, Pamela and Christine Mehring, [et al.], Drawing is Another Kind of Language, Harvard

University Art Museum, Cambridge, Daco-Verlag Günter Bläse, Stuttgart, pp. 74-77 — WILNER STACK, Trudy and James Hamilton-Paterson, Sea

Change. The Seascape in Contemporary Photography, Center for Creative Photography, The University of Arizona, Tucson, pp. 30-31

1997 — CELANT, Germano, La Biennale di Venezia XLVII Esposizione Internationale d’Arte

[General Catalogue, pp. 112-115, Vol. 2: Future Present Past, pp. 248-257], Electa, Venice — OBRIST, Hans-Ulrich and Stella Rollig, Travelling Eye,

Museum in Progress, Oktagon Verlag, Vienna

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— SUSSLER, Betsy, Bomb: Speak Art!, New Art Publications Inc., New York, pp. 80-86

1996 — HOOKS, Bell and Felix Gonzalez-Torres [et al.], Roni Horn. Earths

Grow Thick, Wexner Center for the Arts Publication, Columbus — KOEPPLIN, Dieter, De Beuys a Trockel. Dessins contemporains du Kunstmuseum de

Bâle, Centre Georges Pompidou Publication, Paris, pp. 42-43 (exh.cat.) — GLASOE, C. and K. Montgomery [et al.], In the Margins. 19 Interviews,

Montgomery Glasoe Fine Art, Minneapolis, pp. 22-24

1995 — WYLIE, Charlie, Currents 61: Roni Horn, Saint Louis: The

Saint Louis Art Museum Publication (brochure) — TILLMAN, Lynne, Roni Horn. Gurgles, Sucks, Echoes, Jablonka

Galerie, Cologne, Marks Gallery, New York — KOEPPLIN, Dieter, Roni Horn. Drawings, Cantz Verlag, Ostfildern — KELLEIN, Thomas and Roni Horn(ed.), Making Being Here Enough. Installations from

1980-1995, Kunsthalle Basel, Basel, Kestner Gesellschaft, Hannover (exh.cat.) — GONZALEZ-TORRES, Felix and Roni Horn [et al.], Felix Gonzalez-Torres,

Roni Horn, Kunstverlag Ingvild Goetz GmbH, München, (exh.cat.) — KOEPPLIN, Dieter, Meisterwerke aus dem Kupferstich Kabinett

Basel, Verlag Gerd Hatje, Ostfildern, (exh.cat.)

1994 — SPECTOR, Nancy, Roni Horn, De Pont Foundation for Contemporary Art, Tilburg (exh.cat.) — HOWARD, Jan, Inner Geography, The Baltimore Museum

of Art Publication, Maryland, p. 32 (exh.cat.)

1993 — SCHWARZ, Dieter, Roni Horn. Rare Spellings. Selected

Drawings: 1985-92, Richter Verlag, Düsseldorf

1991 — ARMSTRONG, R. and J. HanHardt, 1991. Biennial Exhibition, Whitney Museum of

American Art Publication, New York, W.W. Norton and Co., New York, pp. 106-09 — FUCHS, Rudi and Hannelore KERSTING, Things Which Happen Again, Städtisches

Museum Abteiberg, Mönchengladbach, Westfälischer Kunstverein, Münster (exh.cat.)

1990 — KERTESS, Klaus, Roni Horn. Surface Matters, Museum of

Contemporary Art, Los Angeles, (exh.cat.)

1988 — Roni Horn. Pair Objects I, II, III, The Detroit Institute of Arts / Galerie

Lelong, Galerie Lelong, Detroit/New York (exh.cat.)

1987 — CRONE, Rainer, Similia/Dissimilia, Städtische Kunsthalle, Düsseldorf/

Rizzoli Books, New York, pp. 118-127 (exh.cat.) — KERTESS, Klaus, Lead, Hirschl and Adler Modern, New York, (exh.cat.)

1984 — PRADEL, Jean-Louis, World Art Trends 1983-84, Harry Abrams Inc., New York, pp. 52-53

1983 — FRIEDEL, Dr. H. and Dr. L. HORN, [et al.], Roni Horn, Kunstraum, Munich (exh.cat.)

1980 — KERN, Hermann, Roni Horn, Kunstraum, Munich (exh.cat.) — HALBREICH, Kathy, The Material Object, Hayden Gallery, M.I.T., Cambridge/MA (exh.cat.)

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Roni Horn

Articles

2012 — JOHNSON, Ken, Capturing the Sunshine, Releasing the Bees,

The New York Times, 21 September, p.C31 — Cabinet of sao, Serrote, Sao Paulo, July, pp.144-160,, ill. — Roni Horn’s rarely seen pigment works go on show, Phaidon, London, 15 June, ill. — Horn, Roni, Questionnaire, Frieze, London, April, p.156 — ZÜCK, Christina, Picture This, Frieze, London, April, pp.100-105, ill. — CAMPBELL, James D., Le Mois de la Photo. Various venues. Montreal, Frieze, London, March — Wedding: Walker Evans Polaroid Project with Roni Horn, Aesthetica, York, February/March, ill. — STUBBS, Flora, Festival highlights. Get the most from this year’s India Art Fair with our guide

to the don’t-miss galeries, artists and events, Conde Nast Traveller, Dehli, January, pp.23-25

2011 — Issue 13 - A Love Letter to Roni Horn, Kilimanjaro, London, (entire issue ) — Roni Horn, i, 5 October, p.39 — SACK, Emily, Roni Horn: Recent Work, Aesthetica, London, October/November, p.63, ill. — NAGESH, Ashitha, Roni Horn, Hauser & Wirth Savile Row,

artforum.com, New York, 5 October, ill. — MICUCCI, Marjorie, Habiter la surface, Mouvement,

Toulouse, October/December, pp. 148-151 — MC LEAN-FERRIS, Laura, Light touches illuminate the human condition,

The independent, London, 16 September, p.12, ill. — Exhibitions: Roni Horn, London, The Guardian, London, 10 September, p.42, ill. — UNRUH, Rainer, Roni Horn: Photographien, Kunstforum,

Ruppichteroth, September - October, pp. 332-333, ill. — GARDENER, Belinda G., Wechselhaft wie das Wetter, Kunst Zeitung, Regensburg, August, p.9 — MANDRINI, Riccarda, Punta della Dogana: In Praise of Doubt, An art

report from Venice by Riccarda Mandrini, domusweb.it, 21 May, ill. — CORSTEN, Volker, Die Verstörung hat viele Gesichter. Roni Horn spielt fotografisch

mit unserer Wahnehmung - ein subtiles Spektakel in der Hamburger Kunsthalle, Frankfurter Allgemeine Zeitung, Frankfurt am Main, 10 May, p.31, ill.

— LOCKHART, Ina, Kurators Liebling: Roni Horn. Die Frau der tiefen Blick, Financial Times Deutschland, Hamburg, 1 July, p.24

2010 — MOLESWORTH, Helen, Best of 2010. Roni Horn, Artforum, New York, December, p.222 — Heiter bis glücklich, ZEITmagazin, Hamburg, July, ill. — SOLONDZ, Todd, Todd Solondz’s cultural highlights, The Observer,

The New Review, London, 11 April, p.3, ill. — GRIFFIN, Tim, Helen Molesworth. Interview, Artforum, New

York NY, Summer 2010, pp. 294-295, ill. — Roni Horn im Kunsthaus Bregenz, suedkurier.de, Konstanz, 20 May, ill. — SCHINDLER, Feli, Island liegt am Bodensee, heiter bis bewölkt,

in: Tages-Anzeiger, Zürich, 4 May, p.33 — American Artist Roni Horn Conceives Exhibition Specifically for

Kunsthaus Bregenz, artdaily.com, 29 April, ill. — AYERS, Robert, Roni Horn, ARTnews, New York NY, January, p. 112 — LOSSIN, R. H., Roni Horn aka Roni Horn, The Brooklyn Rail, New York NY, 12 January — Roni Horn, Kunstforum, Berlin, January-February, pp. 192-195, ill. — Roni Horn aka Roni Horn at the Whitney, Accessible Art online, New York NY, 2 February — ROESCHMANN, Dietrich, Bilder aus der Einsamkeit, annabelle, Zurich, 21 April, p. 42-43, ill. — Salon by Roni Horn, The Journal, Fall

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2009 — TELLER, Juergen, Unterwegs mit Roni Horn, zeit.de, December — HERBERT, Martin, Roni Horn aka Roni Horn, Forum, New York NY, December — SCHOEN, Kim, The Serial Attitude Redux, X-Tra, Los Angeles CA, Winter, pp. 20-29, ill. — K.A., Roni Horn. Whitney Museum of American Art, New York, The

Art Newspaper, New York NY, November, p.85, ill. — SMITH, Roberta, Gaining a Voice and an identity in Minimalism, The

New York Times, New York NY, 6 November, ill. — GABELLINI, Michael, Minimalist architect Michael Gabellini puts five questions to minimalist

artist Roni Horn, Modern Painters, New York, NY, November, pp. 78-79, ill. — BELCOVE, Julie L., Roni Horn, Wmagazine, New York NY, November, pp. 150-159, ill. — GARTENFELD, Alex, The Drip, interviewmagazine.com, New York NY, 27 October, ill. — SALTZ, Jerry, Gender Benders, New York Magazine, New York NY, 12 October, p. 61, ill. — Roni Horn, Art in America, New York NY, August, p.40, ill. — NIXON, Mignon, Roni Horn, Artforum, New York NY, September, pp. 282-283, ill. — Roni Horn, Art in America, New York NY, July, ill. — TARIQ, Syma, Stealing the show, The Guardian, London, 10 July, ill. — HOMER, Nicola, Roni Horn aka Roni Horn, studio-international.co.uk, London, 6 July, ill. — MANSFIELD, Susan, Visual Art Review: Treading the fine line between

something and nothing, The Scotsman, London, July, ill. — SANTUCCI, Francoise-Marie, et au milieu coule, Roni

Horn, Liberation, Paris, June, pp. 60-61, ill. — KOTZE, Talitha, Roni Horn: The tiniest piece of mirror is always

the whole mirror, list.co.uk, London, 12 June, ill. — Portfolio: Roni Horn, Filter, Kopenhagen, Summer, pp. 10-15, ill. — Water, art:21, New York NY, 7 March, ill. — PIETSCH, Hans, Ein Gesicht ist ein Gesicht ist ein Gesicht ist ein Gesicht

ist ein Gesicht, art, Hamburg, March, pp. 68-73, ill. — COXHEAD, Gabriel, Roni Horn, Time out, London, April, ill. — JAMIE, Kathleen, The weather woman, The Guardian, London, 14 March, ill. — RC, Horn of plenty, RA Magazine, London, Spring, ill. — CLAY, Felix, Roll up, roll up. The circus is in town, The Observer, London, 8 March, ill. — SEARLE, Adrian, Torrid, frosty and brutal, The Guardian, London, February, ill. — SMART, Alastair, These waters will run deep, Sunday Telegraph, London, February, ill. — Water, logged, Time Out, London, February, pp.18-20, ill. — MILLAR, Jeremy, Roni Horn aka Roni Horn. What to see this month, Top

five, Art Review, London, issue 29, January-February, p.32, ill. — KOTHENSCHULTE, Daniel, Am Rand brennt noch Licht,

Monopol, Berlin, February, pp. 64-74, ill. — LYRA, Roni Horn, collector of identities, comes to Tate Modern,

Modern Painters, New York NY, February, p.12, ill. — LEBOVICI, Elisabeth, Faces that speak volumes, TATE etc.,

London, issue 15, Spring, pp. 86-93, ill. — GODFREY, Mark, Diagrams of Thought, TATE etc., London, issue 15, Spring, pp. 94-99, ill. — Short cuts: bird, by Roni Horn, Art World, London, February, ill. — WINTERSON, Jeanette, Roni Horn. Entering the Flow-World, Art World, London,

February, pp. 26-31, ill. (short version with title Enigma variations: The curious world of Roni Horn, reprinted in: The independent Magazine, 31 January, pp. 26-31, ill.)

— RICHARD, Frances, Roni Horn aka Roni Horn, Artforum, New York NY, January, ill.

2008 — WARD, Ossian, Roni Horn, Contemporary, London, March, ill. — SEARLE, Adrian, What not to miss in 2009: Roni Horn aka Roni

Horn, The Guardian, London, 30 December

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— MATSUURA, Naomi, Roni Horn. Androgynous like water, Art in Japan and Asia Pacific, no. 21, Fall/Winter, pp.16-17, ill.

— Ryue meets Roni, Ryue Nichizawa & Roni Horn in Moriyama House, United Project Files 01 Special Issue: The New Forms of Living, ill.

— LUBOWSKI, Karin, Ein Gesicht, das Geschichten erzählt, Eckernförder Zeitung, Eckernförder, 11 September, p. 10, ill.

— MATSUURA, Naomi, Roni Horn on This is Me, This is You, ART iT, Tokyo, issue 21, September, ill.

— BÜSING, Nicole and Heiko Klaas, Eine Pose ist eine Pose ist eine Pose, Stader Tageblatt, Stade, 4 September, ill.

— BÜSING, Nicole and Heiko Klaas, Gleich und doch verschieden, Bremer Nachrichten, Bremen, 4 September, ill.

— STANGE, Raimar, Weathermen, Flash Art, Milan, May-June, pp. 134-138, ill. — ADAM, Georgina, When Brueghel met Schnabel, Financial Times, London, 19 April — MÖREL, Aron, Roni Horn, londonkicks.com, London, 17 March — Roni Horn, DailyServing.com, 9 March — Roni Horn, Financial Times, London, 1 March — MÖREL, Aron, Roni Horn Exhibition, shift.jp.org, Japan, March, ill. — FERNANDEZ, Laure, Tirer le Portrait: Du visage de l’acteur et de la

théatralité (Douglas Gordon, Roni Horn, Bertrand Lavier), Ligeia.Dossiers sur l’Art, Paris, XXle Année, no. 81-84, pp. 67-76, ill.

— SVANSSON, Geir, The Library of Water, Art&Co, Madrid, no.2, Spring, p. 121, 122, ill. — BARRIENDOS, Joaquin, RONI HORN, Flash Art, Milan, March-April, p. 147, ill.

2007 — YOSELOFF, Tamar, The Library - that’s my home (Roni Horn on Herdubreid at

home), Art World, London, issue 1, October-November, p.122-123, ill. — Roni Horn, Artforum, New York NY, October 2007, vol. XLVI, no. 2, p.310 — Melbourne’s marvellous exhibitions, Where Magazine, September, pp.62-63 — A Kind of You. 6 Portraits by Roni Horn, The Sunday Age, Melbourne, 26 August — BACKHOUSE, Megan, When one image is never enough, on:

theage.com.au, Melbourne, 17 August, ill. — NELSON, Robert, In claustrophobia and freeze-frame movement meaning lies

between the gaps, The Age Newspaper, New York NY, 22 August, ill. — CURIGER, Bice, The Master Chameleon, Tate etc., London, issue 10, Summer, ill. — HERZOG, Samuel, Die Welt durch Wasser gesehen, nzz.ch, Zürich, 25 May — KERR, Merrily, Roni Horn, Flash Art, Milan, Mar/April, ill. — Library of Water, Artangel, Iceland, May, ill. — DANNATT, Andrew, My own versailles, The Art Newspaper, London, no. 180, May, p. 51, ill. — My Oz Roni Horn, e-flux.com, New York NY, 9 May, ill. — SEARLE, Adrian, Becoming the Weather, Modern Painters, New York NY, May, pp. 64-71, ill. — FALCONER, Morgan, History writ in water, The Times, London, 8 May, ill. — SHOLIS, Brian, Bottled Water, artforum.com, New York NY, 14 May, ill. — HIGGIE, Jennifer, RONI HORN, Frieze, London, June-July, p. 239, ill. — PERRY, Gill, RONI HORN. Library of Water, Art Monthly, London, June, pp. 34-35, ill. — HERBERT, Martin, RONI HORN. Thawing out, Art

Review, London, Issue 11, May, p. 80-82, ill.

2006 — CLEWING, Ulrich, Schmeichler und Skandale, Der Tagesspiegel, Berlin, 14 October, p.24 — BULLOCK, Natasha and Lily Hibberd, Shifting Ground,

Photofile, New South Wales, Summer, p.14 — TREPP, Judith, RONI HORN, Art News, New York, September 1, pp. 158-159, ill. — VON TAUBE, Annika, Beware the Clowns, Sleek, Berlin, Spring, pp. 146-153, ill.

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— Special Project / Progetto speziale: RONI HORN, Tema Celeste, Milan, no. 114, March-April, pp. 62-67, ill.

— VOGEL, Carol, Yearling Paintings for the Modern, New York Times, New York NY, 3 March — GALE, Lain, Menacing Tales from the Riverbank, Scotland

on Sunday, Edinburgh, 12 February, p.8, ill.

2005 — Words & Pictures, [Interview], pbs.org/art21/artists/, ill. — Water, [Interview], on: pbs.org/art21/artists/, ill. — RAGALIA, Letizia, RONI HORN im Bozener Museion, www.

kultur-online.net, December 30, ill. — SEDOFSKY, Lauren, Portrait of an Image. A Portfolio by RONI HORN,

Artforum, New York, vol. XLIV, no. 2, October, pp. 255-261, ill. (cover) — JM, In View. Felix Gonzalez-Torres and RONI HORN, Modern

Painters, London, July / August, pp. 100-101, ill. — AYERS, Robert, Felix Gonzalez-Torres and RONI HORN,

ARTnews, New York, Summer, pp. 198-199, ill. — PN, Ocean 1212-W. Galleria Raffaella Cortese, Modern Painters, London, May, p. 113

2004 — HARRIS, Lucian, RONI HORN, The Art Newspaper, New York, no. 153, December, p. 7 — WARD, Ossian, Profile. RONI HORN, Contemporary, London, no. 68, December (cover) — KENT, Sarah, RONI HORN, Time Out, London, no. 1791, December 15-22, ill. — JONES, Jonathan, RONI HORN, The Guardian, London, November 22, — BURNETT, Craig, RONI HORN, London, The Guide, London, November 13-19, p. 36, ill. — COBOLLI GIGLI, Nicoletta, La doppia anima di RONI HORN, Arte. Mensile di

arte, cultura, informazione, Milan, no. 362, November, pp. 132-138, ill. (cover) — LAFUENTE, Pablo, Poetics of place, Art Review, New York, vol. LIV, November, p. 29, ill. — Portfolio: RONI HORN, Mouvement. L’indisciplinaire des arts

vivants, Paris, Septembre-Octobre, pp. 60-67, ill. (cover) — GAUTHIER, Lea, Portfolio. RONI HORN, Mouvement,

Paris, September-October, pp. 60-67 (cover) — BAER-BOGENSCHÜLTZ, Dorothee, Eine Nacht in den Tropen – oder bloss in

der Umkleidekabine, Das Kunstjahr, Regensburg, no. 4, pp. 74-79, ill. — RUSSI KIRSCHNER, Judith, RONI HORN. Art Institute of Chicago,

Artforum, New York, vol. XLIII, no. 1, September, p. 275, ill. — HÜBL, Michael, RONI HORN, Kunstforum, Ruppichterroth,

no. 171, July-August, pp. 399-401, ill. — BIRD, Michael, The Perception of Symmetry, Tate etc., London, no. 1, Summer, pp. 94-107, ill. — HUDSON, Suzanne, RONI HORN. Art Institute of Chicago,

Artforum, New York, vol. XLII, no. 9, May, p. 85, ill. — Chicago RONI HORN, The Art Newspaper, New York, no. 147, May, ill.

2003 — SAUSSET, Damien, RONI HORN, Centre Pompidou, Artpress, Paris, December — LEBOVICI, Elisabeth, RONI HORN, intenses dessins, Liberation, Paris, November 29 — INGVARSDOTTIR, Frida Bjork, Interview with RONI HORN, Lesbók Morgunbladidsins,

Morgunbladid, Reykjavík, Laugardagur, October 18, pp. 8-10 and cover, ill. — Horn per Flannery, Arnet Arte, Milan, vol. 1, no. 1, September-October, p. 131, ill. — RONI HORN im Fotomuseum und in der Galerie Hauser &

Wirth, Kunst-Bulletin, Zurich, no. 5, May, pp. 68-69 — SEIDNER, David, Artists at Work: Inside the Studios of Today’s Most

Celebrated Artists, Assouline, Paris, pp. 70-77 and cover, ill. — VON ARB, Eugen, Im Wechselstrom der Fotografien. Karge Schönheiten. Das Fotomuseum

Winterthur zeigt RONI HORNs Bildkonzepte, Aargauer Zeitung, Aarau, April 7, p. 10, ill.

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— SPINELLI, Claudia, Die Raffinierte, Die Weltwoche, Zurich, April 3, ill. — MUSCIONICO, Daniele, “I’m not this, I’m not that” oder Gesucht wird: RONI

HORN, Neue Zürcher Zeitung, no. 72, March 27, pp. 44-45, ill.

2002 — VETTESE, Angela, L’acqua e la lava, Vernissage: Il Giornale dell’arte, Turin, p. 22 — PRINCENTHAL, Nancy, Taking the Long View, Art in America,

New York, no. 10, October 2002, pp. 136-141, ill. — LEBOVICI, Elisabeth, Portrages et Paysies de RONI HORN, Liberation, Paris, May 3 — SCHWENDENER, Martha, RONI HORN. Art and Synthesis,

Flash Art, March-April 2002, vol. XXXIV, pp. 78-80 — RICHARD, Frances, RONI HORN. Dia Center for the Arts,

Artforum, New York, vol. XL, no.5, January, p. 139 — STAMM, Rainer, RONI HORN - Uferloses Sehen, KunstbuchAnzeiger, January

2001 — BURTON, Johanna, RONI HORN at Dia, Time Out,

New York, no. 320, November 15-22, p. 90 — REXER, Lyle, A Builder of Paradoxes, The New York

Times, New York, November 4, pp. 21-22 — AFFENTRANGER-KIRCHRATH, Angelika, Nahe am Horizont. RONI HORNs Fotozyklus „Pi“

bei Hauser & Wirth & Presenhuber, Neue Zürcher Zeitung, Zurich, no. 137, June 16/17, p. 50, ill.

2000 — BOXER, Sarah, Images of Still Water Run Deep, The New

York Times, New York, October 20, B37 — CONTI, Tiziana, RONI HORN, Tema Celeste, Siracusa, no. 81, July-September, p. 83, ill. — HERBERT, Martin, RONI HORN, Time Out, London, May 31-June 7, p. 50 — GAUVILLE, Herve, RONI HORN prend l’eau, Liberation, Paris, January 12, — REGINER, Philippe, Sommeil trompeur. RONI HORN et ‘l’autre

sommeil’ a l’Arc, Journal Des Arts, France, January 7 — POLI, Francesco, RONI HORN, Tema Celeste, Milan, January, vol. 77, p. 12

1999 — DUSSOL, Domindue, RONI HORN, entre deux eaux, Sud Ovest, Bordeaux, December 18 — LEBOVICI, Elisabeth, RONI HORN, au-de la du cercle arctique, Liberation, Paris, December 15 — TORRI, Maria Grazia, RONI HORN, Kult, Milan, November 2, pp. 114-117 — GOCKEL, Cornelia, RONI HORN- Pi, Kunstforum

International, Ruppichteroth, July-August, p. 411 — GOETZ, Joachim, Kosmopolitin zwischen Island und Manhattan,

in: Landshuter Zeitung, Landshut, June, p. 43 — SMITH, Roberta, RONI HORN, New York Times, New York, May 7, p. E34 — PINCHBECK, Daniel, RONI HORN. NY artist Q&A, The Art

Newspaper, New York, no. 91, April, p. 64, ill.

1998 — SCHORR, Collier, Still/Gebannte Stille, Parkett Editions, Zürich, no. 54, pp. 28-36 (cover), ill. — GUNNARSSON, Styrmir, A unique vision of Iceland/Eine einmalige Vision

von Island, Parkett Editions, Zürich, no. 54, pp. 37-46, ill. — GOROVOY, Jerry, Standing on the circumference of RONI HORN’s „Asphere“/An der

Peripherie von RONI HORNs „Asphere“‘, Parkett Editions, Zürich, no. 54, pp. 47-52, ill. — LEWIS, Diane, Notes from an architect/Aufzeichungen einer Architektin,

Parkett Editions, Zürich, no. 54, pp. 53-63, ill. — SPECTOR, Nancy, Untitled (Flannery): A Condensation of Acts/Ein

Kondensat von Akten, Parkett Editions, Zürich, no. 54, pp. 65-71, ill. — ORMARSSON, Orri Páll, Thar sem Hjartad Slær, Lesbók,

Morgunbladid, Reykjavík, September 19, pp. 6-7 (cover), ill.

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— CONNER, Jill, RONI HORN: Earths Grow Thick, Art Papers, May-June, p. 68, ill.

1997 — RICHARD, Frances, RONI HORN, Artforum, New York, December, p. 118 — JOHNSON, Ken, RONI HORN, The New York Times, New York, October 10, E35 — FONTANA, Sara, RONI HORN, Tema Celeste, Milan, September-October, p. 81 — BIANCHI, Paolo, Ästhetik des Reisens II, Kunstforum International,

Ruppichteroth, Bd. 137, June-August, pp. 156-161 — PIOSELLI, Alessandra, RONI HORN, Flash Art, Milan, Summer, pp. 110-111 — GRAVANO, Viviana, La photographia di RONI HORN,

Il Giornale Dell’ Arte, no. 156, June, p. 104 — LEONELLI, Laura, RONI HORN. Disponibile alla contemplazione

del centro, Il Sole-24 Ore, no. 177, June 29, , p. 41 — COTTER, Linda, Face Value. RONI HORN photographs a

Mystery Lady, Out Magazine, New York, May — ETTER, Ludmilla, Der Bildprozess als Thema. RONI HORN und Axel Hütte

in Winterthur, Neue Zürcher Zeitung, Zurich, February 4, p. 32 — SCHORR, Collier, Weather Girls. Interview with RONI HORN, Frieze,

London, no. 32, January-February, pp. 42-47 (cover), ill.

1996 — TEMIN, Christine, Weaving Dickinson’s Words into Three Dimensions,

The Boston Globe, Boston December 11, p. 8 — SILVER, Joanne, Sculptor captures Dickinson’s slant on metal,

Boston Herald, Boston, November 22, S11, p. 14 — SHERMAN, Mary, RONI HORN shows poet’s metal,

Cambridge Tab, Cambridge, November 26 — VOLK, Gregory, RONI HORN at Matthew Marks, Art in America, New York, July, p. 83 — DROLET, Owen, RONI HORN, Flash Art, Milan, May-June — RONI HORN in Zürich, Neue Zürcher Zeitung, Zürich, April 10

1995 — JAMES, Jamie, Horn and Holbein, ARTnews, New York, November, p. 78 — TRIMARCO, Angelo, La Prima Volta di RONI HORN,

Minimalista Usa, Il Mattino, Milan, October 2, p.9 — SPINELLI, Claudia, Hiersein soll genügen. Ein Gespräch mit RONI HORN,

Kunst-Bulletin, Zurich, October, pp. 10-19 and cover, ill. — HERSTATT, Claudia, Meteoriten vom Himmel über Island, Art, Hamburg, September, ill. — BARUCCO, Simona, Mostre. RONI HORN alla Galleria Artiaco,

Il Giornale di Napoli, Naples, September 13, p. 13 — GASSERT, Sigmund, Die Amerikanische Künstlerin RONI HORN in

Basel. Wille Der Erlösung, Dreiland-Zeitung, Zürich, August 17 — MEYER, Ulrike, Topologische Betrachtungen, RONI HORN. Zwei

Ausstellungen in Basel, Neue Zürcher Zeitung, Zurich, July 4 — EDELMAN, Robert G., RONI HORN, Art in America, New York, July, p. 81 — ZOLLER, Paul, RONI HORN und Gerhard Merz in der Kunsthalle Basel: Eine

helle Halle, Gold und wichtige Worte, Aargauer Tagblatt, Aargau, June 21 — SCHIESS, Robert, RONI HORN mit zwei Ausstellungen geehrt, bz Zeitung, Zurich, June 12 — ISREAL, Nico, RONI HORN. Inner Geography, Artforum, New York, April, p. 95 — GLUECK, Grace, RONI HORN, The New York Observer, New York, February 27

1994 — SMITH, Roberta, RONI HORN, The New York Times, New York, April 29 — JOHNSON, Ken, Material Metaphors, Art in America, New

York, February, pp. 70-79 (cover), ill.

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1993 — PAGEL, David, RONI HORN, Kunstforum International, Ruppichteroth, no.119, p.201-204

1992 — JOLLES, Claudia, RONI HORN, Kunst-Bulletin, Zurich, Summer — LIEBMAN, Lisa, The What and Who of Documenta IX, Interview, New York, June — PRINCENTHAL, Nancy, RONI HORN, Art in America, New York, February — BASS, Ruth, RONI HORN, ARTnews, New York, January, p. 122

1991 — HONDA, Hiromi, RONI HORN, Nikkei Art, December, p. 199 — WHITESELL, Richard, RONI HORN, Flash Art, Milan,

vol. November/December, pp. 130-131 — SMITH, Roberta, RONI HORN, New York Times, New York, November 8, 1991, C24 — NEWHALL, Edith, Fall Preview. RONI HORN, New York

Magazine, New York, September 23, p. 64 — VAN DEN BOOGERD, Dominic, RONI HORN: dingen die

opnieuw beginnen, Archis, Amsterdam, May, p. 9

1990 — The Paris Review, New York, Fall, vol.116, (front and back cover), ill. — SPECTOR, Buzz, RONI HORN, Art Issues, Los Angles, no.13, September-October, pp. 30-31 — GEER, Suvan, Horn Tests Her Mettle, Los Angeles Times, Los Angeles/CA, May 3, F12 — WILSON, William, RONI HORN and the Art of Abstraction,

Los Angeles Times, Los Angeles, April 22, p. 91

1989 — BAKER, Kenneth, The Atomized Self, Art Coast, Santa Monica, March-April, pp. 50-59 — GILBERT-ROLFE, Jeremy, The Current State of Non-

Representation, Visions, , Los Angeles, Spring, pp. 3-7

1988 — HAKANSON COLBY, Joy, RONI HORN Prefers Playing

Solo, The Detroit News, Detroit, October 25, 3C — MIRO, Marsha, Honesty Finds Form in Warm Copper Pair,

Detroit Free Press, Detroit, October 15 — GOOKIN, Kirby, [review], Artforum, New York, May — SMITH, Roberta, RONI HORN, The New York Times, New York, March 7

1987 — SCHMIDT-WULFFEN, Stephan, Similia/Dissimilia, Flash

Art, Milan, November-December, p. 100 — MENNEKES, Friedhelm, New York, New York [interview],

Kunst und Kirche, Frankfurt, April, pp. 291-294

1986 — GARNER, Colin, RONI HORN/Arnulf Rainer, Los Angeles Times, Los Angeles, November — ZIMMER, W., New York Times, New York, August 31 — BRENSON, M., New York Times, New York, February, 28, C25

1985 — SAUNDERS, Wade, Talking Objects. Interviews with 10 Younger Sculptors,

Art in America, New York, November, pp. 120-121 — BRENSON, M., The New York Times, New York, August 16, — MUCHNIC, Suzanne, The Los Angeles Times, Los Angeles CA, March 29

1984 — REIN, Ingrid, Still Waters are Deep [review], Artforum, New York, February

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— WESKOTT, Hanne, Süddeutsche Zeitung, Munich, vol. 69, February

1983 — SCHNEIDER, H., Die Zeit, Frankfurt, November 18 — Still Waters are Deep, Süddeutsche Zeitung, Munich, November 3

1980 — MORSCHEL, Jürgen, Space through Compressed Sculpture

[review], Süddeutsche Zeitung, Munich, April 3

Audiovisuals

2009 — The Guardian Culture Podcast, Art podcast: Private view with

Adrian Searle - Roni Horn, London, February

2005 — PBS Broadcast, Art: 21 – Art in the Twenty-First Century, (report

by Susan Sollins), New York, September 30

2004 — KS Visions, Contacts: RONI HORN (documentary by Jean-Pierre Krief), Paris

Publications by the Artist

2007 — Weather Reports You, London/Goettingen: Artangel/Steidl, p. 195, ill. — Herdubreid at Home. The Herdubreid paintings of Stefan V.

Jonsson aka Storval, Göttingen: Steidl Verlag

2005 — Index Cixous, Goettingen: Steidl Verlag, p. 120, ill.

2004 — Wonderwater (Alice Offshore), [Multi-volume work: vol. 1: Annotated by

LOUISE BOURGEOIS, vol. 2: Annotated by Anne Carson, vol. 3: Annotated by Hélène Cixous, vol. 4: Annotated by John Waters], Goettingen: Steidl

— Her, Her, Her, and, Her, Goettingen/New York: Steidl/Dangin Publishers

2003 — Cabinet of’, Goettingen/New York: Steidl/Dangin Publishers

2002 — This is Me, This is You, Goettingen: Steidl

2001 — Becoming a Landscape [Book VIII of ‘To Place’], Denver: Ginny Williams Publisher — Dictionary of Water, Goettingen: Steidl

2000 — HORN, Roni and Frank Gehry, [et al.], Art and Architecture, Marfa/

Texas: Chinati Foundation Publication, pp. 59-80 — Another Water. The River Thames, for Example, Zurich/New York: Scalo Verlag — Point d’ ironie [Artist’s project], Paris: Agnes B., March

28

Roni Horn

1998 — Arctic Circles [Book VII of ‘To Place’], Denver: Ginny Williams, Publisher

1997 — You are the Weather, Zurich: Scalo Verlag

1996 — Haraldsdóttirn [Book VI of ‘To Place’], Denver: Ginny Williams Publisher

1995 — Verne’s Journey [Book V of ‘To Place’], Cologne: Verlag der Buchhandlung Walther König

1994 — Pooling Waters [Book IV of ‘To Place’], Cologne: Verlag der Buchhandlung Walther König

1992 — Lava [Book III of To Place], Denver: Ginny Williams Publisher

1991 — Folds [Book II of ‘To Place’], New York: Mary Boone Gallery

1990 — Bluff Life [Book I of ‘To Place’], New York: Peter Blum Edition

Articles by the Artist

2002 — Islandi glatad - til varnar vedru, Morgunbladid, Reykjavík, Laugardagur 9, November, pp. 42-43 — One Hundred Waterfalls. Five Hundred Jobs, Morgunbladid, Reykjavík, July 27, 2002, pp. 30-31 — Iceland’s Difference. [No. 1: ‘Sérkenni Islands’], Lesbók Morgunbladidsins/Morgunbladid,

Reykjavík, Laugardagur 6, April, p. 16 [weekly article on the same page: No.2: April 13, no.3: April 27, no.4: May 4, no.5: May 11, no.6: May 18, no.7: May 25, no.8: June 1, no.9: June 8, no.10: June 15, no.11: June 22, no.12: June 29, no.13: August 29, no.14: August 31, no.15: September 7, no.16. September 14, no.17: September 21, no.18: September 28, no.19: October 5, no.20: October 12, no.21: October 19, no.22: October 26]

1999 — Nokkrar Athugasemdir um Íslenska Byggingarlist. Some Notes on Icelandic

Architecture, Lesbók Morgunbladid, Reykjavík, April 10, 10-13.

1998 — You are the Weather, Le Monde Diplomatique, Paris, September, p.1, p. 5, pp.12-13, p.15 — Thetta Ekkert Sem Er. The Nothing That Is, Morgunbladid, Reykjavík, September 6, pp. 26-27 — Siksi: The Nordic Art Review, Helsinki, vol. XIII, no. 3-4, pp. 16-17, ill.

1997 — I go to Iceland, More Boreal, Edinburgh Review, Edinburgh, Autumn, pp. 120-123 — [Artist’s project], Hyperfoto, Oslo, Norway. no. 3-4, pp. 72-83 — Nicht Hier Sein, Kunst und Kirche, no. 2/97, pp. 95-97

1996 — Traveling Eye [Artist’s project], Profil, Vienna, no. 30, July 22, pp. 52-53 [no. 31,

July 29, pp. 48-49; no. 32, August 5, pp. 60-61; no. 33, August 12, pp. 52-53]

1994 — Among Judd, Artforum, New York, Summer, p. 77 — Among Judd, Guggenheim Magazine, New York, Summer, p. 33 — Verne’s Journey [Insert], Parkett Editions, Zürich, no. 39, pp. 131-143

29

Roni Horn

1990 — For Thicket no. 3. Kafka’s Palindrome. A Project for Artforum [Artist’s project], Artforum,

1983 — Notes from Dyrholaey, Museum Journal, Amsterdam, no. 3

Book Design and Misc.

— LAXNESS, Halldor, Halldor Laxness: Collected Works, [11 Volume boxed set - special edition], Göttingen: Steidl Verlag, 2002

— Details Magazine: photography of Matthew Barney, New York, NY, March 2003, pp. 254-256 — Photographed by Juergen Teller for Marc Jacobs, New York, NY, 2003