Copyright © by the Composer All Rights Reserved No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the composer Distribution: Music Finland Music Library Urho Kekkosen katu 2 C, 6t h floor FI-00100 Helsinki Finland [email protected] www.musicfinland.fi Helsinki, 2017
Oboe
keyclicks lift all fingers from keys/holes and hit forcefully the keys/holes needed to produce the indicated fingering. There is slight pitch in the sound, but it might not be exactly as notated.
keyclicks with airproduce keyclick as described above and at the same time blow air through the instrument. No tone is produced, but only air sound.
slap tongue
The noisy sounds are organised according to the rhythmic and spectral content of a recorded speech by Aung San Suu Kyi (b.1945) the Burmese politician and diplomat, who was a key figure in overthrowing the military dictatorship in her home country Myanmar. Possibly her most well known thoughts are about how dictatorships are governed with fear and that how difficult it is for the people to free themselves from this state of fear they constantly live in. I’ve used computer (Max, CataRT) to analyse and match the content of the speech with the pre-recorded oboe samples. These pre-recorded oboe samples are then organised into written score. The quote above the music presents the fragment where the oboe material is derived from. The quotes are there merely to give an overall idea to the musician and perhaps help him/her with the interpretation of these fragile and noisy sounds.
1/4 up
1/8 up
1/8 down
1/4 down
Winds in general
only air. Woodwinds: pitch is slightly heard. Brass: sound of wind, no tone or pitch.
half tone half air. Add air to the normal tone.
normal tone.
μ
B
"pp" – "ff" dynamics referring to the action not the loudness of the resulting sound
[a], [e], ... vowels after IPA table of vowels. The form of the mouth, not singing unless indicated.
& ¿ ‰ .
& ¿ ¿ ‰A
& —
& 44 42 4335 ≈ .¿ .¿ ≈ —b ¿ ‰ —b ¿5 3A A A A
"majority are determined to"q ≈ 84, liberamente
" f "œb . œ. œ. œn . œb . œb . œb . œb . œ. œn . œn . œ. œb . œ. œ. ®
p P≈ ¿ .¿ ‰ ¿ ¿ —b ‰ .¿ ‰7 3 7
A A A A"makes that first step"
" f "
Electronics
1 microphone for oboe6 large loudspeakers4 small loudspeakers (Any smaller loudspeakers. I’ve made speakers with LEDs integrated in them for the piece.)audio interface with 10 outputsmixer, or connect directly between interface and other equipmentmidi sustain pedalearphones for listening to click track
Lights:NeoPixel RGBW LED strip, 60 lights/meter, 2 meters required
To be cut in four pieces, 20-30 lights each.4 micro controllers such as Arduino Nano or similar.Lights to be placed in translucent container, bottle etc. My solution was
to 3D print speaker cones from translucent PLA and place lights inside.
usb-hub for micro controllerslong powered usb-cable to reach from stage to CPU.
Program note:
Freedom from Fear reflects the thoughts of Aung San Suu Kyi (b. 1945), Burmese politician and freedom fighter. She spent 15 years in house arrest under the Burmese military dictatorship until she was released in 2010. During and after the house arrest Kyi gained international acclaim and received many honours including the Nobel Peace Prize.
After listening and watching many interviews by Kyi, I became fascinated with her thought how “in any country, if the majority is determined to follow a certain path, they will be able to do it, sooner or later”. It seems almost a miracle that the Burmese military dictatorship has finally turned into democracy in the 2010’s. The majority of Burmese people had joined forces. Together they had also overcome fear that is related to the fact that most protests in Burma were brutally interrupted by military action.
“Freedom from Fear” – one of the most famous Aung San Suu Kyi quotes as well as other direct quotes taken from her interviews are transcribed for oboe and woven into the oboe textures. These delicate keyclicks and airy sounds share the stage with powerful and noisy multiphonics and glissandi that represent the strength and power of the thought over brutal violence. Two loudspeaker arrays – the small home-made ones on stage and the large ones placed around the audience – create two different spaces. The intimate on-stage space is illuminated by lights that are built into these small speakers. Following the loudness of the keyclicks and airy sounds of the oboe, each of the speakers flickers at its own pace. The lights changing from white to blue and then towards orange and red portray the political climate change from serenity into a state of uncertainty. The electronics culminate through the peaceful demonstrations of 2016-17 in the US into the chaos of the Burmese Saffron Revolution of 2007.
Premier: Kyle Bruckmann, oboe, Maija Hynninen and Jeremy Wagner, electronics, Hertz Hall, Berkeley, US, May 8th 2017.
3D printed speakers with LEDs inside. Material used is translucent PLA. The diameter of the widest point is about 8 inches
&
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46
464646
87
878787
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434343
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474747
Oboe
Pedal
Live el. 1
Fixed el.
∑ ˙ jœb
œ Ó . jœ œ Œ∑
f1
Sound file 01Freedom_sf0101Freedom_sf0102
q = 60, a tempo
2
Transposition,inversion(yin, transpose)
Strong, resilient
Ó .œ# jœ
Ó jœ œ ‰3
Œ Œ œ# jœ œ#3
Œ œ ŒF
4
&
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47
4747
47
89
8989
89
42
4242
42
44
4444
44
46
4646
46
Ob.
Ped.
L.el 1
F.el
multiphonic continues4 jœ Œ Ó Œ ˙
3
3
∑ œ Óƒ F f
5
jœ# Œ œ Jœb3
Ó jœ œ Œ Œ .3
∑
F f6
JϾ.Ͼ
œ Œ∑
P7
Sound file 02Freedom_sf02
≈œœœœœb#μμ
.œ> ≈ œ. ‰ ≈ œ> ≈ œ> ≈ œ> œ ≈ œ> ≈ œ. œ> ≈ œ. ≈ œ. ≈ œ> ≈
œ Ó .F
152C#
as fast as possible (q ≈ 120),improvise on the given rhythms,repeat to get total duration of about 10"
ƒ8
RESETPhase vocoder,transpose, stretch and layer sound
&ã&&
46
4646
46
44
4444
44
45
4545
45
87
8787
87
Ob.
Ped.
L.el 1
F.el
8
∑P
∑∑
Ó
Ó Œœœœœœœœ#BBB
Óœœœœœœœ¯
‰5:3
Ó œ Ó
Ó
p F
131
q = 84, a tempo
9
Sound file 03Freedom_sf03
Envelope followerControls the amount of delay in the small speaker array
&
ã&
&
87
8787
87
44
4444
44
43
4343
43
44
4444
44
Ob.
Ped.
L.el 1
F.el
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~11
Jœœœœœœœ#BBB -
‰ ‰œœœœœœœ¯ œœœœœœœ
œœœœœœœ 3
∑∑
staccatissimo
fP
wwwwwB
jœ œ Ó .
ƒ
as loud as possible
F
C
10
Transposition,delay
.....˙̇̇̇˙
∑
˙̇̇̇˙ ŒU
∑
Freedom from Fear
Maija Hynninen2017
dur ≈ 12'
©MH2017
Score
&
ã&
44
44
44
45
45
45
44
44
44
Ob.
Ped.
F.el
15 ŒœœœœœBμB œœœœœ
#μμl
œœœœœ
nlB œl5
œ Ó .Ó
q = 60, liberamente
Ab
C250
single pitch into multiphonic,use only the multiphonic fingering.
πFC
73
F
77
FC
Bn
71P F11
RESET
œ œœœœœ# œœœœœ
œœœœœ ‰ Ó3
œ Ó
pf
S M
12
Sound file 04Freedom_sf04
&
ã&&
44
4444
44
46
4646
46
43
4343
43
Ob.
Ped.
L.el 1
F.el
~~~~~~~~~vibrato
17 ‰œœœœœ
#μμl œœœœœμμ
l œœœœœbbœœœœœ
∑∑
F
77
F ƒ78
‰ . œ. œ. œ. œb . ˙˙̇̇̇˙#μ ˙ Œ
7
3
Œ jœ œ ∑Œ∑
ƒC12
single pitch into multiphonic,use only the multiphonic fingering.
PP13
Phase vocoder,strech and layer sound
Sound file 05Freedom_sf05
&
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43
4343
43
45
4545
45
43
4343
43
44
4444
44
Ob.
Ped.
L.el 1
F.el
~~~~~~~~vibrato
19
˙̇̇˙μ
œœœœœμμμ œœœœœ ≈
œœœœœœbBl
3
jœ œ ÓÓ
P f F 246C160
CF
162
14
Multiphonics with slurs:molto legato.
œœœœœœ œ œ œ œ. œ. œb . œb . œ. œ. œb . œ. œ. œb . œ. ‰
Ó . œ ŒÓ .
detuned oboe, multilayer tape part
M S
multiphonic into single pitch,use only the multiphonic fingering.
p F15
Transposition,delay
∑
∑Ó
&
ã&
44
44
44
45
45
45
44
44
44
87
87
87
Ob.
Ped.
F.el
22
˙̇̇˙̇b
˙̇̇˙b
œœœœœœœœœ
œœœœœœœœœ
jœ œ Ó .FC#100
F101
in addition to the multiphonics presentedadd 'spatule 3°' to the trill to get a squeeking sound
ƒ16
Sound file 06Freedom_sf06
.....œœœœœb
....œœœœb
....˙̇̇˙
.±‰
∑
F
3.
101 ƒF101P
∑
∑
2 Freedom from Fear
&
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87
878787
44
444444
Ob.
Ped.
L.el 1
F.el
25
œœœœœμ œœœœœœ
œœœœœœ.œB ......
œœœœœœ3
jœ œ Œ Œ .
Ab
255
Ab
C#253f p
M S M
multiphonic into single pitch,use only the multiphonic fingering.
17
RESET
Sound file 07Freedom_sf07
Phase vocoder,strech and layer sound
œB œœœœœœnμ œBŒU
∑
molto rubato
P π
S M S
&
ã&&
45
454545
44
444444
Ob.
Ped.
L.el 1
F.el
~~~~~~~~~~~~~~27
œœœœœμB œœœœœnl
μμ
œœœœœœ#μμμ œœœœœœ
œœœœœœœœœœœœ ‰
3
Ó œ Ó3 ∑
Ó3
F
77
1.
245p PfFC
73
vibr. impuls
18
Sound file 08Freedom_sf08
‰œœœœœœ#BB œœœœœœμ
œœœœœœn .....
œœœœœnBμ .......
œœœœœœœ###nμ
œ Œ Ó .
∑
Ab
C250
C249F
Bn
139
F
140
F
1.
141Pf19
Transposition,delay
RESET
&
ã&
44
4444
43
4343
Ob.
Ped.
L.el 1
multiphonic continues
29 ≈œœœœœb#μμ
.œ> ≈ œ. ‰ ≈ œ> ≈ œ> ≈ œ> œ ≈ œ> ≈ œ. œ> ≈ œ. ≈ œ. ≈ œ> ≈
œ Ó .
PF
152C#
ƒ20
Phase vocoder,transpose, stretch and layer sound
as fast as possible (q ≈ 120),improvise on the given rhythms,to create 'stutter' use flutter tongue,repeat to get total duration of about 15"
∑
&
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43
434343
45
454545
46
464646
Ob.
Ped.
L.el 1
F.el
gliss. slide finger
31˙̇̇˙
˙̇̇˙
œœœœb5:3
jœ œ Ó
∑
Ab
171Eb
Ab
R(olling) multiphonics
q = 60, liberamente
ƒ21
Delay,feedback
œœœœ ‰œœœœ#
œœœœœœœœœœ ≈
œœœœœμœœœœBB
œœœœœ##μB
ŒU3
Œ jœ œ Œ ‰ œ Ó3
Ó ‰
Bb
43 42
Bn
6C
8C
molto rubato
f PF22 23
Phase vocoder,strech and layer sound
playback between cues 21-22Sound file 09Freedom_sf09
3Freedom from Fear
&
ã&
&
46
4646
46
42
4242
42
44
4444
44
Ob.
Ped.
L.el 1
F.el
multiphonic continues33 ≈
œœœœœb#μμ
.œ> ≈ œ. ‰ ≈ œ> ≈ œ> ≈ œ> œ ‰ . œ. œ> ≈ œ. œ. ‰
œ Œ ∑
∑
F
152C#
accel towards as fast as possible (q ≈ 120),improvise on the given rhythms,repeat to get total duration of about 6"
F
Rustling, restless
24
Phase vocoder,transpose, stretch and layer sound
RESET
œ. œ. œ# . œ# . œ. œb . œ. œ. œb . œb .œ. ≈ ,
jœ œ Œ
≈ œb . œ. œ. œb . œ. œb .® ‰
ƒ
q ≈ 120
25
Sound file 16Freedom_sf16Sounding -25 cents lower than written
F
&
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44
4444
44
42
4242
42
43
4343
43
83
8383
83
Ob.
Ped.
L.el 1
F.el
35 ≈ .¿ .¿ ≈ —b ¿ ‰ —b ¿5 3A A A A
"majority are determined to"
jœ œ Œ Ó
∑
q ≈ 84, liberamente
" f "26
Envelope followerControls the amount of delay in the small speaker array
œb . œ. œ. œn . œb . œb . œb . œb . œ. œn . œn . œ. œb . œ. œ. ®
jœ œ Œ∑
‰ œ. œ. œb . œ. œ. œb . ≈ . œ. œ. œ.
p P27
Sound file 17Freedom_sf17
Sounding -25 cents lower than written
p
≈ ¿ .¿ ‰ ¿ ¿ —b ‰ .¿ ‰7 3 7
A A A A"makes that first step"
jœ œ Œ Œ
∑
" f "28
Envelope followerControls the amount of delay in the small speaker array
&
ã&
&
83
8383
83
85
8585
85
45
4545
45
44
4444
44
Ob.
Ped.
L.el 1
F.el
h .multiphonics continue
38 œ. œb . œ. œ. œ. œb . œ. œ. œ# . œ# . œn . œ# .
jœ œ ‰∑
‰ ® œb . œ. œb . œ. ≈ .
P π
29
Sound file 18Freedom_sf18
Sounding -25 cents lower than written
p
≈ —b ¿ — ¿ ¿ — ≈ ¿#> œ. œ# .¿#> œn . œ. œ. œ# .5 3
A"can go on"
jœ œ ‰ jœ œ
∑
p" F " " f "
30 31
Envelope followerControls the amount of delay in the small speaker array
œœœœœœ#œœœœœ
œœœœb œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ ˙
œ Œ Ó .∑
23Eb
Bb
22F ƒ P
q = 60, liberamente
32
Sound file 10Freedom_sf10
&
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44
4444
44
87
8787
87
47
4747
47
Ob.
Ped.
L.el 1
F.el
41 ≈ œ. œb . œ. œ. œ# . .¿ .¿ ≈ —b œb . œ. œn . œ. œ. ‰ ,5
5
7
A A
œ Ó .
q ≈ 84, liberamente
P " f " P33
Sound file 13Freedom_sf13
Envelope followerControls the amount of delay in the small speaker array
RESET
≈ ¿ .¿ ‰ œb . œ. œb . œ. ≈ —b ≈ œ# . œ. œ. œ. œ. ,≈ ‰7 3
7
A
œ Œ Œ .∑
Œ ≈ œ. œb . œb . ≈ . Œ ‰
" f " p " F " P π34
Sound file 14Freedom_sf14
Sounding -25 cents lower than written
4 Freedom from Fear
&
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47
4747
47
45
4545
45
44
4444
44
Ob.
Ped.
L.el 1
F.el
43 ‰ œb . œ. œ. œb . œ. ≈ —b .¿n r— ¿ ¿ œ. œ. ‰ ≈ œb . œ# . œ. œb . œ. ≈ ¿ ¿ — ‰ .¿œ. œ. ,
7
5 5
3
7
3
7
A A A A A
Œ œ Ó œ jœ œ Œ
P " F " F P " f " P35 36 37
Sound file 15Freedom_sf15
Envelope followerControls the amount of delay in the small speaker array
Envelope followerControls the amount of delay in the small speaker array
.....œœœœœμ
μμ J
œœœœœœœœœœ
œœœœœœœœœœ
˙̇̇˙̇
3
jœ œ Œ Ó .∑
227
press.
H H L
p fR(olling) multiphonic.The speed of Rchanges with the lip pressure
q = 60, liberamente
38
Sound file 11Freedom_sf11
&
ã
&
44
44
44
43
43
43
85
85
85
43
43
43
Ob.
Ped.
F.el
45
œœœœœœœœœœ
œœœœœœœœœœ
œœœœœœœœœœ
œœœœœ5
∑
H
fp F p
œœœœœœœœœœ
œœœœœœœœœœ
∑
L
p œb . œ. œb . œ. œ. œ. œb . œ. œ# .ŒU3
œ Œ .
‰ . œb . œ. œ. œ. œ# . œ. œ# . œ. œ.® ‰
f39
Sound file 19Freedom_sf19
Sounding -25 cents lower than written
&
ã&
&
43
4343
43
45
4545
45
44
4444
44
Ob.
Ped.
L.el 1
F.el
48 ‰ œ. œ. œ. œ. œb .œb . œ. œn . œ. œ.
Œ3 3
œ Ó∑
® œb . œ. œ# . ® œ. œ. ® ® œ. œ. ® œ. .œ- œ. œ. ≈ ‰
f FP40
Sound file 20Freedom_sf20
-25 cents lowerord.
RESET
—b .¿ ¿# ¿ ≈ —b œ. œ. œ. œ. œn . œb . ≈ ¿ .¿ ® —b ® œb . œb . ® — œb . œ.5
3 3
A A"they will be able to do it sooner or later"
jœ œ Œ Ó .
Ó
" P " f P " F " P F41
Envelope followerControls the amount of delay in the small speaker array
Sound file 13Freedom_sf13
&
ã&
44
44
44
47
47
47
46
46
46
Ob.
Ped.
F.el
50
œœœœœœ#μ œ
œœœœœ œœœœœœμ
3 3
jœ œ Œ ÓƒC
12F F Fƒ ƒ
q = 56, a tempo
single pitch into multiphonic,use only the multiphonic fingering.
42
Sound file 12Freedom_sf1201_4chFreedom_sf1202_4ch
œœœœœœ#μ œ œ Ó3
3
∑ƒF F p
∑U15"
∑
remove reed
5Freedom from Fear
&
ãã
&
46
4646
46
44
4444
44
Ob.
Ped.
L.el 1
F.el
53 ‰ ¿b —b > Œ ≈ ¿ ¿ ¿n ¿ ¿ ¿b ¿ ¿b .¿ ® .¿ ¿ ¿ .¿ ≈3 7 7A A A A A A A A"so I think hatered and fear"
jœ œ Œ ∑
q ≈ 84, liberamente
" f " " F " " f " " F "" P "
Envelope followerControls the amount of delay in the small speaker array
43 RESET
‰ . ¿ ¿ ¿b ¿ —b > ‰ .¿ ¿ ¿ ¿n .¿b7 7A A A A A A A
"people say they hate somebody, basically they fear that person"
Ó ‰ œ Œ
Ó ‰
" F " " ƒ " " F "
"basically they fear that person"
Sound file 27Fear_fragment01
44
‰ ¿b .¿ ¿ ¿# —> ≈ .¿ ¿ ‰ .3A A A
∑
ã
" f "
&
ãã
ã
Ob.
Ped.
L.el 1
F.el
56 ‰ . ¿b ¿n —b > ≈ ¿ ¿ ‰ ¿b ¿ ¿ ≈ ® ¿ —n7 7A A A
"that fear is the foundation of hatered"
∑
" F "" f "‰ . ¿b ‰ .– – – – –æ
7A
Œ . jœ Jœ Ó
∑
" P "
Phase vocoder,strech and layer sound
45
.–æ ‰ ‰– – – – – – .– – –
Ó jœ œ Œ" ƒ " " P "
Cross synthesisbetween two sound files,alternation dependent on dynamics of oboe.
Sound file 28Fear_fragment02
46
&
ãã
ã
45
4545
45
44
4444
44
45
4545
45
Ob.
Ped.
L.el 1
F.el
59
– – – – – ≠æ –æ –b æ –æ3 3
∑
∑
" ƒ "
"that fear is the foundation of hatered"
–b æ .– ‰ Ó
œ Œ Œ œ Œ‰ Ó
‰ Ó
" P "47 48
∑
∑∑
∑
&
ãã
45
45
45
44
44
44
43
43
43
45
45
45
Ob.
Ped.
L.el 1
62 ‰ .¿b ¿ ¿ —n > .¿b ‰ ¿ .¿ ¿ ¿# —> ≈ .¿7 3A A A A A A
"basically they fear that person"
œ Œ Ó .
" F " " f " " F "
Envelope followerControls the amount of delay in the small speaker array
49
¿ ‰ . Œ .j¿ —b —> ‰ . ≈ ® —>≈ —7 7
A"so I think hatered"
∑
Œ ≈ ¿b ¿ ¿n ¿ ¿ ¿b ¿ ¿b .¿7 7
A A A A A
"hatered and fear"
∑
" F " " f " " P "
6 Freedom from Fear
&
ã
ã
ã
45
45
45
45
43
43
43
43
44
44
44
44
Ob.
Ped.
L.el 1
F.el
65 ® .¿ ¿ ¿b .¿ ≈ –n – ≠ – – – – – – –æ ‰3A A
œ Ó Ó" F " " f " " F "
Sound file 29Fear_fragment03
"hatered and fear"
Cross synthesisbetween two sound files,alternation dependent on dynamics of oboe.
50 RESET
¿b ® ¿ ¿ ¿ ¿ ¿# .¿A A A
"but you don't say, people won't say: I'm frightened of oranges"
Œ œ Œ51
¿ ¿b ¿ .¿ ¿ ¿ ¿ ¿n .j¿ ¿b .j¿ –7 7 7A A A A A
∑
&
" f " " P "
&
ãã
45
4545
43
4343
Ob.
Ped.
L.el 1
68 – – – – j–æ –b æ –æ – ¿n — —b > ‰ ≈ —> ¿b — ‰3 3 7
"we may dislike sour fruits"
∑" P "f
‰ ® ¿b ¿n ¿ .¿ ® ¿b ® .—b > ‰ – – – –n – – rK–j–
5A A
Ó . jœ œ Œf
Phase vocoder,strech and layer sound
52
&
ãã
43
43
43
46
46
46
44
44
44
Ob.
Ped.
L.el 1
70
– – – – –æ – – – ≈ ¿ ¿ ¿b j¿n3A A A
∑∑
≈ ¿# —b ≈ ‰ ® .¿ ¿j¿ — .¿ ¿ —>
® ¿ ¿b ¿ ¿n —>¿b —
3 7A A A A A
"people would say things like I hate snakes"
œ" f " " F "" F "
Envelope followerControls the amount of delay in the small speaker array
53
&
ãã
ã
44
4444
44
45
4545
45
44
4444
44
Ob.
Ped.
L.el 1
F.el
72 ∑
œ Œ ÓÓ
Sound file 30Freedom_majority01Stage speakers&Hall speakers
54
Œ ‰ .– – – –∑
q = 60, a tempo
" P "
"In any country, if the majority are determined to follow a certain path, they will be able to do it sooner or later"
Cross synthesisbetween two sound files,alternation dependent on dynamics of oboe. Phase vocoder,
strech and layer sound
–– – – – – – – – – – ≠æ –æ3
∑" ƒ " – – – – – .–æ – – – .–– – – – – – – ≠
Œ . jœ Jœ Ó ." P "
55
&ãã
ã
44
4444
44
Ob.
Ped.
L.el 1
F.el
76 ∑œ Œ Ó
Sound file 31Freedom_majority02Stage speakers&Hall speakers
56
‰ – – – – – – – – – .– – – j–3
∑" P "
"Getting over fear is not easy, but once they've managed that first step, then they can go on."
– – – .≠æ – – – – – –æ
∑" ƒ " –æ Œ Ó
œ Œ Ó" P "
Freeze+gran+reson+spat,grains of airy sound colored with resonators is scattered around the hall.
put reed back on
57
7Freedom from Fear
&ãã
ã
44
4444
44
Ob.
Ped.
L.el 1
F.el
80 ∑U16"
∑&
Fixed electronicssolo, 15"
"they must not obey someone who's an authoritysimply because he or she is an authority"
Sound File 32Authority01_4chAuthority02_4ch"This was one of the things we had to try to teach the members of our party..."
∑œ Ó .58
Click track on
q = 112, a tempo
Lonely protester
RESET
‰ . œ. œ. ‰ . œ. ≈ Ó5 5
"follow certain path"
œ Œ Ó∑
P59
Œ Rœ. ‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5
œ Œ Ó∑
60
&ã
&
ã
Ob.
Ped.
L.el 1
F.el
84 Ó Œ Rœ. Œ5
œ Œ Ó
∑
61
Œ ‰ œ. ‰- ≈ œ. ‰ . œ. ‰ . œ.5 5 5
∑
∑
Œ Œ Rœ. Œ ≈ œ. œ. ‰5 5
Ó œ Œ
Ó ‰ . œ. œ. ‰ . œ. ≈5 5
"follow certain path"
Óp
Phase vocoder,transpose and layer sound
62
Œ Rœ. ‰ . œ. ≈ Œ œ. ‰ . œ.5 5 5
∑
Ó Œ Rœ. ‰ .- œ. œ.5 5
∑
&ã
&
&
Ob.
Ped.
L.el 1
L.el 2
88 Ó ‰ œ. œ. œ. œ. œ. œ. œ. œb .5
5
∑
‰ . œ. ≈ ‰ œ. œ. ≈ Ó5 5
∑
Fœb . œ. ‰ . Œ .œ- ‰ ≈ .œ- œ-
55 5
Œ œ Ó
Œ Rœ. Œ Œ ‰ œ. ‰-5 5
‰ . œ. œ. ‰ . œ. ≈ Ó5 5
"follow certain path"
p
Phase vocoder,transpose and layer sound
P63
œ .œ- Œ .œ- ‰ ‰ .œ-5 5 5
Œ œ Ó
≈ œ. ‰ . œ. ‰ . œ. Œ Œ Rœ.5 5 5
Œ Rœ. ‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5
64
.œ- œ- Rœ Œ .œ- ‰ Œ Rœ-5 5 5 5
Ó . œ
∑
Ó Œ Rœ. Œ5
65
&ã
&
&
&
Ob.
Ped.
L.el 1
L.el 2
L.el 3
92 œ ‰ . ‰ .œ- .œ- œ- Rœ Œ5 5 5 5
∑
‰ . œ. œ. ‰ . œ. ≈ Ó5 5
"follow certain path"
Œ ‰ œ. ‰ ≈ œ. ‰ . œ. ‰ . œ.5 5 5
∑
Phase vocoder,transpose and layer sound
∑œ Œ Ó
Œ Rœ. ‰ . œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5
Œ Œ Rœ. Ó5
∑
66
Ó Œ .œ- œ-5
∑
Ó Œ Rœ. Œ5
.œ- ‰ ≈ .œ- œ- œ .œ- Œ5 5 5
"to follow"
Ó Œ ‰ . œ.B œ.5
"follow certain path"
Phase vocoder,transpose and layer sound
Phase vocoder,transpose and layer sound
pœ ‰ . œ. .œ- ‰ Œ ≈ œ. .œb -
5 5 5
∑
Œ ‰ œ. ‰ ≈ œ. ‰ . œ. ‰ . œ.5 5 5
.œ- ‰ ‰ .œ- .œ- œ- Rœ Œ5 5 5 5
‰ . œ.B ≈ Œ Œ Œ Rœ.5 5
P
8 Freedom from Fear
&
&
&&
&
Ob.
L.el 1
L.el 2
L.el 3
L.el 4
96 .œ- œ- Rœ Œ Ó5 5
Œ Œ Rœ. Ó5
.œ- ‰ Œ Rœ- œ ‰ . ‰ .œ-5 5 5 5
‰ . œ.B œ. ‰ . œ. ≈ ‰ œ. œ. ≈ Œ5 5 5
∑
p≈ œ. .œb - œ. ‰ . œ. œ. ‰ . œ- œ ‰ .
5 5 55
Œ Rœ. ‰ . œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5
"follow"
.œ- œ- Rœ Œ Ó5 5
Œ Œ Rœ.B Ó5
Œ .œ-B ‰ ‰ .œ- .œ- œ-5 5 5
"follow02"
Phase vocoder,transpose and layer sound
Phase vocoder,transpose and layer sound
P.œ- œ. œ- œ .œ- ‰ . œ. œ- œ ‰ .
5
5
5 5
Ó .œ-B ‰ ≈ .œ- œ-5 5
"to follow"
‰ . œ. œ. ‰ . œ. ≈ Ó5 5
"follow certain path"
‰ œ.B ‰ ≈ œ. ‰ . œ. ‰ . œ. Œ5 5 5
Rœ Œ .œ-B ‰ Ó5 5
F
Phase vocoder,transpose and layer sound
Phase vocoder,transpose and layer sound
∑
œ .œ-B Œ .œ- ‰ ‰ .œ-5 5 5
Œ Rœ. ‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5
Œ Rœ.B Œ Ó5
∑
&
&
&
&
&ã
Ob.
L.el 1
L.el 2
L.el 3
L.el 4
F.el
100 ‰ . œ- œ .œ- ≈ ‰ œ. œ. ≈ ‰ .œ-5 5
55
.œ-B œ- Rœ Œ .œ- ‰ Œ Rœ-5 5 5 5
Ó Œ Rœ. Œ5
‰ . œ.B œ. ‰ . œ. ≈ Ó5 5
"follow certain path"
∑∑
Phase vocoder,transpose and layer sound
pœ. ‰ . œ. ‰ . œ- œ œb . œ. ‰ œ. œ. œ. œ. œ.
5 5 5
5
œ ‰ . ‰ .œ-B .œ- œ- Rœ Œ5 5 5 5
Œ ‰ œ. ‰- ≈ œ. ‰ . œ. ‰ . œ.5 5 5
Œ Rœ.B ‰ . œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5
Ó Œ Œ Rœn .5
"follow01"
∑
Phase vocoder,transpose and layer sound
F
œ. œb . ‰ . Œ Ó5
‰ . œ.B œ. ‰ . œ. ≈ Ó5 5
"follow certain path"
Œ Œ Rœ. Ó5
Ó Œ Rœ.B Œ5
‰ . œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈ Œ5 5 5
Phase vocoder,transpose and layer sound
Sound file 25Freedom_sf25_4ch
∑
Œ Rœ.B ‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5
Ó Œ .œ- ‰5
"follow02"
Œ ‰ œ.B ‰ ≈ œ. ‰ . œ. ‰ . œ.5 5 5
Ó .œ-μ ‰ ≈ .œ- œ-5 5
"to follow"
Phase vocoder,transpose and layer sound
Phase vocoder,transpose and layer sound
&
&
&
&
&
Ob.
L.el 1
L.el 2
L.el 3
L.el 4
104 œμ . œ. ‰ . .œb - œ. ≈ ‰ œ. œμ - œ ‰ . œ-5 5
5 5
Ó Œ Rœ.B Œ5
‰ .œ- .œ- œ- Rœ Œ .œ- ‰5 5 5 5
Œ ‰ . œ.μ œ. ‰ . œ. ≈ Œ5 5"follow certain path"
œ .œ-μ Œ .œ- ‰ ‰ .œ-5 5 5
Phase vocoder,transpose and layer sound
Pœ œμ . ‰ Œ Œ ≈ .œ-μ œ.
5
5
Œ ‰ œ.B ‰ ≈ œ. ‰ . œ. ‰ . œ.5 5 5
∑
Œ Œ rœ.μ ‰ .- œ. œ. ‰ . œ. ≈5 5 5
.œ-μ œ- Rœ Œ .œ- ‰ Œ Rœ-5 5 5 5
p.œb - œ-μ œ ‰ . œ- œ œ.μ œ- œ œ. ‰ .5 5
55
Œ Œ Rœ.B Ó5
Ó ‰ . œ. œ. ‰ . œ. ≈5 5
"follow certain path"
‰ œ.μ œ. ≈ Œ Œ Œ rœ.5 5
œ ‰ . ‰ .œ-μ .œ- œ- Rœ Œ5 5 5 5
P
Phase vocoder,transpose and layer sound
.œb - œ- œ .œ- ≈ Ó5 5
Ó .œ-μ ‰ ≈ .œ- œ-5 5"to follow"
Œ Œ Œ Rœ. ‰ .- œ. œ.5 5
Ó ‰ œ.μ ‰ ≈ œ. ‰ .5 5
Œ Rœ. ‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5
"follow01"
Phase vocoder,transpose and layer sound
pPhase vocoder,transpose and layer sound
9Freedom from Fear
&
&
&
&ã
Ob.
L.el 1
L.el 2
L.el 3
F.el
108 Ó ≈ œ. œμ . œμ . œ.œb . œB . .œ-5
5
œ .œ-μ Œ .œ- ‰ ‰ .œ-5 5 5
‰ . œ. ≈ ‰ œ. œ. ≈ Œ Œ5 5
œ.μ ‰ . œ. Œ Œ Œ Rœ.5
5
"follow01"
∑
Phase vocoder,transpose and layer sound
F.œ- œ- Rœ Œ Ó5
5
.œ-μ œ- rœ Œ .œ- ‰ Œ rœ-5 5 5 5
Œ Rœ. Œ Œ ‰ œ. ‰-5 5
‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈ Œ5 5 5
Œ
p
Sound file 26Freedom_sf26_4ch
‰ œ. œ. œ- œ ‰ . .œ- œ. ≈ ‰ .œb -5
5
5 5
œ ‰ . ‰ .œ-μ .œ- œ- rœ Œ5 5 5 5
≈ œ. ‰ . œ. ‰ . œ. Œ Œ Rœ.5 5 5
Ó Œ .œ-B ‰5
"follow02"
Phase vocoder,transpose and layer sound
‰ . œ. œ- œ œμ . ‰ ≈ .œ- œb . .œ- œμ-5
55 5
Ó .œ-B ‰ ≈ .œ- œ-5 5
"to follow"
Ó Œ ‰ . œ. œ.5
"follow certain path"
‰ .œ-B .œ- œ- Rœ Œ .œ- ‰5 5 5 5
∑
PPhase vocoder,transpose and layer sound
Phase vocoder,transpose and layer sound
&
&
&
&
&
Ob.
L.el 1
L.el 2
L.el 3
L.el 4
112 Rœ Œ Œ Ó5
œ .œ-B Œ .œ- ‰ ‰ .œ-5 5 5
‰ . œ. ≈ Œ Œ Œ Rœ.5 5
∑
∑
pÓ ‰ . œ# . œ- œ ‰ .5 5
.œ-B œ- rœ Œ .œ- ‰ Œ rœ-5 5 5 5
‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈ Œ5 5 5
∑
Ó Œ Œ Rœ.B5
"follow01"
Phase vocoder,transpose and layer sound
œ. .œ- œ# . ‰ . œ. ≈ ‰ . œB - œ œ. œ. ‰5
5
5
5
œ ‰ . ‰ .œ-B .œ- œ- rœ Œ5 5 5 5
Œ Œ Rœ. Œ Œ5
Œ .œ- ‰ ‰ .œ- .œ- œ-5 5 5
"follow02"
‰ . œ.B œ. ‰ . œ. ≈ ‰ œ. œ. ≈ Œ5 5 5
Phase vocoder,transpose and layer sound
P∑
Ó .œ- ‰ ≈ .œ- œ-5 5
"to follow"
‰ œ. ‰- ≈ œ. ‰ . œ. ‰ . œ. Œ5 5 5
Rœ Œ .œ- ‰ Ó5 5
∑
Phase vocoder,transpose and layer sound
≈ œ. ‰ . .œ-B ‰ ≈ œ. ‰ . œ. .œ- œ.5
5
5
5
œ .œ- Œ .œ- ‰ ‰ .œ-5 5 5
Ó Œ .œ-B ‰5"follow02"
Œ Rœ.B ‰ . œ. œ. ‰ . œ. ≈ Œ5 5 5
"follow certain path"
∑
p P
Phase vocoder,transpose and layer sound
Phase vocoder,transpose and layer sound
&
ã&
&&
&
ã
Ob.
Ped.
L.el 1
L.el 2
L.el 3
L.el 4
F.el
117 ‰ . œB - œ .œ- ≈ ‰ œ. œ. ≈ ‰ .œ-B5
5
5 5
œ Œ Ó.œ- œ- Rœ Œ .œ- ‰ Œ Rœ-
5 5 5 5
‰ .œ-B .œ- œ- rœ Œ .œ- ‰5 5 5 5
Œ Œ Rœ.B ‰ . œ. œ. ‰ . œ. ≈5 5 5
∑
∑Sound file 33Protests0101_4chProtests0102_4chProtests, US Women's March 2017, Myanmar, Saffron Revolution 2007.Leading to more and more chaotic state.Abrupt end with communication breakdown.
67
œ. ‰ . œ. ‰ . œ# - œ œ. œ. ‰ Œ5
55
∑œ ‰ . ‰ .œ- .œ- œ- Rœ Œ
5 5 5 5
Œ Œ Rœ. ‰ . œ. œ. ‰ . œ. ≈5 5 5
"follow01"
‰ œ.B œ. ≈ Œ Œ Œ Rœ.5 5
∑
F
Phase vocoder,transpose and layer sound
≈ œ# . œb . œ. œ. œB . œB . œB .‰ Ó
5
5
∑∑
‰ œ. œ. ≈ Œ .œ-B ‰ ‰ .œ-5 5 5
"follow02"
Ó ‰ œ.B ‰ ≈ œ. ‰ .5 5
Œ Rœ. ‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5
"follow01"
Phase vocoder,transpose and layer sound
P
Phase vocoder,transpose and layer sound
∑
∑Œ ‰ . œ. œ. ‰ . œ. ≈ Œ
5 5
"follow certain path"
.œ- œ- Rœ Œ .œ- ‰ Œ5 5 5
œ.B ‰ . œ. Œ Œ Rœ. Œ5 5
Ó Œ .œ-B ‰5
"to follow"
Phase vocoder,transpose and layer sound
Phase vocoder,transpose and layer sound
10 Freedom from Fear
&
&
&
ã
44
44
44
44
Ob.
L.el 1
L.el 4
F.el
121 Ó Œ ‰ . œ. œ-5
Œ Œ Rœ. ‰ .- œ. œ. ‰ . œ. ≈5 5 5
≈ .œ-B œ- œ .œ- Œ .œ- ‰5 5 5
∑"Not my president"
"This Land is Your Land"
The people
pœ ‰ . œ. .œ- œ. ‰ . œ. ≈ Œ5 5 5
‰ œ. œ. ≈ Œ Œ Œ Rœ.5 5
‰ .œ-B .œ- œ- Rœ Œ .œ- ‰5 5 5 5
∑
Œ Œ ‰ œ. ‰- ≈ œ. ‰ .5 5
Œ Rœ-B œ ‰ . ‰ .œ- .œ- œ-5 5 5 5
∑U
œ. ‰ . œ. Œ Œ Rœ.5 5
Rœ Œ5
Fixed electronicssolo, 35"
&
ã&
ã
44
4444
44
45
4545
45
Ob.
Ped.
L.el 1
F.el
~~~~~~~~~~~vibrato
125 ∑
∑∑
Listen to the sound file andplay when you feel like it.
q = 60, a tempo
Sound File 34Protests_0201_4chProtests_0202_4ch'This is what America looks like!'
126 ‰ œ̆œœœœœœœ#BBB œœœœœœœ
œœœœœœœ œ. œb - œ. œ- œb ® ‰3 3 3
jœ œEnvelope followerWhen oboe plays the fixed electronicsare at a softer dynamic.
F
131
f fP
deciso
Delay,feedback
68
RESET
128 ≈ œ. œ. œb . œb . œ. œb . œœœœœœœ#BBB œœœœœœœ#
œœœœœœœœœœœœœœ œ. œb - œ. œ- œb ®
3 3
∑Œ
staccatissimo
ff P
&
&
ã
45
45
45
43
43
43
44
44
44
Ob.
L.el 1
F.el
130 ‰ œb .. œ.
œœœœœ#μμ>
Œ œ.. œ. Jœœœœœ>
Œ œ.. œ.
œœœœœ>
‰ œ.. œ.
œœœœœ> œœœœœb
>‰
5 5
F
152C#
gracenotes are allmultiphonics
F ƒ&
gracenotes are allmultiphonics
‰ œb .. œ.
œœœœœ#μμ>
≈ œ.. œ.
œœœœœ>
≈ œ. œ.œ. œ. œ. œn . œb . œ. ≈
F
152C#
F ƒ
&
&
ã
44
44
44
Ob.
L.el 1
F.el
133
.œ.....
œœœœœ#μ œœœœœ
repeat as many times as you feel like.A slow timbral change from single pitchto multiphonic. Search for different timbralpossibilities by changing the dynamics, pressure etc. Max length about 20"
P fdolce
"Not my president!"
C12
& ® œ. œ# . œ. œb . œb . œ œœœœœœ
bμB
œœœœœ Œ3
14
Bb
P F P
11Freedom from Fear
&
&
ã
84
84
84
Ob.
L.el 1
F.el
136 ‰ œb . œ. œ. œ......
œœœœœBμ
.....œœœœœ#B
42
Bb
43
R(olling) multiphonics
F f
deciso
Jœœœœœœ#μ>
œ. œ. Jœœœœœœ>
œ. œ. Jœœœœœœ>
‰Uƒ
F
225C
gracenotes are allmultiphonics
Gushots, crowd running in panic.
repeat as many times as you feel like.Change the grouping and place of thegracenotes. Max length about 10"
∑
∑
Sound File 35Protests_0301_4chProtests_0302_4ch30" fixed electronics solo.Siren sounds, gunshots, white noise,radio noise, people shouting.
When sirens start, stop playing
&
ã&
45
45
45
Ob.
Ped.
L.el 1
139 ∑U
∑∑
Silence.Try to hold as long silence as you can.Avoiding the audience from starting clapping.
Lights completely off.Sound off.
The aftermath – solemn
Ó Œ . .œæ
œ Œ Œ ‰ jœ œ ‰
q = 64, liberamente
LEDsOrangefrom dim to brighter,fluctuating
π69 70RESET
.œæ Jœæ æ̇ Œ
Œ . Jœ Ó .Œ .
P π71
Resonators,granular synth.
Ó .œ .œ
œ Œ Ó .∏
ord.
Phase vocoder,transpose, stretch and layer sound
72
&
ã
&
&
44
44
44
44
Ob.
Ped.
L.el 1
F.el
143 ˙ œB œ œμ œB œ œn œb5
Ó œ Ó
Ó . Œ œ œb3
F
P
Sound file 21Freedom_sf2101Freedom_sf2102
73
œ ˙b ˙B œ3
3
Ó Ó jœ œ3
.œ .œb œB
p
p F
74
œ ˙ Jœ Œ .3
∑∑
˙ œ ˙ Œ3 3
P π
p P π
Ó˙
∑∑
P
&
ã
&
&
Ob.
Ped.
L.el 1
F.el
147.œ .œ .œB .œ œ
Œ ‰ œ Ó
Œ .
F
Phase vocoder,transpose, stretch and layer sound
75
œ œB œ œ .œ œ œ œ œμ œb œb œ3 5 5
∑73-74
p fœ œ œb œb œμ
3
œ Œ Ó
∑
‰.œb .œ
Jœb
P
p F
76
Sound file 22Freedom_sf22
jœ .œb ˙
∑∑
œ œb œb œ œb jœμ3 3
F p
P f
12 Freedom from Fear
&
ã
&
45
45
45
44
44
44
45
45
45
43
43
43
Ob.
Ped.
F.el
151 ‰ . .œb - .œ- Œ
∑
.œ jœ ˙p
p‰ . .œb .œ .œμ œn œ
3
∑
˙ Ó
p F.œB ‰ Œ œ œ
3
∑
Pœ œb .œ
....œœœœm
B
Œ jœ œ Ó .
Bb
43
single pitch into multiphonic,use only the multiphonic fingering.
p
Sound file 23Freedom_sf23
77
&ã
&
43
43
43
44
44
44
45
45
45
44
44
44
45
45
45
Ob.
Ped.
F.el
155œœœœ
....œœœœ ‰
∑F p w-
∑
Ó
P .œ .œ .œ .œμ ˙œ Œ Ó
Ó .œμ ..œœμSound file 24Freedom_sf24
78
w∑
wwμŒ . .œ œœ
p
&&
45
45
44
44
45
45
Ob.
F.el
159 ∑˙̇ .˙˙̇ ..˙̇
∑ww
∑U
Only air / whisper
13Freedom from Fear
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