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The Howlingof
Liber CCXXXIA Grimoire of the Paths of the A.'.A.'.
Frater Zephyros
!"AoAo
This evocatory grimoire functions as the Thelemic version of the lesser key of Solomon; known also as the Goetia or 'Howling'. Research into both what the MasterTherion exoun!s an! the uni"uely rofoun! work of #enneth Grant which has its own $abalistic significance; may she! light on the exeriences of the %r!eals of the
Gra!es of our or!er. Such synchronicities seem to correlate with my own exeriences an! exosure to the current of the &.'.&.'..
iber (()))* is the most singular an! certainly uni"ue of all +(lass &' !ocuments reveale! by the Secret (hiefs thus far. The Master Therion resents it as a maing
of the cosmic rocess in congruity with the twenty,two &tus of The -ook of Thoth. &n! it is shown to function as a technical treatise !elineating a formula for
initiation. #enneth Grant exten!s this i!ea from the ersective of both si!es of the Tree,of,ife in such a way as to seemingly !estroy any i!ea of a Manichean battle
between forces of ight an! arkness. Rather/ the so,calle! ark Si!e 0whose contents are commonly referre! to as $lihotic1 is urorte! by his exerience to be
very ancient +&tavisms2 that belong to a more rimal an! owerful consciousness from our racial ast. &ustin %sman Sare an! (arlos (astene!a also investigate
these bestial energies.
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*t seems that mo!ern humanity has forgotten such ower that was very much a art of human consciousness in a time before the ancient 3gytians; as mo!ern man has
move! more an! more to a !een!ence on left,braine! consciousness through the succee!ing ages. The 4ecronomicon also seaks to this time an! acts as a
comlimentary Grimoire as well as the 5ou!oun grimoires. Most certainly/ this time in ancient Mesootamia; secifically (hal!ea/ is the fountain from which the
3gytian an! hence/ the 6ewish an! Hin!u religions woul! evolve into both 3astern an! 7estern !irections with 6u!aism branching into *slam an! (hristianity an!
Hin!uism branching into Taoism an! -u!!hism. %f course/ many aboriginal societies may be sai! to have never left this mo!e of consciousness as we are in this new
aeon/ learning more an! more about ancient aboriginal cultures that have survive! relatively unaffecte! or unaltere! by time into the resent age. 5ou!oun may be theone excetion as it is clearly the merging or mo!erni8ation of this ancient Shamanism with (hristianity.
iber (()))* consists of three searate sections9 The first is comose! of two sets of twenty,two sigils each belonging to two searate houses; the secon! is a set of
twenty,two verses correson!ing to both the correson!ing sigils from the two houses; an! the thir! section is a list of names for each of the &ngels from both houses/
arrange! in two columns an! aire! of with the correson!ing angel from each house. -oth of the two sets of sigils in the first section are title! iber ))**. The first
set is sub,title! 'omarum Mercurii (um Suis Geniis' which * am arahrasing as 'The House of the &ngels of Thoth'. The whole book is an exosition on the Holy
Tarot or -ook of Thoth. The other set of sigils is sub,title! '(arcerorum $lihoth (um Suis Geniis' an! * am arahrasing as 'The :rison of the &ngels of (horon8on.
*n both sets/ the sigils are lai! out either in the natural !irection of Hebrew writing for the first set/ or its oosite or!er for the secon!. This woul! seem to a!! some
vali!ity for &cha!'s reversal of the lesser aths on the Tree,of,ife. &n! in between both sets of sigils are instructions for comaring the sigils. They are arrange! in
two columns of which if the sigil !elineate! in the left column rece!es the one of the right then the comarison is to be ma!e in the sigils of the &ngels of Thoth. &n!
if the one on the right rece!es that of the left then the attention is !irecte! to the sigils of the &ngels of (horon8on. The comarisons reveal similarity in style/ theme/an! symbolism between certain sigils.
4ow lease note that * have use! the wor! +:rison2 for the &ngels of (horon8on. -ut * woul! refer to see this as something that is locke! in a re,historic level of
consciousness !ee in the collective conscious of our race. 6. 3!war! (ornelius !escribes this with the i!ea that these beings are imrisone! in the &stral 7aters about
the 3arth. These energies maintain a balance with the forces that are now at the fore of our consciousness an! seem to be connecte! with each other through the
*nvisible Sehira known as a2ath on the Tree,of,ife. #enneth Grant seems to maintain that only the &!et has the wherewithal to han!le the raw ower of these
&tavisms. *n such a light he aligns both si!es of every ath of the Tree with each other as secific +#alas2 from which Magick :ower can be evocatorially gaine!
emloying seciali8e! Tantric techni"ues.
There is no cross,comarison between the two charts until you get to the thir! section of this book. Here the names associate! with each &tu are liste! in two columns
an! their natural contrast is marke!. The ronunciation of the names for the &ngels of Thoth are more creative than the tra!itional Hebrew names for !emons !eloye!
by the &ngels of (horon8on. *n!ee! the &ngels of Thoth refer to several alhabets for comosition of their names of which belong to no known language. et/
#enneth Grant !evelos strong Gematric evi!ence to suort the nature of an! vali!ate the results of his work. These he !raws from an! exan!s uon
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There is also a comarison to the %r!eals of the Gra!es as each initiation has seeme! to this &sirant to exose one to various aths connecting with the mastery
of each correson!ing Sehira. &n! so evi!ence of this is !elineate! by #enneth Grant as he takes these &tavisms to be a integral an! interactive art of the 4ot,
* that is the reverse of the Tree with it2s obverse being the * that most &!ets will exclusively !eal with; making the reverse si!e a taboo that is a by,ro!uct of
egoic fear. Marcelo Motta notes in his own exloration of iber (()))* that the Sheaths of the Self are not static/ but are continuously exan!ing an!
changing as the Self an! 4ot,Self interact. Thus it seems that these $lihoth are the sentinels of the Tunnels of the 4ot,Self un!er every ath of the Tree,of,ife.
These $lihotic !emons seem to this &sirant to otentially lague the Gra!es of the %r!er as each Gra!e exoses one to artial aths that connect the various
Sehiroth. &n! of course/ the %r!eals of the Gra!es arise therefrom. &n! so the 4eohyte may make talismans for each skrying with the Sigils of the Genii on
the obverse an! the Sigils of the $lihoth on the reverse in his or her &stral 3xeriments. *t is further recommen!e! that the serious Stu!ent obtain a coy of
#enneth Grant's book9 4ightsi!e of 3!en. *n the book/ he !escribes more fully the nature of these tunnels than * have outline! below. ones/ the serious Stu!ent shoul! obtain a coy of #enneth Grant's book9 (ults of the Sha!ow.
*t shoul! also be note! that Mr. Grant warns against skrying the (horon8onic genii an! only himself/ resents !ata on the Thoth Genii. *n my own work/ * !i!
skry both?an! yet * have no correlative !ata to relate my (horon8onic exeriences with while fin!ing interesting correlations with Mr. Grant's !ata even though
* ha! erforme! my exeriments several years before * encountere! Mr. Grant's work. There are two other ublishe! workings along these lines/ one is foun! in
TH3 3$@*4%) 5ol. 5**; 4o. A,,ublishe! by Ray 3ales an! the other is foun! in TH3 3$@*4%) 5ol. 5; 4o. B,,ublishe! by Marcelo Ramos Motta. Some
of my own work is aen!e! below.
-y the time one reaches >elator/ one shoul! have ha! enough exerience to begin to vali!ate the various one that was coine! by #enneth Grant; it's rincial exlorer. The tree in this 8one
aears to be entirely of the et8iratic lane on first glance?but is mysteriously linke! with the -riatic lane as well by way of the astral menstruum 0et8iratic1
an! the lightening flash of orgasm 0-riatic1.
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Gra!e #ala oruban :ower >one isease angbeto; sacre! olice or
'eole of the night who
com from the other si!eof thesea'. -lack is the color of
sex an! an in!ication fo the
nature of this rimal magick.
-u=e; fetish of erfection of
beauty an! sexual
attractiveness.
&rterioscleros
is; the a!=unct
of Senility
Restriction D
*ncarceration
7orks of
Male!iction an!
eath
(roco!ile
CA &eon
Shalicu
Manamana; the lightening
%run,&a!i; the fiery
furnace-iri; fetish of !arkness
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BF &rt
Saksalim
&i!owe!a; go!!ess of the
Rainbow who comes like the
lightening flash.
(oncets of
Reversal/
Transformationan!
&nnihilation
-eing boun! with
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BC Hange!
Man
Malkunofat
%lokun; -lack 4etune
%losa; consort of %lokun/
croco!ile is her totem
%ya; 4iger River
%chun D %ba; the orubarivers
The :ower of
Skrying
Ray of the 'ee
%nes'
eviathon
:hilosohus
4et8ach
attaine!
(onnecte! to
a'ath by
virtue of its
connection to
eso!
(omletion
of BIth/ BthD
BEth:aths
*fa; from whence the Hebrew
wor! 3va came; messenger
D interreter o the go!s 03ve
listene! to Serent an!
translate! for &!am1/
feminine comonent of the
rimal myth
BK eath
4iantiel
angbe D 3re/ the boa,
constrictor
(ancer 4ecromancy;
&lchemicalformula of
:urification via
:utrefaction
-eetle
BA one &scen!ency
0olitical or
otherwise1
ominis
iminis
L*ntersection
of Sameck D
:eh
7ith :eh
being
comlete! by
attaining
:hilosohus/
&sirant isexclusively
traversing
Sameck
&!etus
Minor
Tihareth
attaine!
The work of
the 7an!
(omletion
of BKth/ BFthD
BJth:aths
Shango; mythical go who
incarnate! as #ing of oruba
0suggesting 4ehilim1/ go!
of self,sacrifice an!
re!emtion
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AC :riestess
Gargohias
%chosi; hunter who's symbol
is the bow/ if bloo! flows
then life is !estroye!;
reference to the lunar erio!
Togo D %nce; go!s of thelagoons; re! ools feature!
in the a!ministration of law
an! or!er
Menstrual
isor!ers
(reativity D
Rero!uction
(lairvoyance D
ivination
!uring a lunar
eclise
amra!iel
*be=i; the sha!owy
comanions of twin chil!ren
%ro; the temest of ominour
aearances an! screamingwin!s simulate! by a rai!
twirling of a woo!en claer
attache! to a string
Shugal,(horon8on
as a virulent
magickal storm
%minous
aearances an!
-anshees
-ilocation Hyena
B Hermit
amatu
*le; the earth
%richa,%ko; fetish of the
fiel!s an! agriculture
(hougou!o; insires terror of
a lace in or!er to rotect it
:aralysis 5irile force;
reserve! #are88a
eath in ife :arthenogenesis
BB
&!=ustment
afoursiax
3ngungun; bones of the !ea! *mbalance Ravenous bir!s
wNfaces or women
who snatch away
souls of living frommortal clay.
&bility to
balance on
bri!ge over fulf
othe &byss;between living
an! non,living.
Si!er D the
recision an!
synastry of Truth
an! 6ustice
&!etus
Ma=or
Geburah
attaine!
The work of
the Swor!
(omletion
of BBn!D BCr!
:aths
%gun; bloo!y war go! who
uses rites of bloo! 0menses1/
iron is sacre! metal an!
foun! in the menses/ this is
how the Scarlet 7oman is
girt with her swor!
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A (hariot
(haracith
oco; go! of the forests
&biku/ 3lere D %ehun; evil
sirits of =ungle D !eserts/
they enter human goetuses in
or!er to be born to take theirleasure amongst the living/
they reresent 5amirism
an! the fire of the !igestive
system
-ewitchments D
the ower of
casting
3nchantments
(amel
AE ust
Temhioth
Serent !ieites of oracular
nature9 angbe D *!agba
along with ython go!9
Selwanga
Stroke Sexual heat Training wil!
beasts with
reference to the
mechanism of
*) !egree %T%;
woman bri!ling
D !irecting
insensateassions
Serent's tongue
0symboli8e! by
lightening
&!etus
3xemtus
(hese!
attaine!
(omletion
of AEth/ BthD
BAst:aths
AJ Hierohant
@riens
*fe; the gaing vulva of
*yemo=a from whom
emerge! all the !eities in
great confusion
:hysical
strength
Hiootamus
-abe of the
&byss
(onnecte! to
eso! which
brings one to
the reverse
si!e of the
tree
3xclusive
traversal of
:ath of Gimel0the moon;
choron8on1
Magister
Temli
-inah
attaine!
(omletion
of AIthD Ath
:aths
%!u!ua; 'The -lack %ne'/ the
bottom of the bottle or
recetacle/ engulfe! in the
Sea of arkness
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AB Magus
-aratchial
%sanyin; genius of me!icine/
aears as human with !og's
hea! 0&nubis1 an! whose
symbol is a ro! surmounte!
by a bir!/ suggesting the
(a!eucus&roni; genius of the forest/
aears as a whirlwin!
which swees through the
forest/ carrying leaves before
it
&taxahasia;
!isor!ers of
seech
Gift of tongues/
gift of healing D
knowle!ge of
sciences
AK 3mress
ag!agiel
%!u!ua aearing as &!o;
go!!ess of rostitution
(hamana; the !eforme! go!
an! fetish of !isease
connecte! with this 5enusian
ray
Syhillis/
gonorrhea D
nymhomania
&bility to !istill
love hilters
ove
Magus(hokmah
attaine!
(omletionof AKth/ AFthD
AJth:aths
%batala; 'The 7hite %ne'/attribute! to the li! or the
hea!
AA
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*t is worthwhile to observe the non,linear nature of working the esser :aths of the Tree,of,ife. Some of these aths are comlete! in later gra!es from when
they are initially traverse!. %r it coul! be sai! that these aths are an integral art of any gra!e the comes between the gra!e where the athwork was initiate!
an! the gra!e where such work was comlete!. This ties in somewhat with Motta's i!ea of lower gra!es being correlative of higher gra!es as they are transose!
on the Tree,of,ife an! within the &.'.&.'. gra!ing system. He states the following on the nature of *nitiation9
The Initiation of the Neophyte reflects the Initiation of the Minor Adept;The Initiation of the Zelator reflects the Initiation of the Magister Templi;
The Initiation of the Practicus reflects the Initiation of the Magus;The Initiation of the Philosophus reflects the Initiation of the Ipsissimus.
The process starts again with the Dominus Liminis whose circumstances and ordeals are analogous to those of the Pro!ationer.Again the Initiation of the Adeptus Minor is analogous to that of the Neophyte though on a higher plane.
And the Initiation of the Adeptus Ma"or is analogous to that of the Practicus.And the Initiation of the Adeptus #$emptus is analogous to that of the Philosophus.
%The Initiation of the Zelator is analogous here to the point of &iew of the Adeptus Minor 'ithin.(The )rossing of the A!yss is again analogous to Pro!ation and to the position and progress of the Dominus Liminis.
*n consi!ering the ractical efficacy of working these twenty,two tunnels/ it is interesting to observe that eso! sits in counter,osition to a'ath on the Tree,of,
ife. The >elator has fully attaine! eso! having worke! in this shere !uring his or her 4eohyte erio!. &n! this shere is a reflection of a'ath. That is why
it is sai! that the 4eohyte has the otion to take the %ath of the &byss; which was accete! by
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&n 3xeriment-y
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ne isis number, ;wain are is "orces#
An$ * $rew te image o" Earatcia! against te $ar2ness# A!toug wen * starte$ * 2new not te name#et * was on m+ $is2 an$ o!$ing m+ wan$ wit m+ cu "!oating to m+ rigt an$ m+ $agger "!oating to m+ !e"t# An$ we rose iger an$ igerassing images an$ wir!ings an$ srie2s an$ ow!s# An$ * sougt te aearance o" an entit+# An$ a big 2e+ was tereF An$ * ma$e it go awa+#* cant remember c!ear!+ ere but someting resente$ itse!" an$ * as2e$ its name )) it ca!!e$ itse!" A=GC>D*AS# ;is was not accetab!e an$ *trace$ a Eet to get contro!#
[ow tat * am 2e+ing tis in * am remembering tat tis was te "ace o" Earatcia!))but ver+ Be!!+)!i2e an$ $riing in aearance# A!so, * $i$nt2now tat Amrotias is te name o" te "irst o" te arcer Henii#]
@ver+ting bro2e u an$ * now a$ te images o" Earatcia! containe$ witin te circ!e tat is art o" te s+mbo! "or ercur+# A!toug * $ont nowremember seeing te crescent tat be!ongs above te circ!e on te s+mbo!# Eut now ercur+ a$ a "ace. it was Earatcia!# An$ it so2e to me# *as2e$ "or te 2e+ to initiation on tis articu!ar !ane#*t sai$ te 2e+ is to act# An$ * $rew a Eet over tis# ;e Eet became te cross)bow as it sot an arrow tat create$ a sun wose !igt grewstronger an$ stronger# Gow Sagittarian * tougt to m+se!"#
[/on retrosect now * "ee! tis re"!ect uon acting in te current moment]
Eut sti!! * nee$e$ to ress "or more an$ was una+ wit te Sagittarian nature o" te image#An$ te image grabbe$ me an$ trie$ to !ea$ me to "o!!ow it# * re"use$# An$ it sai$ te secret to acting is to act witout acting# * sense$ tis was a"orm o" si!ence in waiting "or oter "orces to $o teir bi$$ing wic wou!$ ten be in armon+ to +our own wi!!#* sense$ tat contentment sou!$ be "oun$ in te caos tat eists be"ore an+ $esign comes to "ruition# * sense$ tat * a$ a com!ete !esson#
An$ imme$iate!+ * was bac2 to eart#Love is te !aw, !ove un$er wi!!#
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So! in aricornLuna in SagittariusIanuar+ , 199ev:1am
Do wat tou wi!t sa!! be te wo!e o" te Law#
L&' an$ ' an$ m+ recitation o" a Liber '**# ten * assume$ te go$)"orm Garocrates in asana as seen in te [sin] Atu# 8en * "e!tcom"ortab!e in tis "orm * intone$ sabna)o$obor an$ imme$iate!+ saw te +rami$ wit te rectangu!ar bric2 or co""in insi$e# An$ te $ooroene$ u an$ it was a go!$en bric2 tat quic2!+ grew to a go!$en ci!$ o" gigantic roortion as te wa!!s o" te +rami$ "!ae$ $own#
An$ * teste$ wit te s+mbo! o" "ire an$ it went troug im an$ * went troug te s+mbo!# * quic2!+ $rew a circ!e "or tere was "ire a!! about mewit !eaing sa!aman$ers# An$ m+ circ!e was o" "ire# *n te same instant * ca!!e$ to te genii to aear an$ even a s!it)secon$ be"ore a $ancings2e!eton aeare$ tat quic2!+ turne$ into a "!aming creature# * ca!!e$ out to constrain an$ conBure an$ as2e$ to !earn te !esson o" tis at# Gesai$ some gob!e$+)goo2 tat * $ont remember# et * !oo2e$ into is e+es an$ te+ were bot emt+ triang!es wit te ae ointing $ownwar$san$ * remembere$ tat wen e "irst aeare$ * teste$ im b+ ur!ing a [sin] at im wic went troug im wit a ow! but in retrosect $i$ nottoug im# Ge ten rea!ie$ as * tat * 2new e was not te one * sougt#
An$ again * invo2e$ an$ conBure$ an$ a "!as o" !igtening aeare$ an$ * tougt tis was more marita! !i2e te tower# Eut it resente$ me witte [sin] wan$# An$ * sai$ teac me# An$ it bi$ me to ri$e it an$ we ro$e over te eart an$ it sai$ +our eart must !ea)u as we observe$ te"ier+ earts o" oters# An$ were tere was $ar2ness we struc2 !i2e !igtening as a catt!e)ro$ an$ as te tower#
An$ * rea!ie$ [ercur+] was c!osest to te sun an$ "rom a!2ut to [ercur+] $oes tis at traverse# An$ * tougt to emu!ate te sun#As a matter)o")"act, wen * "irst met te genii it sai$ to me tat * was not rea$+ an$ * a$ to assume te "orm o" Ca)Goor)?uit###to get some moreage###an$ tis is a so!ar go$3 tat * was too +oung# [ercur+] is so muc more tan min$# Eut is c!osest to te [Sun]
An$ m+ eart !eae$ "or Bo+ "or te !esson !earne$# An$ m+ bo$+ !eae$ ustairs to write tis#Love is te !aw, !ove un$er wi!!#
So! in aricornLuna in aricornIanuar+ J, 199ev:1am
Do wat tou wi!t sa!! be te wo!e o" te Law#
A"ter te usua! oening ecet tat * recite$ no o!+ boo2s3 K* came into m+ astra! tem!e an$ assume$ te go$)"orm o" Se2et an$ * invo2e$ er#reate$ te $oor wit te sigi! "or ;emiot on it# ;is is te com!ement as er &&&* an$ +ester$a+s wor2#* bow!e$ te $oor $own stan$ing on a sun an$ tere was anoter sun# 8e orbite$ eac oter in a constraine$ e!!ise an$ eventua!!+ * reace$ outan$ grabbe$ te oter sun# 8it te sun in m+ an$s w%arms stretce$ an$ te sun g!ue$ on m+ "eet we continue$ tis e!!ise ti!! * !an$e$ on a$esert "!oor wit a b!uis an$ vio!et s2+#
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A !itt!e tin+ !ion)ea$e$ man came u to me across te $esert an$ * $i$ not un$erstan$ wat e was sa+ing )) * cant remember ow * teste$ im *ur!e$ te sign o" Leo an$ e $i$nt !i2e tis# ;en * use$ te sign as a orse)soe sae$ s2ate$ boar$3 but e was c!ear!+ uncom"ortab!e is"ace was g!owing3 an$ ten a!ot o" !i2e creatures came an$ surroun$e$ me#* !eae$ severa! times tot e s2+ in an arc but was 2et "rom escaing in tis manner# So in m+ !ast !ea an$ in mi$)air * $ri!!e$ $own into te!anet#;ere was anoter man wit a g!owing "ace )) oo$e$ an$ robe$ e sat over a cube rea$ing a boo2 wit a !igt source to is !e"t as * aroace$to is !e"t# ;e !igt source was on te "!oor#Ge !oo2e$ u an$ * ur!e$ te sign o" Leo at im !i2e a ring toss an$ it !it im u as it asse$ over im an$ became is seat#Ge ut is arm out an$ ointe$ to is rigt# ;ere was a big g!owing !ion ea$ rotru$ing "rom a wa!!#* cant remember ow * teste$ tis but ten * sai$
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So! in aricornLuna in Aries1)14)9ev:16am
Do wat tou wi!t sa!! be te wo!e o" te Law#&&' ( ' into asana# Assume$ go$)"orm o" Gorus an$ invo2e$ te same# As * $i$ so * arme$ m+se!" wit m+ wan$, swor$, $agger an$ seate$m+se!" uon te antac!e o" [ars]# * entere$ te cu o" $ar2ness wic at "irst was gir$e$ about m+ !oins#* aroace$ te cast!e o" =ar"aitas "!+ing as a green bir$ an$ erce$ m+se!" ato te cast!e !oo2ing to te c!ou$s o" te eavens# ;ere was a!at"orm. a !eve! sur"ace "or a roo" to te cast!e#* conBure$ =ar"aitas. $rawing a circ!e an$ setting a triang!e a"!oat be"ore me# A sing!e "!ame aeare$ on te triang!e an$ * engu!"e$ it wit re$energ+ an$ it "a$e$ awa+# * conBure$ again =ar"aitas to aear in it true "orm be"ore me an$ or$ere$ tat it be constraine$ to te triang!e# A re$"ace aeare$ in te triang!e in te sae o" Eaomet# * $rew te sigi! o" [ars] an$ it wore it wit ri$e#
An$ * comman$e$ it to teac me# An$ it ci$e$ me as2ing
8/9/2019 Liber 231 Working - Frater Orpheus
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>n m+ !ast attemt * came uon te same aearance but tis was now te genii resting in a grove surroun$e$ b+ !us garnises o" ree$s, twigs,"ruits an$ vegetab!es#* $rew te same sigi! in te same wa+ an$ te being !ove$ it# An$ * ur!e$ more sigi!s tat c!ung to te bases o" its ooves#*t sai$ tat * a$ come "ar# An$ sowe$ me te cains at its "eet# >ne was te cain o" attainment an$ * cou!$ attac m+se!" to it i" * !i2e$#;e oter was te cain o" non)attainment# An$ * cou!$ attac m+se!" to it i" * !i2e$#
An$ *t sai$
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